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William Sterndale Bennett - Piano Concerto No. 1, Op. 1 (1832)
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig.
Please support my channel:
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Piano Concerto No. 1 in D minor, Op. 1 (1832)
I. Allegro con brio (0:00)
II. Andante sostenut...
published: 27 Mar 2021
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William Sterndale Bennett - Piano Concerto No.4 in F-minor, Op.19 (1838)
William Sterndale Bennett (13 April 1816 -- 1 February 1875) was an English composer, pianist, conductor and music educator.
Work: Piano Concerto No.4 in F-minor, Op.19 (1838) Piano (solo), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns 2 trumpets, timpani, strings
First performance 1839 January 17, Bennett piano, Felix Mendelssohn conducting, Gewandhaus Leipzig.
Mov.I: Allegro con maesta 00:00
Mov.II: Barcarole: Andante cantabile e con moto 12:30
Mov.III: Presto: Agitato 21:04
Pianist: Malcolm Binns
Orchestra: Milton Keynes Chamber Orchestra
Conductor: Hilary Davan Wetton
Not the Hyperion-recording.
published: 05 Sep 2013
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William Sterndale Bennett - Geneviève, Romance for Piano
Piano - Ilona Prunyi
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to the Royal Academy of Music in London, where he remained for ten years. By the end of this time, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig, Germany. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for the Englishman's compositions. Bennett spent three winters composing and performing in Leipzig.
published: 28 Jun 2022
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William Sterndale Bennett: The Lake, Op.10 No.1
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn. This piece comes from a set of three water-themed 'Musical Sketches'.
Thumbnail image created with Wombo Dream ( t.ly/zhJa ).
-------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email: [email protected]
WhatsApp: http://wa.me/441444483794 )
published: 26 Sep 2007
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William Sterndale Bennett: 3 Impromptus Op. 12 No. 1 - Andante espressivo
William Sterndale-Bennett (1816-75) was a leading British composer of the early 19th century, who got to know Mendelssohn and Schumann while studying in Leipzig. He was for many years professor of music at Cambridge University.
-----------------------------------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk
YouTube community tab: https://is.gd/SV4II9 ------------------------------------------------------- Played by Phillip Sear
http://www.psear.co.uk (Email: [email protected]
WhatsApp: http://wa.me/441444483794 )
published: 05 Oct 2007
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William Sterndale Bennett - Piano Concerto No.1 in D-minor, Op.1 (1832)
William Sterndale Bennett
Work: Piano Concerto No.1 in D-minor, Op.1 (1832)
Mov.I: Allegro con brio 00:00
Mov.II: Andante sostenuto 12:04
Mov.III: Finale: Presto-Scherzo 19:46
Pianist: Malcolm Binns
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
published: 09 Sep 2013
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William Sterndale Bennett: Barcarolle (from 4th Piano Concerto, Op.19)
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn - and it was Mendelssohn who suggested to Bennett that he incorporate a Barcarolle (Venetian Gondola Song) in this work. Although this piece is available in commercial recordings with orchestra, I am playing it in the form in which it became very popular in the 19th c - as a piano solo incorporating a reduction of the orchestral parts. There are precedents for playing solos in this way. Chopin's 'Andante Spianato and Grande Polonaise Brillante' , although written for piano and orchestra, is almost always played as a solo with incorporated orchestral parts, as is the same composer...
published: 29 May 2009
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William Sterndale-Bennett: The Fountain, Op.10 No.3
#3 from '3 Musical Sketches', Op.10 (1835–6)
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Sterndale-Bennett (1816–75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn. This piece comes from a set of three water-themed pieces.
Thumbnail image created with Wombo Dream ( https://rb.gy/ekerq ).
#britishmusic #fountain #watermusic
------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email: [email protected]
WhatsApp: http://wa.me/441444483794 )
published: 18 Apr 2008
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William Sterndale Bennett - Piano Concerto No.3 in C-minor, Op.9 (1834)
William Sterndale Bennett
Work: Piano Concerto No.3 in C-minor, Op.9 (1834)
Mov.I: Allegro 00:00
Mov.II: Romanza. Andante espessivo 13:34
Mov.III: Allegro agitato 20:41
Pianist: Malcolm Binns
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
published: 11 Sep 2013
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William Sterndale Bennett - 3 Musical Sketches, Op.10
- - - -
Intro : [00:00]
I. The Lake [00:05]
II. The Millstream [04:05]
III. The Fountain [06:09]
- - - -
Piano : Jozef De Beenhouwer
- - - -
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to the Royal Academy of Music in London, where he remained for ten years. By the end of this time, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig, Germany. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for the Englishman's compositions. Bennett spent three winters composing and performing in Leipzig.
published: 08 Apr 2023
24:15
William Sterndale Bennett - Piano Concerto No. 1, Op. 1 (1832)
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was ad...
