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Mystery Jets (formed in 2004) is an English alternative and indie-rock band, best known for their second full-length album “Twenty Oneâ€, hailing from Eel Pie Island, Twickenham, London, England.
Originally formed of 12 year old drummer Blaine Harrison, guitarist William Rees, and Blaine’s father Henry Harrison on bass, the group underwent a series of lineup alterations prior to their musical debut. Following the arrival of Kai Fish on bass and Tamara Pearce-Higgins on the organ, Henry Harrison became the second guitarist and the band settled on the moniker The Misery Jets. Prior to the band’s debut EP Blaine misspelled Misery Jets “Mystery Jets†on his drum skin and pleased with the result the band kept it.
Having practiced in Henry’s Eel Pie Island boat shed, the band began practicing steadily with Blaine assuming the role of lead singer. Influenced by the melodies of Hall and Oates and experimentalism of Pink Floyd, Mystery Jets released their eponymous debut EP in 2004. Produced by Bishop Dante, the group’s subsequent EP the “Eel Pie Island†was issued later in 2004, following which the band began to develop new material and tightness on a modest UK tour. Mystery Jet’s first official single “Zoo Time†was released on up-and-coming label Transgressive Records, after which the band hosted a series of illegal parties. Due to this exposure the group were subsequently signed by 697 Recordings, who issued the single “The Boy Who Ran Awayâ€.
Mystery Jets’ debut studio album “Making Dens†was released in March 2006, extolled by many, aided by the singlex “You Can’t Fool Me Dennisâ€, “Diamonds in the Darkâ€, and “Alas Agnesâ€. Following the release the band hosted a tribute show to Syd Barrett, featuring artists Kid Harpoon, Kate Nash, and Dan Treacy among others, and embarked on their first worldwide tour. In May 2007, the band released the U.S. only album “Zootimeâ€, which was almost entirely made up of songs from their debut “Making Densâ€.
Ahead of their sophomore album “Twenty Oneâ€, Mystery Jets released the single “Young Love†featuring indie-darling Laura Marling. The album’s second single was the seductively groovy “Two Doors Downâ€, which reached No. 24 on the UK Singles Chart. “Twenty Oneâ€, produced by Erol Alkan and Nick Launay, earned widespread critically acclaim, peaking at No. 42 on the UK Albums chart. Following the release the band moved away from 679 Recording and signed with the established independent Rough Trade Records. With new label backing Mystery Jets issued their third studio album “Serotonin†in 2011 lead by the singles “Flash a Hungry Smile†and “Dreaming of Another Worldâ€. The band’s fourth LP 2012’s “Radlandsâ€, was recorded in a home studio by the Colorado River of Texas, and was supported by extensive international touring.
Read moreNew-indie veterans Mystery Jets have been delighting their fans with delicious tracks since 2004. From the eponymous ‘Making Dens’ through to the more contemporary, synthesised ‘Radlands’, the band have accumulated an impressive selection of dance-inducing, sing-a-long-lending songs that excel in their live performance.
Lead singer Blaine Harrison and the boys tore through their bass-heavy classic ‘Half in Love with Elizabeth’, as the distinctively shaggy-haired and sparkly-topped frontman inspired a high-pitched chant from his audience. They plunged into the love lament ‘Serotonin’ with its recognisable guitar riff, as Harrison’s London drawl seeped through, before crashing into the high-paced ‘Hideaway’.
Emotions rose and the pace slowed for the tragically wonderful ‘Flakes’, causing a sea of swaying arms from their tightly packed crowd and some rather spine-tingling harmonies. And of course we can’t forget ‘After Dark’ - the positively Daft Punky collaboration with The Count & Sinden, a perfect piece of dance-pop with plenty of synthesisers and a samba beat.
With an array of tracks, from feet-movers to heart-clenchers, the group put on a superb, eclectic show. It’s alleged that Mystery Jets were originally called ‘The Misery Jets’ before Harrison accidentally misspelt the name on their drum kit – let’s just say we’re definitely glad they kept their new one. Despite some of their heartbreak-inspired tracks, you certainly won’t be left feeling miserable after watching these fellas.
Mystery Jets, already, have had quite the eccentric career; starting out on Eel Pie Island in the mid-noughties, their debut record, Making Dens, was a strange brew of influences - it was almost as if they’d made a progressive indie rock record. That was during a time, of course, when frontman Blake Harrison could count his dad, Henry, amongst his bandmates; he no longer tours with the band, but as far as I can discern, he’s still involved in the recording process. When they followed up Making Dens with the terrific Making Dens in 2008, it marked one of the great reinventions in recent British history; suddenly, the eccentricity that had marked their previous output fell by the wayside, and in its place, we simply had a fabulous pop album. On stage, the setup’s remained much the same since Harrison Sr.’s departure, save for the loss of bass player Kai Fish a few years later; Harrison Jr., who suffers with spina bifida, plays gigs seated, but still flits between guitar and keyboards - the band also have a policy, as far as possible, to avoid venues that don’t offer suitable access for disabled fans. Guitarist William Rees takes on lead vocal duties on his fair share of songs, too, including Laura Marling collaboration ‘Young Love’, which they performed with her at London’s Royal Festival Hall back in 2012, the same year they dropped their most recent full-length, Radlands; expect them back before long with new material and dates.
The first time I saw the Mystery Jets, banging pots and pans and strumming acoustic guitars playing to a confused crowd of onlookers outside a student union bar in south west London, it was obvious that there was something about them that was a little... different (and not just the fact that one of the guitarist was the singer’s Dad). The last time I was in the same room as them, watching them play a rapturously received set to a sold out crowd at the Royal Festival Hall, things were certainly slicker, but I was delighted to see that the uniqueness that made them so intriguing to me in the first place hadn’t left them (their Dad had, however, made a dignified exit by this point). It was just that Blaine Harrison and co. had added more strings to their bow, delving in to straight up pop (with the likes of the superb "Two Doors Down" and "Greatest Hits") and heart wrenching balladry (have you heard "Flake" live? Oh my...) without losing their wide eyed, everything and the kitchen sink approach to exploring the possibilities that still remain in indie rock. If they’re not counted as national treasures already, I’d wager they’re only one more great record away.
Great gig. Band are very tight and worried through brilliant back catalogue as well as unheard new stuff. Excellent venue at Wylam brewery as well. Intimate size so great atmosphere. Highly recommend the band and venue!
One of the best bands I've ever seen! Great concert!! Just wish they could play something of the album Radlands!Having the opportunity to see them in such small venues is amazing! Totally awesome experience!
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