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    The Book of Five Rings: The Strategy of the Samurai
    The Book of Five Rings: The Strategy of the Samurai
    The Book of Five Rings: The Strategy of the Samurai
    Ebook113 pages1 hour

    The Book of Five Rings: The Strategy of the Samurai

    By Miyamoto Musashi and Victor Harris

    4/5

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    • Martial Arts

    • Samurai Culture

    • Strategy

    • Swordsmanship

    • Discipline

    • Ancient Wisdom

    • Master-Apprentice Relationship

    • Self-Discovery

    • Training Montage

    • Mind Over Matter

    • Spiritual Journey

    • Mentor

    • Hero's Journey

    • Rags to Riches

    • Wise Mentor

    • Philosophy

    • Japanese History

    • Spirituality

    • Warfare

    • Honor

    About this ebook

    'When you attain the Way of strategy, there will not be one thing you cannot see.'
    Miyamoto Musashi, Book of Five Rings

    Shortly before his death in 1645, the undefeated swordsman Miyamoto Musashi retreated to a cave to live as a hermit. There he wrote five scrolls describing the "true principles" required for victory in the martial arts and on the battlefield. Instead of relying on religion or theory, Musashi based his writings on his own experience, observation, and reason.

    The scrolls, published as The Book of Five Rings, have recently gained an international reputation in the business world as a means of resolving differences and achieving success. But their delineation of the psychological strength, rigorous self-control, and practical application necessary for dealing with physical and mental conflict also has a wider relevance and can be usefully applied to all our lives.

    LanguageEnglish
    PublisherArcturus Publishing
    Release dateJun 5, 2018
    ISBN9781788885737
    The Book of Five Rings: The Strategy of the Samurai
    Author

    Miyamoto Musashi

    Miyamoto Musashi (1584-1645) was a renowned samurai warrior who, from age 13 to 30, fought and won over sixty duels. Between the ages of 30 and 50 he became known as a skilled craftsman and sculptor, as well as a calligrapher and a prolific painter. It was during this time that he formulated the ideas that later became A Book of Five Rings.

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    Reviews for The Book of Five Rings

    4/5

    634 ratings17 reviews

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    • 5/5
      This Is Very Good, Maybe This Can Help You
      Download Full Ebook Very Detail Here :
      https://amzn.to/3XOf46C
      - You Can See Full Book/ebook Offline Any Time
      - You Can Read All Important Knowledge Here
      - You Can Become A Master In Your Business
    • 3/5
      An interesting book, though more like a collection of thoughts squished together than an outright book. Some of the parts are very basic and I found myself almost skimming ahead. Other parts are wonderfully philosophical. I think it'll make a nice reference book.

      Second reading: I moved this down to three stars. It relies heavily on the contradictory patterns in Buddhist philosophy at the expense of much content. There are just a few parts with direct information of value to strategy and mindset.
    • 2/5
      Classic Japanese book from the 1500s. A master swordsman sets out the philosophy of living (and surviving) by the sword. Maybe it works better in the original Japanese, or maybe its relevance to the 21st C is limited, but I wasn't greatly enlightened by the end. But I'm glad to have been exposed to the book.
    • 1/5
      Can't help but think people read this like tea leaves, not like a book.
    • 5/5
      One of the classic books on military thought from East or West and a must read for anyone interested in tactics or strategy. It is very good for understanding the samurai mindset. There is much on personal combat in the book but it is a bit tough to use as a training manual as there is much that is implied but not really stated (to be fair, Musashi says he wrote it that way intentionally). On the other hand, I found Musashi's method of applying the same ideas of strategy and tactics to both personal combat and "large scale military science" to be somewhat of a stretch as these are not always, as he claims, equally applicable (he is essentially equating the methods of the tactical and operational levels of war which is too broad of a claim). When approaching this book it is necessary to remember that Musashi was a duelist and a soldier, not really a general or field commander.
    • 2/5
      Despite the earnest efforts of the translator to place the work in its contemporary context, this translation leaves many questions unanswered. Students of Japanese literature (particularly contemporary strategy literature) may get much more out of it than other readers. Ambiguous statements and overuse of abstract words gave me the feeling that a better translation is possible.

      The form is letters to a promising young warrior - the writing is didactic and dogmatic assuming a high degree of you-know-what-I-mean knowledge on the part of the reader. As general pedagogy it would be more effective with diagrams to show explicitly what the vague statements mean. Just *what* is a "corner" of the body? Is the head? What about the genitalia?
      Today, the philosophy of utilitarianism and "enlightened" self-interest are well known leading to a feeling that there is nothing new to modern readers about the principles presented.

