The Bride Stripped Bare is a 1978 solo album by Bryan Ferry and is his fifth album released independent of Roxy Music. It was recorded after his girlfriend Jerry Hall left him for Mick Jagger in 1977, and appears to contain references to their break-up. The album peaked at number 13 on the albums chart in the United Kingdom. Although critically acclaimed, the album didn't achieve the success it was expected as it was released in the peak of Punk rock.
Reviewing for AllMusic critic, Ned Raggett wrote of the album "When Jerry Hall, front-cover model on Roxy's Siren, left Ferry for Mick Jagger, his response was this interesting album, not a full success but by no means a washout." And the critic, Robert Christgau wrote of the album "Maybe the smoke in Bryan's eyes has finally reached his heart; the apparent sincerity of some of the singing here makes those five-minute moments when he lingers ponderously over a key lyric easier to take." and he added that "The Los Angeles musicians don't hurt either--the conjunction of his style of stylization (feigned detachment) makes for interesting expressive tension."
In 2005, it was announced that Australian screenwriter Andrew Bovell, who penned the award-winning film drama, Lantana, was to adapt The Bride Stripped Bare for the screen.
The book is written in the form of a diary by a young wife who has disappeared. In it, the author talks frankly about oral sex and love, and chronicles her relationship with a mysterious man she meets at a library group.
The author has said that she "loved the idea of writing a book that dived under the surface of a woman's life, a seemingly contentedly married woman, and explored her secret world-with ruthless honesty". The act of writing the work anonymously she has described as "liberating".
The Bride Stripped Bare by Her Bachelors, Even (La mariée mise à nu par ses célibataires, même), most often called The Large Glass (Le Grand Verre), is an artwork by Marcel Duchamp over nine feet (2.75 metres) tall, and freestanding. Duchamp worked on the piece from 1915 to 1923, creating two panes of glass with materials such as lead foil, fuse wire, and dust. It combines chance procedures, plotted perspective studies, and laborious craftsmanship. Duchamp's ideas for the Glass began in 1913, and he made numerous notes and studies, as well as preliminary works for the piece. The notes reflect the creation of unique rules of physics, and myth which describes the work.
It is at first sight baffling in iconograhy and unclassifiable style. Yet this glass construction is not a discrete whole. The Bride Stripped Bare by Her Bachelors, Even is also the title given to The Green Box notes (1934) as Duchamp intended the Large Glass to be accompanied by a book, in order to prevent purely visual responses to it. The notes describe that his "hilarious picture" is intended to depict the erotic encounter between the "Bride," in the upper panel, and her nine "Bachelors" gathered timidly below in an abundance of mysterious mechanical apparatus in the lower panel.The Large Glass was exhibited in 1926 at the Brooklyn Museum before it was broken during transport and carefully repaired by Duchamp. It is now part of the permanent collection at the Philadelphia Museum of Art. Duchamp sanctioned replicas of The Large Glass, the first in 1961 for an exhibition at Moderna Museet in Stockholm and another in 1966 for the Tate Gallery in London. The third replica is in Komaba Museum, University of Tokyo.
A brief look at Marcel Duchamp's The Bride Stripped Bare by her Bachelors
Twitter: https://twitter.com/ARTHIST_101
published: 03 Nov 2020
Marcel Duchamp 'The Bride Stripped Bare by Her Bachelors, Even' 1915-23
The Large Glass - Philadelphia Museum of Art
published: 23 Sep 2018
The Bride Stripped Bare by Her Bachelors, Even - Podcast
Marcel Duchamp’s painting The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She’s isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady’s gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride’s bachelors strut – bold and mechanical. There’s a machinery to them. She’s vulnerable while her male counterparts don’t even appear to have heads. It’s their bodies that lead them to her, Duchamp’s brushstrokes march them forth.
Learn more about this and your favorite master works with a click through to LadyKflo's website:
https://www.ladykflo.com/marcel-duchamp-the-bride-stripped/
published: 15 Nov 2021
Marcel Duchamp - The Bride Stripped...
Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She's isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady's gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride's bachelors strut - bold and mechanical. There's a machinery to them. She's vulnerable while her male counterparts don't even appear to have heads. It's their bodies that lead them to her, Duchamp's brushstrokes march them forth.
His portrait of the bride and bachelors strips the notion of romance from marriage. Men are robotic in this portrait. The woman seems distant to the point of being elsewhere. Not a lover of love, Marcel Duchamp adored working against commonalities. A famo...
published: 09 Apr 2020
The Bride Stripped Bare by Her Bachelors, Even
The Bride Stripped Bare by Her Bachelors, Even.
After a large glass of gin.
