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Thursday, 06 March 2025

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  The Curlew O Curlew, Cry No More Peter Warlock

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  The Curlew O Curlew, Cry No More Peter Warlock

• Peter Warlock
• Peter Warlock (magician)
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Peter Warlock

Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle.

As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of drift and inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic culture and language. On his return to England in 1918, Heseltine began composing songs in a distinctive, original style, while building a reputation as a combative and controversial music critic. During 1920–21 he edited the music magazine The Sackbut. His most prolific period as a composer came in the 1920s, when he was based first in Wales and later at Eynsford in Kent.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Peter_Warlock

Peter Warlock (magician)

Peter Warlock (born Alec William Bell; October 30, 1904 – December 17, 1995) was a semi-professional magician and publisher of the British magic magazines "Pentagram" (1946–59) and the "New Pentagram" (1969–89).

Biography

In 1960, he became the honorary president of the Paisley Magic Circle. Peter Warlock was also asked to accept the Honorary Life Presidency of the Blackpool Magic Club after the death of Edward Victor.

Inventions

Self Contained Milk Pitcher

Ringcord

Out of the Loop

Giant Size Triple Tubes

Silk Filter

Adhesive Glass

Cream of the Jest

Atomic Silk

Ring and Rope Release

Published works

The Best Tricks With Slates (1942)

Patterns for Psychics (1947)

P.T. Selbit: Magical Innovator (with Eric Lewis; 1989)

Buatier de Kolta: Genius of Illusion (1993)

See also

List of magicians

Card magic

References

Further reading

One Hundred by Warlock by Elizabeth (2005)

External links

See more about Peter Warlock at MagicPedia, the free online Magic encyclopedia

Peter Warlock bibliography

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Peter_Warlock_(magician)

... More

... More, probably Richard More (fl. 1402) was an English politician.

He was a Member of the Parliament of England in 1402 for Plympton Erle.

References

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/..._More

More

More or Mores may refer to:

Computers

more (command), a shell command

MORE (application), a Mac OS outliner application

MORE protocol, a routing protocol

Missouri Research and Education Network (MOREnet)

Film

More (1969 film), a 1969 film directed by Barbet Schroeder

More (1998 film), a short film by Mark Osborne

Language and culture

Mores, strongly held norms or customs

Mòoré language or Moré, a language spoken primarily in Burkina Faso by the Mossi

Morè (clan), a Maratha clan of India

Moré language (Bolivia), one of the 36 official languages of Bolivia

Moré (exclamation) used in many Balkan languages

Magazines

More!, a British women's fashion magazine

More (magazine), an American women's lifestyle magazine

More (Belgian magazine), a punk rock magazine

Music

More (British band), a 1980s heavy metal band

More (Yugoslav band), a 1980s band featuring Doris Dragović

Albums

More! (album), by Booka Shade, 2010

More (Beyoncé EP), 2014

More (Crystal Lewis album), 2001

More (Double Dagger album), 2009

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/More

Marks & Spencer

Marks and Spencer plc (also known as M&S) is a major British multinational retailer headquartered in the City of Westminster, London. It specialises in the selling of clothing, home products and luxury food products. M&S was founded in 1884 by Michael Marks and Thomas Spencer in Leeds.

In 1998, the company became the first British retailer to make a pre-tax profit of over £1 billion, although subsequently it went into a sudden slump, which took the company, its shareholders, who included hundreds of thousands of small investors, and nearly all retail analysts and business journalists, by surprise. In November 2009, it was announced that Marc Bolland, formerly of Morrisons, would take over as chief executive from executive chairman Stuart Rose in early 2010; Rose remained in the role of non-executive chairman until he was replaced by Robert Swannell in January 2011.

It is listed on the London Stock Exchange and is a constituent of the FTSE 100 Index.

History

Establishment

The company was founded by a partnership between Michael Marks, a Polish Jew from Słonim (Marks was born into a Polish-Jewish family, a Polish refugee living in the Russian Empire, now in Belarus), and Thomas Spencer, a cashier from the English market town of Skipton in North Yorkshire. On his arrival in England, Marks worked for a company in Leeds, called Barran, which employed refugees (see Sir John Barran, 1st Baronet). In 1884 he met Isaac Jowitt Dewhirst while looking for work. Dewhirst lent Marks £5 which he used to establish his Penny Bazaar on Kirkgate Market, in Leeds. Dewhirst also taught him a little English. Dewhirst's cashier was Tom Spencer, an excellent bookkeeper, whose lively and intelligent second wife, Agnes, helped improve Marks' English. In 1894, when Marks acquired a permanent stall in Leeds' covered market, he invited Spencer to become his partner.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Marks_&_Spencer

Podcasts:

Peter Warlock

ALBUMS

• English Song released: 2004
• The English Song Series, Volume 4: The Curlew / Lillygay / Peterisms, Sets 1 & 2 / Saudades released: 2003
• English String Miniatures, Volume 2 released: 2001
• A Warlock Centenary Album released: 1994
• Moeran: Serenade in G / Nocturne / Warlock: Capriol Suite / Serenade released: 1990
• Warlock Songs released: 1988
• Bacchanales released: 1983
• Frostbound Wood (Allegri Singers) released:
• British Music Collection released:

English Song

Released 2004

• A Soft Day
• Irish Skies
• Cherry Ripe
• Mustard and Cress
• The Lily of a Day
• Henry King
• Fain would I change that note
• In summertime on Bredon
• The lads in their hundreds
• Among the rocks
• It was a lover and his lass
• The Water Mill
• On Wenlock Edge
• The Call
• Silent Noon
• Now in these fairylands
• The dream-city
• Margrete's Cradle Song
• The Heart Worships
• Take, O take those lips away
• Now sleeps the crimson petal
• Love calls through the summer night
• I will go with my father a-ploughing
• The Rio Grande
• Theodore, or the Pirate King
• A Long Time Ago
• Oh dear, what can the matter be?

The English Song Series, Volume 4: The Curlew / Lillygay / Peterisms, Sets 1 & 2 / Saudades

Released 2003

• The Curlew: O Curlew, Cry No More in the Air
• The Curlew: Pale Brows, Still Hands and Dim Hair
• The Curlew: I Cried When the Moon Was Murmuring to the Birds
• The Curlew: Interlude
• The Curlew: I Wander by the Edge of This Desolate Lake
• Lillygay: The Distracted Maid
• Lillygay: Burd Ellen and Young Tamlane
• Lillygay: Rantum Tantum
• Peter Warlock's Fancy
• Peterisms, First Set: Chopcherry
• Peterisms, First Set: A Sad Song
• Peterisms, First Set: Rutterkin
• My Gostly Fader
• Bright Is the Ring of Words
• Saudades: Along the Stream
• Saudades: Take, O Take Those Lips Away
• Saudades: Heraclitus
• The Cloths of Heaven
• The Frostbound Wood
• Bethlehem Down
• Sweet and Twenty
• And Wilt Thou Leave Me Thus?
• Mr Belloc's Fancy
• Peterisms, Second Set: Roister Doister
• Peterisms, Second Set: Spring
• Peterisms, Second Set: Lusty Juventus
• The Bachelor
• Away to Twiver
• Captain Stratton's Fancy

