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Beethoven String Quartet No 1 Op 18 in F major Alban Berg Quartett
published: 22 Jun 2017
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Sergei Rachmaninoff - String Quartet No. 1 (1889-90) [Score-Video]
Sergei Rachmaninoff - String Quartet No. 1 (1889-90)
Ruysdael Quartet
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
published: 13 Jun 2018
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Smetana - String Quartet No. 1 ("From My Life") - Dover Quartet
String Quartet No. 1 in E minor ("From My Life") by Bedřich Smetana - I. Allegro vivo appassionato.
Performed live by the Dover String Quartet in Brooklyn Classical's studio.
EXPAND this box for more info!
Please "like" this video and subscribe to Brooklyn Classical for more great classical music! http://bit.ly/1M1oCye
Thank you so much to the incredible Dover Quartet for joining us again in the studio! Check out the video they made with us last time of Dvorak's American Quartet:
https://www.youtube.com/watch?v=6piTRGlSzDg
Watch more of their videos on their YouTube channel! http://bit.ly/1RtXkpu
Follow the Dover Quartet on:
Facebook: https://www.facebook.com/DoverQuartet/
YouTube: http://bit.ly/1RtXkpu
http://www.DoverQuartet.com
Follow Brooklyn Classical on Facebook: https://www.f...
published: 14 Jan 2017
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Johannes Brahms: String Quartet No.1 in C minor Op.51 / Belcea Quartet
Johannes Brahms: String Quartet No.1 in C minor Op.51
Belcea Quartet
Corina Belcea, violin
Axel Schacher, violin
Antoine Lederlin, violoncello
Krzysztof Chrozelski, viola
00:00 Allegro
11:25 Romanze : Poco adagio
18:40 Allegretto molto moderato e comodo - Un poco più animato
28:05 Allegro
Recorded on 23rd February 2021 at Musik- und Kulturzentrum Don Bosco Basel, Paul Sacher Saal
If you want to learn more about the background of the piece we recommend to check out the analysis video before enjoying the performance. The artistic manager Dr. Hans-Georg Hofmann and violist Krzysztof Chorzelski give some background information by pointing out specific examples played by the musicians: https://youtu.be/SVS7U2yqPxE
Film: Johannes Bachmann
Sound: Joël Cormier
© HMF Productions 2021
published: 09 Jun 2022
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Sergei Prokofiev - String Quartet No. 1
- Composer: Sergei Sergeyevich Prokofiev (23 April 1891 -- 5 March 1953)
- Performers: Pavel Haas Quartet
- Year of recording: 2009
String Quartet No. 1 in B minor, Op. 50, written in 1930.
00:00 - I. Allegro
07:02 - II. Andante molto
14:13 - III. Andante
Prokofiev was a versatile composer who wrote substantial quantities of music in almost every major genre. There was an exception of sorts: while his chamber output was not particularly paltry, it was not large, either. There are only two string quartets, for instance, and this Op. 50 effort did not come until mid-career. Written on a commission from the Library of Congress, this quartet is regarded by many as one of Prokofiev's greatest masterpieces, although it is not often performed or recorded. The finale especially has been ...
published: 06 Nov 2015
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Beethoven: String Quartet No. 1 in F Major, Op. 18 No. 1 - 1. Allegro con brio
Provided to YouTube by Universal Music Group
Beethoven: String Quartet No. 1 in F Major, Op. 18 No. 1 - 1. Allegro con brio · Emerson String Quartet · Ludwig van Beethoven
Beethoven:The String Quartets
℗ 1997 Deutsche Grammophon GmbH, Berlin
Released on: 1997-01-01
Producer: Alison Ames
Producer, Recording Producer, Studio Personnel, Balance Engineer, Editor: Max Wilcox
Studio Personnel, Recording Engineer: Nelson Wong
Composer: Ludwig van Beethoven
Auto-generated by YouTube.
published: 10 Nov 2018
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Tchaikovsky: String Quartet No. 1 | Julia Fischer Quartet (2022)
Pure emotion: Tchaikovsky’s String Quartet No. 1 is full of temperament and passion – as demonstrated by the Julia Fischer Quartet at the Rheingau Music Festival 2022. It was a powerful and virtuosic interpretation.