Marcel Duchamp Burlesque.
published: 10 Jul 2010
The story behind Duchamp's The Bride Stripped Bare By Her Bachelors, Even. Marcel Duchamp. #art
A look at one of the 20th century's most influential artists, whose ideas helped revolutionize our understandings of aesthetics, art, and culture.
Watch Marcel Duchamp: The Art of the Possible now on Tubi: https://tubitv.com/movies/100020950/marcel-duchamp-the-art-of-the-possible
published: 10 Jun 2024
The Bride Stripped Bare by Her Bachelors, Even . . . more by Dennis Summers
Created in 2001, This internationally award winning animation is based on the artwork created by Marcel Duchamp titled "The Bride Stripped Bare by Her Bachelors, Even." I have recreated it as a 3D model and animated its motion loosely based on his "book" The Green Box, which explained how the piece "works." Furthermore I have explained why and how the glass came to be cracked.
DVD copies of this short video are available for purchase. Write me at: dennisqdw2[at]hotmail.com.
For other related information go to www.stage2001.com
published: 09 Jun 2010
The Bride Stripped Bare by Her Bachelors (1975) Keiichi Tanaami
Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), oil, varnish, lead foil, lead wire, and dust on two glass panels, 277.5 × 177....
Marcel Duchamp’s painting The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She’s isolated and fragi...
Marcel Duchamp’s painting The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She’s isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady’s gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride’s bachelors strut – bold and mechanical. There’s a machinery to them. She’s vulnerable while her male counterparts don’t even appear to have heads. It’s their bodies that lead them to her, Duchamp’s brushstrokes march them forth.
Learn more about this and your favorite master works with a click through to LadyKflo's website:
https://www.ladykflo.com/marcel-duchamp-the-bride-stripped/
Marcel Duchamp’s painting The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She’s isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady’s gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride’s bachelors strut – bold and mechanical. There’s a machinery to them. She’s vulnerable while her male counterparts don’t even appear to have heads. It’s their bodies that lead them to her, Duchamp’s brushstrokes march them forth.
Learn more about this and your favorite master works with a click through to LadyKflo's website:
https://www.ladykflo.com/marcel-duchamp-the-bride-stripped/
Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She's isolated and fragile. In fa...
Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She's isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady's gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride's bachelors strut - bold and mechanical. There's a machinery to them. She's vulnerable while her male counterparts don't even appear to have heads. It's their bodies that lead them to her, Duchamp's brushstrokes march them forth.
His portrait of the bride and bachelors strips the notion of romance from marriage. Men are robotic in this portrait. The woman seems distant to the point of being elsewhere. Not a lover of love, Marcel Duchamp adored working against commonalities. A famous artist who worked more against art than for it, his true love was otherness. This painting shows a stunning example of this. It's both a portrait of marriage and anti-marriage all at once. Duchamp in his element.
Learn more about this and other masterpieces with a visit to LadyKflo's website:
https://www.ladykflo.com/category/masterpieces/
Checkout her socials too:
https://www.instagram.com/ladykflo/
https://twitter.com/ladykflo
https://www.pinterest.com/Ladykflo
https://www.tumblr.com/blog/ladykflo
Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She's isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady's gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride's bachelors strut - bold and mechanical. There's a machinery to them. She's vulnerable while her male counterparts don't even appear to have heads. It's their bodies that lead them to her, Duchamp's brushstrokes march them forth.
His portrait of the bride and bachelors strips the notion of romance from marriage. Men are robotic in this portrait. The woman seems distant to the point of being elsewhere. Not a lover of love, Marcel Duchamp adored working against commonalities. A famous artist who worked more against art than for it, his true love was otherness. This painting shows a stunning example of this. It's both a portrait of marriage and anti-marriage all at once. Duchamp in his element.
Learn more about this and other masterpieces with a visit to LadyKflo's website:
https://www.ladykflo.com/category/masterpieces/
Checkout her socials too:
https://www.instagram.com/ladykflo/
https://twitter.com/ladykflo
https://www.pinterest.com/Ladykflo
https://www.tumblr.com/blog/ladykflo
A look at one of the 20th century's most influential artists, whose ideas helped revolutionize our understandings of aesthetics, art, and culture.
Watch Marcel...
A look at one of the 20th century's most influential artists, whose ideas helped revolutionize our understandings of aesthetics, art, and culture.
Watch Marcel Duchamp: The Art of the Possible now on Tubi: https://tubitv.com/movies/100020950/marcel-duchamp-the-art-of-the-possible
A look at one of the 20th century's most influential artists, whose ideas helped revolutionize our understandings of aesthetics, art, and culture.
Watch Marcel Duchamp: The Art of the Possible now on Tubi: https://tubitv.com/movies/100020950/marcel-duchamp-the-art-of-the-possible
Created in 2001, This internationally award winning animation is based on the artwork created by Marcel Duchamp titled "The Bride Stripped Bare by Her Bachelors...