English String Miniatures, Volume 2

Released 2001

• Sally in Our Alley
• Cherry Ripe
• Sospiri
• Fantasy-Concerto: I. Allegro moderato
• Fantasy-Concerto: II. Andante con moto
• Fantasy-Concerto: III. Allegro risoluto
• The Holy Boy
• Charterhouse Suite: I. Prelude
• Charterhouse Suite: II. Slow Dance
• Charterhouse Suite: III. Quick Dance
• Charterhouse Suite: IV. Slow Air
• Charterhouse Suite: V. Rondo
• Charterhouse Suite: VI. Pezzo Ostinato
• Air and Dance
• Serenade for the 60th birthday of Frederick Delius
• Consort Music: I. Song without Words
• Consort Music: II. Valse
• Consort Music: III. Ballade
• Consort Music: IV. Caprice
• Consort Music: V. Cradle Song
• Consort Music: VI. Finale
• Sir Roger de Coverley

A Warlock Centenary Album

Released 1994

• Capriol Suite I. Basse-Danse
• Capriol Suite II. Pavane
• Capriol Suite III. Tordion
• Capriol Suite IV. Bransles
• Capriol Suite V. Pieds-en-l'air
• Capriol Suite VI. Mattachins (Sword Dance)
• Serenade (to Frederick Delius on his 60th birthday)
• The Curlew - O Curlew, cry no more--
• The Curlew - Pale brows, still hands--
• The Curlew - I cried when the moon--
• The Curlew - I wander by the edge
• Bethlehem Down
• Adam lay ybounden
• I saw a fair maiden
• Balulalow
• Where riches is everlastingly
• The Shrouding of the Duchess of Malfi
• The Lady's Birthday (arr.)
• Pretty Ring Time
• Autumn Twilight
• Captain Stratton's Fancy
• Yarmouth Fair

Moeran: Serenade in G / Nocturne / Warlock: Capriol Suite / Serenade

Released 1990

• Serenade in G: I. Prologue
• Serenade in G: II. Intermezzo
• Serenade in G: III. Air
• Serenade in G: IV. Galop
• Serenade in G: V. Minuet
• Serenade in G: VI. Forlana
• Serenade in G: VII. Rigadoon
• Serenade in G: VIII. Epilogue
• Serenade for String Orchestra
• Capriol Suite: I. Basse-Danse
• Capriol Suite: II. Pavane
• Capriol Suite: III. Tordion
• Capriol Suite: IV. Bransles
• Capriol Suite: V. Pieds-en-l'air
• Capriol Suite: VI. Mattachins
• Nocturne

Warlock Songs

Released 1988

• The Wind From the West
• Whenas the Rye
• My Gostly Fader
• Sorrow's Lullaby
• As Ever I Saw
• Take, o Take Those Lips Away
• The Bayley Berith the Bell Away
• Sweet Content
• Mourne No Moe
• There Is a Lady
• Play-Acting
• Captain Stratton's Fancy
• Mr. Belloc's Fancy
• Late Summer
• Hey Troly Loly Lo
• The Bachelor
• Rest Sweet Nymphs
• Piggesnie
• Sleep
• Autumn Twilight
• Milkmaids
• 2 Short Songs: No. 1. I Held Love's Head
• 2 Short Songs: No. 2. Thou Gav'St Me Leave to Kiss
• Yarmouth Fair
• 3 Belloc Songs: No. 1. Ha'Nacker Mill
• 3 Belloc Songs: No. 2. The Night
• 3 Belloc Songs: No. 3. My Own Country
• Walking the Woods
• The First Mercy
• The Jolly Shepherd
• Passing By
• The Fox

Bacchanales

Released 1983

• Capriol Suite for Piano, 4 Hands or String Orchestra: Basse Danse
• Capriol Suite for Piano, 4 Hands or String Orchestra: Pavane
• Capriol Suite for Piano, 4 Hands or String Orchestra: Tordion
• Capriol Suite for Piano, 4 Hands or String Orchestra: Bransles
• Capriol Suite for Piano, 4 Hands or String Orchestra: Pieds-En-L'Air
• Capriol Suite for Piano, 4 Hands or String Orchestra: Mattachins
• Trois Mouvements Perpétuels, for Piano, FP 14
• Novelettes (2) For Piano, FP 47: No. 1 in C
• Improvisation, No. 3 for Piano in B Minor (Presto Très Sec), FP 63/3
• Française for Piano, FP 103
• Quintet, No. 1 for 2 Trumpets, Horn, Trombone & Tuba, Op. 73: Allegro Vivace
• Quintet, No. 1 for 2 Trumpets, Horn, Trombone & Tuba, Op. 73: Chaconne: Andante Con Moto
• Quintet, No. 1 for 2 Trumpets, Horn, Trombone & Tuba, Op. 73: Finale: Con Brio
• Réveil-Matin, for Harpsichord (Pièces de Clavecin, I, 4e Ordre)
• La Bandoline, for Harpsichord (Pièces de Clavecin, I, 5e Ordre)
• Les Baccanales, for Harpsichord (Pièces de Clavecin, I, 4e Ordre) Enjoüemens Bachiques / Tendresses Bachiques / Fureurs Bachiques
• Hungarian Pictures: Evening in Transylvania (Este a Székelyeknél), for Piano (10 Easy Pieces, No. 5), Sz. 39/5, B-Flat 51/5
• Hungarian Pictures: Bear Dance (Medvectánc), for Piano (10 Easy Pieces, No. 10), Sz. 39/10, B-Flat 51/10
• Hungarian Pictures: Work (S) Melody
• Hungarian Pictures: A Bit Drunk (Kicsit Ázottan), Burlesque for Piano, No. 2, Sz. 47/2, B-Flat 55/2 (Op. 8c/2)
• Hungarian Pictures: Swine-Herd's Dance: "The Cricket Marries", for Piano (For Children, Volume 2/ 42), Sz. 42/2/42, B-Flat 53/42

Frostbound Wood (Allegri Singers)

• Benedicamus Domino
• A Cornish Carol
• A Cornish Christmas Carol
• Corpus Christi
• I Saw a Fair Maiden
• As Dew in Aprylle
• The Birds
• Carillon, Carilla
• Adam Lay Ybounden
• The Rich Cavalcade
• Song for Christmas Day
• The Five Lesser Joys of Mary
• Out of the Orient Crystal Skies
• My Little Sweet Darling
• Born Is the Babe
• Sweet Was the Song the Virgin Sung
• Where Riches Is Everlastingly
• What Cheer? Good Cheer?
• The Frostbound Wood
• The First Mercy
• Bethlehem Down
• Tyrley Tyrlow
• Balulalow
• The Sycamore Tree