      I won a giveaway of the Victor Harris translation which had a mix of British and American English spellings.
    • 5/5
      More of a book on thinking than on specific strategies. It's a way to think on different situations with basic thought as a base that can lead to complex strategy.
    • 5/5
      1. The Book of Five Rings
      2. The Book of Family Traditions on th eArt of War, by Yagyu Munenori
    • 4/5
      It's been a while since I read this and it was worth another go through. There are a couple different groups of readers I can think of that would find this book helpful. First, martial arts enthusiasts, who, for instance like reading ancient war manuals such as Sun Tzu's Art of War or German long sword manuals. Second, samurai movie enthusiasts or Japanophiles, who like to study, in detail, well known samurai film directors who have treat this book as a guide to action sequences. Thirdly, CEO's or Mafia Don's who may be looking for philosophical advantages in planning their next move. I could see Tony Soprano reading this and feeling sophisticated.

      The book is divided into five elemental parts: water, wind, fire, earth, and void. Most of these have paragraphs focused on a certain strategical concept that should be studied. Here is a typical example:

      The Mountain-Sea Change

      "The 'mountain-sea' spirit means that it is bad to repeat the same thing several times when fighting the enemy. There my be no help but to do something twice, but do not try it a third time. If you once make an attack and fail, there is little chance of success if you use the same approach again. If you attempt a technique which you have previously tried unsuccessfully and fail yet again, then you must change your attacking method. If the enemy thinks of the mountains, attack like the sea; and if he thinks of the sea, attack like the mountains. You must research this deeply."

      Almost every technique has a clever metaphorical title such as "To Penetrate the Depths" or "Rat's Head, Ox's Neck". It reminds me of my gung-fu years down in Washington and all the names for the strikes and maneuvers we learned. Almost every paragraph ends in an admonishment like "You must study this well." or "You must learn this." This also reminds me of Sifu Lane or Sifu Fogg after every drill or technique plucked from a move set. I have a sneaking suspicion that the fundamentals of martial arts training has not changed much since 1645 when Musashi wrote this manual.

      Anyway, a fun little book. I will keep an eye out for other translations. Many of the statements in this book hinge on the meaning of single words and Japanese is known for its use of quadruple entendre. Overall, this edition was a nice reintroduction to the classic.
    • 5/5
      this is a good book if you want to know more about swordplay and war strategy.
    • 2/5
      Not nearly as interesting as I expected; more philosophical than practical --I had hoped for more useful applicable advice for actual sword combat
    • 4/5
      Excellent book, Excellent Author, and informative enough to keep you on your toes.
    • 5/5
      The Book of Five Rings is not really a book; it’s a way of life.
    • 5/5
      There are other reviews here for “Book of Five Rings”, but I feel only one of them is close to understanding the essence of this book. “Five Rings” was indeed originally a martial arts treatise, but the Western Reader needs to remember that Martial Arts was a total way of life: all the principles of Martial Arts was applied to everyday life as well. This theme of strategy applying to everything is one Musahi mentions frequently in this work. As you read the book keep this in mind.

      Mushai writes, “… the warrior’s is the twofold Way of pen and sword, and he should have a taste for both”. In the Overlook Press edition, there are numerous illustrations of artworks in different mediums created by Musahi himself. Example is the best form of teaching and he clearly shows that there is no division between martial art forms and art forms for pleasure.

      For the Way of the Warrior, every battle plan must be researched, your enemies’ weaknesses known, your plans constructed accordingly and executed flawlessly. Applying this to the way of the Artisan, something the Western mind sees diametrically opposed to warfare, Musahi’s dictum means the artist must fully understand the medium they are working in, fully understand the idea they are trying to represent and must flawlessly execute their work.

      The book itself is written like a classical brush painting. Broad strokes suggest the theme and the more we look at the work, the more detail we see in the work. Musahi writes in broad terms, supplying enough detail for us to understand what he is suggesting, but he does not overwhelm us with detail. In many places, the student is admonished to research the subject of his discourses themselves.

      It is this last aspect that makes this work so enduring and all encompassing. These principles may be applied to any situation, to any profession. It is not a book to be read once and put away. To appreciate “Book of Five Rings” to the fullest, read the book, practice the concepts in everyday life, then, read the book again. Each time you read the book you will find some new insight, just as each time you look at a well-done artwork, you notice new detail. Apply this new insight and read the book yet again.

      Research this well and practice often.
    • 5/5
      I've studied Taekwon Do for 17 years. A fellow classmate recommended this book to me. A bit difficult to get through at first, but it gives invaluable insight into fighting techniques. It changed the way I thought about sparring & I took this book with me when I competed in the 13th World Taekwon Do Championship in South Korea in '04.
    • 5/5
      If you are this deep into my website, you are no doubt aware that I do medieval sword fighting in the SCA and books like this are simply must reads. It was originally recommended to me by my teacher. He was convinved it was the seminal work on swordfighting and it would help me master the weapon. So, I read it like a good student, I did want to be a good fighter after all...

