-
Igor Stravinsky - Symphony No.1 in E flat (1907) [with score]
Symphony 1 in E-flat - for orchestra
Written by Igor Stravinsky
Thanks to Thomas Van Dun for the preparation of this score video. https://www.youtube.com/c/ThomasvanDun/
Performed by the Russian National Orchestra, conducted by Mikhail Pletnev 00:00 - I. Allegro moderato
11:04 - II. Scherzo
16:43 - III. Largo
28:08 - IV. Finale
'Stravinsky's official Op. 1, the Symphony composed between 1905 and 1907, looks back to the height of the Russian classical tradition. The presentation of the first subject in the opening "Allegro moderato" would probably fool all but the most intent of listeners into labeling the work as early Tchaikovsky, or perhaps Glazunov, while the shade of Wagner hovers faintly over the orchestration of certain passages. The first subject is vaguely heroic in charac...
published: 09 May 2021
-
STRAVINSKY Symphony No1
Tbilisi Symphony Orchestra
Conductor - Vakhtang Kakhidze
Directed by - David Gersamia
published: 24 Nov 2015
-
Symphony in E-Flat Major, Op.1: I. Allegro moderato
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: I. Allegro moderato · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts Stravinsky - Symphonies and Concertos
℗ 1967 Sony Music Entertainment
Released on: 2015-10-30
Producer: John McClure
Auto-generated by YouTube.
published: 14 Apr 2017
-
Igor Stravinsky. Symphony in E-flat major, Op. 1 / Игорь Стравинский. Симфония ми-бемоль мажор
Оркестр Пермского театра оперы и балета, дирижер – Валерий Платонов.
----
Perm Opera and Ballet Theatre Orchestra, conductor – Valeriy Platonov.
I. Allegro moderato
II. Scherzo: Allegretto
III. Largo
IV. Finale: Allegro molto
----
Видеосъемка – театральная видеостудия Ultralive
http://ultralive.io/
published: 13 Feb 2017
-
Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts Stravinsky - Symphonies and Concertos
℗ 1967 Sony Music Entertainment
Released on: 2015-10-30
Producer: John McClure
Auto-generated by YouTube.
published: 14 Apr 2017
-
Stravinsky's Symphony in E-Flat, Op.1 (2nd Movement - Scherzo) (Audio + Sheet music)
pf: Vladimir Ashkenzay cond/ St. Petersburg Philharmonic Orchestra
Instrumentation: 3 flutes (3rd doubles piccolo), 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, triangle, cymbals, bass drum, strings
Year/Date of Composition: 1905-07 (revised 1913)
First Performance: 1908-1-22 in St. Petersburg
Court Orchestra, Felix Blumenfeld, conductor
(private concert)
First Publication: 1914
Dedication: Nikolay Rimsky-Korsakov (1844-1908)
Duration: 34 minutes in four movements.
While still very much a student in 1905, Stravinsky was given encouragement by his teacher Rimsky-Korsakov to begin work on a piece for full orchestra, the young man’s first foray beyond the piano. Russia was in the beginning stages of a failed revolution that year following the emb...
published: 17 Mar 2016
-
Igor Stravinsky - Dumbarton Oaks for Chamber Orchestra (1937-38) [Score-Video]
Igor Stravinsky - Dumbarton Oaks for Chamber Orchestra (1937-38)
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
published: 03 Apr 2018
-
Igor Stravinsky - Symphonies of Wind instruments [With score]
-Composer: Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971)
-Orchestra: London Sinfonietta
-Conductor: Esa-Pekka Salonen
Symphonies of Wind instruments [Symphonies d'instruments à vent], written in 1920, revised in 1947
If we discount the tribute that Igor Stravinsky composed in 1908 on the occasion of the death of his beloved teacher Rimsky-Korsakov (the work was lost during the Revolution, found in 2015), the composer's long string of In memoria -- by which he pays homage to some of the foremost musical, literary, and even political figures of the twentieth century -- begins in 1920 with the Symphonies of Wind Instruments, dedicated to the memory of Claude Debussy.
Here Stravinsky consciously used the term symphonies in the old French meaning of a sonorous piece, as in "Sympho...
published: 28 Sep 2017
-
Igor Stravinsky: Symphony in E flat minor Op.1 - Timpani Parts
Igor Stravinsky: Symphony in E flat minor Op.1 - Partes interpretadas para timbal.
