-
TV Producer Dies And Encounters God And Eternity; What He Was Told Will Shock You (NDE)
💵 Learn How to Make a Profitable YouTube Channel at the Links Below 👇
👉 http://jumpstart.joe2joe.com
Today we hear from Bill Dolan, a TV director whose life was forever changed when his heart stopped mid-flight to Nashville. Bill was traveling to secure a lucrative deal for a new documentary project when the unimaginable happened. The profound encounter with the divine that followed transformed his life in ways he never expected. What he learned on the other side will leave you speechless. Stay tuned to hear Bill's extraordinary journey from death back to life and the powerful message he brought with him.
#NDE #NearDeathExperience #InspirationalStory #DivineEncounter #LifeAfterDeath #SpiritualJourney #HeartStoppingStory #DocumentaryFilmmaker #LifeChangingMoment #ProfoundExperience #Spiri...
published: 31 May 2024
-
Television Production: Crash Course Film Production with Lily Gladstone #15
In our final episode of Crash Course Film Production, Lily Gladstone takes a look at television production and how it differs from feature film production. It's subtle but it has a lot to do with how television shows make money for their many different types of platforms. So, strap in and get ready for a trip into the world of TV!
***
Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios
***
Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse
published: 14 Dec 2017
-
What does a Producer ACTUALLY do?
Make your own film in 2024: https://featurefilmstudio.com
🅾 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙄𝙉𝙂 𝙏𝙊𝙊𝙇𝙎
Professional Cinema Training: https://canonmasterclass.com
R5 Cinema LUTs: https://gum.co/r5lut
C70 Cinema LUTs: https://gum.co/c70lut
C200 Cinema LUTs: https://gum.co/c200lut
Other LUTs & Looks: https://crimsonengine.com/tools
Sound Tracks: http://bit.ly/2lD3Sbu
Stock Footage: https://bit.ly/3jB5Zbv
════════════════════════
🅾 𝙍𝙐𝘽𝙄𝘿𝙄𝙐𝙈'𝙎 𝙎𝙀𝙏𝙐𝙋
Main Camera: https://geni.us/cHRlEAo
B-Cam: https://geni.us/fAgbee
A-Cam Lens: https://geni.us/w59h
Memory Cards: https://geni.us/K1TEKPz
Wireless Video: https://geni.us/Sutjt
Wireless Monitor: https://geni.us/DzHHm
Tripod: https://geni.us/t8mZ57Y
Key Light: https://geni.us/c22sBzn
Backlight: https://geni.us/KqEC7I
Computer: https://geni.us/ltveUkO
RAM: https://geni.us/Ag...
published: 13 Feb 2018
-
The role of the Film Producer || Paula Wagner || Spotlight
This week we spoke to Paula Wagner about her role as a film producer. What is her role pre-production as well during the shooting process?
---
Cooke Optics TV
www.cookeoptics.tv
Website http://www.cookeoptics.com
Facebook http://www.facebook.com/cookeoptics
Twitter http://www.twitter.com/cooke_optics
Instagram http://www.instagram.com/cookeoptics
Linkedin: https://www.linkedin.com/company-beta/2831810/
Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email [email protected] for enquires or leave a comment!
published: 30 Aug 2018
-
A Reality TV Producer's Secrets Will Shock You
For the last ten years, I've made a living in reality TV. Now I'm making a fictional movie about reality TV. As it turns out, they're not that different—many of the methods I used to get the subjects of my show to open up are equally effective on actors.
The film is called Inner Demons, and it explores the terrifying results of a reality production gone wrong. The film gave me the opportunity to explore some of the tensions I felt working in reality TV; specifically, I knew that even when the shows had real social value – and despite the reputation of reality TV, many of them do – in order to reach people, the show had to get ratings – i.e. had to be as entertaining as possible.