      I have to say that after the first reading, I did not believe him. It took me 2 week to plow through this thin book and mostly it left me confused. When I mentioned this to him, he suggested that I reread it about 10 more times, slowly and I will start to ‘get’ it. I thought he was nuts, to that point I had never read a book more than twice and that was a work of fiction that I reread because I didn’t have a book that I hadn’t read and I needed something to do... I also thought that perhaps the fact that he had blown his own weight in dope might have had something to do with his ‘deeper’ understanding. I reality, he simply thought about it more (although being high probably gives you more time to contemplate these things).

      It took me a while to get around to attempting the text again. In fact, it took untilo after I was knighted and had squires of my own. These students wanted information that they could work on on their own time and books like this are always mentioned as important reads. I felt that I couldn’t ask them to read it without rereading it and maybe preparing myself for their questions. The second read was better, I didn’t have to stop to read the extensive footnotes, I had significantly more experience as a fighter and, probably most importantly, I was mentally a lot more mature.

      Then I got an audio tape of it, that is the way to go. Driving in the truck and spinning an unabridged 90 minute tape on sword fighting philosophy will surely take your mind off the length of the drive. I have now read the complete text about 5 times and listened to the tape at least a dozen times. I think I get most of it now. The last chapter (The Book of the Void) is deep, deep Zen shit though.

      OK, we are four paragraphs into the review and you are thinking, “all he has talked about was how hard it is to read...” OK, none of this was meant to discourage you, in fact, quite the opposite. But, I want to start off by making sure you understand what the book is not. This is not a how-to manual on swordfighting, it isn’t that explict. If you want something like that, get a Kendo manual with pictures. It is often billed as a must read strategy guide for businessmen, I am not sure that most of the managers that I have met will benefit from this text. Again, it isn’t a how-to guide, it is a philosphy treatise. It’s focus is swordfighting, but the concepts can certainly be applied to many other ways of life, including business. However, that is going to take a lot of reflection to internalize the philosophy presented here and apply it to something like business. You would be better off with The Prince, I would think.

      OK, on to the book itself: This is a very thin book. The translator starts off with a 75 or so page section that includes a biography of Musashi, a political and cultural overview of feudal Japan before getting into the text proper. These parts are useful for getting the context of the work, but are not critical.

      The book itself is divided into, you guessed it, five parts: Ground, Wind, Water, Fire and Void. Each address a different aspect of strategy. Musashi himself says in the work that this isn’t intended as a breezy read, “read a word and reflect upon it.” Of course, he is referring to the Japanese characters which can stand for several English words, but you get the point. Another point that he pounds home over and over again is, “you must practice constantly.”

      It was intended for his students to learn the ways of the warrior from someone with the unusual perspective of old age and what each thing meant in a greater context. The thing to take away from this text, as an SCA fighter isn’t so much the sword moves he teach (many are at illegal targets), but the concepts of strategy: waiting for an opening, being in harmony, observe everything, etc. These are the things that are generally missing from more practical how-to guides, including those penned by SCA fighters.
    • 5/5
      The creator of Librarything, Bookmeister Spaulding, must have read this book. The Winning Strategy of Miyamoto Musashi,(1584-1645)tells us among other things that one must cultivate a wide range of interests in the arts; be knowledgable in a variety of occupations; be discreet regarding one's business dealings; nurture the truth to perceive the truth in all matters; not be negligent, even in trifling matters; and, my personal favourite: Do Not Engage in Useless Activity.

      Read the Master's words. You'll be a changed Thingmalibrarian. Highly recommended - its the Zen and Art of Library Maintenance and pretty much everything else.

    Book preview

    The Book of Five Rings - Miyamoto Musashi

    The Book of Five Rings

    Miyamoto Musashi

    Translated by

    Victor Harris

    Contents

    Introduction

    The Book of Five Rings

    Chapter 1: The Ground Book

    Chapter 2: The Water Book

    Chapter 3: The Fire Book

    Chapter 4: The Wind Book

    Chapter 5: The Book of the Void

    Notes

    Picture Credits

    Landmarks

    Introduction

    Japan during Musashi’s lifetime

    Miyamoto Musashi was born in 1584, in a Japan struggling to recover from more than four centuries of internal strife. The traditional rule of the emperors had been overthrown in the twelfth century, and although each successive emperor remained the figurehead of Japan, his powers were very much reduced. Since that time, Japan had seen almost continuous civil war between the provincial lords, warrior monks and brigands, all fighting one another for land and power. In the fifteenth and sixteenth centuries the lords, called daimyō, built huge stone castles to protect themselves and their lands, and castle towns outside the walls began to grow up. These wars naturally restricted the growth of trade and impoverished the whole country.