British Music Collection

• Capriol Suite: I Basse-danse
• Capriol Suite: II Pavane
• Capriol Suite: III Tordion
• Capriol Suite: IV Bransles
• Capriol Suite: V Pieds-en-l'air
• Capriol Suite: VI Mattachins (Sword Dance)
• Serenade for Strings
• Lullaby My Jesus
• Youth
• As Ever I Saw
• There Is a Lady Sweet and Kind
• Whenas the Rye Reach to the Chin
• Sigh No More, Ladies
• Sleep
• Pretty Ring Time
• Jillian of Berry
• The Bayley Berith the Bell Away
• Passing By
• The Frostbound Wood
• Robin Goodfellow
• Twelve Oxen
• Yarmouth Fair
• Romance
• To the Memory of a Great Singer
• After Two Years
• The Droll Lover
• Ha'nacker Mill
• My Own Country
• The Birds
• Eloré Lo
• The Fox
• Fair and True
• Roister Doister
• The Cricketers of Hambledon

Born: 1894-10-30

Died: 1930-12-17

Email this Page Play all in Full Screen Show More Related Videos

Email this Page Play all in Full Screen Show More Related Videos

• 

  O Curlew, cry no more in the air

  Provided to YouTube by NAXOS of America O Curlew, cry no more in the air · Adrian Thompson Warlock: Curlew (The) / Lillygay / Peterisms / Saudades (English Song, Vol. 4) ℗ 2003 Naxos Released on: 2003-05-01 Artist: Adrian Thompson Artist: Christine Pendrill Ensemble: Duke Quartet Artist: John Constable Composer: Peter Warlock Artist: Philippa Davies Composer: William Butler Yeats Producer: Mark Brown Auto-generated by YouTube.

  published: 11 Aug 2018
• 

  Peter Warlock: "The Curlew" Pt 1 of 2 Ian Partridge

  "The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of t...

  published: 30 Aug 2010
• 

  The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no...

  Provided to YouTube by Warner Classics The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no more in the air" · Ian Partridge · Frances Mason · Christopher Wellington · Eileen Croxford · David Butt · Janet Craxton · Hugh Bean Vaughan Williams: On Wenlock Edge . Warlock: The Curlew ℗ 1974 Warner Classics, Warner Music UK Ltd Digital remastering (p) 1988 Warner Classics, Warner Music UK Ltd Producer: Christopher Bishop Viola: Christopher Wellington Lead Vocals: Christopher Wellington Flute: David Butt Lead Vocals: David Butt Cello: Eileen Croxford Lead Vocals: Eileen Croxford Violin: Frances Mason Lead Vocals: Frances Mason Violin: Hugh Bean Lead Vocals: Hugh Bean Vocals: Ian Partridge Cor Anglais: Janet Craxton Lead Vocals: Janet Craxton Comp...

  published: 22 Jul 2017
• 

  Peter Warlock : The Curlew ( Part One )

  Photography By Jari James . Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Curlew is a song cycle by Peter Warlock on poems by W. B. Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet (two violins, viola and cello). Warlock completed the work in Cefn Bryntalch, his family home in Llandyssil, near Montgomery in Wales. There are four songs, with a short instrumental interlude. The poems they are based on (with the first line in parentheses) are: "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pal...

  published: 13 Jan 2018
• 

  Peter Warlock -- The Curlew (Music for William Butler Yeats Poems)

  'The Curlew'-- two excerpts from the song-cycle composed by Peter Warlock; performed by Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet; an Argo (UK) Aural Integrity recording, made in 1954, issued in the United States on a Westminster long-play disc, WN18022 or XWN18022. 'Peter Warlock' was the persona adopted by Philip Heseltine (1894-1930, photo), suggestive of the occult practices in which he is said to have dabbled, but necessitated, Heseltine felt, by his being deemed a failure in his true identity. Although deeply involved with music, he had little formal musical training; yet his editing of early English music and his composing, especially his song-writing, belie his background. 'Capriol Suite' is his best-known piece; ...

  published: 15 Jun 2009
• 

  Warlock: The Curlew - BBC Proms 2013

  BBC Proms 2013 from the Cadogan Hall, London. The London Conchord Ensemble and Robin Tritschler (tenor) perform Warlock's The Curlew. First broadcast on BBC Radio 3, Monday 19 August. More from this Prom with full details and recommended links: http://www.bbc.co.uk/proms/whats-on/2013/august-19/14640

  published: 22 Aug 2013
• 

  Peter Warlock: "The Curlew" Pt 2 of 2 Ian Partridge

  "The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the...

  published: 12 Oct 2011
• 

  Peter Warlock - The Curlew, after W. B. Yeats (1920-22)

  The Curlew (1920-22) A song cycle by British composer Peter Warlock, a.k.a. Philip Arnold Heseltine (1894-1930), based on four poems by William Butler Yeats. "The Curlew" is scored for the unusual combination of voice, flute, cor anglais and string quartet. Text: I. He reproves of the Curlew (from "The Wind among the Reeds"; 1899) O Curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion-dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. II. The lover mourns for the loss of love (from "The Wind among the Reeds") Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day ...

  published: 10 Jan 2011
• 

  The Curlew: He reproves the curlew

  Provided to YouTube by NAXOS of America The Curlew: He reproves the curlew · John Armstrong Walton: Facade 1 - Lambert: The Rio Grande - Bliss: Things to Come - Warlock: The Curlew (1929-1936) ℗ 2011 Symposium Released on: 2011-01-04 Artist: John Armstrong Artist: Robert Murchie Artist: Terence McDonagh Conductor: Constant Lambert Ensemble: International String Quartet Composer: Peter Warlock Auto-generated by YouTube.

  published: 21 Feb 2015
• 

  6. YEATS - THE FISH & HE REPROVES THE CURLEW - by ROHINTON MOOS

  THE FISH ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And how you have leaped times out of mind Over the little silver cords, And think that you were hard and unkind, And blame you with many bitter words. O CURLEW, cry no more in the air, Or only to the water in the West; Because your crying brings to my mind Passion-dimmed eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. (1898) The Fish: the faeries of the Goddess Danu appear in the water, beautiful, changeable with silvery eyes to beckon the fishermen into their realm. Curlew: the "West" is symbolic of "the place of sunset, with fading dreaming things", and the "Wind" is associat...

  published: 06 Aug 2013

7:14

O Curlew, cry no more in the air

• Order: Reorder
• Duration: 7:14
• Uploaded Date: 11 Aug 2018
• views: 257

Provided to YouTube by NAXOS of America O Curlew, cry no more in the air · Adrian Thompson Warlock: Curlew (The) / Lillygay / Peterisms / Saudades (English So...

