(Presentation) On Stylistic Analysis On Poem
(Presentation) On Stylistic Analysis On Poem
Sadaf 201670300
Aqsa Zulfiqar 201670352
Phonological
Analysis
Morphological
Analysis
TOPICS
Semantic Analysis
Graphological
Analysis
POEM
By
William Blake
Five Stanza
(ABCBADAEFGHBIBHJKLML)
ASSONANCE
Lines Transcription Assonance
Mercy, Pity, Peace, and Love /ˈmɜː.si/ /ˈpɪt.i/ i
All pray in their distress; /preɪ/ /ɪn/ ɪ
That prays in his distress, /preɪ/ /dɪˈstres/ e
CONSONANCE
Words Transcription Consonance
Pity, Peace /pɪt.i/ / piːs/ p
Pray, Distress /preɪ/ /dɪˈstres/ r
ALLITERATION
Words Transcription Alliteration
Pity, Peace /pɪt.i/ / piːs/ p
Has, Heart, Human /hæz/ /hɑːt/ /ˈhjuː.mən/ h
PHONOLOGICAL DEVIATION
Ellipses
• Aphaeresis
• Syncope
• Apocope
SEMANTIC ODDITY
METAPHOR
Verse Metaphor : Comment on verse
And Peace, the human Here peace is associated with human dress that is
dress. metaphor.
PARADOX
Verse Paradox
Is God, our father dear, That is absurd.
SEMANTIC PARALLELISM
• Antithetical Parallelism
• Synthetic Parallelism
ANTITHETICAL PARALLELISM
Stanza Comment
For Mercy, Pity, Peace, and Love Antithetical parallelism is found in this stanza. In
Is God, our father dear, first two verses the attributes denotes or given to
And Mercy, Pity, Peace, and Love God, but in the last two verses same attributes
Is Man, his child and care. are denoting to man that is opposite.
SYNTHETIC PARALLELISM
Verses Synthetic Parallelism
And all must love the human form, In the fifth stanza, the last line adds something to
In heathen, Turk, or Jew; 2nd last line.
Where Mercy, Love, and Pity dwell
There God is dwelling too.
GRAPHOLOGICAL ANALYSIS
• Comma(,)
• Semicolon(;)
• Full Stop(.)