    In 1573, however, one man, Oda Nobunaga, came to the fore in Japan. He became the shōgun, or military dictator, and within nine years had succeeded in gaining control of almost the whole of the country. When Nobunaga was assassinated in 1582, a commoner took over the government. Toyotomi Hideyoshi continued the work of unifying Japan, ruthlessly putting down any traces of insurrection. He revived the old gulf between the warriors of Japan – the samurai – and the commoners by introducing restrictions on the wearing of swords. ‘Hideyoshi’s sword-hunt’, as it was known, meant that only samurai were allowed to wear two swords; the short one which everyone could wear and the long one which distinguished the samurai from the rest of the population.

    Although Hideyoshi did much to settle Japan and increase trade with the outside world, by the time of his death in 1598 internal disturbances still had not been completely eliminated. The real isolation and unification of Japan began with the inauguration of the great Tokugawa rule. Tokugawa Ieyasu, a former associate of both Hideyoshi and Nobunaga, formally became the shōgun of Japan after defeating Hideyoshi’s son Hideyori at the Battle of Sekigahara in 1600. Ieyasu established his government at Edo, present-day Tokyo, where he had a huge castle. His was a stable, peaceful government which began a period of Japanese history that lasted until the Imperial Restoration of 1868, for although Ieyasu died in 1616, members of his family succeeded one another and the title shōgun became virtually hereditary for the Tokugawas.

    Ieyasu was determined to ensure his family’s dictatorship. To this end, he paid lip service to the emperor in Kyoto, who remained the titular head of Japan, while curtailing his duties and involvement in the government. The real threat to Ieyasu’s position could only come from the lords, and he effectively decreased their opportunities for revolt by devising schemes whereby all lords had to live in Edo for alternate years and by placing great restrictions on travelling. He allotted land in exchange for oaths of allegiance, and gave the provincial castles around Edo to members of his own family. He also employed a network of secret police and assassins.

    Oda Nobunaga (1534–82), who unified Japan in the late sixteenth century, looks on as repairs are made to his castle.

    A rigid class structure

    The Tokugawa period marks a great change in the social history of Japan. The bureaucracy of the Tokugawas was all-pervading. Not only were education, law, government and social class controlled, but even the costume and behaviour of each class. The traditional class consciousness of Japan hardened into a rigid class structure. There were basically four classes of person: samurai, farmers, artisans and merchants. The samurai were the highest – in esteem, if not in wealth – and included the lords, senior government officials, warriors, and minor officials and foot soldiers. Next in the hierarchy came the farmers, not because they were well thought of, but because they provided the essential rice crops. Their lot was a rather unhappy one, as they were forced to give most of their crops to the lords and were not allowed to leave their farms. Then came the artisans and craftsmen, and last of all the merchants, who, though looked down upon, eventually rose to prominence because of the vast wealth they accumulated. Few people were outside this rigid hierarchy.

    Musashi belonged to the samurai class. We find the origins of the samurai class in the Kondei (‘stalwart youth’) system established in ad 792, whereby the Japanese army – which had until then consisted mainly of spear-wielding foot soldiers – was revived by stiffening the ranks with permanent training officers recruited from among the young sons of the high families. These officers were mounted, wore armour, and used the bow and sword. In ad 782 the Emperor Kammu started to build Kyoto, where he constructed a training hall which exists to this day called the Butokuden, meaning ‘Hall of the virtues of war’. Within a few years of this revival, the fierce Ainu, the aboriginal inhabitants of Japan who had until then confounded the army’s attempt to move them from their ancestral lands, were driven far off to the northern island, Hokkaido.

    The rOnin

    When the great provincial armies were gradually disbanded under Hideyoshi and Ieyasu, many out-of-work samurai roamed the country redundant in an era of peace. Musashi was one such samurai, a rōnin or ‘wave man’. There were still samurai retainers to the Tokugawas and provincial lords, but their numbers were few. The hordes of redundant samurai found themselves living in a society which was completely based on the old chivalry, but at the same time they were apart from a society in which there was no place for men at arms. They became an inverted class, keeping the old chivalry alive by devotion to military arts with the fervour only Japanese possess. This was the time of the flowering of the sword arts, or Kendo.

    Kendo – the Way of the sword – had long been synonymous with nobility in Japan. Since the founding of the samurai class in the eighth century, the military arts had become the highest form of study, inspired by the teachings of Zen and Shinto.

    Kendo schools

    Schools of Kendo born in the early Muromachi period (approximately 1390 to 1600) were continued through the upheavals of the formation of the peaceful Tokugawa shōgunate, and survive to this day. The education of the sons of the Tokugawa shōguns was by means of schooling in the Chinese classics and fencing exercises. Where a Westerner might say, ‘The pen is mightier than the sword’, the Japanese would say, ‘Bunbu ichi’, or

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