Oscars
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‘Emilia Pérez,’ Pharrell Williams and Diane Warren Make Original Song Oscars Shortlist
“Emilia Pérez,” “Wicked” and “Blitz” are among the original scores advancing for the Academy Awards
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‘Dune: Part Two’ and ‘Wicked’ Land on 2025 Oscars Shortlists for Makeup, Visual Effects and Sound
“Deadpool & Wolverine,” “Alien: Romulus” and “Gladiator II” also appear on the Sound and VFX shortlists
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‘Sugarcane,’ ‘No Other Land’ Make Oscars Documentary Shortlist
“Will & Harper” and “The Remarkable Life of Ibelin” also land spots on the list
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Oscars Will Stream Live for the First Time in 2025 on Hulu
The Academy also unveils key art for the 97th awards
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Looks That Could Kill: Inside the Costumes, Hair and Makeup of 5 Oscar Hopefuls
How “Beetlejuice Beetlejuice,” “Wicked,” “Nosferatu,” “The Substance” and “Joker: Folie à Deux” created their to-die-for visuals
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Creating Emilia Pérez: How the Makeup and Costume Teams Transformed Karla Sofía Gascón
TheWrap magazine: “They allowed me to go deeper into the character and make it feel real,” the actress says, speaking alongside Julia Floch-Carbonel and Virginie Montel. “It did not feel like a disguise”
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Inside the Filming of Norway’s Oscar Entry ‘Armand’: ‘Going More and More Crazy Together’
TheWrap magazine: “It made sense to turn it into a nightmare,” director Halfdan Ullmann Tøndel says
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‘Universal Language’ Is the Only Oscar Entry Where a Turkey Was Arrested on the Set
TheWrap magazine: “(The turkey) gives a very good, soulful performance, even if he doesn’t always take direction,” director Matthew Rankin says
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Mati Diop Gives Stolen African Artifacts a Voice in Her ‘Fantasy Documentary’ ‘Dahomey’
TheWrap magazine: “I wanted to give them back their power. It was important to de-folklorize them, decolonize them,” the director says
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‘I’m Still Here’ Director Walter Salles Says Quiet Inner Strength Can Knock Down Dictatorships
TheWrap magazine: The Brazilian director explains the power and persistence of Eunice Paiva, who fought against a murderous regime in the 1970s
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June Squibb Gets Her First Lead Role at 95 — and She’s Ready for More
TheWrap magazine: After starring in “Thelma” and shooting “Eleanor the Great,” she has a new rule for her agent: “Only leads, and only if the film has my name in it”
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R.J. Cutler’s Wild 2024: From Elton John to Martha Stewart to Dodgers v. Yankees
TheWrap magazine: “These are real movies — these are narratives with characters and themes and cinema,” the director says
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Talking With Oscars Song Contenders: Pharrell Williams, Kristen Wiig, Robbie Williams … and Yep, Diane Warren Too
TheWrap magazine: We also get the scoop from the songwriters for “Emilia Pérez,” “The Wild Robot” and “Blitz”
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How ‘Vermiglio’ Explores Its Director’s Family History as an Immersive Wartime Saga
TheWrap magazine: Maura Delpero’s snowy mountain drama is the official Italian submission for the Oscars’ International Feature category
