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The Unz Review •ï¿½An Alternative Media Selection
A Collection of Interesting, Important, and Controversial Perspectives Largely Excluded from the American Mainstream Media
Joy Batchelor Archives
Joy Batchelor, Director •ï¿½1 Film
Animal Farm (1954)
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Published Reviews
  1. [+]
    Strange Doings at "Animal Farm" (2 Reviews)
    Animal Farm, by George Orwell
    1. Animal Farm by George Orwell
    2. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    Commentary, February 1955, pp. 155-161
  2. [+]
    The Current Cinema (2 Reviews)
    Japanese Passion, English Satire
    1. Gate of Hell (1953 Film) by Teinosuke Kinugasa
    2. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    The New Yorker, January 8, 1955, p. 70
  3. [+]
    The Screen: "Some Corner of a Foreign Field" (3 Reviews)
    The Bridges at Toko-Ri (1954 Film), by Mark Robson
    1. The Bridges at Toko-Ri (1954 Film) by Mark Robson
    2. The Green Scarf (1954 Film) by George More O'Ferrall
    3. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    Commonweal, February 4, 1955, p. 477
  4. [+]
    Movies (3 Reviews)
    The Groaner, the Bard, and Some Pigs
    1. The Country Girl (1954 Film) by George Seaton
    2. Romeo and Juliet (1954 Film) by Renato Castellani
    3. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    The Reporter, February 24, 1955, pp. 47-50
  5. [+]
    The Movies: Three Problems in Film Adaptation (3 Reviews)
    Romeo and Juliet (1954 Film), by Renato Castellani
    1. Romeo and Juliet (1954 Film) by Renato Castellani
    2. The Country Girl (1954 Film) by George Seaton
    3. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    The Saturday Review, December 18, 1954, pp. 26-27
  6. [+]
    Films (4 Reviews)
    Prince of Players (1955 Film), by Philip Dunne
    1. Prince of Players (1955 Film) by Philip Dunne
    2. The Green Scarf (1954 Film) by George More O'Ferrall
    3. Animal Farm (1954 Film) by Joy Batchelor and John Halas
    4. The Bridges at Toko-Ri (1954 Film) by Mark Robson
    The Nation, January 22, 1955, pp. 84-85