Ted Chiang Explains the Disaster Novel We All Suddenly Live In - Electric Literature

Opinion | It’s 2059, and the Rich Kids Are Still Winning - The New York Times

The New York Times is publishing science-fictional op-eds. The first one is from Ted Chiang on the Gene Equality Project forty years in our future:

White supremacist groups have claimed that its failure shows that certain races are incapable of being improved, given that many — although by no means all — of the beneficiaries of the project were people of color. Conspiracy theorists have accused the participating geneticists of malfeasance, claiming that they pursued a secret agenda to withhold genetic enhancements from the lower classes. But these explanations are unnecessary when one realizes the fundamental mistake underlying the Gene Equality Project: Cognitive enhancements are useful only when you live in a society that rewards ability, and the United States isn’t one.

Muscular imagination

Robin Sloan on The Culture:

The Culture is a utopia: a future you might actually want to live in. It offers a coherent political vision. This isn’t subtle or allegorical; on the page, citizens of the Culture very frequently artic­u­late and defend their values. (Their enthu­siasm for their own politics is consid­ered annoying by most other civilizations.)

Coherent political vision doesn’t require a lot, just some sense of “this is what we ought to do”, yet it is absent from plenty of science fiction that dwells only in the realm of the cautionary tale.

I don’t have much patience left for that genre. I mean … we have been, at this point, amply cautioned.

Vision, on the other hand: I can’t get enough.

The other side of egoism | A Working Library

Mandy takes a deep dive into the treatment of altruism in Ursula Le Guin’s The Dispossessed.

What The Last of Us, Snowpiercer and ‘climate fiction’ get wrong - BBC Culture

I not only worry that “cli-fi” might not be an effective form of environmental expression – I have come to believe that the genre might be actively dangerous, stunting our cultural ability to imagine a future worth living in or fighting for.

Envisioning Our Shared Storm with Andrew Dana Hudson - Long Now

This observation feels spot-on to me:

The shift that I noticed, totally anecdotally, is literary writers are starting to write more dystopian climate futures and science fiction writers are starting to write about climate solutions.