- published: 20 Sep 2018
- views: 37453
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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}else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Invisible Connections is a 1985 album by electronic musician Vangelis.
All songs written by Vangelis.
One of his most obscure albums, Invisible Connections is quite different from the majority of Vangelis's work. It has been compared to minimalist experimental music.
Despite this, it can very loosely be said to belong to a trilogy of his '80s albums, the other two being Soil Festivities from 1984, and Mask from the same year as Invisible Connections.
These all feature a willingness of the artist, at this time, to experiment with not only music itself, but his own album release-patterns, as the content differs so markedly from the style he was known for, up to this point. In fact, it may be that he was deliberately, and consciously, returning to a style he began in 1978, when he released Beaubourg, an album which is as experimental as Invisible Connections.
Though Hypothesis, released in 1978, but recorded in 1971 is also considered to be another "experimental" album, it was a release which Vangelis did not sanction, and, besides, it was musically geared towards jazz fusion rather than the minimalist style of the albums, above.
Evangelos Odysseas Papathanassiou (Greek: Ευάγγελος Οδυσσέας Παπαθανασίου [evˈaɲɟelos oðiˈseas papaθanaˈsiu]; born 29 March 1943), known professionally as Vangelis (Greek: Βαγγέλης [vaɲˈɟelis]; English pronunciation: /væŋˈɡɛlᵻs/), is a Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music. He is best known for his Academy Award–winning score for the film Chariots of Fire, composing scores for the films Antarctica, Blade Runner, Missing, 1492: Conquest of Paradise, and Alexander, and the use of his music in the PBS documentary Cosmos: A Personal Voyage by Carl Sagan.
After having taking piano lessons from renowned Greek composer Aristotelis Koundouroff, Vangelis began his professional musical career working with several popular bands of the 1960s such as The Forminx and Aphrodite's Child, with the latter's album 666 going on to be recognized as a psychedelic classic. Throughout the 1970s, Vangelis composed music scores for several animal documentaries, including L'Apocalypse Des Animaux, La Fête sauvage and Opéra sauvage; the success of these scores brought him into the film scoring mainstream. In the early 1980s, Vangelis formed a musical partnership with Jon Anderson, the lead singer of progressive rock band Yes, and the duo went on to release several albums together as Jon & Vangelis.
Vangelis is a common Greek name, deriving from Evángelos (Ευάγγελος).
It may refer to:
Vangelis, sometimes spelled Vangellys (born September 7, 1981) is the ring name of a Mexican luchador, or masked professional wrestler, currently working for the Mexican professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL) portraying a rudo ("bad guy") wrestling character. He has formerly worked for Asistencia Asesoría y Administración (AAA) in Mexico and Dragon Gate in Japan. Also, Vangelis is the winner of the 2013 En Busca de un Ídolo tournament.
Vangelis trained under El Torero, Dick Angelo and Huracán González before making his professional wrestling debut in 1999
He quickly began working for Asistencia Asesoría y Administración (AAA), training at their school while only occasionally wrestling on their television shows. Vangelis was teamed up with Jimmy Boy and Billy to form a boy band inspired group called Los Spice Boys. At Triplemanía VII Jimmy Boy, Billy and Vangelis defeated Los Payasos (Coco Amarillo, Coco Rojo and Coco Verde) in one of the undercard matches. At the 2000 Guerra de Titanes event Los Spice Boys lost to Los Vatos Locos (Espiritu, Nygma, Picudo and Silver Cat). In 2001 Vangelis was given a new ring character, that of a Nazi soldier, complete with swastika armband and the Nazi salute that naturally made him a rudo, a heel or bad guy character. Vangelis formed a group known as Los Warriors along with Kevin (a sailor), Brandon (Aztec Warrior) and Uri (Viking) although Uri only worked with the group for a few months. Los Warriors had a long running storyline feud against Los Barrio Boys, former partners Billy Boy and Alan (Jimmy Boy using a new name) as well as Decnis. The feud between the two factions saw Vangelis win his first ever Luchas de Apuestas, or bet match, when he defeated Alan in a Steel cage match that involved all members of Los Warriors and Los Barrio Boys.
This is Vangelis' 1985 vinyl release, Invisible Connections. It's a weird one. CD: DR14 Vinyl: DR15 http://dr.loudness-war.info/album/view/152618 Gear: VPI ClassicII, Benz LPS, Accuphase C2120-AD30, Arturia AudioFuse. Enjoy, and buy the artist's album!
Provided to YouTube by Label Worx Limited Invisible Connections (Mix) · Indira Paganotto Invisible Connections ℗ Octopus Recordings Released on: 2021-02-22 Producer: Indira Paganotto Composer: Indira Paganotto Music Publisher: Copyright Control Auto-generated by YouTube.
This short film includes both animation and real life footage demonstrating how to install Invisible Connections' TSS and RVK telescopic connectors for precast concrete stair landings. TSS and RVK telescopic connectors are successfully used in twin wall, jump form and slip form construction as well traditional formwork. Unlike traditional connection methods (such as Rolled Steel Angles), using telescopic connectors means there is no drilling, no heavy lifting and no working off a platform. Instead, the installation process is quick, simple and safe. Our telescopic connectors consist of a high grade steel rectangular hollow section (RHS) sitting within another rectangular hollow section. Firstly, the frame contractor casts pocket formers into the core wall, so it’s important that the pre...
Provided to YouTube by Universal Music Group Invisible Connections · Vangelis DG 120 – Neoclassical ℗ 1985 Universal Music International BV / Polydor (UK) Ltd. Released on: 2018-11-02 Composer Lyricist: Evangelos Papathanassiou Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Invisible Connections (Remastered) · Vangelis Vangelis: Delectus ℗ 2016 Universal Music International BV / Polydor (UK) Ltd. Released on: 2016-08-26 Producer, Studio Personnel, Mastering Engineer: Vangelis Studio Personnel, Mastering Engineer: Philippe Colonna Composer Lyricist: Evangelos Papathanassiou Auto-generated by YouTube.
Short film showing installation of Invisible Connections RVK/TSS units available from J&P, into precast stair/landing units.
Short animation illustrating how the Invisible Connections RVK/TSS units available from J&P work within a concrete stair landing.
Choosing telescopic connectors to support precast staircases, or to connect beams to beams or beams to columns, delivers a host of advantages: increased safety, speed, robustness and efficiency as well as reducing cost, noise, waste and cranage. CARES approved Ferbox reinforcement continuity system is not only safer, but also reduces material wastage.
Invisible Connections is a 1985 album by electronic musician Vangelis.
All songs written by Vangelis.
One of his most obscure albums, Invisible Connections is quite different from the majority of Vangelis's work. It has been compared to minimalist experimental music.
Despite this, it can very loosely be said to belong to a trilogy of his '80s albums, the other two being Soil Festivities from 1984, and Mask from the same year as Invisible Connections.
These all feature a willingness of the artist, at this time, to experiment with not only music itself, but his own album release-patterns, as the content differs so markedly from the style he was known for, up to this point. In fact, it may be that he was deliberately, and consciously, returning to a style he began in 1978, when he released Beaubourg, an album which is as experimental as Invisible Connections.
Though Hypothesis, released in 1978, but recorded in 1971 is also considered to be another "experimental" album, it was a release which Vangelis did not sanction, and, besides, it was musically geared towards jazz fusion rather than the minimalist style of the albums, above.