The String Quartet No. 1 in D Major, Op. 11 is the first of three string quartets written by Pyotr Ilyich Tchaikovsky (1840 - 1893). It was premiered in March 1871 at the Moscow Conservatory as part of a chamber music recital with other works by Tchaikovsky. The Russian composer, largely unknown at the time, had written the String Quartet in D Major specifically for the occasion. Even before the event, Tchaikovsky is said to have feared that he would not be able to present enough good works. However, this fear was unfounded. The concert with the String Quartet No. 1 delighted ...
published: 08 Dec 2022
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Leoš Janáček — String Quartet No. 1 "Kreutzer Sonata" / Meccore String Quartet
Leoš Janáček — String Quartet No. 1 "Kreutzer Sonata" / Meccore String Quartet
The Arthur Rubinstein Philharmonic, Łódź, Poland
28.05.2019
Performers / MSQ:
Wojciech Koprowski — violin
Aleksandra Bryła — violin
Michał Bryła — viola
Tomasz Daroch — cello
Sound: Krzysztof Łuciuk
Video: Bartłomiej Talaga
SUBSCRIBE! https://www.youtube.com/c/MeccoreStringQuartet
👉 www: https://meccorequartet.com/
👉 Facebook: https://www.facebook.com/meccore
👉 Instagram: https://www.instagram.com/meccorequartet/
👉Twitter: https://twitter.com/meccorequartet
#meccorestringquartet #stringquartet #kwartetsmyczkowy #leošjanáček #kreutzersonata
published: 05 Jul 2019
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Villa Lobos String Quartets
0:00:00 String Quartet No. 1, revised from the Suíte graciosa (1946)
0:19:56 String Quartet No. 2 (1915)
0:41:19 String Quartet No. 3, Quarteto de pipocas (1917)
1:03:59 String Quartet No. 4 (1917)
1:27:17 String Quartet No. 5, Quarteto popular no. 1 (1931)
1:43:21 String Quartet No. 6, Brazilian (1938)
2:08:13 String Quartet No. 7 (1942)
2:43:08 String Quartet No. 8 (1944)
3:07:47 String Quartet No. 9 (1945)
3:35:57 String Quartet No. 10 (1946)
4:00:52 String Quartet No. 11 (1948)
4:28:42 String Quartet No. 12 (1950)
4:51:05 String Quartet No. 13 (1951)
5:12:11 String Quartet No. 14 (1953)
5:30:41 String Quartet No. 15 (1954)
5:49:22 String Quartet No. 16 (1955)
6:09:49 String Quartet No. 17 (1957)
Performed by Cuarteto Latinoamericano:
Violin I: Saul Bitran
Violin II: Aron Bitran
Viola:...
published: 29 Sep 2024
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Alexander Borodin - String Quartet No. 1
- Composer: Alexander Porfiryevich Borodin (12 November 1833 -- 27 February 1887)
- Performers: Moscow String Quartet
- Year of recording: 1995
String Quartet No. 1 in A major, written in 1874-1879.
00:00 - I. Moderato
13:58 - II. Andante con moto
22:28 - III. Scherzo. Prestissimo
28:24 - IV. Finale. Andante. Allegro Risoluto
When Borodin began sketching out his first string quartet in 1873, he wanted to produce something identifiably Russian, rather than follow German traditions slavishly. Yet he was not fully committed to the musical nationalism of Mussorgsky and other members of the Mighty Handful. The resulting quartet contains many Slavic touches, written as it was during the long gestation of Borodin's opera Prince Igor, but it takes a predominantly Classical (yes, German) form. B...
published: 23 Sep 2015
11:51
Sergei Rachmaninoff - String Quartet No. 1 (1889-90) [Score-Video]
Sergei Rachmaninoff - String Quartet No. 1 (1889-90)
Ruysdael Quartet
-----------------------------------------------------
Support this YouTube Channel: htt...
Sergei Rachmaninoff - String Quartet No. 1 (1889-90)
Ruysdael Quartet
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
https://wn.com/Sergei_Rachmaninoff_String_Quartet_No._1_(1889_90)_Score_Video
Sergei Rachmaninoff - String Quartet No. 1 (1889-90)
Ruysdael Quartet
-----------------------------------------------------
Support this YouTube Channel: https://www.patreon.com/georgengianopoulos
- published: 13 Jun 2018
- views: 101471
8:18
Smetana - String Quartet No. 1 ("From My Life") - Dover Quartet
String Quartet No. 1 in E minor ("From My Life") by Bedřich Smetana - I. Allegro vivo appassionato.
Performed live by the Dover String Quartet in Brooklyn Clas...
String Quartet No. 1 in E minor ("From My Life") by Bedřich Smetana - I. Allegro vivo appassionato.
Performed live by the Dover String Quartet in Brooklyn Classical's studio.
EXPAND this box for more info!