Allegro moderato
The first movement is in sonata form.[1]
Scherzo
This movement was sometimes played alone at performances of the Ballets Russes. Stravinsky incorporated into it a Russian folk song similar to one he used in Petrushka.[2]
Largo
The longest movement of the symphony, lasting almost fifteen minutes.
Finale
The finale is a rondo.[1] As in the second movement, Stravinsky includes a popular song ("Tchitcher-Yatcher"). He used it again in his Trois petites chansons of 1913.[2]:
Majestic Symphonic Mod. 32", 29", 26", 23"
Mallets: Kato Stravinsky L, Kappert Flannell Black, Kappert Classic Violet.
published: 25 Feb 2019
-
Stravinsky: Symphony No. 1 in E flat major, Op. 1 - 1. Allegro moderato
Provided to YouTube by Universal Music Group
Stravinsky: Symphony No. 1 in E flat major, Op. 1 - 1. Allegro moderato · Detroit Symphony Orchestra · Antal Doráti
Stravinsky: Symphony No. 1; Scherzo fantastique
℗ 1986 Decca Music Group Limited
Released on: 1986-08-01
Producer: James Mallinson
Studio Personnel, Balance Engineer: John Dunkerley
Composer: Igor Stravinsky
Auto-generated by YouTube.
published: 28 Jul 2018
35:43
Igor Stravinsky - Symphony No.1 in E flat (1907) [with score]
Symphony 1 in E-flat - for orchestra
Written by Igor Stravinsky
Thanks to Thomas Van Dun for the preparation of this score video. https://www.youtube.com/c/Tho...
Symphony 1 in E-flat - for orchestra
Written by Igor Stravinsky
Thanks to Thomas Van Dun for the preparation of this score video. https://www.youtube.com/c/ThomasvanDun/
Performed by the Russian National Orchestra, conducted by Mikhail Pletnev 00:00 - I. Allegro moderato
11:04 - II. Scherzo
16:43 - III. Largo
28:08 - IV. Finale
'Stravinsky's official Op. 1, the Symphony composed between 1905 and 1907, looks back to the height of the Russian classical tradition. The presentation of the first subject in the opening "Allegro moderato" would probably fool all but the most intent of listeners into labeling the work as early Tchaikovsky, or perhaps Glazunov, while the shade of Wagner hovers faintly over the orchestration of certain passages. The first subject is vaguely heroic in character, brief and assertive, and so thoroughly developed that the attractively lyrical second subject appears as little more than passing interludes. The orchestration is, in general, as classic in inspiration as the melodic invention, although some of the transitions reveal that the piece dates from later than first impressions suggest, and the treatment given to the first subject to mark the beginning of the coda is curious, a skittishly syncopated variation, which sits a little awkwardly alongside the rest, but is more obviously "Stravinskian" in nature. There is an indefinable yet distinct filtering effect here -- Tchaikovsky seen through Stravinsky's eyes, so to speak.' - Kate Lang
https://wn.com/Igor_Stravinsky_Symphony_No.1_In_E_Flat_(1907)_With_Score
Symphony 1 in E-flat - for orchestra
Written by Igor Stravinsky
Thanks to Thomas Van Dun for the preparation of this score video. https://www.youtube.com/c/ThomasvanDun/
Performed by the Russian National Orchestra, conducted by Mikhail Pletnev 00:00 - I. Allegro moderato
11:04 - II. Scherzo
16:43 - III. Largo
28:08 - IV. Finale
'Stravinsky's official Op. 1, the Symphony composed between 1905 and 1907, looks back to the height of the Russian classical tradition. The presentation of the first subject in the opening "Allegro moderato" would probably fool all but the most intent of listeners into labeling the work as early Tchaikovsky, or perhaps Glazunov, while the shade of Wagner hovers faintly over the orchestration of certain passages. The first subject is vaguely heroic in character, brief and assertive, and so thoroughly developed that the attractively lyrical second subject appears as little more than passing interludes. The orchestration is, in general, as classic in inspiration as the melodic invention, although some of the transitions reveal that the piece dates from later than first impressions suggest, and the treatment given to the first subject to mark the beginning of the coda is curious, a skittishly syncopated variation, which sits a little awkwardly alongside the rest, but is more obviously "Stravinskian" in nature. There is an indefinable yet distinct filtering effect here -- Tchaikovsky seen through Stravinsky's eyes, so to speak.' - Kate Lang
- published: 09 May 2021
- views: 13523
46:09
STRAVINSKY Symphony No1
Tbilisi Symphony Orchestra
Conductor - Vakhtang Kakhidze
Directed by - David Gersamia
Tbilisi Symphony Orchestra
Conductor - Vakhtang Kakhidze
Directed by - David Gersamia
https://wn.com/Stravinsky_Symphony_No1
Tbilisi Symphony Orchestra
Conductor - Vakhtang Kakhidze
Directed by - David Gersamia
- published: 24 Nov 2015
- views: 67337
11:27
Symphony in E-Flat Major, Op.1: I. Allegro moderato
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: I. Allegro moderato · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts ...
