Works of Jose Rizal - Two Novels
Works of Jose Rizal - Two Novels
Works of Jose Rizal - Two Novels
This represents
Rizal’s life.
Past Life
Upper Triangle
Pomelo Blossoms & Laurel Leaves
- they represent faith, honor and fidelity, which are the values
Rizal aspires to be embodied by Filipinos
- pomelos are used to scent their air commonly during prayers
and cleansing rituals
Silhouette of a Filipina - laurel leaves are used as crowns during Greek Olympics for
- believed to be Maria Clara or as the "Inang Bayan" honoring the best
to whom Rizal dictates the novel
Burning Torch
Cross/Crucifix - refers to the Olympic torch
- represents the Catholic faith as it rises above Inang - pertains to the awakening of Filipino consciousness
- it also sheds light to the text of the manuscript
Bayan and Filipinos (shows dominance)
- it also symbolizes sufferings and death Sunflower
- it symbolizes a new beginning
- it is compared to the happiness of which appears to be
always bowing down
Lower Triangle
Flogs (Suplina)
Feet - it is used for self-flagellation
- it symbolizes the power of the friars
- just like the whip, this also symbolizes the cruelties of the Guardia
- it is placed on the base of the triangle (foundation) because without
friars, the Filipinos cannot stand on their own Civil
Chain
Shoes - it symbolizes slavery and imprisonment
- it represents wealth Rizal's Signature
- it is also the footprints left by friars in teaching Catholicism
- it shows that Rizal experienced and witnessed the ills and abuses
Hairy Legs that happened during his time
- it symbolizes the Legend of the Wolf Bamboo Stalks
- the wolf shape shifts just like how friars hide their true nature and - it represents Filipino resiliency
character - despite the sufferings, Filipinos can still stand tall and firm
Whip
- it represents the abuses and cruelties done by the Spaniards and
friars as depicted in the novel
Plain Cover
• It conveys a fresh start for the
Philippines and Filipinos without the
trace of symbols from the events and
situations in Noli Me Tangere.
Q&A
D O Y O U B E L I E V E T H AT R I Z A L’ S I D E A L S ,
PRINCIPLES, AND WARNINGS,
E S P E C I A L LY T H R O U G H T H E
CHARACTERS IN THE NOVELS, ARE
STILL APPLICABLE IN THE PRESENT
P E R I O D W H E N A N A P PA R E N T LY C H R O N I C
SOCIAL AND POLITICAL CRISIS IN THIS
N AT I O N I S P O S S I B L E ?
Q&A
WHICH IS THE SUPERIOR
O N E , N O L I M E TA N G E R E O R
EL FILIBUSTERISMO?
Comparative Analysis
Noli Me Tangere El Filibusterismo
Historical Inspired from Harriet Beecher Stowe’s Uncle Tom’s Sequel
Cabin
Background
Reunion of Filipinos in Paterno Residence (January 2,
1884)
Writing Period ½ of the novel (1884, Madrid) October 1887 (Calamba, Laguna) –
½ of the second half (1885, Paris) March 29, 1891 (Biarritz)
¼ of the novel (1886, Germany)
Revisions (February 21, 1887, Wilhelmsfeld)
Publication March 21, 1887; Berliner Buchdruchkerei- September 18, 1891; F. Meyer van Loo
Actiengesellschaft Pres in Ghent, Belgium
Maximo Viola, Savior, loaned 300 pesos for 2,000 Valentin Ventura, Savior
copies
Comparative Analysis
Noli Me Tangere El Filibusterismo
Title Latin phrase “Touch Me Not” “The Filibuster”
“…words taken from the Gospel of St. Luke, signify do “dangerous patriot who will soon be on the gallows,
not touch me.” (Rizal to F. Hidalgo, March 5, 1887) or else a conceited fellow.” (Rizal to Blumentritt)
An urgent call for the Filipinos to see for themselves Signify a movement severely punished by the
the social ills and do something for the country government; why revolution takes place
Chapters 63 38