A dimension is a structure that categorizes facts and measures in order to enable users to answer business questions. Commonly used dimensions are people, products, place and time.
In a data warehouse, dimensions provide structured labeling information to otherwise unordered numeric measures. The dimension is a data set composed of individual, non-overlapping data elements. The primary functions of dimensions are threefold: to provide filtering, grouping and labelling.
These functions are often described as "slice and dice". Slicing refers to filtering data. Dicing refers to grouping data. A common data warehouse example involves sales as the measure, with customer and product as dimensions. In each sale a customer buys a product. The data can be sliced by removing all customers except for a group under study, and then diced by grouping by product.
Typically dimensions in a data warehouse are organized internally into one or more hierarchies. "Date" is a common dimension, with several possible hierarchies:
Directed by The Malloys, the music video for "Dimension" was first aired in the week of 13 February 2006. Prior to this, the video was featured on the 2006 extended play (EP) Dimensions.
Critical reception
In a review of Wolfmother for Blender, writer Jonah Weiner identified "Dimension" as an example of the band "at [their] hardest", describing it as an "acid anthem".NME reviewer James Jam described the song as "a throb of gonzometal not unlike Black Sabbath playing Motown".
Dimension Shampoo was a heavily perfumed shampoo product, which was produced in the early 1980s. This was by the personal products division of Lever Brothers, and marketed by Ogilvy. The shampoo came in a distinctive dark yellow bottle, and left a strong muskone and civetone aroma on the hair. There was also a companion conditioner marketed with this product. It has been stated by many previous users of dimension shampoo that it caused their hair to fall out, due to the extreme astringency of the product.
On April 18, 1985, Lever Brothers reorganized their marketing structure and moved their personal products division business to J. Walter Thompson.
At the time, Dimension was a highly popular brand. (Lever spent an estimated $12.5M in advertising the brand in 1984.) However, shortly after Lever's marketing reorganization, Dimension ran-out on store shelves, and never returned. Lever Brothers never made any public explanation for the disappearance of the product; although they referred to the marketing reorganization as a consolidation of the personal products brands, and stated that the decision in-part had to do with its plans for international marketing.
David Carson, an everyday bank teller, learns that he is Lord Cumulus, "avenger of the universe". Suddenly transported from an annual employee-awards dinner to the mystical realm Fen-Ra, he finds himself battling for the destiny of the universe against antagonist Prince Chaos. In this world, he encounters the sage Lugulbanda who sends him on his quest aided by the leather-clad Amazon warrior Sargon. They battle Valaria the insect sorceress and Chaos' henchman, the purple ape Symax.
Production history
Original production
Chicago's Organic Theater Company opened the original play Warp! in 1971. Co-author Stuart Gordon in 2002 recalled its original inspiration: "It was three full-length plays that were inspired by Marvel Comics. ... Well, we weren't able to get the rights to any of the characters from Marvel, so we created our own. But I would say that Warp was very influenced by comic books like Dr. Strange and Thor". Billed by the company as "the world's first science fiction epic-adventure play in serial form", it was performed for over a year before moving to Broadway.
First published in November 1977, Warp continued on a usually two-monthly schedule until the late 1990s, surviving for a short period independently after NASF went into recess. The magazine was published by Transworld. Excluding the APAAotearapa, Warp was the first New Zealand science fiction publication to reach 100 issues, which it did in June 1995. In all, some 115 editions of Warp were produced. Its largest issues were 44 pages in length.
The location of Warp's publishing varied according to the home city of its editor, although during much of the later 1980s it was based in Christchurch, and during the early and mid 1990s it was based in Dunedin. At times the magazine's schedule was erratic, especially during the late 1980s and shortly before its demise in the late 1990s.
Originally published in A4 format, for much of its run it was A5 in size, returning to A4 shortly before its demise.
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