A Guide to Independent Choreographers & Dance Companies

1st Edition

A Guide to Independent Choreographers & Dance Companies

1st Edition

Dance Ireland
Dance Ireland is the trading name of the Association of Professional Dancers in Ireland Ltd (APDI). Established in 1989, Dance Ireland has evolved into an umbrella resource for professional dance practice, whose core aims include: the promotion of dance practices; the provision of support and resources for professional dance artists; advocacy on dance and choreography issues. Dance Ireland is a membership led organisation funded by the Arts Council and Dublin City Council. In 2006 Dance Ireland assumed responsibility for DanceHouse, a purpose-built six studio dance rehearsal venue. DanceHouse provides a base for Dance Ireland activities, and an opportunity to develop a valuable resource for professional dance artists and the wider dance community. Board Members Liz Roche Chairperson, Ronach N Nill Secretary, Muirne Bloomer, Adrienne Brown, Megan Kennedy, Joseph Melvin, Fearghus Conchir, John Scott, Gaby Smith Dance Ireland Personnel Paul Johnson Chief Executive Sin Cunningham General Manager/DanceHouse Elisabetta Bisaro Development Ocer Duncan Keegan Administrator Brenda Crea Glenn Montgomery Receptionists/Administrative Support Dance Ireland DanceHouse Liberty Corner Foley Street Dublin 1 T +353 1 855 8800 F + 353 1 855 8801 E [email protected] www.danceireland.ie

Contents
5 Foreword 6 Introduction by Seona Mac Ramoinn Proles 11 Ballet Ireland 13 Catapult Dance/Rebecca Walter 15 Catherine Young 17 Chrysalis Dance 19 CoisCim Dance Theatre 21 Colin Dunne 23 Cork City Ballet 25 Corp Feasa Dance 27 Croi Glan Integrated Dance Company 29 CruX Dance Theatre 31 Daghdha Dance Company 33 Dance Theatre of Ireland 35 Dublin Youth Dance Company 37 Dylan Quinn 39 Echo Echo Dance Theatre Company 41 Fabulous Beast Dance Theatre 43 Flock Dance Company 45 Fluxusdance 47 Irish Modern Dance Theatre 49 Irish National Youth Ballet Company 51 Jean Butler 53 Joyce Richardson 55 Junk Ensemble Dance Theatre 57 Kalichi 59 Katarna Mojiov 61 Maiden Voyage 63 Mary Nunan 65 Maya Lila 67 Myriad Dance Company 69 New Balance Dance Company 71 Night Star Dance Company 73 Rachel Wynne 75 Rex Levitates Dance Company 77 Ronach N Nill/Ciotg 79 Selma Daniel Dance Company 81 Shakram Music and Dance Company 83 Tapestry Dance Company 85 This Torsion Dance Theatre Company 87 Ursula Mawson-Raalt 88 Other Contacts

Cover photo: Ros Kavanagh

Foreword
Dance Ireland is delighted to introduce the rst in a series of directories dedicated to dance in Ireland. The Guide to Dance Companies and Independent Choreographers 1st Edition focuses on professional choreographers and companies working in Ireland. It contains an introductory essay by dance critic and writer Seona Mac Ramoinn and a short list of useful contacts. We hope it will act as an invaluable point of reference for professional dance in Ireland both nationally and internationally. We wish to thank all those who have contributed by submitting their material. Further titles covering other aspects of dance practice will be added in the future. For information and deadlines, please visit our website at www. danceireland.ie.

Paul Johnson, Chief Executive Dance Ireland Elisabetta Bisaro

Development Ocer Dance Ireland

Disclaimer: Prole information was provided by each contributor

Photo (opposite): Ros Kavanagh

Introduction
Dance and Ireland. Several pictures are likely to come to mind when you entertain this duo together; a snapshot of comely maidens dancing at a crossroads blurring with some riotous chorus line cili? But, Ireland is a surprising place. Our maidens are ever comely but our crossroads are currently pointing in new directions. The roads being travelled are not to ports of emigration and local house cilis. The cultural and social landscape is changing even as I write and our denitions of national and cultural image and identity are being interrogated and challenged. These days Ireland and dance are forging a dynamic new partnership as we set sail into a more culturally cosmopolitan world. Dance is no stranger in our historical and cultural environment as Irish music is and has been a constant. Dance tunes are at the heart of that tradition and even the names of the tunes conjure much movement. A ddle tune called Round the House and Mind the Dresser needs no footnoting and the social integration of dance is deeply embedded in the native culture. The dances even have an international provenance as along with the jigs, reels and hornpipes, there are waltzes, polkas and mazurkas, gathered and traded no doubt by musicians and dance masters on their travels within and without the country. Other dance forms are not so indigenous of course, so the more globally recognised forms of ballet, jazz or modern dance owe their development here to more recent times. We have long been in the import and export business with people, languages and the arts, but without a past of patronage, tsars or palaces, ballet performance was merely a visiting phenomenon until the brief appearance of the Irish National Ballet (1973 to 1988). Joan Denise Moriarty, choreographer and artistic director was a doyenne of the early years and being conscious of the other Irish cultural traditions, she looked to dances collaborative instincts to create a work that would fuse both theatre and dance. Her challenge was how to merge two traditions and yet make the work visibly Irish. In other words, how to meld the local dance tradition, which is without a narrative vocabulary, with that of classical ballet. Her Playboy of the Western World (1978) took on JM Synges hymn to the west of Ireland, infused it with even more physical energy, engaged The Chieftains to write the music and it became a successful foretaste of things to come. Ballets role in our new century has been in training and touring, educating audiences, stimulating interest, exposing and familiarising us with a classical repertory. One of the drawbacks of being an island without an opera or dance house stage has always been the intermittent visits by touring companies. So in the last decade, three International Dance Festivals have made a substantial contribution to the expansion of our knowledge and exposure to dance styles and forms. The occasion in May 2000, when The Merce Cunningham Dance Company stepped on to the stage of the Abbey Theatre marked a watershed in how we have matured as a nation, acknowledging dance as a legitimate art form. One of the challenges in a culture where the word has enjoyed dominance over any other medium of expression has been whether to turn your back on it, politely keep your distance or nd a way to negotiate a neighbourly, if

not intimate, relationship. The narrative strain, given that we have fostered generations of storytellers might initially have been a more likely path for our dance makers to follow but, intriguingly, they have mostly not taken that road. Instead, their choices have been far ranging. They embrace the process driven and non verbal work of Rex Levitates, the text ecked dance works of CoisCim and Irish Modern Dance Theatre, and the technology embracing work of Dance Theatre of Ireland. In eect, apart from some reinvigoration of Irish folk drama/ dance as produced by Siamsa Tre in County Kerry, there has been a shift away from fully representational work. The move has been towards innovation and the more experimental techniques and collaborative processes which have mined local and international resources of technology, music and design. Still, there are distinctive features to the development. Many Irish dance artists tend to complement their movement skills with quite an extensive acting and emotional range which gives a distinctive tenor to the dance performances. Also, quite uniquely, the rhythms and tones of our other language, Irish, has provided a wealth of oral and written sources for two dancers/choreographers, Fearghus O Conchir and Ronach N Nill. Through background and education, both have a past steeped in the Irish language and culture. Now elements of their work seek to question and reach beyond some of the myths and stereotypes emanating from that tradition. The strong role of the individual artist in our literary and theatrical culture helped to give the dance artist a place that was not perhaps well funded but at least acknowledged and tolerated as an important contributor to the cultural mix. So, with the burgeoning of a modern dance culture over the past thirty years, contemporary choreographers have been equally visible in the vanguard along with the performers and dancers. This has led to highly original and creative instinct in contemporary dance in Ireland, relative to the brevity of its presence here and the number of choreographer led companies is further evidence of that impulse. There is also, as you will see in the following pages, testament to the support of the individual artist as many choreographers work independently and freelance of a full supporting company. Further fertile ground for individual dance artists has been uncovered as playwrights and theatre directors including Tom Mc Intyre, Conall Morrison and Vincent Woods have sought the skills and imagination of dancers and choreographers to underline the visceral elements of their work. Irelands island position, perched between inuential continents has oered us a unique perspective on the richness of surrounding comparative cultures from which we could learn. As our economic fortunes soared in recent years, the question posed often was would we look to Boston or Berlin? In dance terms, we have taken the both and approach, absorbing and reworking both the European and the North American styles and conventions, which has allowed for dierence to ourish. Abstract, intellectual, expressionist, they have all found their way into the vocabulary of dance here. However, in the way of post colonial nations, we are well used to assimilating the habits of our visitors and there is already evidence that our native culture has made its mark. We have engaged and exchanged with performers and individual artists from many countries, inviting in, and stepping out, while two major companies are currently led by artists from the United States (Dance Theatre of Ireland) and Austria (Daghdha Dance Company).

Traditional Irish dance is also on the move. The revival of the social form of set dancing and more recently of the pure Sean Ns (solo old style performance) has oered a couple of parallel routes for Irish dancing to take following the high prole of dance garnered by Riverdance. Whether you see that show as light entertainment or as reinventing the idiom, one point is certain. It has revealed that there is more to this culture than the more recognisable eloquent voices of poetry and song. Just one blast of the liquid energy emanating from the performance of Connemara native Sen O Neachtain would make you pause, not only in admiration but also in reection. Two veterans of Irish traditional dance, Jean Butler and Colin Dunne, have stopped on that road to re -evaluation and are keen to investigate the percussive roots of their dance training and performance. Both were raised in families and communities borne of our emigrant culture, one in New York, the other in England, places where the badges of ethnic identity were conserved and carried over the generations in dance, song and language. Those once indelible patterns of emigration have almost completely evaporated. We are now the destination of European, Asian and African migrants; economic, political and many who have the luxury of choice. This has happened with incredible speed and sometimes has caught us o balance, but we are eager to embrace the opportunity and challenge such diversity oers. Our dance community has been touched too and while, in the spirit of an island nation has looked out rather than merely within, the new inux of so many people and cultural backgrounds has opened up so many more possibilities. Visiting dancers, who come to perform, stay on and contribute to this exciting new world. There are opportunities emerging to participate in international festivals, take work abroad, perform for new and larger audiences and test oneself in a wider context. There are sudden moments of illumination which underline the force of change we are experiencing. John Scotts The White Piece (2005) a collaboration between his Irish Modern Dance Theatre and clients from the Centre for the Care of Survivors of Torture in Dublin is one such moment. The work celebrates and evokes human frailty and hope, drawing on and performed from true personal events, and watching it one realised this could never have been conceived, let alone produced in an Ireland of ten years ago. Then it would have had little resonance, few imaginative connections. So, here, in these pages, Irish dance presents itself. It is a survivor of economic privation through lack of funding, sponsorship or patronage, but that is balanced with old and new generations of dancers and choreographers whose extraordinary resilience and talent, collective energy, wit and spirit has ensured not simply survival but a creative future. Dances international language is currently acquiring a new and distinctive Irish accent. In our post Celtic tiger, post Riverdance world, Irish dance is celebrating its coming of age. Seona Mac Ramoinn is a dance critic and writer.

Choreographers & Dance Companies

Proles

Ballet Ireland
Ballet Ireland was founded in 1998 to re-introduce the performance of ballet in Ireland at an internationally recognised standard of excellence and available to audiences throughout the entire island. Ballet Ireland presents two seasons annually. The companys repertory ranges from world-renowned full-length classical ballets such as Sleeping Beauty, Nutcracker and Swan Lake through to contemporary ballets and works created by commissioned choreographers. Ballet Ireland was founded with several determined aims, foremost among which were two: to develop a full-time classical ballet company of the highest quality and to develop an outreach programme which would contribute to the education of all young people in Ireland, particularly with regard to dance as a performance art. Company directors are Gnther Falusy and Anne Maher. Gnther has worked with most of the great choreographers and dancers of the past and present including Ashton, Balanchine, Butler, Cranko, Hayde, Fonteyn, Killian, McMillan, Massine, Nureyev Tudor and Schaufuss. Anne Maher has danced the principle roles in all the great classics including Swan Lake, Nutcracker, Sleeping Beauty and Giselle all over Western Europe. The mainstay of our outreach programme is the annual summer school. The educational unit also oversees several special projects involving the collaboration of national schools. Ballet Ireland hosts an annual Choreographic Showcase. This enables aspiring choreographers to expand their creative vocabulary, by giving them the opportunity to experiment with new work on the professional stage. During its eight-year tenure on the arts scene in Ireland, Ballet Ireland has stimulated much interest and excitement. Steadily increasing audience statistics in the domestic market re-arm our belief that our mixed repertoire of traditional and modern performance works, backed by our commitment in developing a progressive educational programme, answers public demand.