Please "like" this video and subscribe to Brooklyn Classical for more great classical music! http://bit.ly/1M1oCye
Thank you so much to the incredible Dover Quartet for joining us again in the studio! Check out the video they made with us last time of Dvorak's American Quartet:
https://www.youtube.com/watch?v=6piTRGlSzDg
Watch more of their videos on their YouTube channel! http://bit.ly/1RtXkpu
Follow the Dover Quartet on:
Facebook: https://www.facebook.com/DoverQuartet/
YouTube: http://bit.ly/1RtXkpu
http://www.DoverQuartet.com
Follow Brooklyn Classical on Facebook: https://www.facebook.com/BrooklynClassical/
The Dover Quartet:
Joel Link, Violin
Bryan Lee, Violin
Milena Pajaro-van de Stadt, Viola
Camden Shaw, Cello
#BrooklynClassical #DoverQuartet
https://wn.com/Smetana_String_Quartet_No._1_(_From_My_Life_)_Dover_Quartet
String Quartet No. 1 in E minor ("From My Life") by Bedřich Smetana - I. Allegro vivo appassionato.
Performed live by the Dover String Quartet in Brooklyn Classical's studio.
EXPAND this box for more info!
Please "like" this video and subscribe to Brooklyn Classical for more great classical music! http://bit.ly/1M1oCye
Thank you so much to the incredible Dover Quartet for joining us again in the studio! Check out the video they made with us last time of Dvorak's American Quartet:
https://www.youtube.com/watch?v=6piTRGlSzDg
Watch more of their videos on their YouTube channel! http://bit.ly/1RtXkpu
Follow the Dover Quartet on:
Facebook: https://www.facebook.com/DoverQuartet/
YouTube: http://bit.ly/1RtXkpu
http://www.DoverQuartet.com
Follow Brooklyn Classical on Facebook: https://www.facebook.com/BrooklynClassical/
The Dover Quartet:
Joel Link, Violin
Bryan Lee, Violin
Milena Pajaro-van de Stadt, Viola
Camden Shaw, Cello
#BrooklynClassical #DoverQuartet
- published: 14 Jan 2017
- views: 292513
34:34
Johannes Brahms: String Quartet No.1 in C minor Op.51 / Belcea Quartet
Johannes Brahms: String Quartet No.1 in C minor Op.51
Belcea Quartet
Corina Belcea, violin
Axel Schacher, violin
Antoine Lederlin, violoncello
Krzysztof Chroz...
Johannes Brahms: String Quartet No.1 in C minor Op.51
Belcea Quartet
Corina Belcea, violin
Axel Schacher, violin
Antoine Lederlin, violoncello
Krzysztof Chrozelski, viola
00:00 Allegro
11:25 Romanze : Poco adagio
18:40 Allegretto molto moderato e comodo - Un poco più animato
28:05 Allegro
Recorded on 23rd February 2021 at Musik- und Kulturzentrum Don Bosco Basel, Paul Sacher Saal
If you want to learn more about the background of the piece we recommend to check out the analysis video before enjoying the performance. The artistic manager Dr. Hans-Georg Hofmann and violist Krzysztof Chorzelski give some background information by pointing out specific examples played by the musicians: https://youtu.be/SVS7U2yqPxE
Film: Johannes Bachmann
Sound: Joël Cormier
© HMF Productions 2021
https://wn.com/Johannes_Brahms_String_Quartet_No.1_In_C_Minor_Op.51_Belcea_Quartet
Johannes Brahms: String Quartet No.1 in C minor Op.51
Belcea Quartet
Corina Belcea, violin
Axel Schacher, violin
Antoine Lederlin, violoncello
Krzysztof Chrozelski, viola
00:00 Allegro
11:25 Romanze : Poco adagio
18:40 Allegretto molto moderato e comodo - Un poco più animato
28:05 Allegro
Recorded on 23rd February 2021 at Musik- und Kulturzentrum Don Bosco Basel, Paul Sacher Saal
If you want to learn more about the background of the piece we recommend to check out the analysis video before enjoying the performance. The artistic manager Dr. Hans-Georg Hofmann and violist Krzysztof Chorzelski give some background information by pointing out specific examples played by the musicians: https://youtu.be/SVS7U2yqPxE
Film: Johannes Bachmann
Sound: Joël Cormier
© HMF Productions 2021
- published: 09 Jun 2022
- views: 155987
24:02
Sergei Prokofiev - String Quartet No. 1
- Composer: Sergei Sergeyevich Prokofiev (23 April 1891 -- 5 March 1953)
- Performers: Pavel Haas Quartet
- Year of recording: 2009
String Quartet No. 1 in ...
