MODULE IN PATHFit 3
MODULE IN PATHFit 3
MODULE IN PATHFit 3
in
PATHFit-3
Republic of the Philippines
NORTH EASTERN MINDANAO STATE UNIVERSITY
DEPARTMENT OF BUDGET AND MANAGEMENT
Cantilan Campus
MODULE IN PATHFit-3
INTRODUCTION
DEFINITION OF DANCE
IMPORTANCE OF DANCE
OBJECTIVES
DISCUSSIONS
PHASES OF DANCE
1.2 Expressive Moments – Children can express moods and feelings and show
their reaction to colors and sounds by improvising dances, movements which
demonstrate different aspects of force, and gestures which depict different
feelings.
1.3 Identification – there are endless sources of subjects for identification and
interpretations with the child in his own mind taking on the identity of a
familiar character, creature, or object.
1.5. Singing movement songs include action songs and singing games.
Republic of the Philippines
NORTH EASTERN MINDANAO STATE UNIVERSITY
DEPARTMENT OF BUDGET AND MANAGEMENT
Cantilan Campus
3. Creative Dance is the highest form of dance for the purpose of entertainment. It
is the end product of exploration and improvisation of movements as the dancer or
choreographer expresses his feelings or emotions, ideas, and interpretations. This
is a dance with definite form, beginning and end. The principles of art are all
observed in the composition of the dance.
6. Social Ballroom Dance- the setting of this dance is more for formal atmosphere
re than the simple and informal parties in which the recreational dances are the
usual form.
FUNCTIONS OF DANCE
Republic of the Philippines
NORTH EASTERN MINDANAO STATE UNIVERSITY
DEPARTMENT OF BUDGET AND MANAGEMENT
Cantilan Campus
Dance has many functions but these vary according to society, the class, the
age or sex, the religious structure and similar factors about those who dance.
Dancing can be a way to stay fit for people of all ages, shapes and sizes. It
has a wide range of physical and mental benefits including:
There are five fundamental or basic positions in dance that are commonly
termed as 1st position, 2nd position, 3rd position, 4th position, and 5th position of
the feet and arms.
Republic of the Philippines
NORTH EASTERN MINDANAO STATE UNIVERSITY
DEPARTMENT OF BUDGET AND MANAGEMENT
Cantilan Campus
1. Arms in lateral position- both arms are at one side, either sideward right or
left, this may be done at shoulder, chest or waist level.
2. Brush- weight on one foot, hit the floor with the ball or heel of the other foot
(the free foot) after which that foot is lifted from the floor to any direction.
3. Clockwise- like the motion of the hands of the clock. R shoulder is toward
the center of an imaginary circle.
4. Counterclockwise- the reverse direction of clockwise. L shoulder is toward
the center of an imaginary circle.
5. Cut- to displace quickly one foot with the other, thus completely taking off
the weight of the body from the displaced foot.
6. Do-si-do- the vis-vis (opposites) both advance forwards, pass each other’s
right (or left) side, step across to the right (or left), move backward without
turning around pass each other’s left (or right) side to proper places. This is
of foreign origin and is used in many Philippine dances.
7. Free foot- the foot not bearing the weight of the body.
8. Free hand- the hand not placed anywhere or not doing anything.
9. Hands on waist- place hands at the waistline.
10. “Hayon-hayon”- to place one forearm in front and the other at the back of
the waist. This is a Visayan term.
11. Hop- a spring from one-foot landing on the same foot in place or in any
direction. The other foot may be raised in any direction (in front, in rear,
sideward or across).
12. Inside foot- the foot nearest one’s partner, when partner stand side by side.
13. Inside hand- the hand nearest one’s partner, when partner stand side by
side.
14. “Jaleo”- partners turn once around clockwise (with R elbows almost
touching) or counterclockwise (with L elbows almost touching) using walking
or any kind of dance step. The hands near each other are on waists. This is
a Tagalog term but of Spanish origin.
15. Jump- spring on one foot or both feet, landing on both in any direction.
16. “Kumintang”- moving the hand from the wrist either in a clockwise or
counterclockwise direction. This is an Ilocano term.
Republic of the Philippines
NORTH EASTERN MINDANAO STATE UNIVERSITY
DEPARTMENT OF BUDGET AND MANAGEMENT
Cantilan Campus
17. Masiwak -To turn the hand from the wrist halfway clockwise then raise and
lower wrist once or twice. This is an Ibanag term.
18. Outside foot- the foot away from the one’s partner, when partners stand
side by side.
19. Outside hand- the hand away from one’s partner, when partners stand side
by side.
20. Place- to put foot in a certain or desired position without putting weight on
it. The sole of the foot rest on the floor.
21. Pivot- to turn with the ball, heel, or whole foot, on a fixed place or point.
22. Point- touch the floor lightly with the toes of one foot, weight of the body on
the other foot.
23. “Salok”- to swing the arm downward-upward passing in front of the body
as if scooping, the trunk is bent forward following the movement of the arm
doing the “salok”. This is a Tagalog term.
24. “Saludo” -partners bow to each other, to the audience, opposite.