Ballet Ireland Agher Summerhill Co. Meath Republic of Ireland T/F +353 (0) 46 955 7585 E [email protected] www.balletireland.com Artistic Director Gnther Falusy Managing Director Anne Maher Education Ocer Stephen Brennan Ballet Mistress Robyn Ross

Quotes:

[Swan Lake premiere 2001] a landmark for Ballet Ireland and for Irish ballet
The Irish Times

[Christmas Carol premiere 2006] a triumph pure and simple. So mesmerisingly beautiful that each scene seemed a painting come alive
Sunday Business Post Photo caption:

Tchaikovsky Celebration Gala, Act 4 Swan Lake with Agnieszka Chlebowsky as Odette
Photo: Colm Mahady - Fennell Photography

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Catapult Dance/Rebecca Walter

Catapult Dance Company was founded in 2001 by Artistic Director Rebecca Walter. Since then, the company has premiered 11 original works. Catapult endeavours to continuously develop and rene its own, personal approach to dance theatre. To this end, Catapult has performed extensively throughout Ireland in both established and unconventional venues. Catapult creates work for performance in theatres as well as works made for specic non-theatre locations. Past presenters have included Project Arts Centre, Belfast Festival at Queens, Cork Midsummer Festival, Westport Arts Festival, Eigse Carlow Arts Festival and Dublin Jazz Festival, among others. Notable site-specic performances include everybody into the pool ( Jayne Snow Award & Bedrock Commission Award, Dublin Fringe Festival 2004), performed on the rooftop balcony of Project Arts Centre, Dublin and Wash-O-Rama (Sexiest Show Dublin Fringe Festival 2001) performed in the All-American Launderette, Dublin. Catapult has been commissioned by Dublin Fringe Festival, National Youth Dance Company, Institute of Choreography and Dance and Project Arts Centre. Most recently, Catapult was commissioned to create a new version of Schreibstck, a score for dance by choreographer Thomas Lehmen. This new version premiered at Tanzquartier Wien (Austria) in March 2006 and had further performances in Project Arts Centre (Dublin) and Dansens Hus (Oslo). Catapult frequently collaborates with artists working in other mediums. Past collaborators have included: composer Hugh ONeill (Berlin/Dublin), scenographer Lian Bell (Dublin), beatboxer Eric Biondo (NYC), electronica duo Double Adaptor (Berlin/Dublin) and Hammond organ player Justin Carroll (Paris/Dublin). Rebecca Walter, the Artistic Director of Catapult, is a freelance dancer and choreographer. She has choreographed all of the companys productions to date. She holds a BFA from SUNY Purchase (USA) and received additional training from the National Institute of the Arts, Taipei (Taiwan). In addition to her work for Catapult, she has performed and choreographed for numerous dance and theatre companies in Ireland.

Catapult Dance Company T +353 (0)86 375 0260 E [email protected] Artistic Director Rebecca Walter

Quotes:

twisting and spinning limbs alight as they made a mockery of enclosed space
The Irish Times

[Rebecca Walters] award for the Sexiest Show in 2001 is indicative not just of her canny choice of venue but of the streetwise nature of her choreography
The Irish Times Photo caption:

Rebecca Walter in Home Disco Photo: Mark Nixon

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Catherine Young
Catherine Young is currently dancer in residence for Kerry County Council working closely with Siamsa Tire, the National Folk Theatre of Ireland. She is an honors graduate of the University of Limerick with a Masters in Contemporary Dance Performance. Prior to undertaking her Masters, Catherine spent eight years in the U.S. training and performing in theatre and dance. She has performed in San Francisco with Pure Dance Company, City College Repertory Dance Company and on the American Conservatory Theatres MA program as well as performing in Ireland and West Africa. Her training includes modern dance (Horton & Graham technique), contemporary, jazz, afro-Haitian, hip-hop and ballet. Catherine has also trained extensively in contemporary West African dance in Mali & Burkina Faso, under the tutelage of Mamadou Kante, Ousseni Sako & Lacina Coulibaly all highly acclaimed West African performers. Catherines choreography has been performed both sides of the Atlantic, in San Francisco and Boston as well as in Ireland. Since moving back to Ireland in 2005, her choreography has been showcased at Daghdhas 2005 Framemakers Symposium (Traces), Blas Rince 2005 (Catharsis) and Dance Research Forum Irelands rst International Conference, University of Limerick 2006. Rootless Belonging, her rst full length show and Irish debut, was premiered at the National Folk Theatre (Siamsa Tre) in March 2006. Catherine has recently been awarded the rst ever Dance Per Cent for Arts Commission to be showcased in March 2007. She is also on sta at IT Tralee teaching dance & choreography.

Catherine Young T +353 (0) 87 2660012 E [email protected]

Quotes:

She is a choreographer that we will hear about for a long time

Jonathan Kelleher, Artistic Director, Siamsa Tre The National Folk Theatre of Ireland

Catherine has an ability to inspire creative, technical and intelligent work in dance
Kate Kennelly, Arts Ocer, Kerry County Council Photo caption:

Catherine Young and Hamed

Photo: Domnick Walsh

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Chrysalis Dance
Judith Sibley studied at Elmhurst Ballet School and the Ballet Rambert School. She has worked with Vienna Festival Ballet, Rubato Ballet, New Balance Dance Company, Ballet Ireland, Spirit of the Dance, Phantom of the Opera, Irish National Youth Ballet and Cork City Ballet. Judith is also an International tutor for the Royal Academy of Dance. She is currently chair of the RAD Irish region. Chrysalis Dance was formed in January 2004 by Artistic Director Judith Sibley. To date, the company has used contemporary Irish music as inspiration for movement. The company blends uid classical ballet and intricate contemporary dance to create a vibrant and exhilarating dance form. The debut production by Chrysalis Dance, a work entitled Strings, took place in April 2004. Strings was inspired by the lyrics and music of Meteor Award winning singer/songwriter Paddy Casey. It was performed in the Black Box (Galway), the Dean Crowe Theatre (Athlone) and the Draocht (Blanchardstown). A further developed production of Strings was given at the 2005 Galway Arts Festival. Paddy Casey performed live alongside the dancers for the festival. The production subsequently went on a small national tour. Wishes and Waves the companys second piece was researched and developed by the Artistic Director with the assistance of an Arts Council choreographers bursary. Wishes was danced to music from the albums of Irish rock band BellX1 and Waves was a collaboration between choreographer Judith Sibley and Irish singer/songwriter Declan ORourke. The production premiered at the Black Box, Galway on 1st April 2006 followed by a tour to 14 venues around Ireland.

Chrysalis Dance 28 Carraig Mor Lackagh Co. Galway Republic of Ireland T + 353 (0) 87 7970339 Artistic Director Judith Sibley

Quotes:

Strings opens with a burst and exuberance rarely seen in Irish dancedancers swirl and leap across the stage
Irish Emigrant Online

One truly has to admire Sibley and her company of dancers for their ambition, their commitment, their creative energy and their drive in creating a successful full length evening work
Dance Europe Photo caption:

Wishes and Waves (2006) Photo: Thomas Rohan

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CoisCim Dance Theatre

As co-founder and Artistic Director of CoisCim, David has choreographed numerous dance performances. In 2001, he co-wrote and choreographed the award winning lm Hit and Run for which he was nominated for the American Choreography Award, LA. As a freelance choreographer, David has worked in dance, opera, theatre and lm with many companies in Ireland and overseas including Druid, the Abbey, Opera Ireland, The National Theatre (London), the Guthrie Theatre (Minneapolis), and Cameron Mackintosh (UK & USA). CoisCim has created over 20 works for live performance ranging in scale from duets to larger ensembles. In the main, the shows have been conceived for presentation within theatre spaces, though the company has created site specic work, for example Swept was conceived for and presented in a bar/foyer area and Chamber Made in a hotel bedroom. In 2001, CoisCim co-produced with Rough Magic Films, Hit and Run which premiered at the rst International Dance Festival in May 2002 and was shown on Network 2 Television in December 2002. It was subsequently screened at over 16 national and international lm festivals during which time it has won ve major awards including the Paula Citron Award for choreography and a Creative Excellence award at the Houston Indie Festival in 2002. CoisCim has participated in a range of diverse projects such as: the Special Olympics in 2003; Opera Irelands production of Orfeo Ed Euridice in 2004 which went on to win the Irish Times/ESB Award for Best Opera; the opening of the new Sean OCasey bridge across the River Liey in Dublin in 2005 and at the Opening Ceremony of the Ryder Cup in 2006. The company has developed an international reputation through presentations at prestigious festivals such as the 10 Days on the Island Festival in Tasmania (2000); the Jacobs Pillow Festival in America (2001); as part of the Ireland China Festival of Arts & Culture in Beijing and Shanghai (2004) and at the Edinburgh Fringe Festivals (2005 & 2006). CoisCim has attracted excellent media attention gaining widespread critical acclaim from dance practitioners, journalists and audiences alike. In both years at the Edinburgh Fringe, CoisCim was awarded a much coveted Scotsman Fringe First Award for both Chamber Made and Knots.
Quotes:

CoisCim Dance Theatre 14 Sackville Place Dublin 1 Republic of Ireland T +353 1 8780558 F +353 1 8780813 E [email protected] www.coisceim.com Artistic Director David Bolger General Manager Jenny Traynor

CoisCeim are producing some of the most thought-provoking physical theatre around
Scotland on Sundays

Playful and sensualsheer precision and emotional eloquence is outstandingthrilling athletic zestwonderfully witty and wistful
Sunday Business Post Photo caption:

Thomas Maucher in Out of Harms Way (2006)

Photo: Maurice Korbel

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Colin Dunne
Colin Dunne was born in Birmingham, England of Irish parents and began classes in Traditional Irish step dance at the age of three. He is currently based at the University of Limerick where he is a guest tutor, and is working internationally as an independent performer, choreographer and teacher. Colin Dunne made his professional dance debut touring with The Chieftains and De Danann in the early 1990s before going on to become principal male dancer with Riverdance The Show from 1995 to 1998, and then choreographing, producing and appearing in Dancing on Dangerous Ground (1999 2000 Theatre Royal Drury Lane). In 2001-2002 he took the MA in Contemporary Dance Performance at the University of Limerick. Post 2002 he has focused on the making of solo works. Work includes Piano One, The Arrival of The Queen of Sheba in Galway, Bar480, Oh So Virtuoso, and Rashers and Sausages. He has presented work at Vail International Dance Festival, The South Bank in London, Jubilee Centre Edmonton Canada, and Daghdha Space, Limerick. In 2003 he collaborated with New York based artist Yoshiko Chuma in the Daghdha production of The Yellow Room. In 2005 he performed and choreographed for The Bull (Fabulous Beast Dance Theatre, Dublin Theatre Festival BITE 07 Barbican). In 2005 he worked as a soloist with the Irish Chamber Orchestra (Carna, composer Bill Whelan). Theatre choreography includes The Shaughraun (Abbey Theatre 2004). Since 2003 he has toured his Colin Dunne Masterclass series in the USA, Europe, China and Russia. He continues to research the making of work which has its basis in traditional dance, but within the context of contemporary theatre practice. He was the recipient of an Arts Council Bursary Award in 2004 and 2005, and a Commission Award (Glor, Ennis) in 2005/06.