My job, as a field producer, was to befriend the cast, gain their trust, draw them out in interviews, and ulti...
published: 09 Oct 2014
-
Producer Tutorial: The producer's role in television production
Louise Pencavel describes the role of a television show producer at the Midpeninsula Community Media Center in Palo Alto, California. This is a Digiquest student production, produced and directed by Sally Rayn.
published: 23 Aug 2012
-
A Day In The Life of a TV Producer | Made In America - Ep. 1
Chris Adler is the TV Producer for the Rick & Bubba Show....
A Pencil Sharp Production
https://pencilsharpproductions.com/
published: 15 Mar 2020
-
Career Advice on becoming a TV Series Producer by Tim B (Full Version)
Visit http://icould.com/videos/tim-b/ for more careers info.
Tim B is a TV series producer, currently working on Primeval. He studied maths and economics at university, but his heart just wasn't into accountancy. He got a job as a trainee accountant at the BBC and spent all his spare time down in the studio and on film sets. Two years later he succeeded in getting a job as a runner at the BBC. This was his big chance to switch to production. Highlights at http://icould.com/videos/tim-b/?length=short
published: 23 May 2011
-
How a Baltimore native rose to fame and became the producer of Wicked
How a Baltimore native rose to fame and became the producer of Wicked
published: 23 Nov 2024
-
James May on Jeremy Clarkson punching a Top Gear producer | 5 News
► Subscribe to 5 News: http://bit.ly/5NewsSub
►Asked about the Jeremy Clarkson 'fracas' with a producer, James May admits he was "blind drunk" (warning: contains strong language)
►Clarkson apologises to Top Gear producer: https://youtu.be/r77aWeS6PMk
► #5News #JamesMay #TopGear
► Follow 5 News:
Facebook: http://bit.ly/5NewsFB
Twitter: http://bit.ly/5NewsTwitter
► About 5 News: Channel 5 News covers the key events of the day with a boldness to often lead on different stories to other news programmes and put people at the heart of its news reports.
The flagship programme at 5pm is watched by up to a million viewers, with a later bulletin broadcast at 6.30pm and regular short news updates throughout the day.
The Channel 5 News operation is located in a bespoke state-of-the-a...
published: 11 Mar 2015
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How working in TV is different from film
Producing is not for the faint of heart. Producers have to be ready for those crossroads where the next move (whether for a project or a career) isn’t clear or obvious—that’s when your Producers Guild comes in handy. This conversational session is here to provide answers to your producing questions, regarding anything from industry trends to script development, talent attachments, financing, foreign sales, new platforms or soup-to-nuts production. While this is not a ‘Pitching Session,’ our savvy, streetwise and supportive panel of experienced producers is here to respond to your thoughtful questions about producing content.
Donna Gigliotti
Silver Linings Playbook, Revised Fundamentals of Caregiving
Meryl Poster
President and Founder, Superb Entertainment; Project Runway and extensio...
published: 03 Feb 2016
-
How I Became A TV Producer in Just One Day
It took me just one day to go from TV Production Assistant to Producer. Then all I learned came from the movies. You can do this too, we can show you how at VJ.
Learn more about VJ and sign up for a free trial here: http://bit.ly/2vn8Ywh
published: 27 Nov 2017
-
tv off
Provided to YouTube by Universal Music Group
tv off · Kendrick Lamar · Lefty Gunplay
GNX
℗ 2024 pgLang, under exclusive license to Interscope Records
Released on: 2024-11-21
Producer: Mustard
Producer: Sean Momberger
Producer: Sounwave
Producer, Studio Personnel, Recording Engineer: Jack Antonoff
Producer: Kamasi Washington
Associated Performer, Additional Vocals: Lefty Gunplay
Associated Performer, Violin: Paul Cartwright
Associated Performer, Violin: Yvette Devereaux
Associated Performer, Violin: Tylana Renga
Associated Performer, Violin: Reiko Nakano
Associated Performer, Violin: Marta Honer
Associated Performer, Violin: Chad Jackson
Associated Performer, Cello: Peter Jacobson
Associated Performer, Bass: Miles Mosley
Associated Performer, Horn: Serafin Aguilar
Associat...
published: 22 Nov 2024
-
I was a producer on Keeping Up With The Kardashians... | TAPED
We spoke to Delphine Lorin, a Producer on 'Keeping Up With The Kardashians' who shares what it's like to work in TV, how much of KUWTK is scripted and also how hard it was for the production crew to "keep up" with the Kardashians, in real-time.