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto No. 1 in D minor, Op. 1 (1832)
I. Allegro con brio (0:00)
II. Andante sostenuto (12:10)
III. Finale. Presto (Scherzo) (19:52)
Malcolm Binns, piano and the London Philharmonic Orchestra conducted by Nicholas Braithwaite
Among Bennett's student compositions were a piano concerto (No. 1 in D minor, Op. 1), a symphony and an overture to The Tempest. The concerto received its public premiere at an orchestral concert in Cambridge on 28 November 1832, with Bennett as soloist. Performances soon followed in London and, by royal command, at Windsor Castle, where Bennett played in April 1833 for King William IV and Queen Adelaide. The RAM published the concerto at its own expense as a tribute. A further London performance was given in June 1833. The critic of The Harmonicon wrote of this concert:
[T]he most complete and gratifying performance was that of young Bennett, whose composition would have conferred honour on any established master, and his execution of it was really surprising, not merely for its correctness and brilliancy, but for the feeling he manifested, which, if he proceed as he has begun, must in a few years place him very high in his profession.
https://wn.com/William_Sterndale_Bennett_Piano_Concerto_No._1,_Op._1_(1832)
Sir William Sterndale Bennett (13 April 1816 – 1 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig.
Please support my channel:
https://ko-fi.com/bartjebartmans
Piano Concerto No. 1 in D minor, Op. 1 (1832)
I. Allegro con brio (0:00)
II. Andante sostenuto (12:10)
III. Finale. Presto (Scherzo) (19:52)
Malcolm Binns, piano and the London Philharmonic Orchestra conducted by Nicholas Braithwaite
Among Bennett's student compositions were a piano concerto (No. 1 in D minor, Op. 1), a symphony and an overture to The Tempest. The concerto received its public premiere at an orchestral concert in Cambridge on 28 November 1832, with Bennett as soloist. Performances soon followed in London and, by royal command, at Windsor Castle, where Bennett played in April 1833 for King William IV and Queen Adelaide. The RAM published the concerto at its own expense as a tribute. A further London performance was given in June 1833. The critic of The Harmonicon wrote of this concert:
[T]he most complete and gratifying performance was that of young Bennett, whose composition would have conferred honour on any established master, and his execution of it was really surprising, not merely for its correctness and brilliancy, but for the feeling he manifested, which, if he proceed as he has begun, must in a few years place him very high in his profession.
- published: 27 Mar 2021
- views: 7392
28:53
William Sterndale Bennett - Piano Concerto No.4 in F-minor, Op.19 (1838)
William Sterndale Bennett (13 April 1816 -- 1 February 1875) was an English composer, pianist, conductor and music educator.
Work: Piano Concerto No.4 in F-min...
William Sterndale Bennett (13 April 1816 -- 1 February 1875) was an English composer, pianist, conductor and music educator.
Work: Piano Concerto No.4 in F-minor, Op.19 (1838) Piano (solo), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns 2 trumpets, timpani, strings
First performance 1839 January 17, Bennett piano, Felix Mendelssohn conducting, Gewandhaus Leipzig.
Mov.I: Allegro con maesta 00:00
Mov.II: Barcarole: Andante cantabile e con moto 12:30
Mov.III: Presto: Agitato 21:04
Pianist: Malcolm Binns
Orchestra: Milton Keynes Chamber Orchestra
Conductor: Hilary Davan Wetton
Not the Hyperion-recording.
https://wn.com/William_Sterndale_Bennett_Piano_Concerto_No.4_In_F_Minor,_Op.19_(1838)
William Sterndale Bennett (13 April 1816 -- 1 February 1875) was an English composer, pianist, conductor and music educator.
Work: Piano Concerto No.4 in F-minor, Op.19 (1838) Piano (solo), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns 2 trumpets, timpani, strings
First performance 1839 January 17, Bennett piano, Felix Mendelssohn conducting, Gewandhaus Leipzig.
Mov.I: Allegro con maesta 00:00
Mov.II: Barcarole: Andante cantabile e con moto 12:30
Mov.III: Presto: Agitato 21:04
Pianist: Malcolm Binns
Orchestra: Milton Keynes Chamber Orchestra
Conductor: Hilary Davan Wetton
Not the Hyperion-recording.