Provided to YouTube by NAXOS of America O Curlew, cry no more in the air · Adrian Thompson Warlock: Curlew (The) / Lillygay / Peterisms / Saudades (English Song, Vol. 4) ℗ 2003 Naxos Released on: 2003-05-01 Artist: Adrian Thompson Artist: Christine Pendrill Ensemble: Duke Quartet Artist: John Constable Composer: Peter Warlock Artist: Philippa Davies Composer: William Butler Yeats Producer: Mark Brown Auto-generated by YouTube.

https://wn.com/O_Curlew,_Cry_No_More_In_The_Air

Provided to YouTube by NAXOS of America O Curlew, cry no more in the air · Adrian Thompson Warlock: Curlew (The) / Lillygay / Peterisms / Saudades (English Song, Vol. 4) ℗ 2003 Naxos Released on: 2003-05-01 Artist: Adrian Thompson Artist: Christine Pendrill Ensemble: Duke Quartet Artist: John Constable Composer: Peter Warlock Artist: Philippa Davies Composer: William Butler Yeats Producer: Mark Brown Auto-generated by YouTube.

• published: 11 Aug 2018
• views: 257

8:58

Peter Warlock: "The Curlew" Pt 1 of 2 Ian Partridge

• Order: Reorder
• Duration: 8:58
• Uploaded Date: 30 Aug 2010
• views: 10362

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flu...

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from _The Wind Among the Reeds_ (pub. 1899), and "The Withering of the Boughs" from _In the Seven Woods_ (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. http://en.wikipedia.org/wiki/The_Curlew Photos are of Yeats and Maud Gonne, the woman he loved but never married. She eventually married someone else. Portrait of Yeats as a young man is by Augustus John. "He reproves the curlew" O, curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. "The lover mourns for the loss of love" Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.

https://wn.com/Peter_Warlock_The_Curlew_Pt_1_Of_2_Ian_Partridge

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from _The Wind Among the Reeds_ (pub. 1899), and "The Withering of the Boughs" from _In the Seven Woods_ (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. http://en.wikipedia.org/wiki/The_Curlew Photos are of Yeats and Maud Gonne, the woman he loved but never married. She eventually married someone else. Portrait of Yeats as a young man is by Augustus John. "He reproves the curlew" O, curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. "The lover mourns for the loss of love" Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.

• published: 30 Aug 2010
• views: 10362

7:16

The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no...

• Order: Reorder
• Duration: 7:16
• Uploaded Date: 22 Jul 2017
• views: 606

Provided to YouTube by Warner Classics The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no more in the air" · Ian Partr...

Provided to YouTube by Warner Classics The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no more in the air" · Ian Partridge · Frances Mason · Christopher Wellington · Eileen Croxford · David Butt · Janet Craxton · Hugh Bean Vaughan Williams: On Wenlock Edge . Warlock: The Curlew ℗ 1974 Warner Classics, Warner Music UK Ltd Digital remastering (p) 1988 Warner Classics, Warner Music UK Ltd Producer: Christopher Bishop Viola: Christopher Wellington Lead Vocals: Christopher Wellington Flute: David Butt Lead Vocals: David Butt Cello: Eileen Croxford Lead Vocals: Eileen Croxford Violin: Frances Mason Lead Vocals: Frances Mason Violin: Hugh Bean Lead Vocals: Hugh Bean Vocals: Ian Partridge Cor Anglais: Janet Craxton Lead Vocals: Janet Craxton Composer: Peter Warlock Auto-generated by YouTube.

https://wn.com/The_Curlew,_On_Poems_By_William_Butler_Yeats_I._He_Reproves_The_Curlew,_O,_Curlew,_Cry_No...

Provided to YouTube by Warner Classics The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no more in the air" · Ian Partridge · Frances Mason · Christopher Wellington · Eileen Croxford · David Butt · Janet Craxton · Hugh Bean Vaughan Williams: On Wenlock Edge . Warlock: The Curlew ℗ 1974 Warner Classics, Warner Music UK Ltd Digital remastering (p) 1988 Warner Classics, Warner Music UK Ltd Producer: Christopher Bishop Viola: Christopher Wellington Lead Vocals: Christopher Wellington Flute: David Butt Lead Vocals: David Butt Cello: Eileen Croxford Lead Vocals: Eileen Croxford Violin: Frances Mason Lead Vocals: Frances Mason Violin: Hugh Bean Lead Vocals: Hugh Bean Vocals: Ian Partridge Cor Anglais: Janet Craxton Lead Vocals: Janet Craxton Composer: Peter Warlock Auto-generated by YouTube.

• published: 22 Jul 2017
• views: 606

8:58

Peter Warlock : The Curlew ( Part One )

• Order: Reorder
• Duration: 8:58
• Uploaded Date: 13 Jan 2018
• views: 230

Photography By Jari James . Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and musi...

Photography By Jari James . Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Curlew is a song cycle by Peter Warlock on poems by W. B. Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet (two violins, viola and cello). Warlock completed the work in Cefn Bryntalch, his family home in Llandyssil, near Montgomery in Wales. There are four songs, with a short instrumental interlude. The poems they are based on (with the first line in parentheses) are: "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from The Wind Among the Reeds (pub. 1899), and "The Withering of the Boughs" from In the Seven Woods (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. "He reproves the curlew" O, curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. "The lover mourns for the loss of love" Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.

https://wn.com/Peter_Warlock_The_Curlew_(_Part_One_)

Photography By Jari James . Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Curlew is a song cycle by Peter Warlock on poems by W. B. Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet (two violins, viola and cello). Warlock completed the work in Cefn Bryntalch, his family home in Llandyssil, near Montgomery in Wales. There are four songs, with a short instrumental interlude. The poems they are based on (with the first line in parentheses) are: "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from The Wind Among the Reeds (pub. 1899), and "The Withering of the Boughs" from In the Seven Woods (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. "He reproves the curlew" O, curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. "The lover mourns for the loss of love" Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.

• published: 13 Jan 2018
• views: 230

10:06

Peter Warlock -- The Curlew (Music for William Butler Yeats Poems)

• Order: Reorder
• Duration: 10:06
• Uploaded Date: 15 Jun 2009
• views: 13157

'The Curlew'-- two excerpts from the song-cycle composed by Peter Warlock; performed by Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English hor...