Colin Dunne T/F +353 (0) 46 955 7585 E [email protected] www.colindunne.com

Quotes:

Like prodigious ballet dissident Mikhail Baryshnikov, whose mastery of his craft brought with it a productive aesthetic restlessness, Dunne has been on an aesthetic journey since he choreographed (Trading Taps) for Riverdance in 1995
Dance Magazine The Irish Times Photo caption:

Dunnes Celtic Bitch choreography is as astounding as it is uproarious

Colin Dunne in Rashers and Sausages

Photo: Maurice Gunning

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Cork City Ballet

Alan Foley, Artistic Director and Principal Dancer of Cork City Ballet, began his training with the renowned Joan Denise Moriarty School of Dance and the Cork Ballet Company. Further training included the Harrison College of Dance and Drama in London, the Vaganova (Kirov) Ballet Summer School in Russia in 1989, the Broadway Dance Centre in New York, and classes with many distinguished teachers and dancers in Pineapple Dance Studios in London. Cork City Ballet embraces a policy of engaging dancers from international companies as well as Irelands nest classical and contemporary dancers, to perform to audiences all over Ireland. CCB promotes and encourages the ethos that ballet no longer needs to be the preserve of the privileged. This is achieved by its diversity of programming, which includes not just the well-loved classics, but also modern and contemporary choreography including works specially created for the company by Irish Choreographer Jane Kellaghan among others. This blend of classical and contemporary dance in the one programme is in keeping with the companys intention of making dance as accessible as possible to the general public, and is a major factor in the company being able to attract a new and younger audience to ballet than ever before. Cork City Ballet aspires to promoting dance as a vibrant and enjoyable art form, and the Companys Artistic Director Alan Foley also directs the VEC Diploma in Dance course at Colaiste Stiofain Naofa, which is based at Firkin Crane, Cork. This interaction places him in the valuable position of being able to provide enviable educational opportunities to the students in stagecraft and dance evaluation through the work of CCB. Eminent Irish dancer Patricia Crosbie is now reinvesting her expertise in Irish Ballet through her direct involvement with CCB. Our links with the Irish National Youth Ballet oer professional exposure to edgling dancers. Artistic sta of Cork City Ballet regularly visit theatres in London, Stockholm, St. Petersburg and New York to engage in discussion with policy makers and to strengthen our established international network of contacts. Cork City Ballets aims and objectives are to present quality ballet to the highest possible standards, oer a wide range of repertory that includes new and lesser-known works as well as the established classics, promote and provide performance opportunities for Irish dancers, choreographers, teachers and practitioners, extend the publics understanding and enjoyment of dance and build on our existing international relationships, thus creating valuable exchange opportunities and absorbing international culture of dance into Irish ballet.

Cork City Ballet 56 Clevedon Kilmoney Carrigaline Co. Cork Republic of Ireland T +353 (0)21 4375155 E [email protected] www.corkcityballet.com Artistic Director Alan Foley Administrator Janet Dillon

Quotes:

Cork City Ballet is gradually and successfully re-establishing classical ballet as an important contribution to the cultural life of the city
Dancing Times Magazine

Modern themes and references and music are all used with total condence.... and further distinguished by excellent costuming, conrms Alan Foley as a signicant force in dance in Ireland today
The Irish Times Photo caption:

Cork City Ballet

Photo: Kieran Tobin

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Corp Feasa Dance

Brought up in An Rinn, Fearghus Conchir completed degrees in English and European Literature at Magdalen College Oxford, before training at London Contemporary Dance School. He has danced for Adventures in Motion Pictures, Catapult Dance Company, Claire Russ Ensemble, Arc Dance Company. He is the rst Ireland Fellow on the Clore Leadership Programme. In 2001 Fearghus started producing his work under the name Corp Feasa Dance, a name which means a body of knowledge. Corp Feasas purpose is to create high-quality dance that moves bodies and minds. The work has developed by building relationships with dance artists, with artists from other disciplines, with venues, with stakeholders and ultimately with audiences, to create a network which it inuences and by which it can be inuenced. This work has included Vespers (2001) Tearmann (2003), Suln (2003), An d thr (2004) and Cosn Dearg (2005) Fearghus was Artist in Residence in the Muskerry Gaeltacht in 2003/2004 and continues to develop his work in association with communities across Ireland, returning to Muskerry for Idir (2006) and to An Rinn for Duan Diseach (2006). He created an inaugural Dance on the Box commission, Match, with director Dearbhla Walsh and the lm has been screened internationally. He has also worked with Live Art photographer Manual Vason to produce a photographic exhibition and is currently collaborating with architect, Dan Dubowitz, on projects relating bodies to buildings in change. Other collaborators include composers Iarla Lionird, Julie Feeney and Mchel Silleabhin, director Jason Byrne, visual artists Bob Rassmussen and Bernadette Cotter, documentary maker Chris Hurley, poet ine U Fhoghl, dance artists Bernadette Iglich, Ronach N Nill, Rebecca Walter, Fred Persson, Matthew Morris and Nanette Kincaid. Corp Feasa is committed to locating a place for artistic excellence within public discourse and to making challenging dance-art available to the widest possible audience.

Corp Feasa Dance 4 Tennyson Rd Walthamstow London UK E17 8PR E [email protected] Artistic Director Fearghus Conchir

Quotes:

Outstanding dancer
The Irish Times

Conchir has an intellectual restlessness that pulls him in dierent directions, but his sure-footedness, now supplemented by the Clore Fellowship experience, will ensure his ideas continue to be communicated limpidly
Ballet Tanz Yearbook 2006 Photo caption:

Bernadette Iglich and Fearghus Conchir, in collaboration with Manuel Vason, www.artcollaboration.co.uk

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Croi Glan Integrated Dance Company

Croi Glan Integrated Dance Company Artistic Director Tara Brandel trained at the Laban Centre, London, and with Contact Improvisation pioneer Steve Paxton. She has been choreographing and performing since 1991, in Cork, Dublin, London, Berlin and San Francisco. She trained in Integrated Dance with DanceAbility (USA) and Axis Integrated Dance Company (San Francisco). Croi Glan Integrated Dance Company is a new professional contemporary dance company based in Cork, which performs works in a dance theatre style using both disabled and able bodied dancers. Croi Glan aims to promote the cutting edge artistic value of Integrated Dance by commissioning renowned choreographers to make high caliber work on the company which can tour nationally and internationally. Croi Glan also provides an educational program which promotes Integrated Dance to people with disabilities and able bodied dancers through introductory workshops; ongoing classes; and a Vocational Training in Integrated Dance.

Croi Glan Integrated Dance Company Firkin Crane Shandon Cork Republic of Ireland Artistic Director Tara Brandel E [email protected] Administrator [email protected]

Quotes:

Irelands most experimental contemporary dancer, Tara Brandel is new and innovative energy and promise...sleek and sophisticated...a screaming success
GCN Ireland

Brandels work has a startling raw energy....ambitious and oblique

Dance Theatre Journal Photo caption:

1 Tara Brandel and Rhona Coughlan Photo: John Maloney 2 Croi Glan Integrated Dance Company Photo: John Maloney

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CruX Dance Theatre

CruX Dance Theatre has established itself as a leader in professional contemporary dance in Cork, committed to motivating artistic intelligence by raising aspirations and professional opportunities for dance. CruX was founded in 2000 by Artistic Director Jane Kellaghan, as a platform to focus on building a coherent artistic agenda and to provide greater access to the art of dance,nationally. The company is building an infrastructure by identifying an ideology, both culturally and politically, for dance practice and continuously strengthening/dening CruXs ethos. In retaining an exciting artistic prole CruX has succeeded in developing curiousity of its increasing audience, by providing an accessible framework stimulating inclusiveness and awareness of the possibilities of the medium. In our commitment to venture into unexplored territory,and articulate new possibilities and directions for dance at a professional level, CruX has successfully devised novel dance theatre since its inception. The companys repertoire has integrated considered elements of multi-media, particularly video, photography and lm and proved integral to contextualising and transmitting the concepts. The companys unique creative endeavours, successes and visibility is becoming an intrinsic part of the fabric of artistic aspirations In Ireland. Artistic Director Jane Kellaghan graduated from the Northern School of Contemporary Dance in Leeds, with a B.A. in Performing Arts (dance) in 1995. In 2000 she was awarded a Masters Degree with rst class honors in Dance from the University of Limerick. Jane has performed with Daghdha Dance Co, Wayne McGregor (Random) @ Suolk Dance Conference, Mna Rua, Half/Angel Visual Theatre, Rebus, Isabelle Meerstein Film Co, Cork City Ballet & CruX Dance Theatre. Since 1995 Jane has created repertoire work for Cork City Ballet (7 in total) & CruX Dance Theatre (16 in total). Since 1995 Jane has taught Contemporary Technique & Choreography Craft on the (VEC) Diploma in Dance by Coliste Stofin Naofa based at The Firkin Crane. She is also director of CruX Youth Dance Co.

CruX Dance Theatre The Firkin Crane Shandon Cork City Republic of Ireland T + 353 86 8147837 E [email protected] & [email protected] www.cruxdance.com Artistic Director Jane Kellaghan

Quotes:

Infallible Muse II, directed and choreographed by Jane Kellaghan, fuses contemporary dance with music and lm in a fresh and invigoration mannerthroughout the production, there were scenes of incredible beauty
The Irish Examiner

Dancers undulated behind a frieze of cling lm capturing light like a moonlit lake this was aesthetically satisfying and skilled dancing
The Irish Times Photo caption:

Ursula Chapman & Inma Moya in Infallible Muse I I

Photo: Jacqueline Galvin

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Daghdha Dance Company

Michael Klien has been Artistic Director of Daghdha Dance Company since 2003. Prior to his appointment with Daghdha, Klien worked as a choreographer, curator and producer of numerous touring productions, installations and events. He was guest-choreographer for Ballett Frankfurt and the Volksoper Vienna and director of the London based Barriedale Operahouse. Based in a beautiful new home in Limericks city centre, Daghdha Dance Company, a leading Irish professional contemporary dance company, is a group of active, highly skilled artists dedicated to a rigorous discourse in dance, choreography, arts and culture. Pioneers of contemporary dance, choreography and education in Ireland, Daghdha Dance Company challenges existing practice with bold thinking and courageous actions. Under Michael Kliens direction, Daghdha Dance Company has developed a new model of a cultural institution linking artistic production and enquiry to social relevance. Daghdha is a catalyst as well as a laboratory for change. In 2006 Daghdha launched a comprehensive cultural programme, presenting a number of platforms and activities, including the renowned Mamuska Nights, the Gravity and Grace Festival, the Framemakers Symposium, the Membership Programme, Choreograph.net and numerous collaborations and partnerships. In 2004 the Daghdha Mentoring Programme in Choreography and Dance (DMP), a one year full-time local training initiative designed for emerging dancers and artists, was established. For the DMP 2006/07 Daghdha Dance Company has partnered with FS employment services to create 14 nancially supported DMP trainee positions. In addition to assisting and devising company activities, DMP trainees are supported to create and present their own artistic work and encouraged to develop as artists, entrepreneurs or to pursue further scholarly study. Michael Klien has developed an extensive repertoire for Daghdha Dance Company, which includes highly acclaimed productions such as Once Beneath the Skin and Einem, and the experimental piece Choreography for Blackboards.