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: I. Allegro moderato · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts Stravinsky - Symphonies and Concertos
℗ 1967 Sony Music Entertainment
Released on: 2015-10-30
Producer: John McClure
Auto-generated by YouTube.
https://wn.com/Symphony_In_E_Flat_Major,_Op.1_I._Allegro_Moderato
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: I. Allegro moderato · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts Stravinsky - Symphonies and Concertos
℗ 1967 Sony Music Entertainment
Released on: 2015-10-30
Producer: John McClure
Auto-generated by YouTube.
- published: 14 Apr 2017
- views: 955
36:17
Igor Stravinsky. Symphony in E-flat major, Op. 1 / Игорь Стравинский. Симфония ми-бемоль мажор
Оркестр Пермского театра оперы и балета, дирижер – Валерий Платонов.
----
Perm Opera and Ballet Theatre Orchestra, conductor – Valeriy Platonov.
I. Allegro m...
Оркестр Пермского театра оперы и балета, дирижер – Валерий Платонов.
----
Perm Opera and Ballet Theatre Orchestra, conductor – Valeriy Platonov.
I. Allegro moderato
II. Scherzo: Allegretto
III. Largo
IV. Finale: Allegro molto
----
Видеосъемка – театральная видеостудия Ultralive
http://ultralive.io/
https://wn.com/Igor_Stravinsky._Symphony_In_E_Flat_Major,_Op._1_Игорь_Стравинский._Симфония_Ми_Бемоль_Мажор
Оркестр Пермского театра оперы и балета, дирижер – Валерий Платонов.
----
Perm Opera and Ballet Theatre Orchestra, conductor – Valeriy Platonov.
I. Allegro moderato
II. Scherzo: Allegretto
III. Largo
IV. Finale: Allegro molto
----
Видеосъемка – театральная видеостудия Ultralive
http://ultralive.io/
- published: 13 Feb 2017
- views: 6904
8:26
Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Con...
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts Stravinsky - Symphonies and Concertos
℗ 1967 Sony Music Entertainment
Released on: 2015-10-30
Producer: John McClure
Auto-generated by YouTube.
https://wn.com/Symphony_In_E_Flat_Major,_Op.1_Iv._Finale._Allegro_Molto
Provided to YouTube by Sony Classical
Symphony in E-Flat Major, Op.1: IV. Finale. Allegro molto · Igor Stravinsky · Columbia Symphony Orchestra
Stravinsky Conducts Stravinsky - Symphonies and Concertos
℗ 1967 Sony Music Entertainment
Released on: 2015-10-30
Producer: John McClure
Auto-generated by YouTube.
- published: 14 Apr 2017
- views: 693
5:49
Stravinsky's Symphony in E-Flat, Op.1 (2nd Movement - Scherzo) (Audio + Sheet music)
pf: Vladimir Ashkenzay cond/ St. Petersburg Philharmonic Orchestra
Instrumentation: 3 flutes (3rd doubles piccolo), 2 oboes, 3 clarinets, 2 bassoons, 4 horns, ...
pf: Vladimir Ashkenzay cond/ St. Petersburg Philharmonic Orchestra
Instrumentation: 3 flutes (3rd doubles piccolo), 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, triangle, cymbals, bass drum, strings
Year/Date of Composition: 1905-07 (revised 1913)
First Performance: 1908-1-22 in St. Petersburg
Court Orchestra, Felix Blumenfeld, conductor
(private concert)
First Publication: 1914
Dedication: Nikolay Rimsky-Korsakov (1844-1908)
Duration: 34 minutes in four movements.