- Composer: Sergei Sergeyevich Prokofiev (23 April 1891 -- 5 March 1953)
- Performers: Pavel Haas Quartet
- Year of recording: 2009
String Quartet No. 1 in B minor, Op. 50, written in 1930.
00:00 - I. Allegro
07:02 - II. Andante molto
14:13 - III. Andante
Prokofiev was a versatile composer who wrote substantial quantities of music in almost every major genre. There was an exception of sorts: while his chamber output was not particularly paltry, it was not large, either. There are only two string quartets, for instance, and this Op. 50 effort did not come until mid-career. Written on a commission from the Library of Congress, this quartet is regarded by many as one of Prokofiev's greatest masterpieces, although it is not often performed or recorded. The finale especially has been widely praised as one of the most profound movements he ever composed. The work has an unusual structure: the first two movements are generally lively, while the finale is slow and somber.
- The opening movement, marked Allegro, begins with a brisk, strongly accented theme that leaps about almost spastically. An alternate melody of lyrical character contrasts with it. The stormy development section is brilliantly crafted in its intensity and subtle thematic elaborations. The reprise features many imaginative changes in the material, and the movement ends with a sense of urgency.
- The middle movement (Andante molto -- Vivace) starts off slowly and somberly, but suddenly turns animated, bringing on a mischievous and somewhat harried Scherzo. The music mixes energy and playfulness, yielding a humorous, sassy piece of great color.
- The Andante finale is dark and intense and features themes of considerable depth, from the terse mysterious opening to the long-breathed main theme that pours forth sadness and gloom, then turns briefly sweet. The music becomes more animated and intense after the expository section, but its conflicts are never resolved. The movement ends quietly, fading in a sort of gloomy, mesmeric trance.
https://wn.com/Sergei_Prokofiev_String_Quartet_No._1
- Composer: Sergei Sergeyevich Prokofiev (23 April 1891 -- 5 March 1953)
- Performers: Pavel Haas Quartet
- Year of recording: 2009
String Quartet No. 1 in B minor, Op. 50, written in 1930.
00:00 - I. Allegro
07:02 - II. Andante molto
14:13 - III. Andante
Prokofiev was a versatile composer who wrote substantial quantities of music in almost every major genre. There was an exception of sorts: while his chamber output was not particularly paltry, it was not large, either. There are only two string quartets, for instance, and this Op. 50 effort did not come until mid-career. Written on a commission from the Library of Congress, this quartet is regarded by many as one of Prokofiev's greatest masterpieces, although it is not often performed or recorded. The finale especially has been widely praised as one of the most profound movements he ever composed. The work has an unusual structure: the first two movements are generally lively, while the finale is slow and somber.
- The opening movement, marked Allegro, begins with a brisk, strongly accented theme that leaps about almost spastically. An alternate melody of lyrical character contrasts with it. The stormy development section is brilliantly crafted in its intensity and subtle thematic elaborations. The reprise features many imaginative changes in the material, and the movement ends with a sense of urgency.
- The middle movement (Andante molto -- Vivace) starts off slowly and somberly, but suddenly turns animated, bringing on a mischievous and somewhat harried Scherzo. The music mixes energy and playfulness, yielding a humorous, sassy piece of great color.
- The Andante finale is dark and intense and features themes of considerable depth, from the terse mysterious opening to the long-breathed main theme that pours forth sadness and gloom, then turns briefly sweet. The music becomes more animated and intense after the expository section, but its conflicts are never resolved. The movement ends quietly, fading in a sort of gloomy, mesmeric trance.
- published: 06 Nov 2015
- views: 276131
8:45
Beethoven: String Quartet No. 1 in F Major, Op. 18 No. 1 - 1. Allegro con brio
Provided to YouTube by Universal Music Group
Beethoven: String Quartet No. 1 in F Major, Op. 18 No. 1 - 1. Allegro con brio · Emerson String Quartet · Ludwig v...