Created in 2001, This internationally award winning animation is based on the artwork created by Marcel Duchamp titled "The Bride Stripped Bare by Her Bachelors, Even." I have recreated it as a 3D model and animated its motion loosely based on his "book" The Green Box, which explained how the piece "works." Furthermore I have explained why and how the glass came to be cracked.
DVD copies of this short video are available for purchase. Write me at: dennisqdw2[at]hotmail.com.
For other related information go to www.stage2001.com
Created in 2001, This internationally award winning animation is based on the artwork created by Marcel Duchamp titled "The Bride Stripped Bare by Her Bachelors, Even." I have recreated it as a 3D model and animated its motion loosely based on his "book" The Green Box, which explained how the piece "works." Furthermore I have explained why and how the glass came to be cracked.
DVD copies of this short video are available for purchase. Write me at: dennisqdw2[at]hotmail.com.
For other related information go to www.stage2001.com
Marcel Duchamp’s painting The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She’s isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady’s gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride’s bachelors strut – bold and mechanical. There’s a machinery to them. She’s vulnerable while her male counterparts don’t even appear to have heads. It’s their bodies that lead them to her, Duchamp’s brushstrokes march them forth.
Learn more about this and your favorite master works with a click through to LadyKflo's website:
https://www.ladykflo.com/marcel-duchamp-the-bride-stripped/
Marcel Duchamp's The Bride Stripped Bare by Her Bachelors, Even has two frames. The top encapsulates a delicate silvery bride. She's isolated and fragile. In fact, it feels a bit forlorn up there, as if our lady's gazing out the window. The lower frame shows an opposite world. Thick and deep golden, the bride's bachelors strut - bold and mechanical. There's a machinery to them. She's vulnerable while her male counterparts don't even appear to have heads. It's their bodies that lead them to her, Duchamp's brushstrokes march them forth.
His portrait of the bride and bachelors strips the notion of romance from marriage. Men are robotic in this portrait. The woman seems distant to the point of being elsewhere. Not a lover of love, Marcel Duchamp adored working against commonalities. A famous artist who worked more against art than for it, his true love was otherness. This painting shows a stunning example of this. It's both a portrait of marriage and anti-marriage all at once. Duchamp in his element.
Learn more about this and other masterpieces with a visit to LadyKflo's website:
https://www.ladykflo.com/category/masterpieces/
Checkout her socials too:
https://www.instagram.com/ladykflo/
https://twitter.com/ladykflo
https://www.pinterest.com/Ladykflo
https://www.tumblr.com/blog/ladykflo
A look at one of the 20th century's most influential artists, whose ideas helped revolutionize our understandings of aesthetics, art, and culture.
Watch Marcel Duchamp: The Art of the Possible now on Tubi: https://tubitv.com/movies/100020950/marcel-duchamp-the-art-of-the-possible
Created in 2001, This internationally award winning animation is based on the artwork created by Marcel Duchamp titled "The Bride Stripped Bare by Her Bachelors, Even." I have recreated it as a 3D model and animated its motion loosely based on his "book" The Green Box, which explained how the piece "works." Furthermore I have explained why and how the glass came to be cracked.
DVD copies of this short video are available for purchase. Write me at: dennisqdw2[at]hotmail.com.
For other related information go to www.stage2001.com
So, the boys got together and formed a band Fate played the straight man And since then they've never looked back You, lads, welcome to the Club B I've seen you on telly With your long hair and pimples (Pop, pop) We arrived at the gig looking rough Not happy, we'd all had enough of eight hours on the road Legs Larry said, eh, it's the boozer for me, dear boy Yup, yup, yes, indeed And the hotel reception was empty and cold With horrid red wallpaper forty years old It stank like a rhino house, Mr. Slater said Pooh, I can smell vindaloo, ohh, really? No, Sir, O'Reilly Hobnob And we wave to the people who frown At our hair as we ride into town And Chalky and Nozz had set up the gear At the club where the, 'Dohl Pal Show' would appear In person as themselves, in person as themselves Then Neil, Fred, and I played darts for awhile Before we switched on our theatrical smiles, hey, you remember Hot dogs on sale in the foyer, hey You can have a drink in your dressing rooms, lads But you can't come into club looking like that We can't oblige, thank you Hey, redneck, we've had em all ere, you know, Tommy Ray. Oh, aye? That's a brand new scratch on the piano Cost you seventy five quid to put that right Whoa, who did that? Aye, remember Frank Fesher And and Buddy Greece Aye, put off thought really, ere, doesn't it? Whoa, what? Will you take your empty glasses back the bar? Any artiste mentioning football will be paid off immediately. Hoover