Daghdha Dance Company 1 Johns Square Limerick Republic of Ireland T +353 (0)61 467874 F +353 (0) 61 311144 E [email protected] www.daghdha.ie Artistic Director Michael Klien

Quotes:

Michael Klien manages to achieve something rare and beautiful

Irish Independent

[on Sediments of an Ordinary Mind] This piece is like watching a Jackson Pollock painting unfold
Dance Europe Photo caption:

Nicole Peisl in Limerick Trilogy

Photo: Conor Buckley

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Dance Theatre of Ireland

Artistic Directors Robert Connor & Loretta Yurick have been at the forefront of Contemporary Dance in Ireland throughout their careers as performers, choreographers, teachers and producers. Their earliest dance training was in Abstract Expressionism in the USA with Nancy Hauser & Hanya Holm. They hold degrees in Psychology and Urban Studies, respectively, and together they have created over 30 original pieces for Theatres & Festivals. While their work has increasingly incorporated digital technologies, creating cinematic and immersed stage environments, it has continually embraced the search for vocabularies and collaborations which enlighten the process of being human. Their work permeates the senses with an intelligent thoughtfulness that playfully and seductively tells us more about ourselves. Dynamic and multi-faceted, Dance Theatre of Irelands visually arresting work emerges from a world where the senses, the intellect and the heart co-exist; where accumulated life experiences and the inexplicable visions of the imagination are equal parts. Their poetic vision is delivered in nely etched, highly-charged, multi-disciplinary work combining rigorous choreography with original music/sound and digital imagery. Explosions of primordial energy are juxtaposed with complex passages of rich and detailed choreography, where the motional energy of human relationships is poignantly observed. Collaborating with some of Irelands nest composers, designers and contemporary artists, their repertoire features the work of founding Artistic Directors Robert Connor & Loretta Yurick, and seminal European choreographers, including Charles Cre-Ange (FR) Philippe Saire (CH), Charles Linehan (UK) and Rui Horta (PT). With a cast of stunning international dancers, the Company tours throughout Ireland and to some of the nest International Festivals in Europe, including France, Italy, Britain, Sweden and Germany. The President of Ireland Mary McAleese ocially opened the Companys purpose-built studio in 2001, where the Company rehearses as well as oers a programme of professional and recreational courses to some 3000 people yearly. DTI also conduct the countrys largest Dance Outreach Programme in a programme of workshops given nationwide in conjunction with Schools, Community Groups and VEC and Dept of Education organisations.
Quotes:

Dance Theatre of Ireland Bloomelds Centre, Lower Georges Street Dun Laoghaire, Co. Dublin Republic of Ireland T +353 1 280 3455 F +353 1 280 3466 E [email protected] www.dancetheatreireland.com In USA Pentacle Contact/ Mara Wethers [email protected] 246 West 38 Street, 8th Fl, NYC 10018 T 001 212 278 8111 ext. 308 www.pentacle.org Artistic Directors Robert Connor Loretta Yurick

Connor & Yurick have transformed the landscape of Irish contemporary danceTheir work is a constant reection on our human states of frailty and strength arguably the most respected troupe in the Country
The Sunday Times (London)

Part modern dance, part theatre, part performance art, part installation,an experience not to be missedthe movements are simply mesmerising, breathtakinga powerful evenings entertainmentleave(s) you speechless but the images will remain with you long after the lights go down. Unmissable.
RTE Arts, Culture & Entertainment Photo caption:

Gillian Beauchamp in As A Matter of Fact

Photo: Kieran Harnett

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Dublin Youth Dance Company

DYDC is a professionally directed dance group for young people who seek involvement in choreography, rehearsals and performances. It provides a platform for youth dance in Dun Laoghaire-Rathdown County and is supported by the Arts Council, Dun Laoghaire Rathdown County Council and Dance Theatre of Ireland. DYDC aims to create and perform new work and to provide young dancers & choreographers with opportunities to develop their talent. The company aims to give young dancers professionally directed experiences to enhance their technical training, tap their creative and interpretative skills in choreography, and give opportunities for performing. Artistic Director Mariam Ribon and DYDC host annually The Irish Youth Dance Festival at the Pavilion Theatre in Dun Laoghaire. Youth dance companies and youth dance groups from all corners of Ireland and abroad had taken part in this event. DYDC is constantly involved in performances nationally and internationally. Events to date include International Merseyside Summer Festival 2000 in UK, Irish Youth Dance Festival, Dun Laoghaires World Culture Festival, St. Patricks Day Festival, Roscommon Dance Festival, DYDC Open Day 2005, Dance Masters 2006. Mariam Ribon, originally from Spain, moved to Dublin in 1995. As a professional dancer she has worked in Ireland with New Balance Dance Company, John Scotts Irish Modern Dance Theatre, MaNDaNCE, Daghdha Dance Company, Opera Ireland and CoisCim Dance Theatre. She was a member of the faculty of The College of Dance as the Contemporary Dance teacher from 1997 to 2003. In 2002 Mariam graduated with First Class Honors in her Master in Contemporary Dance Performance from University Limerick. She completed a Pilates Instructor Diploma in 2003. In 2003 Mariam became the Artistic Director of the Dublin Youth Dance Company and the Irish Youth Dance Festival. At present she teaches Contemporary Dance at Sallynoggin VEC and Inchicore VEC and runs her own Contemporary Dance Courses for adults.

Dublin Youth Dance Company Artistic Director Mariam Ribon T +353 (0) 86 8639702 E [email protected] Manager Catherine Farmer Arts Oce, Dun LaoghaireRathdown County Council Marina Road Co. Dublin Republic of Ireland T +353 (0)1 271 95 27 E [email protected]

Photo caption:

DYDC in Ghost of Freedom by Mariam Ribon

Photo: Derek Spears

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Dylan Quinn
Dylan has over 12 years experience as a performer, educator, choreographer and director. His professional choreographic portfolio includes solo, duet and group work. He has extensive experience in delivering work with professional and non professional performers. He has a strong interest in developing work that explores and comments on society, whilst being eclectic in style. He has toured performances to various venues including schools, theatres, dance conferences and festivals. Dylan has undertaken a wide range of projects including dance lms working with Birmingham Dancexchange and Birmingham Royal Ballet and independently with the prison service; he has delivered numerous dance education projects, including a large scale initiative addressing peace and conict with young people in Northern Ghana. Dylan has received a number of commissions from the Arts Council of Northern Ireland, Wexford County Council, Dancexchange Birmingham & Birmingham Royal Ballet and has been artist in residence in a number of venues/organisations. In 2004, Dylan was a recipient of the Bonnie Bird New Choreography Award. Dylan is originally from Northern Ireland and returned in 2002 to support the development of its emerging dance infrastructure. His new company art4change, created and developed in order to facilitate projects through out his native Fermanagh and across Ireland, has been successful in achieving funding from the Clore Dueld Foundation, Creative Youth Partnerships and the Arts Council of Northern Ireland. Through art4change he has developed a unique dance education performance project working with professional dancers and young people from across all sections of the community in Northern Ireland. Dylan has developed a unique understanding of the role of dance in our modern society through his research in Peace and Development Studies.

Dylan Quinn Dylan Quinn 6 Drumclay Court Enniskillen Co Fermanagh BT74 6NS Northern Ireland M +44 (0) 7886915672 E [email protected]

Quotes:

Dylan Quinn [is] an exciting choreographer with a physically dynamic style and mountains of experience working with disadvantaged young people
Dancexchange

Dylan Quinn, winner of the Bonnie Bird New Choreography Award, will be presenting his innovative and arresting new piece of dance
Dudley Press Photo caption: Photo: Joe Fox

Dylan Quinn

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Echo Echo Dance Theatre Company

Echo Echo Dance Theatre Company was set up by Co-Artistic Directors Ursula Laeubli and Steve Batts in Amsterdam in 1991. After six years of project work all over Europe the company relocated to Derry, Northern Ireland in 1997. Since then the company has established itself as a leading inuence in the development of dance and dance theatre in Ireland with a ourishing reputation internationally. Echo Echos movement style ranges from quirky and playful to gentle and poetic, sourcing its movement material from a very wide range of contemporary dance forms and movement practices. Echo Echo has a strong commitment to developing dance as an accessible art form maintaining a busy teaching and outreach programme and works closely with Irelands only dance degree course at University of Ulster. The company regularly produces original new performance work and tours throughout Ireland and across Europe most recently with its acclaimed 2005 production Resonance, directed by Wolfgang Homann. The company regularly performs and teaches at international festivals, European education institutions and Contact Improvisation events worldwide.

Echo Echo Dance Theatre Company Waterside Theatre Glendermott Road Derry BT47 6BG Northern Ireland T +44 (0)28 71342266 E [email protected] www.echoechodance.com Artistic Directors Steve Batts Ursula Laeubli

Quotes:

Amazing sound design

The Irish Times Daily Ireland

Mesmerising journey into dance

Photo caption:

Steve Batts and Ursula Laeubli in Resonance by Wolfgang Homann

Photo: Anika Kaiser

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Fabulous Beast Dance Theatre

Born in Dublin, Michael Keegan-Dolan founded Fabulous Beast Dance Theatre in 1997 and has written, directed and choreographed six works for the company to date. Recent and future opera work includes Faust at the Royal Opera, Covent Garden and The Rakes Progress with Robert Lepage (La Monnaie / Opera de Lyon). Productions to date include: Sunday Lunch (1997) Fragile (commissioned by Dublin Fringe Festival (DFF) 1999, revived 2001, Uzes, France) (Awards: Best Production 1999, Irish Times) The Flowerbed (commissioned by Project 2000, revived 2006 for Barbican bite06 (London) and DFF; Awards: Best Production 2000, Irish Times; nominated for Best Choreography, Critics Circle, London 2006) The Christmas Show (Project, 2001) Giselle (commissioned by Dublin International Theatre Festival (DTF) 2003; revived 2004 New Haven Festival of Arts and Ideas (USA), 2005 Barbican bite05 (London); Judges Special Award, Irish Times/ESB Theatre Awards 2004; nominations: Best Dance Production, Olivier Awards 2005. The Bull (co-commissioned by DTF 2005 and Barbican bite07; UK premiere 21 Feb 2007) The company recently began research and development for the nal part of The Midlands Trilogy (for Dublin premiere, autumn 2007). Fabulous Beasts partnership with the Barbican continues with future dates conrmed for 2008 and 2009.

Fabulous Beast Dance Theatre T +353 (0)86 085 0030 E [email protected] www.fabulousbeast.net Artistic Director Michael Keegan-Dolan

Quotes:

[The Bull, 2005] sensationally unsettling, deliriously funny and awesomely savage, the rst great piece of theatre about the new hyped-up 21st century Ireland
Irish Times

[Giselle, London 2005] marks out Keegan-Dolan as a bit of a geniuswe call them choreographers because no other word describes their magic
The Observer Photo caption:

Daphne Strothmann and Milos Galko in Giselle

Photo: T. Charles Erickson

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Flock Dance Company

Having trained professionally as a musician, actress and dancer (with Martha Graham), Carol Langsta has created many large scale productions combining these art forms. As co-founder of Revels Inc., she created and directed over 200 performances in 10 major U.S. cities. Since 1999, as director of Flock Dance in Vermont and Ireland, she has created, produced and directed 6 large scale works based on themes of social concern. The work of Flock Dance Company is the culmination of Carol Langsta s more than thirty years of artistic experiment and experience. Combining choreographed dance, ritual, and improvisation with an urgent concern for social and environmental problems, Flock oers large scale spectacles adapted for performance in interior and outdoor locales. Flock Company members are a mixture of professional and semi-professional dancers, as well as community members of all ages and levels of ability. Carol Langsta s choreography draws upon Martha Grahams modernist spirals and contractions, traditional folk dances, the movements of physical work, nonverbal body language and ow forms derived from nature. Flocks goal is to transport an audience with stunning music and evocative, accessible dance, and to nudge spectators and participants toward a new recognition of our place as human beings in the natural order of life on earth. Each work embraces a story line with humor, visual beauty, and graceful, ecstatic ensemble dances. We aim to inspire through feeling and thought. Flock companies exist simultaneously in the U.S. and in Ireland, working outof-doors in Vermont in the spring and summer and indoors in Galway in the autumn and winter.

Flock Dance Company Killeenaran, Kilcolgan Co. Galway Republic of Ireland T +353 (0) 91 796902 E [email protected] www.ockdance.org Artistic Director Carol Langsta

Quotes:

Langsta s Troupe gives birth to a festival of sensuality, movement, music and colour: the essential ingredients of a good dance piece. The choreography is careful, beautifully musical and draws on a refreshingly diverse dictionary of dance traditions
The Galway Independent

JOY! has a magical quality that I, for one, have never seen or felt before, dealing as it does with both life and death in clear, humanistic terms.....The choreography is how Carol Langsta thinks and feels, and is beyond words eective in its simple, yet powerful expression
The Valley News Photo caption:

Flock Dance Company in JOY!