Provided to YouTube by Universal Music Group
Beethoven: String Quartet No. 1 in F Major, Op. 18 No. 1 - 1. Allegro con brio · Emerson String Quartet · Ludwig van Beethoven
Beethoven:The String Quartets
℗ 1997 Deutsche Grammophon GmbH, Berlin
Released on: 1997-01-01
Producer: Alison Ames
Producer, Recording Producer, Studio Personnel, Balance Engineer, Editor: Max Wilcox
Studio Personnel, Recording Engineer: Nelson Wong
Composer: Ludwig van Beethoven
Auto-generated by YouTube.
https://wn.com/Beethoven_String_Quartet_No._1_In_F_Major,_Op._18_No._1_1._Allegro_Con_Brio
Provided to YouTube by Universal Music Group
Beethoven: String Quartet No. 1 in F Major, Op. 18 No. 1 - 1. Allegro con brio · Emerson String Quartet · Ludwig van Beethoven
Beethoven:The String Quartets
℗ 1997 Deutsche Grammophon GmbH, Berlin
Released on: 1997-01-01
Producer: Alison Ames
Producer, Recording Producer, Studio Personnel, Balance Engineer, Editor: Max Wilcox
Studio Personnel, Recording Engineer: Nelson Wong
Composer: Ludwig van Beethoven
Auto-generated by YouTube.
- published: 10 Nov 2018
- views: 45281
30:21
Tchaikovsky: String Quartet No. 1 | Julia Fischer Quartet (2022)
Pure emotion: Tchaikovsky’s String Quartet No. 1 is full of temperament and passion – as demonstrated by the Julia Fischer Quartet at the Rheingau Music Festiva...
Pure emotion: Tchaikovsky’s String Quartet No. 1 is full of temperament and passion – as demonstrated by the Julia Fischer Quartet at the Rheingau Music Festival 2022. It was a powerful and virtuosic interpretation.
The String Quartet No. 1 in D Major, Op. 11 is the first of three string quartets written by Pyotr Ilyich Tchaikovsky (1840 - 1893). It was premiered in March 1871 at the Moscow Conservatory as part of a chamber music recital with other works by Tchaikovsky. The Russian composer, largely unknown at the time, had written the String Quartet in D Major specifically for the occasion. Even before the event, Tchaikovsky is said to have feared that he would not be able to present enough good works. However, this fear was unfounded. The concert with the String Quartet No. 1 delighted the audience. The famous Russian writer Leo Tolstoy, who was present, is said to have even been moved to tears by the second movement, the “Andante cantabile”, for which Tchaikovsky used a motif from a Ukrainian folk song.
(00:00) I. Moderato e semplice
(11:45) II. Andante cantabile
(18:43) III. Scherzo. Allegro non tanto e con fuoco – Trio
(23:02) IV. Finale. Allegro giusto – Allegro vivace
Julia Fischer Quartet:
Julia Fischer | VIOLIN
Alexander Sitkovetsky | VIOLIN
Nils Mönkemeyer | VIOLA
Benjamin Nyffenegger | CELLO
Julia Fischer was born in Munich in 1983 to German-Slovakian parents. She received her first tuition on the violin at the age of three. A short time later her mother, the pianist Viera Fischer, introduced her daughter to the piano. At the age of nine, Julia Fischer began studying with renowned violin professor Ana Chumachenco at the University of Music and Performing Arts in Munich. She succeeded Chumachenco in 2011, thereby coming full circle.
Fischer began touring internationally at the age of 15. She performed with the world’s greatest orchestras, recorded numerous albums and won prestigious prizes including the Gramophone Classical Music Award and the BBC Music Magazine Award. But solo performances with ensembles weren’t enough. Fischer is also a brilliant chamber musician. Together with violinist Alexander Sitkovetsky, violist Nils Mönkemeyer and cellist Benjamin Nyffenegger, she founded the Julia Fischer Quartet in 2012. Fischer plays a violin by Giovanni Battista Guadagnini (1742) as well as a new one by Philipp Augustin (2018).
© Deutsche Welle 2022
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#tchaikovsky #stringquartet #juliafischerquartet
https://wn.com/Tchaikovsky_String_Quartet_No._1_|_Julia_Fischer_Quartet_(2022)
Pure emotion: Tchaikovsky’s String Quartet No. 1 is full of temperament and passion – as demonstrated by the Julia Fischer Quartet at the Rheingau Music Festival 2022. It was a powerful and virtuosic interpretation.
The String Quartet No. 1 in D Major, Op. 11 is the first of three string quartets written by Pyotr Ilyich Tchaikovsky (1840 - 1893). It was premiered in March 1871 at the Moscow Conservatory as part of a chamber music recital with other works by Tchaikovsky. The Russian composer, largely unknown at the time, had written the String Quartet in D Major specifically for the occasion. Even before the event, Tchaikovsky is said to have feared that he would not be able to present enough good works. However, this fear was unfounded. The concert with the String Quartet No. 1 delighted the audience. The famous Russian writer Leo Tolstoy, who was present, is said to have even been moved to tears by the second movement, the “Andante cantabile”, for which Tchaikovsky used a motif from a Ukrainian folk song.
