Shall I Compare Thee To A Summer 1
Shall I Compare Thee To A Summer 1
Shall I Compare Thee To A Summer 1
English 102
Professor Batty
9/25/17
Shall I compare thee to a summers day (Sonnet 18), by William Shakespeare, initially
reads as a love poem addressing some unknown non-descript entity and alters into a medley of
figurative language centering around eternity, having little to do with the starry-eyed love of an
individual. This is a fourteen line sonnet where the rhyme scheme consists of an a-b-a-b, c-d-c-
d,-e-f-e-f, g-g, each line containing ten syllables utilizing iambic beats resulting in an iambic
pentameter rhythm followed by a rhyming couple in the last two lines. Typical of Shakespearean
sonnets, there is a change in mood midway. Initially, this seems to be a romantic sonnet where
the speaker is talking to his/her beloved, but that narrative becomes less likely as the poem
progresses. This sonnet is rich with metaphors, personification, imagery and more which paints a
scene that can be interpreted on many levels. Each time the sonnet is reread, one perplexing
question continuously arises. To whom is the speaker referring when he/ she addresses thee?
The main metaphor for the entire poem exists in line one, where the speaker is
comparing thee to a summers day. Initially, this sounds like a love poem, but identity of
thee gets a bit fuzzy. Line two is more of a double meaning in the use of the term temperate.
This term may apply to ones personality implying even-temperedness. Temperate is also used
as a term to describe the weather, which plays well with the comparison to a summers day.
Lines three and four are wonderful examples of personification. Rough winds do shake
gives the winds an ability, shaking, that is generally a human characteristic. Further, the buds of
May are darling, and the summer cannot really have a legal contract such as a lease. Lines
five and six have more personification. The sun is described more eloquently by calling it the
eye of heaven, where eye is certainly a component of a living being. Further personification of
the sun continues with his gold complexion, another human trait. In line nine, Shakespeare
describes his much-loved thee of this poem through characteristics of nature by saying thy
eternal summer shall not fade. Line 10 is a bit tricky with the word owst which can be a
contraction for two old words, ownest and owest. It is unclear whether Shakespeare meant that
the beloveds loveliness is something he/she owns, or if the loveliness is something that was
borrowed and must be returned; both continuing with the lease metaphor in line four. Line
The speaker of the poem refers to himself/herself as I, and the subject of the poem as
thee. It sounds like a love poem in the second line when the speaker uses the words lovely and
more temperate. However, it is questionable, based on the iambic rhythm if the speaker values
the object of his admiration at all? He questions if he should compare thee to a summers day but
never waits for a response. He is complimentary in line two, but then goes on from line three
simply complaining. So, the question really becomes: Who is the speaker talking to? Would a
lover really tolerate this rant by being so quiet? Perhaps he is enamored with summer, and
nothing more. This however seems too simplistic, knowing that Shakespeare was a master writer
who loved twists in all his stories and would never go with something quite so linear.
Progressing through the sonnet, it becomes clearer that perhaps he is talking about a thing and
not a person at all. Perhaps summer is being compared to the sonnet that is read by people,
generation after generation. The sonnet itself, and even perhaps the writer, remain immortal
William Shakespeare was an amazing playwright and poet, who wrote comedies,
tragedies and love stories, often including historical characters. Some of his best known plays
include Hamlet, Macbeth, Romeo and Juliet, Henry V, and Richard III (Goldstein). Born 1564 in
Stratford-upon-Avon, the Bard of Avon was known throughout the world for his works; but
his personal life, to this day, remains an enigma. Many historians have pieced various clues
together to shed light on his life. One very important indicator has been that his works seemed to
mirror both postulated and documented events of his life, which include church and court
records. William was the third child of Mary Arden and John Shakespeare, a leather merchant.
William married Anne Hathaway on November 28, 1582. He was 18 years old and Anne was 26
years old and three months pregnant. Susanna was born six months later on May 26, 1583. On
February 2, 1585 Hamnet and Judith, twins, were born. For several years after the twins were
born, there were no legal records of Williams life. Although there were several theories, none is
known for certain. It is known that after the twins were born, William moved to London and his
family remained in the country. In the early 1590s, records show that he became a managing
partner in the Lord Chamberlains Men, a London acting company. The name was changed to
the Kings Men in honor of the coronation of King James 1 in 1603 (Bevington, 153). By
1599, Shakespeare and his partners had the means to build their own theatre, known as the
Globe. With success of his plays and investments, Shakespeare became fairly wealthy. From
1590 to 1613 Shakespeare wrote 37 plays which were mostly histories, tragedies, comedies and
tragicomedies such as Julius Caesar and Richard II. After 1600, they were mostly tragedies and
tragicomedies such as King Lear and Macbeth (Bevington, 4). William Shakespeare passed
Jack Goldstein wrote: The reason that Shakespeare wrote his book of sonnets was
because an outbreak of the plague in Europe resulted in all of Londons theatres being closed for
two years, from 1592 to 1594. Without the demand for plays, Shakespeare turned his talents to
an alternative literary art form. (Goldstein). Shakespeare wrote many different sonnets, some
exploring love and some exploring various interpersonal relationships, while others spoke of
despair. As Shakespeare became successful with his theatre, some historians implied he became
somewhat arrogant. He had the remarkable opportunity to explore a variety of emotions and
situations through writing and producing his own works. As such, the likelihood of becoming
overly at-ease with each successful phase of his writing resulted in a fairly bloated ego. William
Baker wrote:
For instance, in sonnet 18 beginning, Shall I compare thee to a Summers day? utilizing
imagery drawn from nature, the rough winds, the darling buds of May, legal imagery
so common in Shakespeares work, summers lease hath all too short a date, he tells the
addressee the subject of the poem that he/she will live on as long as the poem does: Nor
shall Death brag thou wandrest in his shade, When in eternal lines to time thou growst.
(Baker, 28)
Consequently, Shall I compare thee to a summers day (Sonnet 18) is not a love poem, or
a chat about the weather, or even a real question. It is rhetorical. Utilizing iambic pentameter,
Shakespeare emphasizes the word I in the first line, referring to the speaker who is likely the
writer of this sonnet, and deemphasizes the word thee because it is simply unimportant. So,
who is the speaker talking to? Well never truly know because it truly doesnt matter!
Work Cited
library.lavc.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nl
ebk&AN=344305&site=eds-live.
library.lavc.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nl
ebk&AN=381042&site=eds-live.
3. Goldstein, Jack. 101 Amazing Facts about William Shakespeare. Andrews UK, 2014.
EBSCOhost,
library.lavc.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nl
ebk& AN=760325&site=eds-live.
All page numbers are in reference to books from the Los Angeles Valley College e-
book reader.