Photo: Karin Wimmer

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Fluxusdance
Fluxusdance was founded 1998 by choreographer Cathy O Kennedy and is based in the midlands of Ireland. The company is an innovative force within the Irish dance scene, and is highly regarded for its originality of approach, its core of skilled and talented dance artists, its capacity to build insight and inspiration and its commitment to nurturing new forms of participation. The company has established a national and international reputation for its original approaches to and around inclusive practises winning the E-Creativity Award at the Geneva World Summit on the Information Society in 2003. Fluxusdance creates high quality dance performances characterised by a bold and imaginative performance style which is innovative in its devising, and accessible in its delivery. The result is a unique repertoire of works for audiences of all ages. In addition the company pioneers concepts for presentation that supports and expands the roots of dance practices within Ireland. Cross arts collaborations are a feature of the companys repertoire and play a crucial part in the development of new work. The dance work of Fluxusdance is a vehicle for varied partnerships within local, regional, national and international communities and within dance, arts and education organisations. Cathy O Kennedy, choreographer and artistic director of Fluxusdance, has developed a distinctive dance language and discourse around her passion for, and commitment to bringing the art of dance and the normal into close association with one another. The Divine Normal is the title of her current performance series with Fluxusdance investigating and developing her lifelong practices with dance artists, choreographers, composers, lm and digital artists as well as with sculptors, musicians and visual artists. Cathy received the Sunday Tribune Arts Award for her pioneering work in Wexford with Barefoot Dance Company and Wexford Arts Centre.

Fluxusdance Riverbank Arts Centre Newbridge County Kildare Republic of Ireland T +353 (0)45- 531555 E [email protected] www.uxusdance.ie Artistic Director Cathy OKennedy

Quotes:

[Delicious Death] A masterful mix of chance, luck and timingviewers choreograph here, and the still moments speak as powerfully as the constant rushes of motion. O Kennedys choreographic allure centres on inclusion, whether connecting dancers with those watching, or uniting performers of various backgrounds
The Irish Times

[Delicious Death] Full of compelling push, shove, grip and dropthe implication isnt that dancing is nefarious: its life-and-death potential is more to the point
Dance Europe Photo caption:

Maurice Fraga, Stephen ORourk, Lucy Dundon and Jen Fleenor in The Divine Normal by Cathy OKennedy
Photo: Jana Riedel

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Irish Modern Dance Theatre

John Scotts Irish Modern Dance Theatre creates and commissions new works and expands the experience of Dance Theatre for audiences and performers in Ireland. Scotts work is sometimes seen a battle against the conservatism in Irish theatre and dance. The company mixes dancers and performers of dierent styles ages and backgrounds as varied as former Cunningham dancers with survivors of Torture from Africa playing with every theatrical and dance convention. His own choreographic work is playful, quirky and idiosyncratic, playing with dierent performance situations, from theatres to museums to a restaurant and lm. Scott pioneers and promotes dialogue with international choreographers including Deborah Hay, Meredith Monk, Sara Rudner, Thomas Lehmen, John Jasperse, Sean Curran and Chris Yon. IMDT performs in every possible location throughout Ireland, North and South. International touring includes Danspace Project at St Marks Church, PS 122 and La MaMa, New York, Forum Cultural Mundial, Rio de Janeiro, Brazil, toile du Nord,Paris, Kanuti Guildi SAAL, Tallin Estonia Unga Atalante and Pusterviksteatern, Sweden and Varna Summer Festival, Bulgaria. John Scott born in Dublin, trained with Dublin City Ballet working with Anna Sokolow. He subsequently worked with Yoshiko Chuma and with Meredith Monk in Quarry. He studied with Susan Buirge, Anne Crosset, Andy De Groat and Janet Panetta. Recently created Silvery Snot for Ciento Cinquenta Cuerdas Danza, Bilbao.

Irish Modern Dance Theatre Rear 44 East Essex Street Temple Bar Dublin 2 Republic of Ireland T +353 (0) 1 671 5113 F +353 (0) 1 671 5163 E [email protected] www.irishmoderndancetheatre.com Artistic Director John Scott

Quotes:

Scott is the most provocative choreographer emerging (in Ireland) currently. He is a keen observer of dance theatre conventions and can mix them together in a single frame-resulting in imagery of startling originality and interests
Diana Theodores/Dartington College UK Dance Europe

...has the potential to yield the most interesting and original developments in European Dance
Photo caption:

Philip Connaughton and Joanna Banks in left and right

Photo: Chris Nash

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Irish National Youth Ballet Company

Irish National Youth Ballet Company is a semi-professional Youth Ballet Company. Its aims include: providing an opportunity for young Irish Ballet dancers, between the ages of ten and twenty one, to train as a company, with internationally trained teachers and visiting choreographers; enabling talented young Irish dancers to stay at home and receive world-class training rather than to have to leave the country. INYB Co aims to develop and maintain the highest artistic standards for the Ballet dancers. Irish National Youth Ballet Company works in conjunction with the private dance teacher and is an advanced supplement to this private training. Irish National Youth Ballet Company makes all of its literature available to private Ballet teachers in Ireland and encourages them to send pupils for auditions. Irish National Youth Ballet Company also aims to showcase the talents of Professional Irish Ballet dancers who have successful performance careers abroad. These dancers appear as guest artists in Irish National Youth Ballet performances. Master classes with international teachers and visiting choreographers take place at the weekend and pupils take lessons in the European style and develop a cohesive style for performance. Anne Campbell-Crawford is primarily trained in classical ballet for which she went through the Royal Academy of Dance examinations. After marrying and having two children she then re-trained through the Imperial Society of Teachers of Dancing in both Ballet and Modern Theatre Dance techniques. She holds the Licentiate Diploma from the ISTD, London. She also attended two teaching seminars at the Vaganova Academy of Choreographic Art in St. Petersburg, Russia for which she received the certicate. Anne continues to refresh and renew teaching techniques at special seminars world wide and continues to observe master classes with leaders of the ballet profession. These are namely the National Ballet of Canada, New York City Ballet, American Ballet Theatre, Boston Ballet, American Academy of Ballet and Dance Department, Florida State University.

Irish National Youth Ballet Company 13, Stamer Street Portobello Dublin 8 Republic of Ireland T/F +353 (0)1 4755 451 E [email protected] www.inybco.com Artistic Director Anne Campbell-Crawford

Quotes:

By presenting a range of dancing ability [], this Nutcracker reveals what is like to work in a professional company
The Irish Times Photo caption:

INYB in Les Sylphides from their performance season In The Company of French Composers

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Jean Butler
Jean Butler was born and raised in New York and moved to Dublin after completing a BA in Theatre Arts in England. Trained in competitive Irish Dance, Jean is best known for her work in Riverdance the Show and Dancing on Dangerous Ground. Jean completed a Masters in Contemporary Dance Performance from the University of Limerick in 2005 and continues to work as a freelance dance artist and choreographer for stage, lm and TV. As a freelance dance artist and choreographer Jean Butlers work covers diverse ground. As a traditional Irish Dancer, she continues to work as a choreographer for Irish Dance stage shows and has recently taken on the role of director of a new percussive dance show in Toronto. As a soloist her current work falls into two categories. The rst category, Irish dance solo commissions, allows Jean to work directly with a composer and /or musicians in a traditional medium to create singular pieces of choreography that compliment an evening of music. The second category, contemporary dance performance, was instigated by a two year post as Artist in Residence at the Irish World Academy of Music and Dance at Limerick University. In this more experimental work Jean continues to challenge the boundaries of traditional dance language by utilizing the principles of contemporary dance composition. As a traditionally trained dancer, she is committed to fostering Irish dance practice into a post-modern era. In addition to performance and choreography work, Jean teaches masterclasses internationally and guest lectures at universities such as NYU, Notre Dame, and Trinity College, Dublin.

Jean Butler E [email protected]

Quotes:

To a spectacular technique and unassuming beauty (willowy gure, auburn tresses, air of imperturbable innocence), Butler adds the dimension of soul, a quality of temperament and projection that distinguishes the very greatest dancers no matter what their genre. Shes the nest step dancer Ive ever seen, but when I look at her, I think ballerina
New York Magazine

Congratulations are in order. For what Ms. Butler and Mr. Dunne accomplish through their choreography is exactly what Riverdance does not, which is to channel Irish step dancing into genuine artistic expression. They have come up with one terric show, lled with a consistent integrity that does not look down on popular appeal
New York Times Photo caption:

Jean Butler @ Jean Butler

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Joyce Richardson
Joyce (IDTA) trained at the Urdang Academy of Ballet and Performing Arts and has enjoyed working with almost every type of dance. She discovered Flamenco in 1997. She is presently very busy teaching workshops, creating new choreographies and performing to keep the Flamenco ame lighting in Ireland Dubliner Joyce started (Irish) dance at the age of 2; ballet at age 9 at the Myrtle Lambkin School of Dance. By 16 she had completed all major classical exams, including IDTA Associate. She completed training at the Urdang Academy of Ballet and Performing Arts, Covent Garden. Joyces career subsequently embraced many dierent forms, including: a Freddie Mercury video, European tours with Westside Story, Jesus Christ Superstar and A Chorus Line commercial. In 1988 Joyce returned to Dublin where she danced and choreographed several Gaiety Pantos, RTE shows including Sunday Night At The Olympia, Jacinta, Finbars Class, The Late Late and many commercials. She has had the privilege of working with some great Irish stars including Maureen Potter, Brendan Grace, Twink, Noel Pearson, Noel Purcell and Ronnie Drew. When asked whats her favorite style of dance she replies whatever music is playing at the moment. After a personal tragedy in 1997, Joyce discovered Flamenco in Jerez. She has taken courses in Spain and London with many great amenco stars including Mario Maya, Belen Maya, Javier La Torre, Esperanza Linares and Ana Salazar. In 2005 Joyce started teaching Flamenco and in 2006 was invited to do St Patricks Festival for which she introduced two new pieces Tangos Estrella and Bulerias Duet. Her company Aires Flamencos has performed at the NCHs World Routes Day. At the World Festival of Cultures in Dun Laoghaire they performed further two new pieces: Sevillana Romantica and Wedding Guajira. Joyce really embraces family life, teaching, choreographing and performing.

