-
Carlo Gesualdo - Madrigals, Book 6
- Composer: Carlo Gesualdo {Gesualdo di/da Venosa} (8 March 1566 -- 8 September 1613)
- Performers: Ensemble "Métamorphoses"
- Conductor: Maurice Bourbon
- Year of recording: 1996
Madrigals for 5 voices, Book 6 {Il Sesto libro di Madrigali}, written in 1611.
00:00:00 - 01. Se la mia morte brami
00:03:34 - 02. Beltà, poi che t'assenti
00:06:55 - 03. Tu piangi, o Filli mia
00:10:04 - 04. Resta di darmi noia
00:13:12 - 05. Chiaro risplender suole
00:17:41 - 06. "Io parto" e non più dissi
00:20:47 - 07. Mille volte il dì moro
00;23:57 - 08. O dolce mio tesoro
00:26:43 - 09. Deh, come invan sospiro
00:29:25 - 10. Io pur respiro in così gran dolore
00:32:20 - 11. Alme d'amor rubelle
00:34:17 - 12. Càndido e verde fiore
00:36:32 - 13. Ardita Zanzaretta
00:39:46 - 14. Ardo per te, mio bene
...
published: 04 Oct 2015
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Carlo Gesualdo, Música sacra a 5 voces. Oxford Camerata, Jeremy Summerly
Carlo Gesualdo (Venosa, 1566 - Gesualdo/Avellino, 1613)
Música sacra a 5 voces.
Oxford Camerata,
Jeremy Summerly, director.
[00:01~] 01. Illumina faciem tuam
[04:25~] 02. Deus refugium et virtus
[06:50~] 03. Exaudi Deus deprecationem meam
[09:35~] 04. Tribulationem et dolorem
[14:35~] 05. Tribularer si nescirem
[18:25~] 06. Precibus et meritis beatae Mariae
[20:40~] 07. O Crux benedicta
[25:00~] 08. O vos omnes
[28:55~] 09. Dignare me laudare te
[31:00~] 10. Maria mater gratiae
[34:55~] 11. Laboravi in gemitu meo
[39:15~] 12. Ave dulcissima Maria
[43:50~] 13. Domine ne despicias
[46:00~] 14. Peccantem me quotidie
[51:30~] 15. Sancti Spiritus Domine
[53:35~] 16. Hei mihi Domine
[57:20~] 17. Venit lumen tuum Jerusalem
[1:00:10~] 18. Reminiscere miserationum tuarum
[1:04:00~] 19...
published: 03 Feb 2013
-
2 HOURS WITH GESUALDO: Discover the most beautiful madrigals from the Renaissance
Discover the master of secular choir music, with this compilation of madrigals and polyphonic religious chants by Carlo Gesualdo (Tenebrae, Responsoria...).
👉Subscribe for more classical music: http://bit.ly/2eVQ072
↓TRACKLIST↓
1. Feria Quinta, Tenebrae Responsories for Maundy Thursday: I. In monte Oliveti : 00:00
2. Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea : 04:20
3. Feria Quinta, Tenebrae Responsories for Maundy Thursday: III. Ecce vidimus eum : 08:56
4. Feria Quinta, Tenebrae Responsories for Maundy Thursday: IV. Amicus meus : 15:53
5. Feria Quinta, Tenebrae Responsories for Maundy Thursday: V. Judas mercator pessimus : 19:26
6. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis : 21:37
7. Feria Quinta, Tenebr...
published: 14 Jun 2019
-
Carlo Gesualdo da Venosa - Tristis est anima mea
Carlo Gesualdo Principe di Venosa (1566?-1613): Tenebrae
Tristis est anima mea - Feria V, In coena Domini
In I Nocturno - Responsorium 1 (for Maudy Thursday)
The King's Singers (2004)
David Hurley, Robin Tyson: Countertenors
Paul Phoenix: Tenor
Philip Lawson, Gabriel Crouch: Baritones
Stephen Connolly: Bass
Tristis est anima mea usque ad mortem:
sustinete hic, et vigilate mecum: nunc videbitis
turbam, quae circumdabit me: Vos fugam
capietis, et ego vadam immolari pro vobis.