While still very much a student in 1905, Stravinsky was given encouragement by his teacher Rimsky-Korsakov to begin work on a piece for full orchestra, the young man’s first foray beyond the piano. Russia was in the beginning stages of a failed revolution that year following the embarrassing conclusion of the Russo-Japanese War. Stravinsky was arrested once during a student demonstration and held for several hours, a chilling experience that he never forgot.
The Symphony in Eb was to be Stravinsky’s first official opus number but the work shows as much of Rimsky-Korsakov’s hand as his own. As work progressed, Stravinsky consulted with the old master often for advice and the result displays more of the younger man’s ability to assimilate creatively than simply create. Not merely a pat homage to his teacher however, the Symphony No. 1 channels the full spirit of the Russian high romantic era. In addition to Rimsky-Korsakov, Tchaikovsky can be heard, as can Glazunov. There are also elements of Strauss in the score, not to mention the ever-present influence of Wagner, a difficult thing for any fledgling composer of the time to ignore. All of this referencing might lead the listener to wonder, “Where is Stravinsky himself in all of this?” If not obvious in the skeletal and muscular make-up of the piece, his budding voice is hidden in the connective tissues that bind the whole. Some of the transitions and irregular phrases seem strange at first glance but, with the benefit of our distant scholarly perspective, make perfect sense as seeds of his future individualism. The gift of time and detailed study also allow us to hear the masterworks that where still to come in 1905 – a bit of Firebird here, a hint of Petrushka there. The Symphony in Eb is indeed the music of major composer before his prime, but its unabashed youthful energy makes it significant beyond its “first” status.
Sources:
http://www.utahsymphony.org/insight/p...
http://imslp.org/wiki/Symphony_in_E-f...
https://wn.com/Stravinsky's_Symphony_In_E_Flat,_Op.1_(2Nd_Movement_Scherzo)_(Audio_Sheet_Music)
pf: Vladimir Ashkenzay cond/ St. Petersburg Philharmonic Orchestra
Instrumentation: 3 flutes (3rd doubles piccolo), 2 oboes, 3 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, triangle, cymbals, bass drum, strings
Year/Date of Composition: 1905-07 (revised 1913)
First Performance: 1908-1-22 in St. Petersburg
Court Orchestra, Felix Blumenfeld, conductor
(private concert)
First Publication: 1914
Dedication: Nikolay Rimsky-Korsakov (1844-1908)
Duration: 34 minutes in four movements.
While still very much a student in 1905, Stravinsky was given encouragement by his teacher Rimsky-Korsakov to begin work on a piece for full orchestra, the young man’s first foray beyond the piano. Russia was in the beginning stages of a failed revolution that year following the embarrassing conclusion of the Russo-Japanese War. Stravinsky was arrested once during a student demonstration and held for several hours, a chilling experience that he never forgot.
The Symphony in Eb was to be Stravinsky’s first official opus number but the work shows as much of Rimsky-Korsakov’s hand as his own. As work progressed, Stravinsky consulted with the old master often for advice and the result displays more of the younger man’s ability to assimilate creatively than simply create. Not merely a pat homage to his teacher however, the Symphony No. 1 channels the full spirit of the Russian high romantic era. In addition to Rimsky-Korsakov, Tchaikovsky can be heard, as can Glazunov. There are also elements of Strauss in the score, not to mention the ever-present influence of Wagner, a difficult thing for any fledgling composer of the time to ignore. All of this referencing might lead the listener to wonder, “Where is Stravinsky himself in all of this?” If not obvious in the skeletal and muscular make-up of the piece, his budding voice is hidden in the connective tissues that bind the whole. Some of the transitions and irregular phrases seem strange at first glance but, with the benefit of our distant scholarly perspective, make perfect sense as seeds of his future individualism. The gift of time and detailed study also allow us to hear the masterworks that where still to come in 1905 – a bit of Firebird here, a hint of Petrushka there. The Symphony in Eb is indeed the music of major composer before his prime, but its unabashed youthful energy makes it significant beyond its “first” status.
Sources:
http://www.utahsymphony.org/insight/p...
http://imslp.org/wiki/Symphony_in_E-f...