Joyce Richardson E [email protected] www.amencodublin.com

Quotes:

Aires Flamenco dance group, directed by Joyce Richardson, brilliantly ignites the temperament of this stunning dance style; from its signature rhythm to the rigor and elegance inherent in one of the worlds most passionate dance styles
World Festival of Cultures Photo caption:

Aires Flamenco

Photo: Nathan Johns

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junk ensemble dance theatre

Artistic Directors Megan and Jessica Kennedy co-founded junk ensemble in 2004. junk ensemble have produced the works Watch Her Disappear, Circus Freak, and Drowning Memory in a Bowl and have performed in Germany, Scotland and Ireland. junk ensemble will perform The Rain Party, a site-specic piece in association with Project Arts Centre in 2007. Jessica Kennedy trained in the U.S.A., Dublin and London, and completed her BA Hons in Dance Performance and English Literature at Middlesex University, London. Jessica performed with The English National Youth Dance Company in 2000, and worked for two years with Compound Productions Company (London). She has worked with Storytelling Unplugged Company (Romania), Stage Junket Company (Edinburgh), in London with Adrenalin Dance, Satu Tuomisto Dance Company, Retina Dance Company, and Brokentalkers Theatre (Ireland). Jessica has worked with Myriad Dance for two years and recently performed Ella Clarkes behindtheeyeliesbone in Flagsta, Arizona. Jessica won Best Female Performer Award for the Dublin Fringe Festival 2006. Megan Kennedy trained at Alvin Ailey Dance Theatre, New York City and received a BA Hons degree in Theatre Arts from Queen Margaret University, Edinburgh. She has worked with Retina Dance Company, Storytelling Unplugged Company, CoisCim Dance Theatre, This Tortion Dance Theatre, Rex Levitates Dance Company, and Shakram Dance Company. Megan toured the UK twice with Scotlands Cat in A Cup Theatre Company and recently worked with Bedrock Productions and Brokentalkers Theatre. Choreography includes Tchaikovskys Queen of Spades Opera (Edinburgh Festival Theatre) and Brimstone and Treacle (QM Acting Company). junk ensemble recently co-choreographed Daniel Figgis opera for dance The Banquet and The Caucasian Chalk Circle for Trinity School of Drama.

junk ensemble dance theatre E [email protected] www.junkensemble.com Artistic Directors Jessica Kennedy Megan Kennedy

Quotes:

Witty yet powerful, expertly handled by the performers

The Scotsman

They have guts and ingenuity

The Irish Times Photo caption:

Megan and Jessica Kennedy

Photo: Fionn McCann

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Kalichi
Kalichi was born in Yonkers, New York in 1950. He has been teaching Tai Chi for 30 years and is the author of Dance, Words & Soul. Kalichi directed and performed in six original dance plays with Liberation Dance Workshop, which he formed in Dublin in 1979. For Kalichi dance is more than technical prociency. It is also a path to awareness, a way of knowing. To create new work, you need to familiarise yourself with the place-space where nothing seems to be happening. Waiting with that unclear sense. You are learning to sense the presence of the seed. Barely visible barely perceptible. Something is there but not yet. We begin at this threshold with this unknown. Kalichi was deeply inuenced by the spirit and politics of the 1960s. His work is informed by the spirit of Isadora Duncan, Tai Chi and the writings of Rumi and James Hillman. Kalichis integrated approach to working with dance, music and writing has received numerous awards from the Arts Council of Ireland. He has brought an imaginative approach to dance to a variety of settings. These include: the Grapevine Arts Centre in Dublin; the Laban Centre for Dance in London; Mount Oliver Institute for Religious Education in Dundalk; Sln, the Galway Cancer Help Centre; Portlaoise Prison; the University of California, Santa Barbara; and as dancer-in-residence at schools in Ireland with his project, Dancing with Bodhrns & Poetry. Kalichi is currently completing a book on the philosophy and practice of Liberation Dance Workshop. Kalichi is also a performing songwriter. His debut album, Time for the Turning is available on Blue Horse Records.

Kalichi E [email protected] www.kalichi.com

Quotes:

When I was performing at the Project Arts Centre, I asked them what else was happening in new dance in Dublin. They replied that there was this man named Kalichi who was teaching Tai Chi and some form of movement theatre. In Kinvara I saw it rst hand and the process was very exciting
Sara Pearson, choreographer

Liberation Dance Workshop is presenting what they describe as an original dance play under the title Ravens Yellow Eye. It is an ambitious project seeking to ally music, movement, poetry, philosophy and sound . . . their achievement is encouraging . . . Undoubtedly, the tension of drama is created.
The Irish Times Photo: Ken Walsh

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Katarna Mojiov
Katarna Mojiov is a Slovakian artist based in Limerick. She works in dance, performance art, theatre, lm and journalism. Having performed for numerous Slovak and foreign directors, her own projects have been awarded and commissioned by art institutions and companies and shown at international dance, performance and new media festivals. Katarna Mojiov (1975) received her MA in Dance from VSMU Bratislava in 1999. Her projects in Ireland include Parsifal Project, commissioned by Framemakers Symposium 2005; Dragon, supported by Daghdha Dance Company and selected for Dublin Fringe Festival 2006; The Auction commissioned by Excursions: Performance Festival 2005 and 22 exclusive performance pieces for Mamuska Nights 2004-2006. She lectured on dance and performance at the MA in Dance Performance at the University of Limerick; at the Sculpture and Combined Media of Limerick School of Art and Design and at the Mentoring Programme of Daghdha Dance Company. Katarna Mojiov is involved in various experimentations and cross-genre projects. The collaboration project O1 with sound artist Robin Parmar demanded 7-hours live dance/sound performance. Her collaborations include a lm performance for short lms of an Austrian duo MACHFELD, that gained screenings and prize nominations at festivals across the world. She is currently creating Body Technologies, a laboratory for experimenting with dierent concepts of using the body in performance. It aims to involve artists from various genres to explore and test the possibilities of existing backgrounds, elds and categories within the open frame of performance. I am interested in physicality and in any form it can take for its delivery, be it dance, choreography, performance art, sound or a text I believe in what body communicates and I am curious to explore what channel can be built to stream this communication. I think of body expression as the most primal, most present and most urgent one
Katarna Mojiov

Katarna Mojiov E [email protected]

Quotes:

Using only house lights and a boom-box onstage, Katarna Mojiov signals a preference for concept rather than theatrical niceties
The Irish Times

With a joy and playfulness Katarna Mojiov presents an odd aesthetics, coming out of her physiognomy and a non-conformist view of life
Peter Groll, Salto 2004 Photo caption:

Katarna Mojiov in Kryk (Screaming)

Photo: Robo Blasko

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Maiden Voyage
Maiden Voyage was established in 2001 by Artistic Director Nicola Curry. We work with local, national and international artists and organisations to bring the best of contemporary dance performance and practice to audiences across the North of Ireland and beyond. Recent commissioned work includes Cinderella Syndrome by Juha-Pekka Marsalo (Finland), The Match by Liz Roche (Ireland), Wanderlust Kentucky by Jodie Melnick (NYC) alongside developing work by local choreographers including Innity Box and I just happened to beby Dylan Quinn and Nicola Curry. The company is committed to high quality dance experiences and delivers a range of projects across many educational and community settings. The company is dedicated to providing a platform for professional dance and its development in the north of Ireland, nurturing indigenous talent and evolving practice through professional development events including regular classes, workshops and residencies. The company are supported by funding from the National Lottery through the Arts Council of Northern Ireland and Belfast City Council.

Maiden Voyage E [email protected] www.maidenvoyagedance.com Artistic Director Nicola Curry

Photo caption:

Nicola Curry & Dylan Quinn

Photo Jill McKeown

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Mary Nunan
Mary Nunan is a contemporary dance artist. She is currently Course Director of the MA in Contemporary Dance Performance at the University of Limerick. Her professional performing career began when she joined Dublin Contemporary Dance Theatre in 1980. From 1988-1999 she was founder member and Artistic Director of Daghdha Dance Company. Since 1999 she has continued to create and perform work independent artist and choreographer. Mary developed a substantial body of ensemble choreographies when she was Artistic Director of Daghdha Dance Company. From 1992-1999 works she choreographed for the company toured to venues nationally and were presented by invitation at dance festivals in London, Berlin, Munich and Paris and Mexico. In 1997 she collaborated with lm director Donal Haughey to produce a screen adaptation of her dance theatre work Territorial Claims. This was selected for screening at the Lincoln Centers Dance for Camera Festival in New York. Since 1999 Mary has continued to collaborate with other independent artists towards the production of performance projects. These artists include Yoshiko Chuma (2x2x5 and The Yellow Room) and Joan Davis (performance research and performance oerings as part of the Maya Lila collective). On-going projects in 2006 include Audience a collaborative performance project with visual artist Mike Fitzpatrick and sound artist Michael Mc Loughlin and a choreography for camera project Queen to Innity in collaboration with lm producer James Kelly. Currently on sabbatical leave from the University of Limerick, Mary is honorary visiting senior lecturer and also undertaking a practice-based PhD at Middlesex University in the UK. The title of the M.Phil/PhD research is Always Returning: One Impulse, Knowing Unknowing (A practice-based study of choreographic process). She is a member of the Arts Council/An Chomhairle Ealaoin and was recently appointed Chair of the newly established Arts and Education Committee.

Mary Nunan E [email protected] T + 353 (0) 87 668 9600

Quotes:

A cleanness which is contemporary and absolutely formal, ooding our senses with beauty
Correo De Hoy, Mexico

It has a refreshing vigorous feel which mixes quirky humour, fast paced footwork and a strong sense of movement
Sunday Tribune Photo caption:

Mary Nunan in My Foot

Photo: Kevin Logan

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Maya Lila
Joan Davis has been exploring the nature of creativity for over thirty years. She pioneered contemporary dance in Ireland in the 1970s and 1980s and has consistently experimented with collaborative art as a professional artist, dancer and choreographer. Joan is a Body Mind Centering Practitioner, has studied Authentic Movement with Janet Adler and voice work with Chloe Goodchild and Rajeswar Bhattacharya. Maya Lila is a research arts and performance practice that has been in development by Joan Davis in Gorse Hill, a small residential centre in Bray, for the past 5 years. It is built on the wisdom gained from over 30 years in the theater and healing Arts. The name Maya Lila is taken from the Sanskrit words for illusion and play. Maya Lila explores the illusory nature of our perceptions and the play of life in relationship to us and to others. It is a body based approach to dance, movement, voice, music and the spoken word developed by Joan Davis. It combines Body Mind Centering, Authentic Movement and Voice Work. She aims to create truly unique and original works of living art involving dance, objects, music, sound and spoken word that are unrepeatable, new and fresh. It invites highly skilled and experienced artists of multi art forms who can meet the demands of the rigueur and meticulousness of the arts practice in Maya Lila with the objective of accessing a depth of authenticity and immediacy in a noncontrived way. Maya Lila has evolved with essentially two elements at its core. One is Community and the other is a distinct Arts Practice. A profound experience of community is created that provides a uniquely supportive environment for creativity to emerge and be nurtured. This is an invaluable environment for artists irrespective of the medium in which they work. As an arts Practice she creates a realm in which deepening authenticity transforms the practice of any artists from any discipline who engage with it. It achieves this by the twin development of both the technical skills of the art form and the developments of the internal witness.

Maya Lila Joan Davis Gorse Hill Cli Road Windgates Bray Co. Wicklow Republic of Ireland T +353 (0)1 2876986 E [email protected] www.gorsehill.net

Photo caption:

Musician Nicholas Twilly. Dancers Maggie Harvey and Penny Collinson.

Photo: Kevin Logan

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Myriad Dance
Formed in 1999 in Wexford by Deirdre Grant and Brid Malone, Myriad Dance produces new innovative contemporary dance work in a variety of performance settings; outdoors, site-specic and adapted theatre spaces for local, national & international audiences. The company has been very successful in promoting awareness through its various dance development initiatives, most notably, Pulse Youth Dance Programme in collaboration with Wexford County Council but also through its professional morning dance classes and choreographic laboratories for dancers in its region every year. The company currently employs two to three dance artists throughout the year providing both input into the companys production work through performances and facilitation on the Youth Dance Programme. Myriad Dance seeks professional development opportunities for dancers to further their training, maintain health and tness and opportunities to work with dierent post-modern choreographers. They also provide choreographic opportunities for young artist to showcase their work. Deirdre Grant has a BA (Hons) degree in Dance with Education from Middlesex University, London & a post-graduate training in Community & Youth Dance. Her choreographic credits with the company include Mutation (2004), Rainbow (2003) & Scramble (2002). Deirdre is currently Project Director for the Pulse Youth Dance Programme run in conjunction with Wexford County Council.