(00:00) I. Moderato e semplice
(11:45) II. Andante cantabile
(18:43) III. Scherzo. Allegro non tanto e con fuoco – Trio
(23:02) IV. Finale. Allegro giusto – Allegro vivace
Julia Fischer Quartet:
Julia Fischer | VIOLIN
Alexander Sitkovetsky | VIOLIN
Nils Mönkemeyer | VIOLA
Benjamin Nyffenegger | CELLO
Julia Fischer was born in Munich in 1983 to German-Slovakian parents. She received her first tuition on the violin at the age of three. A short time later her mother, the pianist Viera Fischer, introduced her daughter to the piano. At the age of nine, Julia Fischer began studying with renowned violin professor Ana Chumachenco at the University of Music and Performing Arts in Munich. She succeeded Chumachenco in 2011, thereby coming full circle.
Fischer began touring internationally at the age of 15. She performed with the world’s greatest orchestras, recorded numerous albums and won prestigious prizes including the Gramophone Classical Music Award and the BBC Music Magazine Award. But solo performances with ensembles weren’t enough. Fischer is also a brilliant chamber musician. Together with violinist Alexander Sitkovetsky, violist Nils Mönkemeyer and cellist Benjamin Nyffenegger, she founded the Julia Fischer Quartet in 2012. Fischer plays a violin by Giovanni Battista Guadagnini (1742) as well as a new one by Philipp Augustin (2018).
© Deutsche Welle 2022
Watch more concerts in your personal concert hall:
https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music:
https://www.youtube.com/dwclassicalmusic
#tchaikovsky #stringquartet #juliafischerquartet
- published: 08 Dec 2022
- views: 92827
19:52
Leoš Janáček — String Quartet No. 1 "Kreutzer Sonata" / Meccore String Quartet
Leoš Janáček — String Quartet No. 1 "Kreutzer Sonata" / Meccore String Quartet
The Arthur Rubinstein Philharmonic, Łódź, Poland
28.05.2019
Performers / MSQ:
W...
Leoš Janáček — String Quartet No. 1 "Kreutzer Sonata" / Meccore String Quartet
The Arthur Rubinstein Philharmonic, Łódź, Poland
28.05.2019
Performers / MSQ:
Wojciech Koprowski — violin
Aleksandra Bryła — violin
Michał Bryła — viola
Tomasz Daroch — cello
Sound: Krzysztof Łuciuk
Video: Bartłomiej Talaga
SUBSCRIBE! https://www.youtube.com/c/MeccoreStringQuartet
👉 www: https://meccorequartet.com/
👉 Facebook: https://www.facebook.com/meccore
👉 Instagram: https://www.instagram.com/meccorequartet/
👉Twitter: https://twitter.com/meccorequartet
#meccorestringquartet #stringquartet #kwartetsmyczkowy #leošjanáček #kreutzersonata
https://wn.com/Leoš_Janáček_—_String_Quartet_No._1_Kreutzer_Sonata_Meccore_String_Quartet
Leoš Janáček — String Quartet No. 1 "Kreutzer Sonata" / Meccore String Quartet
The Arthur Rubinstein Philharmonic, Łódź, Poland
28.05.2019
Performers / MSQ:
Wojciech Koprowski — violin
Aleksandra Bryła — violin
Michał Bryła — viola
Tomasz Daroch — cello
Sound: Krzysztof Łuciuk
Video: Bartłomiej Talaga
SUBSCRIBE! https://www.youtube.com/c/MeccoreStringQuartet
👉 www: https://meccorequartet.com/
👉 Facebook: https://www.facebook.com/meccore
👉 Instagram: https://www.instagram.com/meccorequartet/
👉Twitter: https://twitter.com/meccorequartet
#meccorestringquartet #stringquartet #kwartetsmyczkowy #leošjanáček #kreutzersonata
- published: 05 Jul 2019
- views: 56023
6:29:47
Villa Lobos String Quartets
0:00:00 String Quartet No. 1, revised from the Suíte graciosa (1946)
0:19:56 String Quartet No. 2 (1915)
0:41:19 String Quartet No. 3, Quarteto de pipocas (1917...
