Dark Romanticism Lesson
Dark Romanticism Lesson
Dark Romanticism Lesson
Lesson Content
Background Information/ Relevance/ Context/ Rationale (Purpose) – Please be clear about how this
particular lesson is situated within the current instructional sequence (i.e., unit), why is this content
important for students to learn, and how you will convey the relevance and significance of this lesson to
students.
This lesson is part of a larger unit on nature, in which the primary text is Into the Wild. In addition to Into
the Wild, students are reading independent reading texts that they have chosen. Options include A Walk
in the Woods, Wild, A Visit From the Goon Squad, Into Thin Air, and others.
As part of the unit, students will discuss American literary movements which relate to nature and Into the
Wild. Two of these are Dark Romanticism and Transcendentalism, which both fit under the umbrella of
American Romanticism. The protagonist of Into the Wild, Christopher McCandless, read the works of
Henry David Thoreau, including Walden. It is suggested that he was motivated, in part, by a belief in
romantic values (he sought to transcend everyday human experiences, sought to perfect himself, and
held a very optimistic belief in his own abilities, but this is debatable). To give context, we will explain
what American Romanticism is, and go in depth comparing and contrasting its sub-movements
Transcendentalism and Dark Romanticism.
Both transcendentalism and dark romanticism seem relevant when considering McCandless’s values. In
order to better understand McCandless’s actions, and to gain a deeper understanding of American
literature as it relates to nature, students should be able to identify the characteristics of the two genres
and use them to analyze other texts, including Into the Wild (and their independent reading texts).
To establish a background on these literary movements, we will go over the following powerpoint at the
end of class on Tuesday (https://docs.google.com/presentation/d/1iszL70vUxWqK-
MrC73zKIy3win1qWThckQZgnxpxvkI/edit#slide=id.g70b5ae221e_0_97), using a reading guide:
https://docs.google.com/document/d/16zBy11cQzRH37UwDglkgbCYCzTPFL3Cxj_JlVx9IRPI/edit and
review at the beginning of class Thursday.
Relevant VSOLs/CCSSs – Include only the standards addressed by this particular lesson
11.4 The student will read, comprehend, and analyze relationships among American literature, history,
and culture.
b) Compare and contrast the development of American literature in its historical context
c) Analyze American literature, as it reflect traditional and contemporary themes, motifs, universal
characters, and genres
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Learning Targets -- Please reference these learning targets throughout your lesson plan.
As a result of this lesson, students will…
U1: Understand that American Romanticism, Transcendentalism, and Dark Romanticism can inform our
study of nature and the book Into the Wild.
U2: Understand that the characteristics of a specific literary movement can be applied to texts from
outside that movement to gain a deeper understanding of a text.
K1: Know the historical context of American Romanticism: 1) formed in the U.S. in the 1830s in reaction
to Puritanism and the Age of Reason
K2: Know the characteristics of American Romanticism: 1) content dealt with emotions 2) valued
individuality/having individual experiences 3) sometimes opposed to urbanization/industrialization 4)
opposed to authority and conformity
K3: Know the characteristics of the transcendentalist movement: 1) believed in the inherent goodness of
people and nature 2) believed society and institutions corrupt the purity of the individual 3) people are
best when self-reliant and independent from society 4) valued subjective intuition over rationalism 5)
believed in the perfectibility of humans/growth through experiences
K4: Know the characteristics of dark romanticism: 1) Also valued intuition and emotions over logic, but
less idealistic 2) nature is not all good, nor is it harmless 3) similarly, not all humans are good; in fact
they’re prone to sin and self-destructive behavior
D1: Students will be able to identify the characteristics of and relationships between American
Romanticism, Transcendentalism, and Dark Romanticism
D2: Students will be able to identify a text as transcendentalist or dark romantic based on its
characteristics, giving supporting evidence
D3: Students will be able to apply the characteristics of American Romanticism to make connections with
and analyze other texts
Assessments: – How will you know if students have met/made progress towards the learning targets?
Be sure these assessments are integrated throughout the procedures and steps in the lesson outlined
below.
Diagnostic Formative Formative
Method of assessment: Padlet Method of assessment: Method of assessment:
discussion Walden Reading Notes (side 1) Walden Reading Notes (side 2)
-American Romantic Movement Powerpoint Reading Guide (to be done during last class):
https://docs.google.com/document/d/16zBy11cQzRH37UwDglkgbCYCzTPFL3Cxj_JlVx9IRPI/edit
Beginning Room Set Up: -How is the room set up when the students enter? Is there anything written
on the board or projected on the screen? Are their handouts, books, etc. that are laid out for students to
pick up as they enter?
