Gender Roles in Disney
Gender Roles in Disney
Gender Roles in Disney
History of Animation
Assignment 1, Part 4
Website Collaborative Content
I. Introduction
Gender roles are a perceived set of behavioral norms usually associated with
males and females in a given social group or system. They allow individuals to refer to
certain attitudes or behaviors that class a persons stereotypical identity. This concrete
behavior of individuals is both a socially enforced rule and value, as well as being
individuals disposition, genetic, unconscious, or conscious. Gender roles vary among
different societies and cultures, though creativity or time my cause these rules and
values to change. Gender roles are often conditioned by household structure, access to
resources, specific impacts of the economy, and other local relevant factors
(Thompson).
Snow White and The Seven Dwarves is the first animated feature length film produced
by Disney. In this movie, Snow White is very domestic, and is relying on a prince to
come save her. The same trend is found in Cinderella and Sleeping Beauty as well.
They are all dependent on a Prince. When looking further down the timeline and
analyzing movies such Aladdin, Pocahontas, and Mulan, each princess in these movies
are more independent. For example, in Aladdin, Princess Jasmine does not wish to rely
on a Prince, and is more independent and free-spirited, the same with Pocahontas and
Mulan.
Works Cited
a. The role of princesses - most Disney movies portray the princesses as souls
who need to be "rescued - why?
Gender roles are very prominent in Disney films; typically women are portrayed
as a princess, queen, or homemaker. A Disney princess is a female heroine that many
children look up to as role models. Though usually not princess by birth, these women
are praised for their determination, skills, and strong will. Disney has and will continue
to use princesses as main characters, for example Ariel in the Little Mermaid, Sleeping
Beauty, Cinderella, and Jasmine in Aladdin, and Mulan.
In early Disney films the princess was shown through a traditional fairy tale, the
damsel-in-distress theme. The heroine needs rescuing by the nearby prince, meeting the
standard of early-20th century American ideals. Cinderella is a great example of this; she
is left to stay in the same enforced servitude for the rest of her life until she escapes by
marriage. Cinderella and many others were tales that drew on traditional legends that
quickly lost favor when women right became a serious issue. Cinderella, Snow White,
and Sleeping Beauty were all incapable of helping themselves and getting out of their
own troubles.
As feminism rose in America there was a shift in type of princess Disney
portrayed. In the 1980s Disney reinvented their princesses with the release of The Little
Mermaid. Though Ariel ends up marrying her true love, she is rebellious and ambitious,
finding success herself. This change in the princesss role, lead Disney and their
animation department to realize Disney princesses could do anything. By the time
Pocahontas came out, she was able to stand up for herself, but herself in risk of a
stranger. Mulan was able to fight off an entire invading Hun army and save her country.
These new Disney princesses were a different kind of role model for young girls.
Disney uses princess (female heroines) more often than male heroes for
numerous reasons. According to them it is easier for men to indentify with a female
power figure than a male. It allows powerful females to remain more in contact with
their weaknesses and insecurities, where typical male heroes are often portrayed as hard
and consistently strong. Disney princess provides a universal role model for viewers of
both sexes, whereas a Disney prince may be more difficult to make accessible to a wide
audience, according to Dr. Richard Sherman of Miami University.
b. Male characters in Disney movies - Very masculine, "the rescuer"
While most of the young women in Disney movies are happy homemakers
she also touches on the point that most of the older women in Disney movies, such as
the Stepmother in Snow White, or Ursula in The Littler Mermaid, are portrayed as evil
characters (1).
Maio does however also recognize that throughout the years, Disney Princesses
have matured in their independence. Many still rely on men to rescue them as there is
usually a romance of some sort in the film, but many of the female characters, such as
Pocahontas and Mulan have found a new independence where relying on a male
rescuer is not as essential as before.
For another look into Disney Gender Roles and Princesses, please look at an
article written by Cassie Schmidt for The Daily Campus. She looks at how many of
these princesses are not only okay with home-maker role, but also the love at first
sight role. She argues that before calling these young princesses role models, one
should take another look. You can read her article here:
http://www.dailycampus.com/commentary/disney-princesses-are-not-the-role-models-
they-appear-to-be-1.1080977
Female Disney heroines are traditionally placed in one of three positions: that of
an idealized teenage heroine, wicked middle-aged beauty or nurturing post-menopausal
woman. These are the main stereotypes.
Snow white takes on the mother role in the film, we see her doing domestic tasks
such as cooking, cleaning, washing, and taking care of the seven dwarfs. She does this
all while smiling and singing or humming along. Snow White does all these things
without complaining at all. It conveys what proper gender roles of the time were,
being released in 1937.
In The Little Mermaid, Ariel, the mermaid, exemplified the stereotypical passive
female role. At the first glimpse, it seems that Disney did not pay much attention to the
Women's Movement. For example, Ariel is the same as the earlier Disney heroines,
except that she is sexy and wears a bikini made from shells. Also, everything she is
interested seems to be all about getting her lover, the prince. As shown in the animation,
Ariel seems to be willing to do anything in order to make the prince fall in love with her.
She even gives up her voice so that she can have legs, which can make her look better in
front of the prince. Even though the animation has happy endings, and Ariel gets her
voice back and keeps her lover, she has to leave behind her home, family, and friends.
This shows that she, a female character, gives up everything for her love. This
ends up with happy endings. However, Ariel who gives up everything including her
family and career just for her romance would have somewhat negative influence on
young girls who have to study and think about their careers in the future.
Works Cited
http://www.dailycampus.com/commentary/disney-princesses-are-not-the-role-models-
they-appear-to-be-1.1080977
c. Mulan
For another view of a more modern Disney Princess please check out Andy
Kleins article, Disneys Mulan: A More Modern Heroine, written for Animation
World Magazine in 1998.
<http://www.awn.com/mag/issue3.4/3.4pages/3.4kleinmulannotmp.html>.
Works Cited
Mulan. Dir. Tony Bancroft and Barry Cook. Perf. Ming-Na, Lea Salonga, and Eddie Murphy.
Walt Disney Home Video, 1998.
Klein, Andy. "Disney's Mulan: A More Modern Heroine." Animation World Magazine
July 1998: n. pag. Web. 10 Jun 2010.
<http://www.awn.com/mag/issue3.4/3.4pages/3.4kleinmulannotmp.html>.
Mulan. Dir. Tony Bancroft and Barry Cook. Perf. Ming-Na, Lea Salonga, and Eddie
Murphy. Walt Disney Home Video, 1998.
d. Pocahantas
Works Cited
Pocahantas. Dir. Mike Gabriel and Eric Goldberg. Perf. Irene Bedard, Judy Kuhn, and Mel
Gibson. Walt Disney Home Video, 1995.
The way Disney's animated movies represent women, race and other cultures has
changed as you can see in the above. In the Disney's early age animations, female
characters with minor or even inferior roles didn't really give a good message to
young girls today, in the 21st century. However, as gender roles have changed, the
female characters in Disney animations have also changed with gaining more
importance in their roles. I, as a woman, hope this change can have positive effect on
young girls of today's society.