'The Curlew'-- two excerpts from the song-cycle composed by Peter Warlock; performed by Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet; an Argo (UK) Aural Integrity recording, made in 1954, issued in the United States on a Westminster long-play disc, WN18022 or XWN18022. 'Peter Warlock' was the persona adopted by Philip Heseltine (1894-1930, photo), suggestive of the occult practices in which he is said to have dabbled, but necessitated, Heseltine felt, by his being deemed a failure in his true identity. Although deeply involved with music, he had little formal musical training; yet his editing of early English music and his composing, especially his song-writing, belie his background. 'Capriol Suite' is his best-known piece; 'The Curlew' is considered his masterpiece. 'The Curlew' was composed between 1920 and 1922, a setting of four poems by William Butler Yeats-- 1) He reproves the curlew [presented in this video], from 'The Wind Among The Reeds', 1899 (Collected Works of W.B. Yeats, Vol. I, The Poems, Macmillan, 1989: Poem No. 54); 2) The lover mourns for the loss of love, from 'The Wind Among The Reeds', 1899 (No. 51); 3) The withering of the boughs, from 'In The Seven Woods', 1904 (No. 82); 4) He hears the cry of the sedge [presented in this video], from 'The Wind Among The Reeds', 1899 (No. 64). Yeats did not encourage having his words made music. In 1922, the year Warlock was completing his setting, Yeats composed 'A Note on the Setting of These Poems to Music'-- "A musician who would give me pleasure should not repeat a line, or put more than one note to a syllable. I am a poet not a musician, and dislike to have my words distorted or their animation destroyed, even though the musician claims to have expressed their meaning in a different medium." Nonetheless, in the third line of the first poem Warlock set-- "Because your crying brings to my mind"-- the word 'mi-ind' is divided between two notes. But Yeats has little to complain about. Undeniably a major poet, winner of the 1923 Nobel Prize for Literature, he did not, could not, always create major poetry. Yeats's poems in 'The Curlew' are not major poems, and, if anything, it is Warlock's setting that ennobles them into unforgettability.

https://wn.com/Peter_Warlock_The_Curlew_(Music_For_William_Butler_Yeats_Poems)

'The Curlew'-- two excerpts from the song-cycle composed by Peter Warlock; performed by Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet; an Argo (UK) Aural Integrity recording, made in 1954, issued in the United States on a Westminster long-play disc, WN18022 or XWN18022. 'Peter Warlock' was the persona adopted by Philip Heseltine (1894-1930, photo), suggestive of the occult practices in which he is said to have dabbled, but necessitated, Heseltine felt, by his being deemed a failure in his true identity. Although deeply involved with music, he had little formal musical training; yet his editing of early English music and his composing, especially his song-writing, belie his background. 'Capriol Suite' is his best-known piece; 'The Curlew' is considered his masterpiece. 'The Curlew' was composed between 1920 and 1922, a setting of four poems by William Butler Yeats-- 1) He reproves the curlew [presented in this video], from 'The Wind Among The Reeds', 1899 (Collected Works of W.B. Yeats, Vol. I, The Poems, Macmillan, 1989: Poem No. 54); 2) The lover mourns for the loss of love, from 'The Wind Among The Reeds', 1899 (No. 51); 3) The withering of the boughs, from 'In The Seven Woods', 1904 (No. 82); 4) He hears the cry of the sedge [presented in this video], from 'The Wind Among The Reeds', 1899 (No. 64). Yeats did not encourage having his words made music. In 1922, the year Warlock was completing his setting, Yeats composed 'A Note on the Setting of These Poems to Music'-- "A musician who would give me pleasure should not repeat a line, or put more than one note to a syllable. I am a poet not a musician, and dislike to have my words distorted or their animation destroyed, even though the musician claims to have expressed their meaning in a different medium." Nonetheless, in the third line of the first poem Warlock set-- "Because your crying brings to my mind"-- the word 'mi-ind' is divided between two notes. But Yeats has little to complain about. Undeniably a major poet, winner of the 1923 Nobel Prize for Literature, he did not, could not, always create major poetry. Yeats's poems in 'The Curlew' are not major poems, and, if anything, it is Warlock's setting that ennobles them into unforgettability.

• published: 15 Jun 2009
• views: 13157

23:43

Warlock: The Curlew - BBC Proms 2013

• Order: Reorder
• Duration: 23:43
• Uploaded Date: 22 Aug 2013
• views: 7602

BBC Proms 2013 from the Cadogan Hall, London. The London Conchord Ensemble and Robin Tritschler (tenor) perform Warlock's The Curlew. First broadcast on BBC R...

BBC Proms 2013 from the Cadogan Hall, London. The London Conchord Ensemble and Robin Tritschler (tenor) perform Warlock's The Curlew. First broadcast on BBC Radio 3, Monday 19 August. More from this Prom with full details and recommended links: http://www.bbc.co.uk/proms/whats-on/2013/august-19/14640

https://wn.com/Warlock_The_Curlew_BBC_Proms_2013

BBC Proms 2013 from the Cadogan Hall, London. The London Conchord Ensemble and Robin Tritschler (tenor) perform Warlock's The Curlew. First broadcast on BBC Radio 3, Monday 19 August. More from this Prom with full details and recommended links: http://www.bbc.co.uk/proms/whats-on/2013/august-19/14640

• published: 22 Aug 2013
• views: 7602

13:27

Peter Warlock: "The Curlew" Pt 2 of 2 Ian Partridge

• Order: Reorder
• Duration: 13:27
• Uploaded Date: 12 Oct 2011
• views: 4325

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flu...

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from _The Wind Among the Reeds_ (pub. 1899), and "The Withering of the Boughs" from _In the Seven Woods_ (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. http://en.wikipedia.org/wiki/The_Curlew Photos are of Yeats and Maud Gonne, the woman he loved but never married. She eventually married someone else. Portrait of Yeats as a young man is by Augustus John. Part 2 "The withering of the boughs" I cried when the moon was murmuring to the birds, Let peewit call and curlew cry where they will, I long for your merry and tender and pitiful words, For the roads are unending, and there is no place to my mind. The honey-pale moon lay low on the sleepy hill, And I fell asleep upon lonely Echtge of streams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the leafy paths the witches take, Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; I know where a dim moon drifts, where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the sleepy country, where swans fly round Coupled with golden chains, and sing as they fly. A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know. and the curlew and peewit on Echtge of streams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. "He hears the cry of the sedge" I wander by the edge Of this desolate lake Where wind cries in the sedge "Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West. And the girdle of light is unbound, Your breast will not lie by the breast Of your beloved in sleep."

https://wn.com/Peter_Warlock_The_Curlew_Pt_2_Of_2_Ian_Partridge

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from _The Wind Among the Reeds_ (pub. 1899), and "The Withering of the Boughs" from _In the Seven Woods_ (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. http://en.wikipedia.org/wiki/The_Curlew Photos are of Yeats and Maud Gonne, the woman he loved but never married. She eventually married someone else. Portrait of Yeats as a young man is by Augustus John. Part 2 "The withering of the boughs" I cried when the moon was murmuring to the birds, Let peewit call and curlew cry where they will, I long for your merry and tender and pitiful words, For the roads are unending, and there is no place to my mind. The honey-pale moon lay low on the sleepy hill, And I fell asleep upon lonely Echtge of streams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the leafy paths the witches take, Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; I know where a dim moon drifts, where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the sleepy country, where swans fly round Coupled with golden chains, and sing as they fly. A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know. and the curlew and peewit on Echtge of streams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. "He hears the cry of the sedge" I wander by the edge Of this desolate lake Where wind cries in the sedge "Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West. And the girdle of light is unbound, Your breast will not lie by the breast Of your beloved in sleep."

• published: 12 Oct 2011
• views: 4325

22:09

Peter Warlock - The Curlew, after W. B. Yeats (1920-22)

• Order: Reorder
• Duration: 22:09
• Uploaded Date: 10 Jan 2011
• views: 24309

The Curlew (1920-22) A song cycle by British composer Peter Warlock, a.k.a. Philip Arnold Heseltine (1894-1930), based on four poems by William Butler Yeats. "...

