‘Wolfs’ Review: Brad Pitt and George Clooney as Themselves
They play underworld fixers in this trifle of a movie, though really they’re here to look enviably fabulous.
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‘His Three Daughters’ Review: Sisters at Odds Together
Natasha Lyonne, Carrie Coon and Elizabeth Olsen play sisters who are caring for their dying father in this tender, funny family drama.
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‘A Different Man’ Review: Face, Off
Sebastian Stan and Adam Pearson star in a marvelously inventive dark comedy about a man who can’t change his insides.
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CreditA24 ‘Transformers One’ Review: Back to the Beginning
An animated prequel maps out a tidy mythology while indulging in the toy-smashing thrills of the ’80s cartoons.
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Making ‘The Wild Robot’ Even Wilder
Roz, the beloved protagonist of Peter Brown’s popular children’s book, gets a glow-up for the big-screen adaptation.
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CreditDreamworks Animation ‘In the Summers’ Review: Understanding a Father’s Flaws
The film, by Alessandra Lacorazza, follows two siblings as they visit their father, played by Residente, in New Mexico.
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CreditMusic Box Films A Wide-Open Oscar Season Begins to Narrow
After film festivals in Venice, Telluride and Toronto, a slate of contenders has emerged. Still, there are few front-runners.
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CreditFocus Features The ProjectionistFrom the “Joker” sequel and Timothée Chalamet’s Bob Dylan biopic to a handful of festival darlings, it’s a jam-packed season. Plan accordingly.
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CreditNiko Tavernise/Warner Bros. The Wicked Witch of the West: A Heroine for Our Time
“Wicked,” which arrives to the big screen this fall, redeems the villain who is barely a character in L. Frank Baum’s classic novel.
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The Octagon Inside the Sphere: Bloody Fights and Soaring Films
To amplify the first live athletic competition at the Las Vegas landmark, the Ultimate Fighting Championship turned to Hollywood.
By Emmanuel Morgan and Mikayla Whitmore
Critic’s NotebookOn the Screen or in a Meme, ‘The Babadook’ Is Still an Unnerving Dream
Back in theaters for its 10th anniversary, the haunting movie never really left, with a legacy that includes an entire horror subgenre.
By Esther Zuckerman
‘Never Let Go’ Review: Do the Woods Have Eyes?
Halle Berry plays the ultimate helicopter parent in this new horror movie, where evil lurks in the trees beyond the family cabin.
By Glenn Kenny
‘The Featherweight’ Review: Boxing Is Easy. Retirement Is Hard.
In this biopic, a documentary crew follows the boxer Willie Pep during his 1960s comeback.
By Lisa Kennedy
‘Eureka’ Review: No More Cowboys and Indians
This intriguingly languorous Western by the Argentine director Lisandro Alonso explores the existential plight of Indigenous Americans in three separate timelines.
By Beatrice Loayza
Critic’s Pick‘All Shall Be Well’ Review: Aching With Absence
The indignity of being someone’s spouse while they are alive and merely a friend after their death is the theme of this extraordinarily moving Hong Kong drama.
By Natalia Winkelman
Critic’s Pick‘The Substance’ Review: An Indecent Disclosure
Demi Moore stars in an absurdly gory tale of an aging actress who discovers a deadly cure for obscurity.
By Alissa Wilkinson
Critic’s Pick‘Sirocco and the Kingdom of Winds’ Review: Flights of Fantasy
Two sisters get transported to a new world and transformed into cats in this whimsical and thoughtful animated feature.
By Maya Phillips
Hollywood Has Enough Fake Accents. Bring Back the Weird Voices.
David Lynch’s voice is unmistakable — and a national treasure. The world of film deserves more like it.
By M.D. Rodrigues
‘A Face in the Crowd’ Isn’t About Trump. It Just Seems Like It.
Elvis Costello and Sarah Ruhl’s musical adaptation of the 1957 film, a satire about a hustler turned power-hungry TV personality, hits the London stage.
By Rob Weinert-Kendt
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