- published: 19 Nov 2010
- views: 20880
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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HIDDEN ERROR: Usage of "spouse" is not recognizedHIDDEN ERROR: Usage of "religion" is not recognizedHIDDEN ERROR: Usage of "children" is not recognized
Carole King (born February 9, 1942) is an American composer and singer-songwriter.
King's career began in the 1960s when she, along with her then husband Gerry Goffin, wrote more than two dozen chart hits for numerous artists, many of which have become standards. She has continued writing for other artists since then. King's success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on the piano, in a series of albums and concerts. After experiencing commercial disappointment with her debut album Writer, King scored her breakthrough with the album Tapestry, which topped the U.S. album chart for 15 weeks in 1971 and remained on the charts for more than six years.
In 2000 Billboard pop music researcher Joel Whitburn named King the most successful female songwriter of 1955–99 because she wrote or co-wrote 118 pop hits on the Billboard Hot 100. King wrote 61 hits that charted in the UK. In 2005 music historian Stuart Devoy found her the most successful female songwriter on the UK singles charts 1952–2005.
You Can Do Anything is the third album by British indie rock band The Zutons. It was produced by Sunset Sound Studios in Los Angeles with producer George Drakoulias (The Black Crowes/Primal Scream/Tom Petty) and was released on Monday 2 June 2008 in the United Kingdom. You Can Do Anything was released after the departure of original lead guitarist Boyan Chowdhury, and is the first album to feature the band's new lead guitarist Paul Molloy. The album was preceded by the first single "Always Right Behind You", which was released on 26 May 2008. It entered the Official UK Albums Chart at No.6.
Prior to release, the album leaked to file sharing websites three days before the release date, on Friday 30 May.
You Can Do Anything by Carole King featuring Babyface from the album "Love Makes The World" by Carole King
Hard to find official music video for, 'Anyone At All' by Carole King featured in the 1998 movie, 'You've Got Mail' starring Tom Hanks and Meg Ryan, directed by Nora Ephron. [All copyrights owned by Warner Bros. Entertainment Inc]
Traccia n° 9 di quell'autentico simbolo di una generazione, di quel vero e proprio documento storico della musica cantautorale statunitense degli anni '70 che è il leggendario album "Tapestry" (1971), "Will You Still Love Me Tomorrow?" è una delle più belle canzoni non solo di quello stesso splendido album ma anche dell'intera produzione della grande Carole King, che la compose assieme al suo primo marito, Gerry Goffin, nel 1960 (e dunque ben 11 anni prima dell'uscita di "Tapestry") all'età di soli 18 anni. La prima versione che ne venne incisa (ben diversa nello stile e nell'atmosfera dall'interpretazione di Carole King qui presentata) fu quella delle Shirelles, nel 1961, e raggiunse il 1° posto della Billboard Hot 100; da quel momento in poi è stata reinterpretata da numerosi e anche cel...
Anyone At All - Carole King
"(You Make Me Feel Like) A Natural Woman" by Carole King Listen to Carole King: https://CaroleKing.lnk.to/listenYD Subscribe to Carole King: https://CaroleKing.lnk.to/subscribeYD Follow Carole King: Facebook: https://CaroleKing.lnk.to/followFI Twitter: https://CaroleKing.lnk.to/followTI Instagram: https://CaroleKing.lnk.to/followII Website: https://CaroleKing.lnk.to/followWI Spotify: https://CaroleKing.lnk.to/followSI YouTube: https://CaroleKing.lnk.to/subscribeYD Ask your voice device to play “(You Make Me Feel Like) A Natural Woman” by Carole King! Chorus: Oh, baby, what you've done to me (What you've done to me') You make me feel so good inside (Good inside.) And I just want to be (Want to be) Close to you. You make me feel so alive! You make me feel, you make me feel, You make me...
"One (2018)" Stream or buy https://caroleking.lnk.to/LrB3g I was going to play a few songs at a women’s luncheon at which nine female candidates would introduce themselves. I kept thinking about the song “One” for which I had written both music and lyrics in 1977. It’s a song about wondering what we can do when we see injustice, and it expresses my long held belief that we - all of us humans - are most effective when we come together as “One” and stand up for our values such as dignity, inclusivity, equality of opportunity, and caring for our most vulnerable neighbors. Drawn to the piano like pins to a magnet, I was inspired to write some new lyrics for the last chorus to reflect my feelings about the 2018 election. And then I wanted to record it. My manager quickly booked Studio B ...
So tell me now and I won't ask again... Will You Still Love Me Tomorrow?
