Significance of Art Forms From Regions

Significance of Art Forms

from Regions

Q1 W5
Art is part of the life of the indigenous people of the
Philippines. This is shown in the things that they used
everyday, which are rich in traditional col-ors and patterns.
These art forms reflects their tribal background.
Architecture
Philippine architecture differ significantly per ethnic group, where most of
the structures are made of bamboo, wood, rock, coral, rattan, grass, and
other materials.

Torogan Dakay House

Weaving
Philippine basket weaving has developed difficult
designs and forms di-rected for specific purposes
such as harvesting, rice storage, travel package,
sword case, and so on. Weaved headpieces are
practiced by most people throughout the Philip- Nito plate chargers &
tray with Mangyan motif
pines, wherein multiple cultures utilize a variety
of fibers to connect mediums forming Filipino
headgears such as the Ivatan's vakul, the head-
cloth of the Manobo, and the snake headpiece of
the Bontoc.
Wraparound skirts were also worn by other
Filipino ethnic groups in the pre-colonial period,
like the identical Visayan and Tausug patadyong
and the shorter Tagalog tapis.
Folk
Petroglyphs
Drawing/ Painting
in Angono (Rizal), which was created during the Neolithic age of the
Philippines, corresponding to 6000 BC to 2000 BC. Another known petroglyph is in Alab
(Bontoc), which is dated to be not later than 1500 BC, and represents symbols of fertility
such as the pudenda.The petrographs of Peñablanca in Cagayan compose charcoal
drawings. The petrographs of Singnapan in south-ern Palawan are also drawn with
charcoal. The petrograhs in Anda (Bohol) compose drawings made with red hematite.
Tattooing , it was developed into cul-tural symbols in a variety of ethnic groups. Its
documentation was first put on paper in the 16th century, where the bravest Pintados
(people of central and eastern Visayas) were the most tattooed.
In Mindanao the Manobo people , their tattoo tradition is called pang-o-túb.
The T'boli also tattoo their skin, believing that the tattoos glow after death, guiding the soul
in its journey into the afterlife, and the most popular tattooed people in the Philippines are
the highland peoples of Luzon collec-tively called the Igorot.
MUSIC
As music transmitted orally, music with unknown composers, or music
performed by custom over a long period of time. It has been con-trasted with
commercial and classical styles.
Musical composition, musical direction, and musical performance are the core
of the art of music under the non-traditional category. Philippine folk music
includes the chanting of epic poetry, such as the Darangen and Hudhud ni
Aliguyon, and singing of folk music traditions through various means such as
the Harana. Tagonggo which is music tradi-tionally played by finely-dressed
male musicians, Kapanirong which is a ser-enade genre, Kulintang which is a
genre of an entire ensemble of musicians utilizing a diverse array of traditional
musical instruments, Kundiman which is a traditional genre of Filipino love
music.
Sculpture
In Philippines, non-folk sculpture is a major art form. The art of sculpture in the country
originated from the indigenous cultures of the natives.
Non-folk sculptures
UP Oblation-which reflects selfless dedication and ser-vice to the nation,
Rizal Monument- depicting Filipino martyr
Tandang Sora National Shrine, depicting the revolutionary mother of the Katipunan
Melchora Aquino,
Lapu-Lapu Shrine- which depicts the classi-cal-era hero Lapu-Lapu who vanquished the
colonizers during his life-time,
People Power Monument-which celebrates the power and activism of the people over its
government,
Filipina Comfort Women- which immortalizes the suffering of and judicial need for Filipina
comfort women during World War II,
Bonifacio Monument- depicting the revolutionary hero Andres Boni-facio.
Pottery
The art of pottery, categorized into ceramic making, clay pot-making, and folk clay sculpture,
has long been a part of various cul-tures in the Philippines. Important pottery artifacts from
the Philippines include the Manunggul Jar (890-710 BCE) and the Maitum anthropo-morphic
pottery (5 BC-225 AD).
In Cebu it has noted that porcelain were already being produced by the natives during the
time of Cebu's early rulers, prior to the arrival of colonizers in the 16th century. Notable folk
clay art in the country in-clude The Triumph of Science over Death (1890), and Mother's
Revenge (1984) the popular potteries in the country include tapayan and palayok.
Festivals
The fiesta is part and bundle of Filipino culture. Through good times and bad times, the
fiesta must go on. Each city and barrio has at least one local festival of its own, usually
on the feast of its patron saint, so that there is al-ways a fiesta going on somewhere in
the country.
PAHIYAS FESTIVAL - thanksgiving for a bountiful harvest
HIGANTES FESTIVAL- of Angono, Rizal. This is the major festival in honor of San
Clemente, the patron saint of fisher-man.
PANGABENGA FESTIVAL -reflects the history, traditions and values of Baguio and the
Cordilleras. comes from a Kankanaey term meaning "season of blooming".
DINAGYANG FESTIVAL- It is a religious evangelization in Iloilo.
THE SINULOG FESTIVAL-recognition of Christianity in Cebu.
LANZONES FESTIVAL- annual thanks giving celebration for Camiguin Island's bountiful
harvest in the town of Mambajao
T'NALAK FESTI-VAL held to celebrate the anniversary of south Cotabato attributed to a
popular piece of colorful cloth woven by the local T'boli women.
National Arts Centers in the Philippines
Philippines, now have cultural and artistic centers in the various
regions because of the effort and support of the Cultural Center of the
Philippines (CCP) and the National Commission on Culture and the Arts
(NCCA).
The Cultural Center of the Philippines
Cultural Center of the Philippines was established in 1969 through the
executive Order No. 303. The goal of CCP was “to preserve, develop,
and pro-mote arts and culture in the Philippines”. It also provides
venues for concerts, theatrical performances and art exhibit local and
international.
All over the country , we have regional centers in Kaisa sa Sining. The
program goal was “to further strengthen its linkages and cooperation
with local organizations in the regions”.
APPLICATION
Activity 1: Word Search Written Output
Direction: Now that you have been learned the significance of art forms from the region, let's further enhance it by
looking for hidden terms inside the word box.
Direction: Read the questions properly. Write the letter T if the statement is true and
F if the statement is false .
1. The term "Panagbenga" comes from a Kankanaey term meaning "season of blooming ”.
2. Bahay-kubo , is a royal house which is engraved with complicated-made okir motif.
3. Paintings on skin with elaborate designs is also practiced by the Malayan people.
4. Higantes festival is the patron Saint of the farmers.
5. Oblation reflects selfless dedication and service to the nation.
6. Lapu-Lapu Shrine, depicts the classical-era hero Lapu-Lapu whovanquished the colonizers
during his lifetime.
7. Australian ancestors introduced tattooing , and it was developedinto cultural symbols in a
variety of ethnic groups.
8. NCCA is responsible for “ preserving, promoting and developing culture and arts in the
Philippines.
9. Regional centers in Kaisa sa Sining program goal was “to further strengthen its linkages and
cooperation with local organizations in the regions”.
10. Bale houses are made of coral that protects the natives from theharsh sandy winds of the
area.
Performance Task 2
IDENTIFY AN ART FORM FROM OUR REGION VI- ILOILO
PROVINCE WHICH IS POPULAR AND CREATE ADVERTISING
MATERIALS AND SUBMIT IT TO OUR GOOGLE CLASSROM
DEADLINE ON NOV. 5, 2021
IF YOU USED PICTURES FROM THE INTERNET PLEASE GIVE
CREDITS TO THE OWNER.

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Significance of Art Forms

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