- published: 17 Mar 2016
- views: 16700
14:54
Igor Stravinsky - Dumbarton Oaks for Chamber Orchestra (1937-38) [Score-Video]
Igor Stravinsky - Dumbarton Oaks for Chamber Orchestra (1937-38)
-----------------------------------------------------
Support this YouTube Channel: https://w...
Igor Stravinsky - Dumbarton Oaks for Chamber Orchestra (1937-38)
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
https://wn.com/Igor_Stravinsky_Dumbarton_Oaks_For_Chamber_Orchestra_(1937_38)_Score_Video
Igor Stravinsky - Dumbarton Oaks for Chamber Orchestra (1937-38)
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
- published: 03 Apr 2018
- views: 173681
8:48
Igor Stravinsky - Symphonies of Wind instruments [With score]
-Composer: Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971)
-Orchestra: London Sinfonietta
-Conductor: Esa-Pekka Salonen
Symphonies of Wind instrument...
-Composer: Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971)
-Orchestra: London Sinfonietta
-Conductor: Esa-Pekka Salonen
Symphonies of Wind instruments [Symphonies d'instruments à vent], written in 1920, revised in 1947
If we discount the tribute that Igor Stravinsky composed in 1908 on the occasion of the death of his beloved teacher Rimsky-Korsakov (the work was lost during the Revolution, found in 2015), the composer's long string of In memoria -- by which he pays homage to some of the foremost musical, literary, and even political figures of the twentieth century -- begins in 1920 with the Symphonies of Wind Instruments, dedicated to the memory of Claude Debussy.
Here Stravinsky consciously used the term symphonies in the old French meaning of a sonorous piece, as in "Symphonies and Fanfares for the King's Supper." The composition dates from 1920 and grew from a short chorale-like work he wrote in Debussy's memory; this became the last section of a work about 10 minutes in length, composed for a rather large ensemble of 23 winds. The style and melodism of the work usually results in its being listed as the last of the composer's "Russian Period" works, but because of its austerity this writer tends to regard it as being the first important indication that Stravinsky was ready to shift to an aesthetic that leaves behind sensual appeal. He would soon find the style of neo-Classicism; meantime, there is a sense that the idea behind the work is the realization of the harmonic clashes that result from Stravinsky's usual method of mixing two separate chords. The work is of more than just historical interest; Stravinsky was constantly treading new ground here, with effective even if not lovable music. The score was revised in 1947, presumably to obtain copyright for the composer in the U.S.
Obviously the sound of a piece for 23 woodwinds is something that the audience at the 1921 London premiere of the work (with Serge Koussevitzky at the helm) found quite disconcerting (many audiences today still find it so), but coincident with that textural streamlining is an even more significant and startling architectural streamlining: the entire work is based on a handful of sharply defined themes and motives that Stravinsky makes little or no attempt to connect in any way; he instead chooses to isolate them via a very careful and almost thematic use of silence. As a result of this trimming of "extraneous" detail, the work is extremely brief.
description: [allmusic.com]
https://wn.com/Igor_Stravinsky_Symphonies_Of_Wind_Instruments_With_Score
-Composer: Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971)
-Orchestra: London Sinfonietta
-Conductor: Esa-Pekka Salonen
Symphonies of Wind instruments [Symphonies d'instruments à vent], written in 1920, revised in 1947
If we discount the tribute that Igor Stravinsky composed in 1908 on the occasion of the death of his beloved teacher Rimsky-Korsakov (the work was lost during the Revolution, found in 2015), the composer's long string of In memoria -- by which he pays homage to some of the foremost musical, literary, and even political figures of the twentieth century -- begins in 1920 with the Symphonies of Wind Instruments, dedicated to the memory of Claude Debussy.
Here Stravinsky consciously used the term symphonies in the old French meaning of a sonorous piece, as in "Symphonies and Fanfares for the King's Supper." The composition dates from 1920 and grew from a short chorale-like work he wrote in Debussy's memory; this became the last section of a work about 10 minutes in length, composed for a rather large ensemble of 23 winds. The style and melodism of the work usually results in its being listed as the last of the composer's "Russian Period" works, but because of its austerity this writer tends to regard it as being the first important indication that Stravinsky was ready to shift to an aesthetic that leaves behind sensual appeal. He would soon find the style of neo-Classicism; meantime, there is a sense that the idea behind the work is the realization of the harmonic clashes that result from Stravinsky's usual method of mixing two separate chords. The work is of more than just historical interest; Stravinsky was constantly treading new ground here, with effective even if not lovable music. The score was revised in 1947, presumably to obtain copyright for the composer in the U.S.