"(You Make Me Feel Like) A Natural Woman" by Carole King from Welcome to My Living Room Listen to Carole King: https://CaroleKing.lnk.to/listenYD Subscribe to Carole King: https://CaroleKing.lnk.to/subscribeYD Watch more Carole King videos: https://CaroleKing.lnk.to/listenYC/youtube Follow Carole King: Facebook: https://CaroleKing.lnk.to/followFI Twitter: https://CaroleKing.lnk.to/followTI Instagram: https://CaroleKing.lnk.to/followII Website: https://CaroleKing.lnk.to/followWI Spotify: https://CaroleKing.lnk.to/followSI YouTube: https://CaroleKing.lnk.to/subscribeYD Ask your voice device to play “(You Make Me Feel Like) A Natural Woman” by Carole King! Chorus: Oh, baby, what you've done to me (What you've done to me') You make me feel so good inside (Good inside.) And I just want to ...
"Where You Lead, I Will Follow" by Carole King from Welcome To My Living Room Listen to Carole King: https://CaroleKing.lnk.to/listenYD Subscribe to the official Carole King YouTube channel: https://CaroleKing.lnk.to/subscribeYD Watch more Carole King videos: https://CaroleKing.lnk.to/listenYC/youtube Follow Carole King: Facebook: https://CaroleKing.lnk.to/followFI Twitter: https://CaroleKing.lnk.to/followTI Instagram: https://CaroleKing.lnk.to/followII Website: https://CaroleKing.lnk.to/followWI Spotify: https://CaroleKing.lnk.to/followSI YouTube: https://CaroleKing.lnk.to/subscribeYD Chorus: Where you lead, I will follow Anywhere that you tell me to If you need, you need me to be with you I will follow where you lead #CaroleKing #WhereYouLeadIWillFollow #WelcomeToMyLivingRoom
Official Audio for "You've Got A Friend" by Carole King Listen to Carole King: https://CaroleKing.lnk.to/listenYD Subscribe to the official Carole King YouTube channel: https://CaroleKing.lnk.to/subscribeYD Follow Carole King: Facebook: https://CaroleKing.lnk.to/followFI Twitter: https://CaroleKing.lnk.to/followTI Instagram: https://CaroleKing.lnk.to/followII Website: https://CaroleKing.lnk.to/followWI Spotify: https://CaroleKing.lnk.to/followSI YouTube: https://CaroleKing.lnk.to/subscribeYD Ask your device to play Carole King! #CaroleKing #YouveGotAFriend #OfficialAudio Chorus: You just call out my name And you know wherever I am I'll come running, to see you again Winter, spring, summer or fall All you have to do is call And I'll be there You've got a friend
HIDDEN ERROR: Usage of "spouse" is not recognizedHIDDEN ERROR: Usage of "religion" is not recognizedHIDDEN ERROR: Usage of "children" is not recognized
Carole King (born February 9, 1942) is an American composer and singer-songwriter.
King's career began in the 1960s when she, along with her then husband Gerry Goffin, wrote more than two dozen chart hits for numerous artists, many of which have become standards. She has continued writing for other artists since then. King's success as a performer in her own right did not come until the 1970s, when she sang her own songs, accompanying herself on the piano, in a series of albums and concerts. After experiencing commercial disappointment with her debut album Writer, King scored her breakthrough with the album Tapestry, which topped the U.S. album chart for 15 weeks in 1971 and remained on the charts for more than six years.
In 2000 Billboard pop music researcher Joel Whitburn named King the most successful female songwriter of 1955–99 because she wrote or co-wrote 118 pop hits on the Billboard Hot 100. King wrote 61 hits that charted in the UK. In 2005 music historian Stuart Devoy found her the most successful female songwriter on the UK singles charts 1952–2005.
VENUSIAN DIAMOND
by Carole King, Rick Evers & Navarro
On the thirty-first day of
the summer moon
In the marketplace
Soembody touched my hand and said
I was a woman of taste
Then with a flutter of wings
AAmid the clutter of things
I saw the Venusian Diamond
through a see of grace
I said "Lay all of your money down
And I will be your own
Do it if you can
If you don't, you better
leave it alone"
Then there appeared a serpent hanging
Like a thunder rope
He said, "Pull me" -I did
And fell into the wrong end of a telescope
SO I began to run
I knew not to where I'd come
I could hear the Venusian Diamond
and it gave me hope
It said, "Shatter all your images
And I will be your own
Do it if you can
If you don't, you better
leave it alone"
Selves
Selfish
Selfless
Self