0:00:00 String Quartet No. 1, revised from the Suíte graciosa (1946)
0:19:56 String Quartet No. 2 (1915)
0:41:19 String Quartet No. 3, Quarteto de pipocas (1917)
1:03:59 String Quartet No. 4 (1917)
1:27:17 String Quartet No. 5, Quarteto popular no. 1 (1931)
1:43:21 String Quartet No. 6, Brazilian (1938)
2:08:13 String Quartet No. 7 (1942)
2:43:08 String Quartet No. 8 (1944)
3:07:47 String Quartet No. 9 (1945)
3:35:57 String Quartet No. 10 (1946)
4:00:52 String Quartet No. 11 (1948)
4:28:42 String Quartet No. 12 (1950)
4:51:05 String Quartet No. 13 (1951)
5:12:11 String Quartet No. 14 (1953)
5:30:41 String Quartet No. 15 (1954)
5:49:22 String Quartet No. 16 (1955)
6:09:49 String Quartet No. 17 (1957)
Performed by Cuarteto Latinoamericano:
Violin I: Saul Bitran
Violin II: Aron Bitran
Viola: Javier Montiel
Cello: Alvaro Bitran
Recorded by Brilliant Classics
https://wn.com/Villa_Lobos_String_Quartets
0:00:00 String Quartet No. 1, revised from the Suíte graciosa (1946)
0:19:56 String Quartet No. 2 (1915)
0:41:19 String Quartet No. 3, Quarteto de pipocas (1917)
1:03:59 String Quartet No. 4 (1917)
1:27:17 String Quartet No. 5, Quarteto popular no. 1 (1931)
1:43:21 String Quartet No. 6, Brazilian (1938)
2:08:13 String Quartet No. 7 (1942)
2:43:08 String Quartet No. 8 (1944)
3:07:47 String Quartet No. 9 (1945)
3:35:57 String Quartet No. 10 (1946)
4:00:52 String Quartet No. 11 (1948)
4:28:42 String Quartet No. 12 (1950)
4:51:05 String Quartet No. 13 (1951)
5:12:11 String Quartet No. 14 (1953)
5:30:41 String Quartet No. 15 (1954)
5:49:22 String Quartet No. 16 (1955)
6:09:49 String Quartet No. 17 (1957)
Performed by Cuarteto Latinoamericano:
Violin I: Saul Bitran
Violin II: Aron Bitran
Viola: Javier Montiel
Cello: Alvaro Bitran
Recorded by Brilliant Classics
- published: 29 Sep 2024
- views: 33
39:31
Alexander Borodin - String Quartet No. 1
- Composer: Alexander Porfiryevich Borodin (12 November 1833 -- 27 February 1887)
- Performers: Moscow String Quartet
- Year of recording: 1995
String Quartet ...
- Composer: Alexander Porfiryevich Borodin (12 November 1833 -- 27 February 1887)
- Performers: Moscow String Quartet
- Year of recording: 1995
String Quartet No. 1 in A major, written in 1874-1879.
00:00 - I. Moderato
13:58 - II. Andante con moto
22:28 - III. Scherzo. Prestissimo
28:24 - IV. Finale. Andante. Allegro Risoluto
When Borodin began sketching out his first string quartet in 1873, he wanted to produce something identifiably Russian, rather than follow German traditions slavishly. Yet he was not fully committed to the musical nationalism of Mussorgsky and other members of the Mighty Handful. The resulting quartet contains many Slavic touches, written as it was during the long gestation of Borodin's opera Prince Igor, but it takes a predominantly Classical (yes, German) form. Borodin had the quartet sketched out by 1875, did substantial work on it in 1877, and completed it in 1879.
- The first movement is in sonata form, prefaced by a Moderato introduction that could almost pass for a Russian folk song, although the melody seems to be original. From the beginning, Borodin is willing to use all four instruments melodically, although he tends to relegate the cello to a supporting role that enriches the group's sonority. The movement's main portion, Allegro, begins with a flowing theme drawn from the finale of Beethoven's String Quartet in B flat, Op. 130 [uploaded on this channel]. It sounds like full-fledged Borodin, though, with its mid-phrase grace notes. The theme is passed among the violins and the cello in little variants on its basic form. The second subject flows just as freely if slightly more urgently, often over a drone bass. It's all light and good-natured, only occasionally building much tension. Things do get exciting early in the development when the cello leads the way into a little fugue, but the rest of the development simply maintains the varied-repetition format Borodin established early in the exposition, breaking into separate sections of mildly contrasting character. After the full recapitulation, the movement ends with a long, hushed coda.