Myriad Dance South Slob Road Drinagh Co. Wexford Republic of Ireland T/F + 353 (0) 53 91 74665 E [email protected] www.myriaddance.com Artistic Director Deirdre Grant Company Manager Lena OLeary

Quotes:

By counter pointing text and movement for much of behindtheeyeliesbone, choreographer Ella Clarke creates a rich dialogue between the visual and aural senses. Alternating direct addresses to the audience with self-absorbed weaving group sequences the performers maintain a gentle performance energy that perfectly matches the choreography **** star rating
The Irish Times

Photo caption:

Shelly Hering, Aine Stapleton and Jessica Kennedy in behind the eye lies bone
Photo: Padraig Grant

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New Balance Dance Company

Born in Dublin, Adrienne began her dance education in ballet and later at London Contemporary Dance School where she studied for three years. She founded New Balance Dance Company in 1987, with which she danced and choreographed for extensively. From 1991 1998 she attended the Martha Graham Center of Dance in NY, gaining rst place in her teacher-training certicate in 1996 with A+. She has choreographed over 30 original works, which have been staged in Ireland, England and France. Her works draw on many stimuli: movement; narrative; text; musicality and compositional elements. She has collaborated with several composers in her work, and she has also worked with recorded music: Bach, Beethoven, Arvo Prt, John Taverner and Ian Wilson. She has taken inspiration from the writings of Oscar Wilde, W.B. Yeats, Paula Meehan, Charlotte Mew and Beth Ann Fennelly. Adrienne was the rst Irish choreographer to be invited to take part in the inaugural Righting Dance project in 1997 at the Institute of Choreography and Dance, Cork. This was a mentored research project, which took place over three years under her chosen mentor, the international choreographer Kim Brandstrup of Arc Dance. Following three years research, the Institute commissioned her to create the full-length dance work Colmcille, which premiered in 2000 and toured Ireland in 2001. From 2002 2006 she completed a B.A. degree in University College Dublin, graduating with honours in Music and English, and an honours M.A. in American Studies. She was awarded an Ad Astra Research Scholarship in 2006, upon commencement of her PhD in Musicology and Dance. Her doctoral thesis proposes: A Research Imperative into the Composition of Music and Dance: Central Documents of Human Expression. Adrienne is a founding member and current board member of Dance Ireland.

New Balance Dance Company Apt. 2, Bayview The Headlands Putland Road Bray, Co. Wicklow Republic of Ireland T + 353 1 286 1525 E [email protected] Artistic Director Adrienne Brown

Quotes:

A physically dramatic danceit held a strong connection with truth

The Examiner

Adrienne Browns ambitions are eclectic, and the result is awlessly choreographed and performed with exquisite precision. This is quality dance with a strong European avour
The Sunday Times Photo caption:

Veronique Beliot

Photo: Jonathan Pratschke

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Night Star Dance Company

Night Star Dance Company was established in 2003.The company performs works that are a fusion of classical ballet and contemporary dance. Selected Works: Bow-tie like Chioni Project Cube Private Viewing April 2003. Dancers: Michael Cooney, Orla McFeely, Deirdre ONeill, Jay Ryan. Peace and Demons The Mint (part of the Irish Choreographers New Works Platform) May 2003 Dancer: Veronica Mahon Peace and Demons - A Victorian Experience Project Space Upstairs - Dublin Fringe Festival October 2003 Dancers: Joanna Banks, Dara Pierce. Only Some People Die (commissioned by Ballet Ireland as part of its Choreography Platform). Civic Theatre Tallaght July 2004. Dancers: Larissa Law Mel Perks ,Therese Schweppe, David Skelton. The Ante-Room and Bow-tie like Chioni Pavilion Theatre November 2005 - part of Novemberfest - a mini international dance festival. Dancers: Michael Cooney, Megan Kennedy, Emma Martin, Orla McFeely, Deirdre ONeill, Jay Ryan. Ingrid Nachstern is the Artistic Director of and Choreographer for Night Star Dance Company. She was a ballet pupil of Muriel Catt as a child and later went to Trinity College Dublin to read Modern Languages. She then worked as a translator in Dublin, Toronto, London and Oxford. She took ballet classes with Richard Sugarman in Toronto and Joanna Banks in Dublin. She now runs Nachstern Ballet School in Dublin and formed her professional dance company Night Star Dance Company in 2003.

Night Star Dance Company T +353 (0) 87 7833125 or +353 (0)1 260 0663 E nachsternballetschool@ hotmail.com Artistic Director/Choreographer Ingrid Nachstern

Quotes:

Uniquely in Ireland, Nachstern has begun melding classical ballet with contemporary dance
The Irish Times Photo caption:

Deirdre ONeill in Bow-tie like Chioni

Photo: Ella Clarke

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Rachel Wynne
Born in Dublin, Rachel began dancing age 3 with Vonnie Goulding. While attending a summer course at Shawbrook Ballet School, aged 10, she discovered she was an enthusiastic choreographer, and chose that path there and then. She holds a joint Hons BA in Contemporary Dance and Theatre from De Montfort University, UK. In addition to twenty years of dance training, in Ireland, the UK and most recently New York, (under an Arts Council grant) Rachel has been learning Transforming Cellular Memory, a training and healing process with Don Hanson (Arizona, USA.) since 2003. The structure gained in workshops with Don, and through her Thai Massage training, has greatly inuenced her choreographic process. Daily practice emphasizes meditation, and cultivating an awareness of the energy which moves through the body and throughout ones surroundings. Dancers are asked to move honestly in each moment, moving with the energy and allowing its full expression, without censoring or placing expectations on it. This requires the surrender of the mind / ego and often creates a sense of vulnerability for those involved, and Rachels training enables her to provide safe and non-judgemental space in which to create. Working under various titles in recent years, including Rapida Productions, hapiDANCE, and currently expandance, Rachel has produced several short dance lms, shown at festivals in the UK and Ireland. Choreographing professionally since 2001, she has worked under Arts Council commissions (Dublin Youth Dance Company, Irish National Youth Dance Company) and freelance. She was awarded Senior Solo Section of the National Dance Awards in 2002 and Overall Group Title in 2004 for her choreography for INYD. Her choreography is constantly evolving, expressing a wide variety of themes from ancient mythology to modern society, from the formlessness of spiritual existence to the sophistications of human relationship. The work is emotionally evocative, socially conscious, often theatrical and sometimes humorous.

Rachel Wynne T + 353 (0) 86 345 4277 F + 353 (0) 1 280 0955 E [email protected] www.expandance.com

Quotes:

There was complete clarity about Dublin Youth Dance Companys Rebirth, choreographed by Rachel Wynne. Clearly constructed in two parts, it compared our so-called primitive past with fast-moving urban living
The Irish Times The Irish Times Photo caption:

[an] ethereal dancer

Dancing with Spirit studio shot

NYC Photo: Heather Brand

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Rex Levitates Dance Company

Liz Roche Artistic Director, Choreographer & Dancer Liz is the winner of the Peter Darrell Choreographic Award 2000 and The Bonnie Bird UK New Choreographic Award 2001. She has choreographed for The National Ballet of China, Scottish Dance Theatre, CoisCim, Dance Theatre of Ireland, Opera Ireland, The Ark, CCNC France and Opera Machine. Liz has choreographed 10 full length works to date for Rex Levitates, performing in festivals in Ireland, Europe and Asia. Jenny Roche Co- Director, Dancer & Researcher Jenny has worked extensively as a freelance dancer in Ireland and abroad. Recent work includes Missed/t by John Jasperse, Fish and Map, a solo by Jodi Melnick and The Same Jane by Liz Roche. Jenny is currently working on her PhD in Dance, through Roehampton University, London. Rex Levitates Dance Company is a dynamic young company committed to producing entertaining, innovative and thought provoking contemporary dance works, which constantly explore and question the world we live in. Rex Levitates Dance Company primarily aims to produce and promote the work of the companys choreographer and artistic director Liz Roche in working partnership with dancer and artistic director Jenny Roche. The company is committed to expanding artistically into a vibrant world-class dance ensemble through the on-going development of the artistic directors, core company of dance artists and artistic collaborators. Rex Levitates artistic directors are focused on the formulation and realisation of a distinctive artistic vision, made visible through excellence and innovation in all areas of performance development, production, presentation and touring. Established in 1999 by choreographer/dancer Liz Roche and dancer/researcher Jenny Roche, Rex Levitates Dance Company has produced 10 full length dance works, many site specic, collaborative and research projects, commissioned innovative and challenging work from up and coming and established foreign choreographers and has performed in prominent dance festivals in Ireland, Britain, France, China and Cyprus. The company is revenue funded by the Arts Council since 2003.

Rex Levitates Dance Company 22a Dame House Dame Street Dublin 2 Republic of Ireland T + 353 1 670 6770 E [email protected] www.rexlevitates.com Artistic Directors Liz Roche & Jenny Roche General Manager Sally Ebert Associate Producer Richard Wakely

Quotes:

Superb, haunting and addictive

The Irish Times

Roche has created a piece that focuses on movement, on the energy generated by the dancer and his or her participation in the dance. The result is a work of singular intensity - so much so that it almost feels voyeuristic to watch it. a powerful example of Roches talent and ability - not to mention courage - in exploring new territory
The Irish Times Photo caption:

Cliodhna Hoey & Abhilash Ningappa in Cross Purposes

Photo: Fionn McCann

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Ronach N Nill/Ciotg
Contemporary dancer and choreographer. Engagements with Tanztheater Bremen, Germany, Corp Feasa, Rex Levitates, Daghdha Dance Company and Catapult Dance Company. Dance artist in residence in the Conamara Gaeltacht from 1999 to 2001. Secretary of Dance Ireland. Certied Gyrokinesis teacher. Ronach founded Ciotg in 2005 as a forum for bilingual interdisciplinary collaborations. Ciotg has no xed borders, embracing the spectrum of the arts in the creation of boundary-breaking performance. It is committed to providing access to artistic practise, performance and education in Irish and English. Works to date: Seandlaocht (2002), a highly personal multimedia exploration of the paradox of a language spoken by only one person, A Thing of Beauty & A Joy Forever (2004), a story about corsets and Victorian femininity performed by an all-male cast, with original musical accompaniment, and Moro (2006), a solo based on the Moro reex. Works in 2007 include How did we get Here? an interactive theatre experiment, dhamh & abha, a collaborative work with writer Darach Scola and actor Diarmuid de Faoite, and The Macushla Dance Club, an older people in dance club in collaboration with Dance Ireland.

Ronach N Nill/Ciotg No.1, Hollyville House Hollybrook Road Dublin 3 Republic of Ireland E [email protected] T +353 (0)1 8533639 M (0) 87 4121775 www.ciotog.ie

Quotes:

[On A Thing of Beauty & A Joy Forever ] Ronach N Nill has created a choreography which is in every respect amazing
Kreiszeitung Syke, Germany

Ronach N Nill was an inspiration through her dance and dramatic presence, in a comprehensively individual movement aesthetic... A gripping piece
Kreiszeitung, Germany Photo caption:

A Thing of Beauty & A Joy Forever

Photo: Peter Altenberg

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Selma Daniel Dance Company

Founded in 2006 by Selma Daniel, The Selma Daniel Dance Company is a new company dedicated to the exploration of dance through dreaming, sensibility, experience and hard work. A primary goal of the company is to research the possibilities for an artistically fruitful interaction between the dierent techniques found within both Irish and Brazilian dance. A teacher of Brazilian popular dance to dancers of many dierent nationalities, Selma hopes to examine the creative dynamic arising out of this fusion, seeking a convergence of artistic forces, where the energy, improvisation, and syncopation of the music are expressed through athletic, lyrical, and explosive dance. With a combination of the fundamental movement vocabulary of contemporary dance, jazz dance, Irish dance technique, Brazilian popular dance, ballroom dance, and ballet, Selma Daniel Dance Company seeks to create performances that reect the fusion of cultural inuences, individual improvised expression, and classical technique that make up their dance. In the Selma Daniel Dance Company repertoire is Culturas e Ritimos, which was performed at Cooley Collins Festival (Gort, Ireland). Born in Sao Paulo, Brazil, Selma Daniel has a background of over 19 years in ballet, jazz contemporary and popular dance training including the Alicia Alonso Prodance Company (Havana, Cuba) and Homura Tommoy Dance Company (Osaka, Japan). In 1996, Selma commenced her professional career dancing on tour throughout Brazil with high-prole singers and performers such as Sirya. Shortly thereafter, she got her rst international contract, performing in cabaret shows, in musicals like Grease and Chicago, and on cruise ships throughout Japan, Europe and the Caribbean. A resident dancer with the Adriana Loccilento Dance Company for four years, she also acted as choreographer and dance captain. She now lives in Ireland, working freelance as a dancer. She has performed at Milans 500 Years of Brazil Festival, Belfast Festival, Drogheda Samba Music Festival and most recently as part of the Ryder Cup Opening Ceremony, Ireland 2006.

