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The Otherworldly Genius of <i>The Good Place</i>
After a promising debut last fall, NBC’s quirky, metaphysical comedy enjoyed a terrific first season—only to brilliantly upend its entire premise in the final episode.
When NBC’s The Good Place premiered last September, even early fans seemed uncertain of its future. It was, after all, a non-workplace sitcom with an unusually ambitious premise: A woman named Eleanor (Kristen Bell) dies and finds herself in a non-denominational heaven reserved for only those who led the most selfless and ethical of lives. The problem is she was a terrible person on earth who ended up in the so-called “good place” by mistake, so to avoid being sent to “the bad place,” she hides her identity and tries to become a better person in the afterlife.
My colleague David Sims praised the show’s debut but wondered how the story’s apparent plottiness