Ecce appropinquat hora, et filius hominis
tradetur in manus peccatorum.
---------
Responsory
My soul is sorrowful even unto death: stay here
and watch with me: now shall ye see the crowd
that shall surround me: ye shall take flight, and
I shall go to be offered up for you.
Verse
Behold the time draweth nigh, a...
published: 03 Aug 2009
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Carlo Gesualdo - Se la mia Morte Brami
Carlo Gesualdo (1566/1613)
- Sesto Libro di Madrigali -
- Ensemble Metamorphoses -
- Conductor, Maurice Bourbon -
published: 25 May 2015
-
Carlo Gesualdo - from Tenebrae Responsories (1611)
Carlo Gesualdo
from Tenebrae Responsories (1611)
1. Sicut ovis ad occisionem
2. Jerusalem, surge
3. O vos omnes
Ensemble Vocal Européen De La Chapelle Royale conducted by Philipe Herreweghe
published: 27 Nov 2015
1:07:40
Carlo Gesualdo - Madrigals, Book 6
- Composer: Carlo Gesualdo {Gesualdo di/da Venosa} (8 March 1566 -- 8 September 1613)
- Performers: Ensemble "Métamorphoses"
- Conductor: Maurice Bourbon
- Y...
- Composer: Carlo Gesualdo {Gesualdo di/da Venosa} (8 March 1566 -- 8 September 1613)
- Performers: Ensemble "Métamorphoses"
- Conductor: Maurice Bourbon
- Year of recording: 1996
Madrigals for 5 voices, Book 6 {Il Sesto libro di Madrigali}, written in 1611.
00:00:00 - 01. Se la mia morte brami
00:03:34 - 02. Beltà, poi che t'assenti
00:06:55 - 03. Tu piangi, o Filli mia
00:10:04 - 04. Resta di darmi noia
00:13:12 - 05. Chiaro risplender suole
00:17:41 - 06. "Io parto" e non più dissi
00:20:47 - 07. Mille volte il dì moro
00;23:57 - 08. O dolce mio tesoro
00:26:43 - 09. Deh, come invan sospiro
00:29:25 - 10. Io pur respiro in così gran dolore
00:32:20 - 11. Alme d'amor rubelle
00:34:17 - 12. Càndido e verde fiore
00:36:32 - 13. Ardita Zanzaretta
00:39:46 - 14. Ardo per te, mio bene
00:43:08 - 15. Ancide sol la morte
00:45:33 - 16. Quel "no" crudel que la mia speme ancise
00:47:53 - 17. Moro, lasso, al mio duolo
00:51:28 - 18. Volan quasi farfalle
00:54:23 - 19. Al mio gioir il ciel si fa sereno
00:56:54 - 20. Tu segui, o bella Clori
00:59:15 - 21. Ancor che per amarti
01:02:34 - 22. Già piansi nel dolore
01:05:07 - 23. Quando ridente e bella
Gesualdo's 6th book of Madrigals reveal the composer's fully mature style, and was written in imitation and rivalry, a common practice among madrigal composers, of Nenna's works. Especially notable are Gesualdo's chromaticism, modal counterpoint, and rhythmic invention in these 23 madrigals.
Like early ethnomusicologists who superimposed Western notation and ideas on ethnic music before asking the "natives" how they conceived of their own music (thus making many erroneous assumptions), puzzled commentators on Gesualdo's music have often utilized standard harmonic analysis instead of approaching the music from the ideas of counterpoint and modality that were prevalent in his time. Basically, the unusual chromatic progressions in Gesualdo's work are the result of raising and lowering individual voices by half steps as a kind of expressive timbre modulation, a brightening (adding sharps) or darkening (adding flats), tied to the meaning of the words. For example, the (in-)famous madrigal No. 17 "Moro, lasso, al mio duolo" (I die, languishing, of grief) opens with the slowly descending, sighing chords C sharp major, A minor, B major, G major, and cadences normally E dominant seventh to A minor. The first two chords and the next set of two chords both suggest some Wagnerian progression centuries ahead of its time, but in fact the writing is purely modal with these chromatic modifications to add expression. Many of the madrigals open with unusual progressions by minor and major third roots in block harmonies and then proceed toward straight, unmodified modal counterpoint in faster subdivisions of the main tempo; for example, No. 15 "Death alone can kill"...A major to C sharp major to A major ), No. 21 "Even though, through love of you, I am consumed"...E major to G minor), No. 2 "Beauty, since you depart"...G minor to E major), No. 6 " 'I go', and no more, I said, for the pain"...starts in a harmonic minor and later offers E diminished to B major to C minor, etc.), etc.
