Design Theories
Design Theories
Design Theories
Design Theories
CHAPTER I:
DESIGN
THEORIES
INFLUENCES ON
ARCHITECTURAL DESIGN
I.
GENERAL INFLUENCE
II.
ELEMENTS OF STRUCTURE
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I. GENERAL INFLUENCES
NEEDS OF MAN
1. PHYSICAL NEEDS
a. Self preservation . . . .
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2. EMOTIONAL NEEDS
The emotional reactions of man have to do with the instincts stirred by the forces of
religion and art and with the desire to indulge in recreation. Art in its broadest
interpretation assumes the various familiar forms painting, sculpture, music,
literature.
3. INTELLECTUAL NEEDS
ACTIVITIES OF MAN
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1 . Desire for Preservation -in obtaining food, shelter, clothing and security,
civilized man must have commerce, government and religion. These activities
call for their accompanying structures, or architecture.
2. Desire for Recognition -this is a desire for prestige, pride and ambition, social
status, physical supremacy, intellectual attainment, personal or civic, result in
the-struggle for position. As a result, man build palaces, skyscrapers, or
communities may erect cathedrals
or public buildings and monuments.
3. Desire for Response- This arises from the gregarious nature of man, from his
wish for love, friendship, and sociability.
This is responsible for aesthetic expression; for architecture in its highest form,
which result in building of theatres, museums, etc. To show that he is the best in
sports or recreation, encouraged the building of stadia, bowling alleys, gymnasiums,
etc.
EFFECT ON ARCHITECTURE
WARMER CLIMATES
COLDER CLIMATES
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2. STRUCTURAL ELEMENTS
In the past, walls were load bearing, wall thickness were thick, to carry the load of
the floors and the roof and also to resist the extremes of temperature and to protect
man from his enemies.
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Today, modern man erects structures to protect his investment from depreciation
and himself from the curiosity of his neighbors. Walls are no longer bearing walls.
They no longer carry loads as thin as the material will permit. The development of
insulation makes it possible to keep out the heat and the cold in a highly
satisfactory manner.
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3. PROTECTIVE ELEMENTS
The roof protects the interior from the elements of climate like typhoon, heat of the
sun, etc.
WARMER CLIMATE
COLDER CLIMATE
- In the Past-
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Entrance porches are the result of the desire for protection. The driving rains and
cold winds made these porches a desirable adjunct to the entrances.
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-Modern DevelopmentsHowever, with new inventions and innovations, steel and concrete construction.
Insulation, and modern drainage make almost any kind of utilitarian roof possible.
The roof may be flat even in cold countries and invisible from the ground. The roof
has now become a terrace, and the accompanying fresh air and sunshine contribute
to the health of a nation.
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4. CIRCULATORY ELEMENTS
- In the Past
WARMER CLIMATES
Windows are usually small in order not to
admit too muct light, which produces
excessive
heat and glare.
COLDER CLIMATES
Windows are usually large in order to
capture
the greatest amount of light, and heat
the interior.
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-ModernIn the architecture of the 20th Century, there has ceased to be the relation between
windows and climate that existed in the past. We can now heat or cool our houses in
a satisfactory manner with less reference to the sizes of openings and windows
often simply contribute to the cheerfulness of the interior.
In the last few years, there has come a new conception of hygienic and therapeutic
possibilities
of the window. A type of glass has been devek>ped which does not filter out the
ultraviolet
rays of the sunshine; as does ordinary window glass.
Man also invented machines for air conditioning, heating, ventilating and this
machine age
brought about the suggestion of windowless buildings.
5. DECORATIVE ELEMENTS
WARMER CLIMATES
With brilliant sunshine, pronounced
mouldings
are unnecessary and undesirable. When
mouldings are used, the curves should
be
flatter and more subtle.
COLDER CLIMATES
Sculpture and mouldings are usually
deeply
curved and undercut to catch the
maximum
amount of light.
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