The Curlew (1920-22) A song cycle by British composer Peter Warlock, a.k.a. Philip Arnold Heseltine (1894-1930), based on four poems by William Butler Yeats. "The Curlew" is scored for the unusual combination of voice, flute, cor anglais and string quartet. Text: I. He reproves of the Curlew (from "The Wind among the Reeds"; 1899) O Curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion-dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. II. The lover mourns for the loss of love (from "The Wind among the Reeds") Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away. III. The withering of the boughs (from "In the Seven Woods"; 1904) I cried when the moon was murmuring to the birds: 'Let peewit call and curlew cry where they will, I long for your merry and tender and pitiful words, For the roads are unending, and there is no place to my mind.' The honey-pale moon lay low on the sleepy hill, And I fell asleep upon lonely Echtge or streams. [Refrain] No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the leafy paths the witches take Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; I know where a dim moon drifts, where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams. [Refrain] I know of the sleepy country, where swans fly round Coupled with golden chains, and sing as they fly. A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know, and the curlew and peewit on Echtge of streams. [Refrain] V. He hears the cry of the sedge (from "The Wind among the Reeds") I wander by the edge Of this desolate lake Where wind cries in the sedge: Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West, And the girdle of light is unbound, Your breast will not lie by the breast Of your beloved in sleep. Tenor: James Gilchrist Flute: Michael Cox Cor anglais: Gareth Hulse Fitzwilliam String Quartet

https://wn.com/Peter_Warlock_The_Curlew,_After_W._B._Yeats_(1920_22)

The Curlew (1920-22) A song cycle by British composer Peter Warlock, a.k.a. Philip Arnold Heseltine (1894-1930), based on four poems by William Butler Yeats. "The Curlew" is scored for the unusual combination of voice, flute, cor anglais and string quartet. Text: I. He reproves of the Curlew (from "The Wind among the Reeds"; 1899) O Curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion-dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. II. The lover mourns for the loss of love (from "The Wind among the Reeds") Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away. III. The withering of the boughs (from "In the Seven Woods"; 1904) I cried when the moon was murmuring to the birds: 'Let peewit call and curlew cry where they will, I long for your merry and tender and pitiful words, For the roads are unending, and there is no place to my mind.' The honey-pale moon lay low on the sleepy hill, And I fell asleep upon lonely Echtge or streams. [Refrain] No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the leafy paths the witches take Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; I know where a dim moon drifts, where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams. [Refrain] I know of the sleepy country, where swans fly round Coupled with golden chains, and sing as they fly. A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know, and the curlew and peewit on Echtge of streams. [Refrain] V. He hears the cry of the sedge (from "The Wind among the Reeds") I wander by the edge Of this desolate lake Where wind cries in the sedge: Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West, And the girdle of light is unbound, Your breast will not lie by the breast Of your beloved in sleep. Tenor: James Gilchrist Flute: Michael Cox Cor anglais: Gareth Hulse Fitzwilliam String Quartet

• published: 10 Jan 2011
• views: 24309

6:44

The Curlew: He reproves the curlew

• Order: Reorder
• Duration: 6:44
• Uploaded Date: 21 Feb 2015
• views: 159

Provided to YouTube by NAXOS of America The Curlew: He reproves the curlew · John Armstrong Walton: Facade 1 - Lambert: The Rio Grande - Bliss: Things to Come...

Provided to YouTube by NAXOS of America The Curlew: He reproves the curlew · John Armstrong Walton: Facade 1 - Lambert: The Rio Grande - Bliss: Things to Come - Warlock: The Curlew (1929-1936) ℗ 2011 Symposium Released on: 2011-01-04 Artist: John Armstrong Artist: Robert Murchie Artist: Terence McDonagh Conductor: Constant Lambert Ensemble: International String Quartet Composer: Peter Warlock Auto-generated by YouTube.

https://wn.com/The_Curlew_He_Reproves_The_Curlew

Provided to YouTube by NAXOS of America The Curlew: He reproves the curlew · John Armstrong Walton: Facade 1 - Lambert: The Rio Grande - Bliss: Things to Come - Warlock: The Curlew (1929-1936) ℗ 2011 Symposium Released on: 2011-01-04 Artist: John Armstrong Artist: Robert Murchie Artist: Terence McDonagh Conductor: Constant Lambert Ensemble: International String Quartet Composer: Peter Warlock Auto-generated by YouTube.

• published: 21 Feb 2015
• views: 159

2:19

6. YEATS - THE FISH & HE REPROVES THE CURLEW - by ROHINTON MOOS

• Order: Reorder
• Duration: 2:19
• Uploaded Date: 06 Aug 2013
• views: 278

THE FISH ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And ...

THE FISH ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And how you have leaped times out of mind Over the little silver cords, And think that you were hard and unkind, And blame you with many bitter words. O CURLEW, cry no more in the air, Or only to the water in the West; Because your crying brings to my mind Passion-dimmed eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. (1898) The Fish: the faeries of the Goddess Danu appear in the water, beautiful, changeable with silvery eyes to beckon the fishermen into their realm. Curlew: the "West" is symbolic of "the place of sunset, with fading dreaming things", and the "Wind" is associated with faeries of the Sidhe who ride on the wind, as "wind and spirit and vague desire are associated everywhere". 30+ YEATS Poems set as SONGS, Vol.1 No.6 by Rohinton Moos rohintonmoos.com

https://wn.com/6._Yeats_The_Fish_He_Reproves_The_Curlew_By_Rohinton_Moos

THE FISH ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And how you have leaped times out of mind Over the little silver cords, And think that you were hard and unkind, And blame you with many bitter words. O CURLEW, cry no more in the air, Or only to the water in the West; Because your crying brings to my mind Passion-dimmed eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. (1898) The Fish: the faeries of the Goddess Danu appear in the water, beautiful, changeable with silvery eyes to beckon the fishermen into their realm. Curlew: the "West" is symbolic of "the place of sunset, with fading dreaming things", and the "Wind" is associated with faeries of the Sidhe who ride on the wind, as "wind and spirit and vague desire are associated everywhere". 30+ YEATS Poems set as SONGS, Vol.1 No.6 by Rohinton Moos rohintonmoos.com

• published: 06 Aug 2013
• views: 278

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7:14

O Curlew, cry no more in the air

Provided to YouTube by NAXOS of America O Curlew, cry no more in the air · Adrian Thompso...

published: 11 Aug 2018

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O Curlew, cry no more in the air

O Curlew, cry no more in the air

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• published: 11 Aug 2018
• views: 257

Provided to YouTube by NAXOS of America O Curlew, cry no more in the air · Adrian Thompson Warlock: Curlew (The) / Lillygay / Peterisms / Saudades (English Song, Vol. 4) ℗ 2003 Naxos Released on: 2003-05-01 Artist: Adrian Thompson Artist: Christine Pendrill Ensemble: Duke Quartet Artist: John Constable Composer: Peter Warlock Artist: Philippa Davies Composer: William Butler Yeats Producer: Mark Brown Auto-generated by YouTube.