By contrast, many other madrigals are in a straightforward modal style, and are sometimes played instrumentally for variety when a performance is given of the entire Book. For example, Nos. 8, 11, 12, 15, 16, and 18. Expressive cascading imitations can be found in Nos. 14 (on the words "ardo per te" -- I burn for you), 13 on "Fuggi poi," 21 on "rimirar suole," 3, 23, 19, and several others. Rare skips by a large interval into a dissonance can be found in Nos. 4 and 13 with its spectacularly modulated extended ending. Gesualdo is also especially fond of Spanish-type Lydian mode cadences, especially throughout No. 7, and provides a lovely Mixolydian mode beginning for No. 22. Gesualdo is also fond of subdividing lines and syllables and of the emphatic pause effect, especially in No. 10 "Io pur respiro in così gran dolore" (Even in agony, I still breathe) where "respiro" is divided up to suggest someone gasping for air.
https://wn.com/Carlo_Gesualdo_Madrigals,_Book_6
- Composer: Carlo Gesualdo {Gesualdo di/da Venosa} (8 March 1566 -- 8 September 1613)
- Performers: Ensemble "Métamorphoses"
- Conductor: Maurice Bourbon
- Year of recording: 1996
Madrigals for 5 voices, Book 6 {Il Sesto libro di Madrigali}, written in 1611.
00:00:00 - 01. Se la mia morte brami
00:03:34 - 02. Beltà, poi che t'assenti
00:06:55 - 03. Tu piangi, o Filli mia
00:10:04 - 04. Resta di darmi noia
00:13:12 - 05. Chiaro risplender suole
00:17:41 - 06. "Io parto" e non più dissi
00:20:47 - 07. Mille volte il dì moro
00;23:57 - 08. O dolce mio tesoro
00:26:43 - 09. Deh, come invan sospiro
00:29:25 - 10. Io pur respiro in così gran dolore
00:32:20 - 11. Alme d'amor rubelle
00:34:17 - 12. Càndido e verde fiore
00:36:32 - 13. Ardita Zanzaretta
00:39:46 - 14. Ardo per te, mio bene
00:43:08 - 15. Ancide sol la morte
00:45:33 - 16. Quel "no" crudel que la mia speme ancise
00:47:53 - 17. Moro, lasso, al mio duolo
00:51:28 - 18. Volan quasi farfalle
00:54:23 - 19. Al mio gioir il ciel si fa sereno
00:56:54 - 20. Tu segui, o bella Clori
00:59:15 - 21. Ancor che per amarti
01:02:34 - 22. Già piansi nel dolore
01:05:07 - 23. Quando ridente e bella
Gesualdo's 6th book of Madrigals reveal the composer's fully mature style, and was written in imitation and rivalry, a common practice among madrigal composers, of Nenna's works. Especially notable are Gesualdo's chromaticism, modal counterpoint, and rhythmic invention in these 23 madrigals.