- published: 05 Sep 2013
- views: 27077
4:09
William Sterndale Bennett - Geneviève, Romance for Piano
Piano - Ilona Prunyi
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to t...
Piano - Ilona Prunyi
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to the Royal Academy of Music in London, where he remained for ten years. By the end of this time, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig, Germany. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for the Englishman's compositions. Bennett spent three winters composing and performing in Leipzig.
https://wn.com/William_Sterndale_Bennett_Geneviève,_Romance_For_Piano
Piano - Ilona Prunyi
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to the Royal Academy of Music in London, where he remained for ten years. By the end of this time, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig, Germany. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for the Englishman's compositions. Bennett spent three winters composing and performing in Leipzig.
- published: 28 Jun 2022
- views: 491
3:20
William Sterndale Bennett: The Lake, Op.10 No.1
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine pi...
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn. This piece comes from a set of three water-themed 'Musical Sketches'.
Thumbnail image created with Wombo Dream ( t.ly/zhJa ).
-------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
https://wn.com/William_Sterndale_Bennett_The_Lake,_Op.10_No.1
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn. This piece comes from a set of three water-themed 'Musical Sketches'.
Thumbnail image created with Wombo Dream ( t.ly/zhJa ).
-------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
- published: 26 Sep 2007
- views: 4932
3:59
William Sterndale Bennett: 3 Impromptus Op. 12 No. 1 - Andante espressivo
William Sterndale-Bennett (1816-75) was a leading British composer of the early 19th century, who got to know Mendelssohn and Schumann while studying in Leipzig...
William Sterndale-Bennett (1816-75) was a leading British composer of the early 19th century, who got to know Mendelssohn and Schumann while studying in Leipzig. He was for many years professor of music at Cambridge University.
-----------------------------------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk
YouTube community tab: https://is.gd/SV4II9 ------------------------------------------------------- Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
https://wn.com/William_Sterndale_Bennett_3_Impromptus_Op._12_No._1_Andante_Espressivo
William Sterndale-Bennett (1816-75) was a leading British composer of the early 19th century, who got to know Mendelssohn and Schumann while studying in Leipzig. He was for many years professor of music at Cambridge University.
-----------------------------------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk
YouTube community tab: https://is.gd/SV4II9 ------------------------------------------------------- Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
- published: 05 Oct 2007
- views: 9917
24:11
William Sterndale Bennett - Piano Concerto No.1 in D-minor, Op.1 (1832)
William Sterndale Bennett
Work: Piano Concerto No.1 in D-minor, Op.1 (1832)
Mov.I: Allegro con brio 00:00
Mov.II: Andante sostenuto 12:04
Mov.III: Finale: Pr...
William Sterndale Bennett
Work: Piano Concerto No.1 in D-minor, Op.1 (1832)
Mov.I: Allegro con brio 00:00
Mov.II: Andante sostenuto 12:04
Mov.III: Finale: Presto-Scherzo 19:46
Pianist: Malcolm Binns
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
https://wn.com/William_Sterndale_Bennett_Piano_Concerto_No.1_In_D_Minor,_Op.1_(1832)
William Sterndale Bennett
Work: Piano Concerto No.1 in D-minor, Op.1 (1832)
Mov.I: Allegro con brio 00:00
Mov.II: Andante sostenuto 12:04
Mov.III: Finale: Presto-Scherzo 19:46
Pianist: Malcolm Binns
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
- published: 09 Sep 2013
- views: 21768
8:14
William Sterndale Bennett: Barcarolle (from 4th Piano Concerto, Op.19)
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine pia...
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn - and it was Mendelssohn who suggested to Bennett that he incorporate a Barcarolle (Venetian Gondola Song) in this work. Although this piece is available in commercial recordings with orchestra, I am playing it in the form in which it became very popular in the 19th c - as a piano solo incorporating a reduction of the orchestral parts. There are precedents for playing solos in this way. Chopin's 'Andante Spianato and Grande Polonaise Brillante' , although written for piano and orchestra, is almost always played as a solo with incorporated orchestral parts, as is the same composer's variations on 'La Ci Darem la Mano'. My apologies to viewers for the less-than-ideal edit at 3:12 where there is a slight unexpected change of dynamic.
Thumbnail image created with Wombo Dream ( t.ly/zhJa ).
