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    Marilou Is Everywhere: A Novel
    Marilou Is Everywhere: A Novel
    Marilou Is Everywhere: A Novel
    Audiobook6 hours

    Marilou Is Everywhere: A Novel

    Written by Sarah Elaine Smith

    Narrated by Kristen Sieh

    3.5/5

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    About this audiobook

    Finalist for the L.A. Times Book Prize for First Fiction

    One of NPR’s Favorite Books of 2019

    A SKIMM READS PICK

    A BELLETRIST BOOK CLUB PICK

    "This novel reads like a miracle." —NPR

    Consumed by the longing for a different life, a teenager flees her family and carefully slips into another — replacing a girl whose own sudden disappearance still haunts the town.

    Fourteen-year-old Cindy and her two older brothers live in rural Pennsylvania, in a house with occasional electricity, two fierce dogs, one book, and a mother who comes and goes for months at a time. Deprived of adult supervision, the siblings rely on one another for nourishment of all kinds. As Cindy's brothers take on new responsibilities for her care, the shadow of danger looms larger and the status quo no longer seems tolerable.

    So when a glamorous teen from a more affluent, cultured home goes missing, Cindy escapes her own family's poverty and slips into the missing teen's life. As Jude Vanderjohn, Cindy is suddenly surrounded by books and art, by new foods and traditions, and most important, by a startling sense of possibility. In her borrowed life she also finds herself accepting the confused love of a mother who is constitutionally incapable of grasping what has happened to her real daughter. As Cindy experiences overwhelming maternal love for the first time, she must reckon with her own deceits and, in the process, learn what it means to be a daughter, a sister, and a neighbor.

    Marilou Is Everywhere is a powerful, propulsive portrait of an overlooked girl who finds for the first time that her choices matter.
    LanguageEnglish
    PublisherPenguin Audio
    Release dateJul 30, 2019
    ISBN9781984888549

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    Reviews for Marilou Is Everywhere

    3.5/5

    19 ratings3 reviews

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    • 4/5

      Jan 1, 2022

      Let’s start at the very beginning which, I am told, is a very good place to start. There’s no Marilou in this novel. “Marilou” is, in fact, the nickname of Jude Vanderjohn, a teenager of colour who lives with her eccentric, alcoholic and possibly sick mother Bernadette in a predominantly white, rural outpost in Appalachia. Also, Marilou isn’t “everywhere”. She is nowhere… or, rather, nowhere to be found. At the heart of the novel is the mystery of Jude’s disappearance following a camping trip gone wrong.

      The story is narrated by Cindy Stoat, the younger sister of Jude’s ex-boyfriend Virgil. Cindy is herself an outcast, raised by a single mother who comes and goes and has now, apparently, left for good, ostensibly “for work reasons”. Left to her own devices with two older brothers, and taking advantage of Bernadette’s confused state of mind, she steps into the shoes of the missing teenager and slowly morphs in a new composite version of Cindy/Jude.

      The “missing person trope” has become a genre unto itself, cutting across other longer-establish genres, from plot-driven page-turning thrillers to subtler, philosophical works. Marilou is Everywhere is the debut novel of poet Sarah Elaine Smith, and hers is a decidedly “literary” approach (not my favourite adjective, but I’ll go for that as a working description). The novel’s language is rich and musical and even when it is portraying the numbing boredom of small-town life, it does so in pregnant metaphors. And this is certainly one of this work’s strengths. Yet, depending on your point of view, it might also be its main weakness. Cindy is supposed to be a school drop-out and, despite the fact that her days with Bernadette have taught her about Tintoretto, soy sauce and Nina Simone (unexpectedly turning her into the “family intellectual”), her narrative voice still sounds suspiciously like that of a poet-turned-novelist rather than a disturbed teenager.

      This novel should also come with a warning that it is a real downer. Both Jude and Cindy are, ultimately, outsiders desperate to escape their background, their families and even their bodies. And this does not make for jolly reading. But even pain can be beautifully conveyed, and Smith manages to do this brilliantly. Isn’t great literature often uncomfortable after all?

      3.5*
    • 4/5

      May 5, 2021

      From the beginning paragraph of this story, you expect it will be another domestic thriller, or mystery regarding a missing girl. But the more and more that you dive into this unique debut novel, the more you will see that the mystery at the beginning is counterpoint to the actual heart of the novel.⁣
      Cindy’s life in poverty is tough to read about sometimes, the frank depictions of being broke, scavenging for food, struggling with the education system, the stark emptiness a house feels when there is no power or warmth, and how this all weighs heavy on your shoulders and heart. Growing up in a small town, I also recognized many of the townspeople from my past and their whispers of gossip when a crime or scandal occurred. Jude’s desperation to leave her hometown also resonated deeply with me.⁣
      When Cindy started acting and dressing like Jude, I understood why. She was desperate to have a taste of a different life, especially when it came to having a solid parental figure in her life. This is the reason, I believe, for why she endured abuse by Jude’s mother. Nothing is worse than her own abandonment and neglect from her own mother. You will also learn right away that Cindy is quite odd, and then see how different she is after having lived at Jude’s. ⁣
      I picked this one up at random at my library, and I immediately became engrossed in not only the story, but the characters as well. I have added this to my list of books to recommend. And I look forward to Sarah Elaine Smith’s next book. ⁣
    • 2/5

      Sep 8, 2020

      This one just wasn't for me. It takes place in Greene County, just south of Pittsburgh where i'm from, so the recognizable references were fun, but that was probably the high point. This book meanders, and I sometimes love meandering when the writer is making sharp observations or composing beautiful sentences, but I honestly don't at all understand the reviews that call this prose beautiful. For me, this was too quirky (something I very rarely like), I didn't have a strong sense of who the characters are, and I didn't quite get the point.