Like early ethnomusicologists who superimposed Western notation and ideas on ethnic music before asking the "natives" how they conceived of their own music (thus making many erroneous assumptions), puzzled commentators on Gesualdo's music have often utilized standard harmonic analysis instead of approaching the music from the ideas of counterpoint and modality that were prevalent in his time. Basically, the unusual chromatic progressions in Gesualdo's work are the result of raising and lowering individual voices by half steps as a kind of expressive timbre modulation, a brightening (adding sharps) or darkening (adding flats), tied to the meaning of the words. For example, the (in-)famous madrigal No. 17 "Moro, lasso, al mio duolo" (I die, languishing, of grief) opens with the slowly descending, sighing chords C sharp major, A minor, B major, G major, and cadences normally E dominant seventh to A minor. The first two chords and the next set of two chords both suggest some Wagnerian progression centuries ahead of its time, but in fact the writing is purely modal with these chromatic modifications to add expression. Many of the madrigals open with unusual progressions by minor and major third roots in block harmonies and then proceed toward straight, unmodified modal counterpoint in faster subdivisions of the main tempo; for example, No. 15 "Death alone can kill"...A major to C sharp major to A major ), No. 21 "Even though, through love of you, I am consumed"...E major to G minor), No. 2 "Beauty, since you depart"...G minor to E major), No. 6 " 'I go', and no more, I said, for the pain"...starts in a harmonic minor and later offers E diminished to B major to C minor, etc.), etc.
By contrast, many other madrigals are in a straightforward modal style, and are sometimes played instrumentally for variety when a performance is given of the entire Book. For example, Nos. 8, 11, 12, 15, 16, and 18. Expressive cascading imitations can be found in Nos. 14 (on the words "ardo per te" -- I burn for you), 13 on "Fuggi poi," 21 on "rimirar suole," 3, 23, 19, and several others. Rare skips by a large interval into a dissonance can be found in Nos. 4 and 13 with its spectacularly modulated extended ending. Gesualdo is also especially fond of Spanish-type Lydian mode cadences, especially throughout No. 7, and provides a lovely Mixolydian mode beginning for No. 22. Gesualdo is also fond of subdividing lines and syllables and of the emphatic pause effect, especially in No. 10 "Io pur respiro in così gran dolore" (Even in agony, I still breathe) where "respiro" is divided up to suggest someone gasping for air.
- published: 04 Oct 2015
- views: 434725
1:08:11
Carlo Gesualdo, Música sacra a 5 voces. Oxford Camerata, Jeremy Summerly
Carlo Gesualdo (Venosa, 1566 - Gesualdo/Avellino, 1613)
Música sacra a 5 voces.
Oxford Camerata,
Jeremy Summerly, director.
[00:01~] 01. Illumina faciem tuam
[...
Carlo Gesualdo (Venosa, 1566 - Gesualdo/Avellino, 1613)
Música sacra a 5 voces.
Oxford Camerata,
Jeremy Summerly, director.
[00:01~] 01. Illumina faciem tuam
[04:25~] 02. Deus refugium et virtus
[06:50~] 03. Exaudi Deus deprecationem meam
[09:35~] 04. Tribulationem et dolorem
[14:35~] 05. Tribularer si nescirem
[18:25~] 06. Precibus et meritis beatae Mariae
[20:40~] 07. O Crux benedicta
[25:00~] 08. O vos omnes
[28:55~] 09. Dignare me laudare te
[31:00~] 10. Maria mater gratiae
[34:55~] 11. Laboravi in gemitu meo
[39:15~] 12. Ave dulcissima Maria
[43:50~] 13. Domine ne despicias
[46:00~] 14. Peccantem me quotidie
[51:30~] 15. Sancti Spiritus Domine
[53:35~] 16. Hei mihi Domine
[57:20~] 17. Venit lumen tuum Jerusalem
[1:00:10~] 18. Reminiscere miserationum tuarum
[1:04:00~] 19. Ave Regina coelorum
Oxford Camerata
Deborah Mackay, Rebecca Outram,
Carys-Anne Lane, Janet McMullin,
Andrew Olleson, Robin Blaze,
James Gilchrist, Philip Cave,
Michael McCarthy, Jonathan Arnold,
Julian Smallbones, Julian Walker.
Jeremy Summerly, director.