------------------------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
https://wn.com/William_Sterndale_Bennett_Barcarolle_(From_4Th_Piano_Concerto,_Op.19)
Sterndale-Bennett (1816-75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn - and it was Mendelssohn who suggested to Bennett that he incorporate a Barcarolle (Venetian Gondola Song) in this work. Although this piece is available in commercial recordings with orchestra, I am playing it in the form in which it became very popular in the 19th c - as a piano solo incorporating a reduction of the orchestral parts. There are precedents for playing solos in this way. Chopin's 'Andante Spianato and Grande Polonaise Brillante' , although written for piano and orchestra, is almost always played as a solo with incorporated orchestral parts, as is the same composer's variations on 'La Ci Darem la Mano'. My apologies to viewers for the less-than-ideal edit at 3:12 where there is a slight unexpected change of dynamic.
Thumbnail image created with Wombo Dream ( t.ly/zhJa ).
------------------------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
- published: 29 May 2009
- views: 3447
2:01
William Sterndale-Bennett: The Fountain, Op.10 No.3
#3 from '3 Musical Sketches', Op.10 (1835–6)
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Sterndale-Bennett (1816–75) was a leading figure in British m...
#3 from '3 Musical Sketches', Op.10 (1835–6)
-----------------------------------------------------
Sterndale-Bennett (1816–75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn. This piece comes from a set of three water-themed pieces.
Thumbnail image created with Wombo Dream ( https://rb.gy/ekerq ).
#britishmusic #fountain #watermusic
------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
https://wn.com/William_Sterndale_Bennett_The_Fountain,_Op.10_No.3
#3 from '3 Musical Sketches', Op.10 (1835–6)
-----------------------------------------------------
Sterndale-Bennett (1816–75) was a leading figure in British musical life in the first part of the 19th c, and a friend of Schumann and Mendelssohn. His fine piano music bears comparison with that of Mendelssohn. This piece comes from a set of three water-themed pieces.
Thumbnail image created with Wombo Dream ( https://rb.gy/ekerq ).
#britishmusic #fountain #watermusic
------------------------------------------------------
Played by Phillip Sear
http://www.psear.co.uk (Email:
[email protected]
WhatsApp: http://wa.me/441444483794 )
- published: 18 Apr 2008
- views: 2336
28:14
William Sterndale Bennett - Piano Concerto No.3 in C-minor, Op.9 (1834)
William Sterndale Bennett
Work: Piano Concerto No.3 in C-minor, Op.9 (1834)
Mov.I: Allegro 00:00
Mov.II: Romanza. Andante espessivo 13:34
Mov.III: Allegro ag...
William Sterndale Bennett
Work: Piano Concerto No.3 in C-minor, Op.9 (1834)
Mov.I: Allegro 00:00
Mov.II: Romanza. Andante espessivo 13:34
Mov.III: Allegro agitato 20:41
Pianist: Malcolm Binns
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
https://wn.com/William_Sterndale_Bennett_Piano_Concerto_No.3_In_C_Minor,_Op.9_(1834)
William Sterndale Bennett
Work: Piano Concerto No.3 in C-minor, Op.9 (1834)
Mov.I: Allegro 00:00
Mov.II: Romanza. Andante espessivo 13:34
Mov.III: Allegro agitato 20:41
Pianist: Malcolm Binns
Orchestra: London Philharmonic Orchestra
Conductor: Nicholas Braithwaite
- published: 11 Sep 2013
- views: 13826
7:43
William Sterndale Bennett - 3 Musical Sketches, Op.10
- - - -
Intro : [00:00]
I. The Lake [00:05]
II. The Millstream [04:05]
III. The Fountain [06:09]
- - - -
Piano : Jozef De Beenhouwer
- - - -
Sir William Stern...
- - - -
Intro : [00:00]
I. The Lake [00:05]
II. The Millstream [04:05]
III. The Fountain [06:09]
- - - -
Piano : Jozef De Beenhouwer
- - - -
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to the Royal Academy of Music in London, where he remained for ten years. By the end of this time, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig, Germany. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for the Englishman's compositions. Bennett spent three winters composing and performing in Leipzig.
https://wn.com/William_Sterndale_Bennett_3_Musical_Sketches,_Op.10
- - - -
Intro : [00:00]
I. The Lake [00:05]
II. The Millstream [04:05]
III. The Fountain [06:09]
- - - -
Piano : Jozef De Beenhouwer
- - - -
Sir William Sterndale Bennett was an English composer, pianist, conductor, and music educator. At the age of ten Bennett was admitted to the Royal Academy of Music in London, where he remained for ten years. By the end of this time, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig, Germany. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for the Englishman's compositions. Bennett spent three winters composing and performing in Leipzig.
- published: 08 Apr 2023
- views: 596