Desks are set up as they normally are, with evenly spaced, 2-person low tables scattered throughout the
room, two groups of taller desks in the back corners of the room (1 2-desk group, 1 3-desk group), and a
large, high 8-person table in the rear center. There are also two comfortable arm chairs located next to
the teacher’s desk on the front right of the room, opposite the door.
The following handouts are printed (although not available to be handed out yet): Walden excerpt
reading notes:
https://docs.google.com/document/d/1RRct8TVJlnrA0Zi1vxZwQowhWiQspJ2X4NdhEm48U0k/edit;
Excerpts from Walden by Henry David Thoreau:
https://docs.google.com/document/d/11HoKsizaqE3WRY00eAY2wIBW-4pJzS_o6XzzR98sUB8/edit
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And the overhead projector is on the 1st slide of this:
https://docs.google.com/presentation/d/1brdOIaRDprO8nbbSGw7jq8CdICjHZWyYAVpEVkbAdTQ/edit#s
lide=id.p
Proactive Planning for Learning Differences: – What planned supports have you included to make
the content accessible for all learners (i.e., groups of students and/or specific students) and to build upon
learners’ diversity? Be sure any modifications are explicitly explained in the procedures/steps outlined
below.
Procedures/Steps in the Lesson: -- May follow a specific model (i.e., Direct Instruction, Jigsaw) or be
more open-ended. Be sure to think about what students will be doing during each step, in addition to
what you are doing. Scripting and/or estimated time frames may or may not be included, but the plan
should be clear and explicit enough that another person would be able to teach from it.
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-[Slide 5] Whole Class verbal reflection (5 minutes); verbally ask the following questions and lead a
whole class discussion:
1) What do we notice about our responses? Are there common themes that we can group together?
2) Are there common questions or concerns that need to be addressed?
3) What are the main takeaways from the PowerPoint? Can anyone summarize?
Once we’ve covered all the connections, we’ll move on to Walden: O.k. guys, we’re going to transition
here from the overview/background information on American Romanticism to read an example of a
prominent romantic text: Walden.
Read the excerpt from Walden (20 minutes): [Slide 7] Now that you’ve read the background, and have
a good idea of the context of what we’re about to read, take a moment to look over the reading guide
questions before you get started. Does anybody have any questions about anything written on the first
page? [pause and give opportunity to ask clarifying questions] O.k. then, let’s go ahead and take the
next twenty minutes to read the excerpt and answer the questions. Again, only answer the questions on
the front page. When you finish, feel free to take a five-minute break.
-Instruct students to take 20 minutes to read the excerpt and answer questions.
-While they read, students will respond to the reading notes questions. Once finished with the first half,
they can take their break.
Reflect on connections between Walden and Into the Wild (10 minutes) [Slide 10]
So, I want to be clear that the type of analysis you did with Walden and other Transcendentalist texts can
be applied to other texts, like Into the Wild. The questions you’re about to answer will guide you and help
you reflect on how transcendentalist and dark romantic ideas exist in Into the Wild.
Have students flip the graphic organizer over and reflect on the following questions on the back:
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Now flip your study guide over and take a moment to answer the questions on the back connecting what
you’ve read so far from Into the Wild to Walden. The questions are also listed on the overhead here:
1) Besides the obvious connection you’ve already read about (McCandless read Walden and had a
copy of it with him when he died), what other connections can you make between the excerpt you
read from Walden and what you’ve read so far about McCandless? These should include both
level 1 details and level 2 meanings taken from both Walden and Into the Wild.
2) There are elements of both dark romanticism and transcendentalism in the way McCandless
considers the world (at least, in how Krakauer portrays McCandless). Which do you think
McCandless most aligns with? Use level 1/level 2 evidence from Into the Wild to explain why.
Students turn in graphic organizer for feedback which I will return next class period. Alright guys, before
you head out, I’m going to take up your graphic organizer that you worked on today for a completion
grade. Before we get going, I just want to remind you that we have a rhetorical terms quiz coming up
tomorrow and by Tuesday you should have read through chapter 13 in Into the Wild. Thanks and have a
great weekend rest of your week.
Materials Appendix (if appropriate):-Please include the slides, images, links to texts, handouts, etc.
that are used in this lesson. They should be “Student Ready”
-American Romantic Movement Powerpoint (this was gone over in the last class):
https://docs.google.com/presentation/d/1iszL70vUxWqK-
MrC73zKIy3win1qWThckQZgnxpxvkI/edit#slide=id.g70b5ae221e_0_97
-American Romantic Movement Powerpoint Reading Guide (this was filled out in the last class):
https://docs.google.com/document/d/16zBy11cQzRH37UwDglkgbCYCzTPFL3Cxj_JlVx9IRPI/edit