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8:58

Peter Warlock: "The Curlew" Pt 1 of 2 Ian Partridge

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Y...

published: 30 Aug 2010

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Peter Warlock: "The Curlew" Pt 1 of 2 Ian Partridge

Peter Warlock: "The Curlew" Pt 1 of 2 Ian Partridge

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• published: 30 Aug 2010
• views: 10362

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from _The Wind Among the Reeds_ (pub. 1899), and "The Withering of the Boughs" from _In the Seven Woods_ (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. http://en.wikipedia.org/wiki/The_Curlew Photos are of Yeats and Maud Gonne, the woman he loved but never married. She eventually married someone else. Portrait of Yeats as a young man is by Augustus John. "He reproves the curlew" O, curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. "The lover mourns for the loss of love" Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.

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7:16

The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no...

Provided to YouTube by Warner Classics The Curlew, on Poems by William Butler Yeats: I. H...

published: 22 Jul 2017

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The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no...

The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no...

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• published: 22 Jul 2017
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Provided to YouTube by Warner Classics The Curlew, on Poems by William Butler Yeats: I. He reproves the curlew, "O, curlew, cry no more in the air" · Ian Partridge · Frances Mason · Christopher Wellington · Eileen Croxford · David Butt · Janet Craxton · Hugh Bean Vaughan Williams: On Wenlock Edge . Warlock: The Curlew ℗ 1974 Warner Classics, Warner Music UK Ltd Digital remastering (p) 1988 Warner Classics, Warner Music UK Ltd Producer: Christopher Bishop Viola: Christopher Wellington Lead Vocals: Christopher Wellington Flute: David Butt Lead Vocals: David Butt Cello: Eileen Croxford Lead Vocals: Eileen Croxford Violin: Frances Mason Lead Vocals: Frances Mason Violin: Hugh Bean Lead Vocals: Hugh Bean Vocals: Ian Partridge Cor Anglais: Janet Craxton Lead Vocals: Janet Craxton Composer: Peter Warlock Auto-generated by YouTube.

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8:58

Peter Warlock : The Curlew ( Part One )

Photography By Jari James . Philip Arnold Heseltine (30 October 1894 – 17 December 1930),...

published: 13 Jan 2018

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Peter Warlock : The Curlew ( Part One )

Peter Warlock : The Curlew ( Part One )

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• published: 13 Jan 2018
• views: 230

Photography By Jari James . Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Curlew is a song cycle by Peter Warlock on poems by W. B. Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet (two violins, viola and cello). Warlock completed the work in Cefn Bryntalch, his family home in Llandyssil, near Montgomery in Wales. There are four songs, with a short instrumental interlude. The poems they are based on (with the first line in parentheses) are: "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from The Wind Among the Reeds (pub. 1899), and "The Withering of the Boughs" from In the Seven Woods (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. "He reproves the curlew" O, curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. "The lover mourns for the loss of love" Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away.

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10:06

Peter Warlock -- The Curlew (Music for William Butler Yeats Poems)

'The Curlew'-- two excerpts from the song-cycle composed by Peter Warlock; performed by Al...

published: 15 Jun 2009

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Peter Warlock -- The Curlew (Music for William Butler Yeats Poems)

Peter Warlock -- The Curlew (Music for William Butler Yeats Poems)

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• published: 15 Jun 2009
• views: 13157

'The Curlew'-- two excerpts from the song-cycle composed by Peter Warlock; performed by Alexander Young, tenor; Lionel Solomon, flute; Peter Graeme, English horn; and the Sebastian String Quartet; an Argo (UK) Aural Integrity recording, made in 1954, issued in the United States on a Westminster long-play disc, WN18022 or XWN18022. 'Peter Warlock' was the persona adopted by Philip Heseltine (1894-1930, photo), suggestive of the occult practices in which he is said to have dabbled, but necessitated, Heseltine felt, by his being deemed a failure in his true identity. Although deeply involved with music, he had little formal musical training; yet his editing of early English music and his composing, especially his song-writing, belie his background. 'Capriol Suite' is his best-known piece; 'The Curlew' is considered his masterpiece. 'The Curlew' was composed between 1920 and 1922, a setting of four poems by William Butler Yeats-- 1) He reproves the curlew [presented in this video], from 'The Wind Among The Reeds', 1899 (Collected Works of W.B. Yeats, Vol. I, The Poems, Macmillan, 1989: Poem No. 54); 2) The lover mourns for the loss of love, from 'The Wind Among The Reeds', 1899 (No. 51); 3) The withering of the boughs, from 'In The Seven Woods', 1904 (No. 82); 4) He hears the cry of the sedge [presented in this video], from 'The Wind Among The Reeds', 1899 (No. 64). Yeats did not encourage having his words made music. In 1922, the year Warlock was completing his setting, Yeats composed 'A Note on the Setting of These Poems to Music'-- "A musician who would give me pleasure should not repeat a line, or put more than one note to a syllable. I am a poet not a musician, and dislike to have my words distorted or their animation destroyed, even though the musician claims to have expressed their meaning in a different medium." Nonetheless, in the third line of the first poem Warlock set-- "Because your crying brings to my mind"-- the word 'mi-ind' is divided between two notes. But Yeats has little to complain about. Undeniably a major poet, winner of the 1923 Nobel Prize for Literature, he did not, could not, always create major poetry. Yeats's poems in 'The Curlew' are not major poems, and, if anything, it is Warlock's setting that ennobles them into unforgettability.

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23:43

Warlock: The Curlew - BBC Proms 2013

BBC Proms 2013 from the Cadogan Hall, London. The London Conchord Ensemble and Robin Trits...

published: 22 Aug 2013

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Warlock: The Curlew - BBC Proms 2013

Warlock: The Curlew - BBC Proms 2013

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• published: 22 Aug 2013
• views: 7602

BBC Proms 2013 from the Cadogan Hall, London. The London Conchord Ensemble and Robin Tritschler (tenor) perform Warlock's The Curlew. First broadcast on BBC Radio 3, Monday 19 August. More from this Prom with full details and recommended links: http://www.bbc.co.uk/proms/whats-on/2013/august-19/14640

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13:27

Peter Warlock: "The Curlew" Pt 2 of 2 Ian Partridge

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Y...

published: 12 Oct 2011

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Peter Warlock: "The Curlew" Pt 2 of 2 Ian Partridge

Peter Warlock: "The Curlew" Pt 2 of 2 Ian Partridge

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• published: 12 Oct 2011
• views: 4325