Obviously the sound of a piece for 23 woodwinds is something that the audience at the 1921 London premiere of the work (with Serge Koussevitzky at the helm) found quite disconcerting (many audiences today still find it so), but coincident with that textural streamlining is an even more significant and startling architectural streamlining: the entire work is based on a handful of sharply defined themes and motives that Stravinsky makes little or no attempt to connect in any way; he instead chooses to isolate them via a very careful and almost thematic use of silence. As a result of this trimming of "extraneous" detail, the work is extremely brief.
description: [allmusic.com]
- published: 28 Sep 2017
- views: 165975
33:37
Igor Stravinsky: Symphony in E flat minor Op.1 - Timpani Parts
Igor Stravinsky: Symphony in E flat minor Op.1 - Partes interpretadas para timbal.
Allegro moderato
The first movement is in sonata form.[1]
Scherzo
This move...
Igor Stravinsky: Symphony in E flat minor Op.1 - Partes interpretadas para timbal.
Allegro moderato
The first movement is in sonata form.[1]
Scherzo
This movement was sometimes played alone at performances of the Ballets Russes. Stravinsky incorporated into it a Russian folk song similar to one he used in Petrushka.[2]
Largo
The longest movement of the symphony, lasting almost fifteen minutes.
Finale
The finale is a rondo.[1] As in the second movement, Stravinsky includes a popular song ("Tchitcher-Yatcher"). He used it again in his Trois petites chansons of 1913.[2]:
Majestic Symphonic Mod. 32", 29", 26", 23"
Mallets: Kato Stravinsky L, Kappert Flannell Black, Kappert Classic Violet.
https://wn.com/Igor_Stravinsky_Symphony_In_E_Flat_Minor_Op.1_Timpani_Parts
Igor Stravinsky: Symphony in E flat minor Op.1 - Partes interpretadas para timbal.
Allegro moderato
The first movement is in sonata form.[1]
Scherzo
This movement was sometimes played alone at performances of the Ballets Russes. Stravinsky incorporated into it a Russian folk song similar to one he used in Petrushka.[2]
Largo
The longest movement of the symphony, lasting almost fifteen minutes.
Finale
The finale is a rondo.[1] As in the second movement, Stravinsky includes a popular song ("Tchitcher-Yatcher"). He used it again in his Trois petites chansons of 1913.[2]:
Majestic Symphonic Mod. 32", 29", 26", 23"
Mallets: Kato Stravinsky L, Kappert Flannell Black, Kappert Classic Violet.
- published: 25 Feb 2019
- views: 204
12:34
Stravinsky: Symphony No. 1 in E flat major, Op. 1 - 1. Allegro moderato
Provided to YouTube by Universal Music Group
Stravinsky: Symphony No. 1 in E flat major, Op. 1 - 1. Allegro moderato · Detroit Symphony Orchestra · Antal Dorát...
Provided to YouTube by Universal Music Group
Stravinsky: Symphony No. 1 in E flat major, Op. 1 - 1. Allegro moderato · Detroit Symphony Orchestra · Antal Doráti
Stravinsky: Symphony No. 1; Scherzo fantastique
℗ 1986 Decca Music Group Limited
Released on: 1986-08-01
Producer: James Mallinson
Studio Personnel, Balance Engineer: John Dunkerley
Composer: Igor Stravinsky
Auto-generated by YouTube.
https://wn.com/Stravinsky_Symphony_No._1_In_E_Flat_Major,_Op._1_1._Allegro_Moderato
Provided to YouTube by Universal Music Group
Stravinsky: Symphony No. 1 in E flat major, Op. 1 - 1. Allegro moderato · Detroit Symphony Orchestra · Antal Doráti
Stravinsky: Symphony No. 1; Scherzo fantastique
℗ 1986 Decca Music Group Limited
Released on: 1986-08-01
Producer: James Mallinson
Studio Personnel, Balance Engineer: John Dunkerley
Composer: Igor Stravinsky
Auto-generated by YouTube.
- published: 28 Jul 2018
- views: 690