Carlo Gesualdo, príncipe de Venosa y conde de Conza:
[http://es.wikipedia.org/wiki/Carlo_Gesualdo]
Oxford Camerata:
[http://es.wikipedia.org/wiki/Oxford_Camerata]
Imagen 2ª: Detalle de La batalla de san Romano, de Paolo Uccello
[http://min.us/lnMUTfjMmerut]
---
https://wn.com/Carlo_Gesualdo,_Música_Sacra_A_5_Voces._Oxford_Camerata,_Jeremy_Summerly
Carlo Gesualdo (Venosa, 1566 - Gesualdo/Avellino, 1613)
Música sacra a 5 voces.
Oxford Camerata,
Jeremy Summerly, director.
[00:01~] 01. Illumina faciem tuam
[04:25~] 02. Deus refugium et virtus
[06:50~] 03. Exaudi Deus deprecationem meam
[09:35~] 04. Tribulationem et dolorem
[14:35~] 05. Tribularer si nescirem
[18:25~] 06. Precibus et meritis beatae Mariae
[20:40~] 07. O Crux benedicta
[25:00~] 08. O vos omnes
[28:55~] 09. Dignare me laudare te
[31:00~] 10. Maria mater gratiae
[34:55~] 11. Laboravi in gemitu meo
[39:15~] 12. Ave dulcissima Maria
[43:50~] 13. Domine ne despicias
[46:00~] 14. Peccantem me quotidie
[51:30~] 15. Sancti Spiritus Domine
[53:35~] 16. Hei mihi Domine
[57:20~] 17. Venit lumen tuum Jerusalem
[1:00:10~] 18. Reminiscere miserationum tuarum
[1:04:00~] 19. Ave Regina coelorum
Oxford Camerata
Deborah Mackay, Rebecca Outram,
Carys-Anne Lane, Janet McMullin,
Andrew Olleson, Robin Blaze,
James Gilchrist, Philip Cave,
Michael McCarthy, Jonathan Arnold,
Julian Smallbones, Julian Walker.
Jeremy Summerly, director.
Carlo Gesualdo, príncipe de Venosa y conde de Conza:
[http://es.wikipedia.org/wiki/Carlo_Gesualdo]
Oxford Camerata:
[http://es.wikipedia.org/wiki/Oxford_Camerata]
Imagen 2ª: Detalle de La batalla de san Romano, de Paolo Uccello
[http://min.us/lnMUTfjMmerut]
---
- published: 03 Feb 2013
- views: 285596
2:06:54
2 HOURS WITH GESUALDO: Discover the most beautiful madrigals from the Renaissance
Discover the master of secular choir music, with this compilation of madrigals and polyphonic religious chants by Carlo Gesualdo (Tenebrae, Responsoria...).
👉Su...
Discover the master of secular choir music, with this compilation of madrigals and polyphonic religious chants by Carlo Gesualdo (Tenebrae, Responsoria...).
👉Subscribe for more classical music: http://bit.ly/2eVQ072
↓TRACKLIST↓
1. Feria Quinta, Tenebrae Responsories for Maundy Thursday: I. In monte Oliveti : 00:00
2. Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea : 04:20
3. Feria Quinta, Tenebrae Responsories for Maundy Thursday: III. Ecce vidimus eum : 08:56
4. Feria Quinta, Tenebrae Responsories for Maundy Thursday: IV. Amicus meus : 15:53
5. Feria Quinta, Tenebrae Responsories for Maundy Thursday: V. Judas mercator pessimus : 19:26
6. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis : 21:37
7. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VII. Eram quasi agnus innocens : 26:46
8. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VIII. Una hora : 32:02
9. Feria Quinta, Tenebrae Responsories for Maundy Thursday: IX. Seniores populi : 35:17
10. Feria Sexta, Tenebrae Responsories for Good Friday: I. Omnes amici mei : 40:56
11. Feria Sexta, Tenebrae Responsories for Good Friday: II. Velum templi : 44:48
12. Feria Sexta, Tenebrae Responsories for Good Friday: III. Vinea mea electa : 48:26
13. Feria Sexta, Tenebrae Responsories for Good Friday: IV. Tamquam ad latronem : 51:46
14. Feria Sexta, Tenebrae Responsories for Good Friday: V. Tenebrae factae sunt : 54:47
15. Feria Sexta, Tenebrae Responsories for Good Friday: VI. Animam meam dilectam : 59:20
16. Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me : 01:06:41
17. Feria Sexta, Tenebrae Responsories for Good Friday: VIII. Jesum tradidit impius : 01:09:06
18. Feria Sexta, Tenebrae Responsories for Good Friday: IX. Caligaverunt oculi mei : 01:12:42
1. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: I. Sicut ovis : 01:19:43
2. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: II. Jerusalem, surge : 01:23:11
3. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: III. Plange quasi virgo : 01:26:20
4. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: IV. Recessit pastor noster : 01:31:29
5. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: V. O vos omnes : 01:35:09
6. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: VI. Ecce quomodo moritur justus : 01:38:47
7. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: VII. Astiterunt reges terrae : 01:43:59
8. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: VIII. Aestimatus sum : 01:45:53
9. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: IX. Sepulto Domino : 01:49:05
10. Benedictus, Canticle (Luke I, 68-79) : 01:53:42
11. Miserere, Psalm 50 : 01:58:33
© Copyright: 2013 Outhere
℗ Production: 2013 Outhere
https://wn.com/2_Hours_With_Gesualdo_Discover_The_Most_Beautiful_Madrigals_From_The_Renaissance
Discover the master of secular choir music, with this compilation of madrigals and polyphonic religious chants by Carlo Gesualdo (Tenebrae, Responsoria...).
👉Subscribe for more classical music: http://bit.ly/2eVQ072
↓TRACKLIST↓
1. Feria Quinta, Tenebrae Responsories for Maundy Thursday: I. In monte Oliveti : 00:00
2. Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea : 04:20
3. Feria Quinta, Tenebrae Responsories for Maundy Thursday: III. Ecce vidimus eum : 08:56
4. Feria Quinta, Tenebrae Responsories for Maundy Thursday: IV. Amicus meus : 15:53
5. Feria Quinta, Tenebrae Responsories for Maundy Thursday: V. Judas mercator pessimus : 19:26
6. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis : 21:37
7. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VII. Eram quasi agnus innocens : 26:46
8. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VIII. Una hora : 32:02
9. Feria Quinta, Tenebrae Responsories for Maundy Thursday: IX. Seniores populi : 35:17
10. Feria Sexta, Tenebrae Responsories for Good Friday: I. Omnes amici mei : 40:56
11. Feria Sexta, Tenebrae Responsories for Good Friday: II. Velum templi : 44:48
12. Feria Sexta, Tenebrae Responsories for Good Friday: III. Vinea mea electa : 48:26
13. Feria Sexta, Tenebrae Responsories for Good Friday: IV. Tamquam ad latronem : 51:46
14. Feria Sexta, Tenebrae Responsories for Good Friday: V. Tenebrae factae sunt : 54:47
15. Feria Sexta, Tenebrae Responsories for Good Friday: VI. Animam meam dilectam : 59:20
16. Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me : 01:06:41
17. Feria Sexta, Tenebrae Responsories for Good Friday: VIII. Jesum tradidit impius : 01:09:06
18. Feria Sexta, Tenebrae Responsories for Good Friday: IX. Caligaverunt oculi mei : 01:12:42
1. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: I. Sicut ovis : 01:19:43
2. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: II. Jerusalem, surge : 01:23:11
3. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: III. Plange quasi virgo : 01:26:20
4. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: IV. Recessit pastor noster : 01:31:29
5. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: V. O vos omnes : 01:35:09
6. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: VI. Ecce quomodo moritur justus : 01:38:47
7. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: VII. Astiterunt reges terrae : 01:43:59
8. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: VIII. Aestimatus sum : 01:45:53
9. Sabbato Sancto, Tenebrae Responsories for Holy Saturday: IX. Sepulto Domino : 01:49:05
10. Benedictus, Canticle (Luke I, 68-79) : 01:53:42
11. Miserere, Psalm 50 : 01:58:33
© Copyright: 2013 Outhere
℗ Production: 2013 Outhere
- published: 14 Jun 2019
- views: 44823
4:44
Carlo Gesualdo da Venosa - Tristis est anima mea
Carlo Gesualdo Principe di Venosa (1566?-1613): Tenebrae
Tristis est anima mea - Feria V, In coena Domini
In I Nocturno - Responsorium 1 (for Maudy Thursday)
...