- The Andante con moto begins with a slightly folk-like melody. Its viola counterpoint is derived directly from a Russian folk tune, "The Song of the Sparrow Hills" (this song also found its way into Prince Igor). The movement becomes a series of mild variants on this and the opening, original melody. In the song, an eagle holds a crow in its talons; the crow, in mortal danger himself, tells the eagle of having seen a young hero lying dead, over whom hovered three songbirds representing the hero's mother, sister, and wife. Borodin may have patterned his movement after the song's subject matter. The first portion, laying out the themes, would be associated with the eagle and the crow; the fugato in the middle depicts the hero and the distraught songbirds; and the ending, an impassioned rephrasing of the opening material, deals with their grief.
- Borodin leaves all this behind when he launches the Scherzo, an almost perpetual-motion presto that remains light-hearted, never threatening. The middle trio section stretches out and employs some striking instrumental effects, notably violin harmonics. The music alternately evokes a glass harmonica and, with a busier accompaniment, a music box.
- The finale is another sonata-form movement, again with a slow, haunted introduction. The main Allegro risoluto material bursts in with a driving, nervous, sharply accented theme. This subsides long enough for Borodin to introduce a second subject of repeated, hesitant little phrases. These themes develop through Borodin's technique of varied repetition, the second subject becoming more assertive when it reappears and the first subject binding the movement together with its urgent momentum, which culminates in a frenzied yet uplifting coda. Hints of the second movement lend the work an overall unity.
https://wn.com/Alexander_Borodin_String_Quartet_No._1
- Composer: Alexander Porfiryevich Borodin (12 November 1833 -- 27 February 1887)
- Performers: Moscow String Quartet
- Year of recording: 1995
String Quartet No. 1 in A major, written in 1874-1879.
00:00 - I. Moderato
13:58 - II. Andante con moto
22:28 - III. Scherzo. Prestissimo
28:24 - IV. Finale. Andante. Allegro Risoluto
When Borodin began sketching out his first string quartet in 1873, he wanted to produce something identifiably Russian, rather than follow German traditions slavishly. Yet he was not fully committed to the musical nationalism of Mussorgsky and other members of the Mighty Handful. The resulting quartet contains many Slavic touches, written as it was during the long gestation of Borodin's opera Prince Igor, but it takes a predominantly Classical (yes, German) form. Borodin had the quartet sketched out by 1875, did substantial work on it in 1877, and completed it in 1879.
- The first movement is in sonata form, prefaced by a Moderato introduction that could almost pass for a Russian folk song, although the melody seems to be original. From the beginning, Borodin is willing to use all four instruments melodically, although he tends to relegate the cello to a supporting role that enriches the group's sonority. The movement's main portion, Allegro, begins with a flowing theme drawn from the finale of Beethoven's String Quartet in B flat, Op. 130 [uploaded on this channel]. It sounds like full-fledged Borodin, though, with its mid-phrase grace notes. The theme is passed among the violins and the cello in little variants on its basic form. The second subject flows just as freely if slightly more urgently, often over a drone bass. It's all light and good-natured, only occasionally building much tension. Things do get exciting early in the development when the cello leads the way into a little fugue, but the rest of the development simply maintains the varied-repetition format Borodin established early in the exposition, breaking into separate sections of mildly contrasting character. After the full recapitulation, the movement ends with a long, hushed coda.
- The Andante con moto begins with a slightly folk-like melody. Its viola counterpoint is derived directly from a Russian folk tune, "The Song of the Sparrow Hills" (this song also found its way into Prince Igor). The movement becomes a series of mild variants on this and the opening, original melody. In the song, an eagle holds a crow in its talons; the crow, in mortal danger himself, tells the eagle of having seen a young hero lying dead, over whom hovered three songbirds representing the hero's mother, sister, and wife. Borodin may have patterned his movement after the song's subject matter. The first portion, laying out the themes, would be associated with the eagle and the crow; the fugato in the middle depicts the hero and the distraught songbirds; and the ending, an impassioned rephrasing of the opening material, deals with their grief.
- Borodin leaves all this behind when he launches the Scherzo, an almost perpetual-motion presto that remains light-hearted, never threatening. The middle trio section stretches out and employs some striking instrumental effects, notably violin harmonics. The music alternately evokes a glass harmonica and, with a busier accompaniment, a music box.
- The finale is another sonata-form movement, again with a slow, haunted introduction. The main Allegro risoluto material bursts in with a driving, nervous, sharply accented theme. This subsides long enough for Borodin to introduce a second subject of repeated, hesitant little phrases. These themes develop through Borodin's technique of varied repetition, the second subject becoming more assertive when it reappears and the first subject binding the movement together with its urgent momentum, which culminates in a frenzied yet uplifting coda. Hints of the second movement lend the work an overall unity.
- published: 23 Sep 2015
- views: 289249