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In the right wing’s attempt at creating a parallel society, they have an entire spectrum of political video streams that act as de facto news bulletins and current affairs programming. This also includes political documentaries with genre classics like Europa The Last Battle being successfully used as a normie-sphere propaganda weapon. But in its embryonic... Read More
Previously: Disney’s Latest Niggerfest May be One of the Worst Flops in Cinema History Legal scholar and conservative commentator Jonathan Turley has a piece up at The Hill about Disney’s latest SEC filing, wherein they admit that they are letting down shareholders by purposefully refusing to produce media that their consumer base enjoys, and instead... Read More
There’s a moment in Top Gun: Maverick where you forget you’re watching a movie, and instead realize you are watching the words of poet Alfred Lord Tennyson come to life: Pete “Maverick†Mitchell and Tom “Iceman†Kazansky, enemies turned wingmen/lifelong friends in 1986’s Top Gun, have aged 30 years. Tom Cruise’s iconic Maverick is a... Read More
If you want to understand the leftists of the twenty-first century, you won’t find a better guide than a writer who died more than seventy years ago. George Orwell (1903–50) exposed the psychology and tactics of leftism in his two greatest books. In Nineteen Eighty-Four (1948), he satirized the way leftists practise the opposite of... Read More
Without myth, we aren’t a people. We’re just consumers. Our rulers appear to want it that way. Friedrich Nietzsche called the state the “coldest of the cold monsters.†He rejected the idea that the state created a people. He championed the Germany of artists and scholars, the German nation defined by culture that predated Bismarck’s... Read More
Although Hollywood is now considered a monolithic bastion of leftist and “woke†political and cultural sentiment with almost no dissent tolerated, it was not always that way, at least not to the degree that exists today. Go back sixty years ago, and that progressivist uniformity was not as apparent. Certainly, “Tinseltown†was never a haven... Read More
On October 24, 1986 (35 years ago this week), the American comedy Soul Man was released in theaters. The film was a box office success, as it debuted at No. 3 on its opening weekend (behind only Crocodile Dundee and The Color of Money). It ultimately grossed $35 million on a $4.5 million budget. The... Read More
No show captured American decline as The Sopranos did. Unfortunately, its prequel The Many Saints of Newark is less an analysis of this than another example of decline. America may have deteriorated so much that its rulers can’t even recognize collapse. Instead, they strengthen their support for the disastrous policies that brought us here. The... Read More
The movie The Purge has now become a franchise, comparable to The Fast & the Furious, spawning five films and a television series. It has brought in more than $500 million. It tries to be darkly comic, but the real joke is that it portrays the opposite of what’s happening in the country today, and... Read More
Director Tony Kaye’s anti-skinhead morality tale American History X (1998) is proof that propaganda is far from an exact science. Just as Stanley Kubrick’s Full Metal Jacket caused a surge in Marine recruitment, American History X actually increases audience sympathies with neo-Nazi skinheads, despite its best efforts to present them as hateful hypocrites and losers.... Read More
A dozen years ago I wrote two essays showing that the War on Christmas in recent times has in fact been conducted by Jews out of their historic hatred of Christ, Christians, and European Whites. Recently, I was a guest on Guide to Kultur, hosted by Frodi Midjord, and we talked about my 2008 essays... Read More
There are many odd and irksome things about the new Hillbilly Elegy movie on Netflix. For my money, the strangest aspect of the production is that it has only a superficial resemblance to J. D. Vance’s 2016 book. It’s as though you were to make a movie of Moby-Dick, knowing only that it has a... Read More
Written by Paddy Chayefsky and directed by Sidney Lumet, Network (1976) is a sardonic, dark-comic satire of America at the very moment that its trajectory of decline became apparent (to perceptive eyes, at least). Network has an outstanding script and incandescent performances, which were duly recognized. Chayefsky won the Oscar for Best Screenplay. Peter Finch... Read More
2019 was the year of the “frustrated-white-loser-living-at- home-with-his-mom†movie. First there was Todd Phillips’ Joker, an origin story of Batman’s most memorable nemesis, starring Joaquin Phoenix as the clown himself. Then came Clint Eastwood’s Richard Jewell, the true story of a Georgia security guard who discovered the Centennial Olympic Park bomb in 1996. Jewell alerted... Read More
Producer James Cameron and director Tim Miller have, in the latest Terminator epic Terminator: Dark Fate, taken another billion dollar entertainment franchise and driven it into the ground in the name of Social Justice, Hollywood-Style. Here’s how it happened. The message of the first two Terminator films is in a line from Judgement Day, sequel... Read More
Iron Man is dead. Captain America is all but dead, having traveled back in time to live his life out in the America he remembered. Those unhappy events occurred in Avengers Endgame, the film in which Woke Hollywood killed off and retired the two white men—top heroes in the Marvel Cinematic Universe (MCU). And more... Read More
Midsommar is an overly long, ultimately incoherent American horror film set in Sweden. It is the fruit of cross-cultural collaboration. Ari Aster, the film’s director, is a Jew from New York City who was born in 1986 and grew up fascinated with horror movies. Aster felt the film was personally cathartic because it allowed him... Read More
One of the delights of revisiting old movies after many years is finding out that you completely misread or misremembered certain scenes. Early on in the first part of Leni Riefenstahl’s Olympia, we have the entry parades of the national teams. When the French team come by, they drag their flag in the dust –... Read More
Director, Patrick Creadon Screenplay, Jerry Barca, Nick Andert, William Neal Producers Jerry Barca, Christine O’Malley In an attempt to regain control over the conventional narrative, Notre Dame university has collaborated on a documentary film on the life of Father Theodore M. Hesburgh, C.S.C., the man who occupied the office of president for the longest period... Read More
Since the beginning of the twentieth century one of the newer art forms and expressions of our culture has been cinema—“motion pictures.†It was the novelty of live theater and acting captured as moving images in film and presented on a screen. In many respects, like other art forms, film represents what is happening in... Read More
In the early 1980s a young German Jew arrived at the Auschwitz concentration camp. His name was Erik Magnus Lehnsherr (or perhaps Max Eisenhardt), and he would eventually become, after his escape from Auschwitz, the most powerful Holocaust survivor in history. As leader of the Brotherhood of Evil Mutants, as well as an occasional nazi-hunter... Read More