"The Curlew" Song Cycle by Peter Warlock (1894-1930) Based on poems of William Butler Yeats Ian Partridge (tenor) Music Group of London: David Butt (flute) Janet Craxton (cor anglais) Hugh Bean (violin) Frances Mason (violin) Christopher Wellington (viola) Eileen Croxford (cello) "The Curlew", a song cycle by Peter Warlock on poems by William Butler Yeats. It is generally considered one of the composer's finest works. It was written between 1920 and 1922 for singer and an unusual accompanying group of flute, cor anglais and string quartet. There are four songs, with a short instrumental interlude. "He Reproves the Curlew" ("O Curlew, cry no more in the air") "The lover mourns for the loss of love" ("Pale brows, still hands and dim hair") "The Withering of the Boughs" ("I cried when the moon was murmuring to the birds:") Interlude "He Hears the Cry of the Sedge" ("I wander by the edge of this desolate lake") The first, second and last of these poems were taken from _The Wind Among the Reeds_ (pub. 1899), and "The Withering of the Boughs" from _In the Seven Woods_ (pub. 1904). There is a lengthy instrumental introduction to the first song, in which the cry of the curlew is represented by the cor anglais and the peewit by the flute. The songs, which concern lost love, are melancholy in mood. A number of motif elements recur throughout the songs dependent on the point in the text - a structural technique also found in many others of Warlock's songs. http://en.wikipedia.org/wiki/The_Curlew Photos are of Yeats and Maud Gonne, the woman he loved but never married. She eventually married someone else. Portrait of Yeats as a young man is by Augustus John. Part 2 "The withering of the boughs" I cried when the moon was murmuring to the birds, Let peewit call and curlew cry where they will, I long for your merry and tender and pitiful words, For the roads are unending, and there is no place to my mind. The honey-pale moon lay low on the sleepy hill, And I fell asleep upon lonely Echtge of streams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the leafy paths the witches take, Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; I know where a dim moon drifts, where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the sleepy country, where swans fly round Coupled with golden chains, and sing as they fly. A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know. and the curlew and peewit on Echtge of streams. No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. "He hears the cry of the sedge" I wander by the edge Of this desolate lake Where wind cries in the sedge "Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West. And the girdle of light is unbound, Your breast will not lie by the breast Of your beloved in sleep."

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22:09

Peter Warlock - The Curlew, after W. B. Yeats (1920-22)

The Curlew (1920-22) A song cycle by British composer Peter Warlock, a.k.a. Philip Arnold...

published: 10 Jan 2011

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Peter Warlock - The Curlew, after W. B. Yeats (1920-22)

Peter Warlock - The Curlew, after W. B. Yeats (1920-22)

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• published: 10 Jan 2011
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The Curlew (1920-22) A song cycle by British composer Peter Warlock, a.k.a. Philip Arnold Heseltine (1894-1930), based on four poems by William Butler Yeats. "The Curlew" is scored for the unusual combination of voice, flute, cor anglais and string quartet. Text: I. He reproves of the Curlew (from "The Wind among the Reeds"; 1899) O Curlew, cry no more in the air, Or only to the waters in the West; Because your crying brings to my mind Passion-dimm'd eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. II. The lover mourns for the loss of love (from "The Wind among the Reeds") Pale brows, still hands and dim hair, I had a beautiful friend And dreamed that the old despair Would end in love in the end: She looked in my heart one day And saw your image was there; She has gone weeping away. III. The withering of the boughs (from "In the Seven Woods"; 1904) I cried when the moon was murmuring to the birds: 'Let peewit call and curlew cry where they will, I long for your merry and tender and pitiful words, For the roads are unending, and there is no place to my mind.' The honey-pale moon lay low on the sleepy hill, And I fell asleep upon lonely Echtge or streams. [Refrain] No boughs have withered because of the wintry wind; The boughs have withered because I have told them my dreams. I know of the leafy paths the witches take Who come with their crowns of pearl and their spindles of wool, And their secret smile, out of the depths of the lake; I know where a dim moon drifts, where the Danaan kind Wind and unwind their dances when the light grows cool On the island lawns, their feet where the pale foam gleams. [Refrain] I know of the sleepy country, where swans fly round Coupled with golden chains, and sing as they fly. A king and a queen are wandering there, and the sound Has made them so happy and hopeless, so deaf and so blind With wisdom, they wander till all the years have gone by; I know, and the curlew and peewit on Echtge of streams. [Refrain] V. He hears the cry of the sedge (from "The Wind among the Reeds") I wander by the edge Of this desolate lake Where wind cries in the sedge: Until the axle break That keeps the stars in their round, And hands hurl in the deep The banners of East and West, And the girdle of light is unbound, Your breast will not lie by the breast Of your beloved in sleep. Tenor: James Gilchrist Flute: Michael Cox Cor anglais: Gareth Hulse Fitzwilliam String Quartet

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6:44

The Curlew: He reproves the curlew

Provided to YouTube by NAXOS of America The Curlew: He reproves the curlew · John Armstro...

published: 21 Feb 2015

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The Curlew: He reproves the curlew

The Curlew: He reproves the curlew

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Provided to YouTube by NAXOS of America The Curlew: He reproves the curlew · John Armstrong Walton: Facade 1 - Lambert: The Rio Grande - Bliss: Things to Come - Warlock: The Curlew (1929-1936) ℗ 2011 Symposium Released on: 2011-01-04 Artist: John Armstrong Artist: Robert Murchie Artist: Terence McDonagh Conductor: Constant Lambert Ensemble: International String Quartet Composer: Peter Warlock Auto-generated by YouTube.

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2:19

6. YEATS - THE FISH & HE REPROVES THE CURLEW - by ROHINTON MOOS

THE FISH ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The...

published: 06 Aug 2013

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6. YEATS - THE FISH & HE REPROVES THE CURLEW - by ROHINTON MOOS

6. YEATS - THE FISH & HE REPROVES THE CURLEW - by ROHINTON MOOS

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THE FISH ALTHOUGH you hide in the ebb and flow Of the pale tide when the moon has set, The people of coming days will know About the casting out of my net, And how you have leaped times out of mind Over the little silver cords, And think that you were hard and unkind, And blame you with many bitter words. O CURLEW, cry no more in the air, Or only to the water in the West; Because your crying brings to my mind Passion-dimmed eyes and long heavy hair That was shaken out over my breast: There is enough evil in the crying of wind. (1898) The Fish: the faeries of the Goddess Danu appear in the water, beautiful, changeable with silvery eyes to beckon the fishermen into their realm. Curlew: the "West" is symbolic of "the place of sunset, with fading dreaming things", and the "Wind" is associated with faeries of the Sidhe who ride on the wind, as "wind and spirit and vague desire are associated everywhere". 30+ YEATS Poems set as SONGS, Vol.1 No.6 by Rohinton Moos rohintonmoos.com

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Peter Warlock

Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle.

As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of drift and inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic culture and language. On his return to England in 1918, Heseltine began composing songs in a distinctive, original style, while building a reputation as a combative and controversial music critic. During 1920–21 he edited the music magazine The Sackbut. His most prolific period as a composer came in the 1920s, when he was based first in Wales and later at Eynsford in Kent.

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This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Peter_Warlock

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