05 Partho Datta Geddes
05 Partho Datta Geddes
05 Partho Datta Geddes
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HISTORY AND SOCIETY
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Partho Datta
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W
ith the decision to shift the capital of colonial India from
Calcutta to Delhi in 1911, urban planning became a
prominent area of debate and discussion in planning
societies and journals throughout the Western world. Because of this
project, other urban centres in colonial India willy nilly came under
the scanner of urban planners and the discourse of modern planning
expanded to accommodate many Indian towns and cities.
* I would like to thank all the participants in the 'The City in South Asia'
conference especially Yamada Kyota, Markus Daechsel, Benjamin Solomon,
Crispin Bates and Minoru Mio for their comments. This paper draws on
research done as Fellow, Nehru Memorial Museum Library and on my book
Planning the City: Urbanization and Reform in Calcutta, c.1800 to c.1940
(Delhi: Tulika Books, 2012).
'is there any good reason why the occupants of Civil Lines should
have enormous compounds of six to eight bighas - far more than
they want - while the houses in the city are packed together like
sheep in a pen?'.
an understanding of the past. Geddes wrote that the quest for utopian
endeavours should begin right in the city itself and the way to connect
the past and the present was through the observation and recording
of local heritage which had persisted with local advantages through
generations. Only then would 'historic appreciation and utopian
anticipation ... be increasingly united to bring forth fruit in civic
aspiration and endeavour'.15 This approach was markedly different
from his contemporary Ebenezer Howard, who envisaged ‘Garden
Cities’ on an empty plain where no contingencies existed.16 In
contrast Geddes' utopia was no escape from the harsh realities of
urban squalor.
' ... exceeds too readily the scale of his surroundings and over-
reaches also the requirements of the town. The result has been that,
in too many cities, imposing new streets have been laid out without
survey of their surrounding quarter and constructed without
reference to local needs or potentialities'.17
geometry (the rectilinears, the diagonals, etc.) used in the plans were
dubious since it represented all space uniformly. The biggest casualty
in this method were the labouring poor. Being low down in the social
hierarchy meant that they were unlikely to find representation in the
plans and would therefore become victims of cartographic silence.
only way to order the city.41 It was at this juncture that Geddes was
asked to give his opinion, and he submitted his plan in 1919.
cuts in total disregard to the needs of the local trades. The logic here
was dictated by the British mercantile establishments which were
placed along the river (still a major channel for transport) and which
disregarded Indian businesses further inland. Geddes also noticed
that in the business areas, the existing godowns were basically
domestic buildings adapted to business use — and actually afforded
less space for storing. The courtyards became dirty with constant
use, and the dust raised contributed to the unhealthiness of the living
quarters in the upper storeys. Most of the houses also had a narrow
frontage but great depth. The space behind these houses had been
overrun by the haphazard growth of stables and irregular housing
for domestic servants and the working population.47
'a lane after all is a pavement without a road beside it, and some
people value its quietness; while its narrow width and shade give
coolness also'.50
Writing just after the First World War, Geddes was sensitive that
large-scale demolitions would lead to losses in business and
Geddes' ideas, unusual for their time met with scepticism and
were resisted even before his report was published. Shrosbree, the
' ... Patrick Geddes evolved the survey method at the beginning
of the 20th century. But while the method acted as a corrective
for urbanism by respecting the complexity of reality and
rejecting the apriori, it was nevertheless used by Geddes within
the context of a cultural system of values and it remained
dependent on the creative intervention of a planner.
Consequently it did not fundamentally alter the course of critical
planning'.
Over the years as Geddes' reputation for dissent grew, his India
reports attracted a motley group of planners. In the 1920s and 1930s
the library of the Calcutta Improvement Trust became a 'Mecca' for
young British planners who were keen to consult the complete set
of Indian reports which were kept there.68
References
1
R.K. Home, 'Town Planning and Garden Cities in the British Colonial
Empire, 1910-1940', Planning Perspectives 5, No.1, Jan 1990,27.
2
This needs to be qualified. The 1857 uprising provoked a major crackdown
on cities by the British. Delhi and Lucknow had to be re-occupied and were
severely restructured to control recalcitrant populations. For some historians
military occupation began modern town planning in India. See Narayani
Gupta, Delhi Between Two Empires 1803-1931 (Delhi : Oxford University
Press, 1981), Veena Oldenburg, The Making of Colonial Lucknow 1856-
1877 (Princeton: Princeton University Press, 1984).
3
Christian Topalov, 'From the "social question" to "urban problems":
Reformers and the working classes at the turn of the twentieth century',
International Social Science Journal, No.125, August, 1990.
4
Norma Evenson, Paris, A Century of Change 1878-1978 (New Haven and
London: Yale University Press, 1979), 22-23, 265, Douglas E. Goodfriend,
'The Tyranny of the Right-Angle: Colonial and Post-Colonial Urban
64
Helen Rosenau, The Ideal City, Its Architectural Evolution (London: Studio
Vista, 1974), 150.
65
Francoise Choay, The Modern City, Planning in the 19th Century, 109.
66
Lewis Mumford, 'Introduction', Jaqueline Tyrwhitt, Patrick Geddes in
India, 12.
67
Patrick Geddes, Barra Bazar Improvement, 35.
68
Helen Meller, Patrick Geddes, Social Evolutionist and City Planner, 203.
For another sympathetic reading of Geddes' Barrabazar Report, see Martin
Beattie, 'Sir Patrick Geddes and Barra Bazar: competing visions,
ambivalence and contradiction', The Journal of Architecture 9, 2004.
Grateful thanks to Indrani Chatterjee who drew my attention to this essay.