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Los Angeles Timesã«èå³æ·±ãè¨äºããã¹ãããã¦ãããè°è«ã¯ãã¡ã¤ã«å ±æã«ã¤ãã¦ãªã®ã ããã©ããé常ã®è°è«ã¨ã¯ç°ãªãè¦ç¹ã§åé¡ãæ¦è¦³ãã¦ããã¨ãããèå³æ·±ããããã§ã®ãããã¯ã¯ããã¡ã¤ã«å ±ææ¯æ層ãå«ã¶ãã¡ã¤ã«ãå ±æãã¨ããè¨èãã³ã³ãã³ãç£æ¥ãæ¹å¤ã®éã«å«ã¶ãã¡ã¤ã«ãçªçãã¨ããè¨èã®æã¤ã¤ã¡ã¼ã¸ãæå³ã
The first salvo was fired by the original Napster, which defined itself as a file-sharing network. That won the semantic high ground by defining unauthorized downloading as "sharing," not "copying" or "duplicating." The implication was that users of these networks were merely being generous with something they possessed, not usurping the rights of copyright holders.
File ‘sharing’ or ‘stealing’? - Los Angeles Times
é¢ç½ãè¦ç¹ã確ãã«ããæå³ã§ã¯ãNapsterã®ãããã¯ã¼ã¯ããã¡ã¤ã«ãå ±æããããã¯ã¼ã¯ã¨ããããã¨ã§ãããã§è¡ããã¦ããè¡çºèªä½ã®æå³çãªåªä½æ§ãæ ä¿ããã¦ãã¾ã£ãã®ãããããªããããã«å¯¾ãã¦ã³ã³ãã³ãç£æ¥ã¯
Record labels, music publishers and movie studios contend that copyrights are indeed property, entitled to the same protection as a home or a car. To counter the notion of "sharing," they've advanced an equal powerful metaphor: downloading as theft.
çªçã¨ããã¡ã¿ãã¡ã¼ãæã¡åºãã¦ãããã¨ããã ããåç¥ã®ããã«ããããã¡ã¿ãã¡ã¼ãæ··ä¹±ã誤解ãæãã¦ããã¨ããã¨ãããããããã¨ãã°ãã¹ã¿ã³ãã©ã¼ã大å¦ãã¼ã¹ã¯ã¼ã«ã®èä½æ¨©ãå°éã¨ãã¦ããMark Lemleyã®ããã«ããã£ã¸ã«ã«ãªè²¡ç£ã¨ç¥è²¡ã¨ã¯ç°ãªããã®ã§ãããå®æã«ã¡ã¿ãã¡ã¼ãç¨ãããã¨ã¯ãéå¹æã ã£ãã®ã§ã¯ãªãããã¨ææãã声ãããã
"Let me be clear: copyright infringement is wrong, and should be punished," he wrote in a recent e-mail. "But simplistic statements that infringement is 'just like' stealing a CD, or using a room in my house, are wrong. They are also counterproductive, because people instinctively know they are wrong, and so they are likely to ignore histrionics of this sort."
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