Carlo Gesualdo Principe di Venosa (1566?-1613): Tenebrae
Tristis est anima mea - Feria V, In coena Domini
In I Nocturno - Responsorium 1 (for Maudy Thursday)
The King's Singers (2004)
David Hurley, Robin Tyson: Countertenors
Paul Phoenix: Tenor
Philip Lawson, Gabriel Crouch: Baritones
Stephen Connolly: Bass
Tristis est anima mea usque ad mortem:
sustinete hic, et vigilate mecum: nunc videbitis
turbam, quae circumdabit me: Vos fugam
capietis, et ego vadam immolari pro vobis.
Ecce appropinquat hora, et filius hominis
tradetur in manus peccatorum.
---------
Responsory
My soul is sorrowful even unto death: stay here
and watch with me: now shall ye see the crowd
that shall surround me: ye shall take flight, and
I shall go to be offered up for you.
Verse
Behold the time draweth nigh, and the son of
man shall be delivered into the hands of sinners.
https://wn.com/Carlo_Gesualdo_Da_Venosa_Tristis_Est_Anima_Mea
Carlo Gesualdo Principe di Venosa (1566?-1613): Tenebrae
Tristis est anima mea - Feria V, In coena Domini
In I Nocturno - Responsorium 1 (for Maudy Thursday)
The King's Singers (2004)
David Hurley, Robin Tyson: Countertenors
Paul Phoenix: Tenor
Philip Lawson, Gabriel Crouch: Baritones
Stephen Connolly: Bass
Tristis est anima mea usque ad mortem:
sustinete hic, et vigilate mecum: nunc videbitis
turbam, quae circumdabit me: Vos fugam
capietis, et ego vadam immolari pro vobis.
Ecce appropinquat hora, et filius hominis
tradetur in manus peccatorum.
---------
Responsory
My soul is sorrowful even unto death: stay here
and watch with me: now shall ye see the crowd
that shall surround me: ye shall take flight, and
I shall go to be offered up for you.
Verse
Behold the time draweth nigh, and the son of
man shall be delivered into the hands of sinners.
- published: 03 Aug 2009
- views: 369483
3:25
Carlo Gesualdo - Se la mia Morte Brami
Carlo Gesualdo (1566/1613)
- Sesto Libro di Madrigali -
- Ensemble Metamorphoses -
- Conductor, Maurice Bourbon -
Carlo Gesualdo (1566/1613)
- Sesto Libro di Madrigali -
- Ensemble Metamorphoses -
- Conductor, Maurice Bourbon -
https://wn.com/Carlo_Gesualdo_Se_La_Mia_Morte_Brami
Carlo Gesualdo (1566/1613)
- Sesto Libro di Madrigali -
- Ensemble Metamorphoses -
- Conductor, Maurice Bourbon -
- published: 25 May 2015
- views: 233355
12:03
Carlo Gesualdo - from Tenebrae Responsories (1611)
Carlo Gesualdo
from Tenebrae Responsories (1611)
1. Sicut ovis ad occisionem
2. Jerusalem, surge
3. O vos omnes
Ensemble Vocal Européen De La Chapelle Royal...
Carlo Gesualdo
from Tenebrae Responsories (1611)
1. Sicut ovis ad occisionem
2. Jerusalem, surge
3. O vos omnes
Ensemble Vocal Européen De La Chapelle Royale conducted by Philipe Herreweghe
https://wn.com/Carlo_Gesualdo_From_Tenebrae_Responsories_(1611)
Carlo Gesualdo
from Tenebrae Responsories (1611)
1. Sicut ovis ad occisionem
2. Jerusalem, surge
3. O vos omnes
Ensemble Vocal Européen De La Chapelle Royale conducted by Philipe Herreweghe
- published: 27 Nov 2015
- views: 30270