Selma Daniel Dance Company Flat 1 234 Harolds Cross Road Dublin 6 Republic of Ireland T +353 (0)87 9606411 E [email protected] Artistic Director Selma Daniel

Photo caption:

Culturas e Ritmos Choreography Indios da Amazonia by Selma Daniel

Photo: Sol Lopes

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Shakram Music and Dance Company

Mairead Vaughan is a choreographer and professional dancer. She has a degree and an M.A. in Contemporary dance studies. Mairead studied Indian Classical Dance in India with support from the Arts Council and established Shakram Music and Dance Company in 1999. Shakram have received Arts Council Revenue funding in 2005 and 2006. Mairead Vaughan and Dara OBrien co-founded Shakram Music and Dance Company in 1999. Shakrams main aim is to bring experimental dance and music to non-dance audiences, thus expanding the sector in Ireland. This has been achieved through street performances, residencies in unconventional venues and our collaborative ethos. Shakram also has a unique role in continuing to generate fusions of contemporary and ethnic styles in music and dance. In presenting cultural diversity we hope to reduce the gap between other cultures and ourselves. In 1998, Dara and Mairead were funded by The Arts Council to travel to India for six months to study Indian classical music and dance. Out of this Shakram was born. Shakram have since produced nine works. They have performed at the Dublin Fringe Festival, the International Dance Festival, Ilios festival, Norway and have toured throughout Ireland. In 2005, Shakram received a bursary to create Cylinder a site-specic piece in Drogheda Martello Tower. They received Arts Council Revenue Funding for their full-length collaborative production Turbulence (2005) and to create a dance lm called Frozen (2006). They were also awarded a research bursary in 2006 for future productions.

Shakram Music and Dance Company 7 Derry Park Crumlin Dublin 12 Republic of Ireland T +353 (0) 87 641 6772 E [email protected] Directors Mairead Vaughan Dara OBrien

Quotes:

[The Anima and Animus] metrical discipline of the Indian dance form that enables her to craft seductive contrapuntal quartets that I could have watched all night
The Irish Times

[Matra] Mairead and Dara complemented each other and created wholeness. The contemporary sounds combined with a distinctive movement style is something we look forward to seeing again
Harstad Tidende, Norway Photo caption:

Olwen Grindley, Becky Reilly, Tom Butler and Mairead Vaughan in Turbulence (2005)
Photo: Mark Nixon

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Tapestry Dance Company

Diane began her training at the Irish National College of Dance, Blackrock and further studied in London, Amsterdam and New York. She is a highly experienced choreographer in the musical theatre genre as well as having worked with many leading theatre companies. She is also Irelands foremost practitioner of the art of rhythm tap having studied with Charles Honi Coles, the late Gregory Hines and Heather Cornell. Tapestry is a company of rhythm tap dancer, sounding out the beat of the 21st century. Formed by Diane Richardson, Tapestry incorporates threads of Celtic inuence as well as a strong taste of American jazz style. Shoes become instruments and the rhythm is the music that they play. Forget the glitz and glamour of the chorus line; this is tap with attitude, humour-and a pinch of salt! Choreographer / dancer Diane Richardson has studied with rst-generation masters like Honi Coles, Buster Brown, and Charles Cookie Cook, as well as later standard bearers like the late Gregory Hines, Brenda Bufalino and Heather Cornell. Tapestry presents a distinctive style of dance previously unseen in Ireland. Rhythm tap accentuates the performer as dancer and musician. Dancers connect with the music and musicians directly and spontaneously. The dancers frequently explore rhythmic variations in harmony so to speak or by jamming, that is trading improvised phrases like jazz musicians. Indeed this is one dance form, which wears its sense of play and humour on its sleeve. Tapestry has performed in Dublin, Cork, Galway and Belfast and is committed to introducing Irish audiences to an indigenous American folk dance whose progenitors are the percussive footwork of traditional Sean-Nos step dance and African rhythms and syncopations.

Tapestry Dance Company 309 Errigal Road Drimnagh Dublin 12 Republic of Ireland T/F +353 (0)1 456 2922 M +353 (0)87 6678856 E [email protected] www.tapestry.ie Artistic Director Diane Richardson

Quotes:

But the joyous tap-dancing in Tapestry Dance Companys feel-good Hoofers shows what we have been missing onstage
The Irish Times

Photo: Fionn McCann

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This Torsion Dance Theatre Company

This Torsion Dance Theatre Company is an artistic company involved in the production of dance theatre pieces and lm that combine dance with text, song, poetry and music since 2001. The companys artistic vision lies in the belief that the aesthetic journey can reveal many human universal concerns and can connect deeply with audience through images, visuals and sound creating metaphors that can bring pleasure and insight to viewers. The company makes creations to be accessed by as many people as possible with the intention of the work being socially uplifting and exciting and of generating growth and wonder within each individual. Niamh Condron trained at the College of Dance, Dublin, and for 3 years at the Northern School of Contemporary Dance, UK, graduating in 1999 with a BA in Dance with Distinction majoring in choreography. Her rst professional work was with The Curve Foundation Dance Company in Scotland before returning to Ireland where she worked with Dance Theatre of Ireland in Dublin. She was awarded a scholarship for emerging dance artists to train and gain mentorship, from Mark Tompkins, at the Impulstanz Dance Festival, Vienna, after showing potential as a choreographer. Niamh then danced with Earthfall Physical Theatre Company, Wales and the Sioned Huws Dance Company, Belgium, while in between establishing herself as a choreographer and directing This Torsion Dance Theatre Company. She received commissions and developed dances for a variety of platforms and festivals including Earthquake International Dance Festival, NI, Dance Theatre of Ireland, Dublin Fringe Festival, the International Dance Festival Ireland and Welsh Independent Dance in Cardi. In 2006, Niamh created and directed Vibrate Dance Festival, part of a 40 week dance artist residency in Co. Westmeath and Co. Roscommon. During this she founded and taught Constant Composition Technique, movement class based on her background in Dance, Yoga and Alexander Technique. Also, in 2006 Niamh received a Bursary Award from the Irish Arts Council to research and develop a new cross generational project involving multi-disciplinary artists.

This Torsion Dance Theatre Company 6 Beverton Crescent Turvey Avenue Donabate Co Dublin Republic of Ireland T +353 (0) 87 6370567 E [email protected] Artistic Director Niamh Condron

Quotes:

Condron manages to really innovate new expressions in her choreography... Condron is the most exciting new choreographer to the Irish dance scene
The Irish Examiner The Sunday Times Photo caption:

Condrons work is among the highlights...her simple work stands out

Ghosts Story by Niamh Condron

Photo: John Daly

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Ursula Mawson-Raffalt ) + ( = a0
Ursula Mawson-Raalt is co-founder and artistic director of ) + (= aO - spoken: convex plus concave equals a sphere - established in 1993 with the ne art artist Anthony J. Faulder-Mawson. Their projects have been shown in Israel, Germany, Holland, Belgium, Romania, Wales and Ireland. ) uM_R writes, conceives, composes, choreographs, stages, directs and performs chamber works and performance installations. Each work carries her unique signature, the focus - point technique ) uM_R - a compositional method and a training system for body and voice which she has been developing since 1989. My work, best dened as a potent organic growth process and site specic in context, sets out to establish a ligree network of bridges linking and interweaving discourses from philosophy, poetry, theatre, dance, music, voice and sound. The process of writing and embodying texts (lyrical prose and monologues) provides the foundation and simultaneously building blocks used for the construction of sound compositions. Only when the Dynamic of Silence as a contemplative element, is established throughout the entire process (spiritually, mentally and physically) - can I compose and organise space and time. Drawing inspiration from ancient memory systems, a radically reduced and passionate Memory Theatre which encodes my vision of silence is created; constructed from a series of matrices forming a hermetic world of symbols, sounds, signs & numbers. Its poetry, its simplicity, its multiplicity, its textural richness and its ritual like mesmeric depths embody the highest levels of concentration and intensity. I understand dance as an abstract language (of the spirit), as poetry that communicates between the lines; creating space for individual subjective experience. It does not illustrate a story, it has no narrative line, instead, it carries complexity. It is a language that has its roots in the profound and transcendental experience of nature and silence ) uM_R As artists, cultural diplomats and most important as human beings, we have a fundamental duty to nurture the creative forces which are given as a sacred responsibility to all life! ) + ( = a0
Ursula Mawson-Raalt Druminargid Rossinver Co. Leitrim Republic of Ireland T + 353 (0) 71 983 2001 E [email protected] Artists & Artistic Directors Performing arts Ursula Mawson-Raalt ) uM_R

Fine art Anthony J. Faulder-Mawson ( ajF_M

Quotes:

Surprisingly beautiful, slowly drawing you in to exactly the state of reection on art, theatre and the self that is rendered impossible by the frenzy of a festival- or, indeed a city ****
The Irish Times Photo credit: Stills from video by ( ajF_M ) + ( = aO

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Resource Organisations
Dance Ireland DanceHouse Liberty Corner, Foley Street Dublin 1 Republic of Ireland T +353 (0)1 855 8800 F +353 (0)1 855 8801 E [email protected] www.danceireland.ie LD Dance Trust Shawbrook, Legan Co. Longford Republic of Ireland T + 353 (0)44 57570 F + 353 (0)44 57895 E [email protected] Directors: Anica Louw, Philip Dawson Dance Resource Base (DRB) Northern Ireland E [email protected] www.danceresourcebase.org

Festivals
International Dance Festival Ireland 26 South Frederick Street Dublin 2 Republic of Ireland T + 353 (0)1 679 0524 F + 353 (0)1 679 1685 E [email protected] www.dancefestivalireland.ie Magnet Entertainment Dublin Fringe Festival Sackville House Sackville Place Dublin 1 Republic of Ireland T + 353 (0)1 817 1677 F + 353 (0)1 817 1678 E [email protected] www.fringefest.com Vibrate Dance Festival Roscommon Arts Centre Circular Road Roscommon Republic of Ireland T +535 (0)90 6625824 E [email protected] www.roscommonarts.com/ vibrate/index.htm Dublin International Theatre Festival 44 East Essex Street Temple Bar Dublin 2 Republic of Ireland T +353 (0) 1 677 8439 F +353 (0) 1 679 7709 E [email protected] Kilkenny Arts Festival 9/10 Abbey Business Centre Abbey Street Kilkenny Republic of Ireland T +353 (0) 56 7763663 F +353 (0) 56 7751704 E [email protected] Galway Arts Festival Black Box Theatre Dyke Road Galway Republic of Ireland T +353 91 509700 F +353 91 562655 E [email protected] www.galwayartsfestival.ie Belfast Festival at Queens Culture & Arts Unit Queens University 8 Fitzwilliam Street Belfast BT9 6AW Northern Ireland www.belfastfestival.com Cork Midsummer Festival Festival House 15 Grand Parade Cork Republic of Ireland T +353 (0) 21 4275874 E [email protected] www.corkfestival.com

Funding Bodies
The Arts Council/ An Chomhairle Ealaon 70 Merrion Square Dublin 2 Republic of Ireland T +353 1 618 0200 T 1850 392492 (Callsave) F +353 (0)1 676 1302 E [email protected] www.artscouncil.ie Culture Ireland/Cultr ireann Department of Arts, Sport and Tourism Room 3 32 Frederick Buildings South Frederick Street, Dublin 2 Republic of Ireland T +353 (0)1 631 3927 F +353 (0)1 631 3956 E [email protected] www.cultureireland.ie Arts Council of Northern Ireland 77 Malone Road Belfast BT9 6AQ Northern Ireland T +44 28 90385200 F +44 28 90 661715 E [email protected] www.artscouncil-ni.org

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