Watch more from this series:
I played Laa-Laa on the Teletubbies!
https://youtu.be/Vda7e-c43Sc
The sweet truth about Oxford Street
https://youtu.be/C5-j4B7_1Co
I invented the PRIME tracker app
https://youtu.be/oorY1tUV8wg
Click here to subscribe to DOCO: http://tiny.cc/SUBSCRIBE-TO-DOCO
About DOCO:
We believe that all stories deserve to be told, but it's how you choose to tell them that makes a difference. Browse our content and discover stories that you have never heard before.
Connect with us:
Follow us on Twitter: http://twitter.com/docost...
published: 01 Dec 2022
16:03
TV Producer Dies And Encounters God And Eternity; What He Was Told Will Shock You (NDE)
💵 Learn How to Make a Profitable YouTube Channel at the Links Below 👇
👉 http://jumpstart.joe2joe.com
Today we hear from Bill Dolan, a TV director whose life wa...
💵 Learn How to Make a Profitable YouTube Channel at the Links Below 👇
👉 http://jumpstart.joe2joe.com
Today we hear from Bill Dolan, a TV director whose life was forever changed when his heart stopped mid-flight to Nashville. Bill was traveling to secure a lucrative deal for a new documentary project when the unimaginable happened. The profound encounter with the divine that followed transformed his life in ways he never expected. What he learned on the other side will leave you speechless. Stay tuned to hear Bill's extraordinary journey from death back to life and the powerful message he brought with him.
#NDE #NearDeathExperience #InspirationalStory #DivineEncounter #LifeAfterDeath #SpiritualJourney #HeartStoppingStory #DocumentaryFilmmaker #LifeChangingMoment #ProfoundExperience #SpiritualAwakening #DeathAndReturn #EternalLove #LifePurpose #HeartStoppingNDE
https://wn.com/Tv_Producer_Dies_And_Encounters_God_And_Eternity_What_He_Was_Told_Will_Shock_You_(Nde)
💵 Learn How to Make a Profitable YouTube Channel at the Links Below 👇
👉 http://jumpstart.joe2joe.com
Today we hear from Bill Dolan, a TV director whose life was forever changed when his heart stopped mid-flight to Nashville. Bill was traveling to secure a lucrative deal for a new documentary project when the unimaginable happened. The profound encounter with the divine that followed transformed his life in ways he never expected. What he learned on the other side will leave you speechless. Stay tuned to hear Bill's extraordinary journey from death back to life and the powerful message he brought with him.
#NDE #NearDeathExperience #InspirationalStory #DivineEncounter #LifeAfterDeath #SpiritualJourney #HeartStoppingStory #DocumentaryFilmmaker #LifeChangingMoment #ProfoundExperience #SpiritualAwakening #DeathAndReturn #EternalLove #LifePurpose #HeartStoppingNDE
- published: 31 May 2024
- views: 1200784
10:22
Television Production: Crash Course Film Production with Lily Gladstone #15
In our final episode of Crash Course Film Production, Lily Gladstone takes a look at television production and how it differs from feature film production. It's...
In our final episode of Crash Course Film Production, Lily Gladstone takes a look at television production and how it differs from feature film production. It's subtle but it has a lot to do with how television shows make money for their many different types of platforms. So, strap in and get ready for a trip into the world of TV!
***
Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios
***
Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse
https://wn.com/Television_Production_Crash_Course_Film_Production_With_Lily_Gladstone_15
In our final episode of Crash Course Film Production, Lily Gladstone takes a look at television production and how it differs from feature film production. It's subtle but it has a lot to do with how television shows make money for their many different types of platforms. So, strap in and get ready for a trip into the world of TV!
***
Produced in collaboration with PBS Digital Studios: http://youtube.com/pbsdigitalstudios
***
Want to find Crash Course elsewhere on the internet?
Facebook - http://www.facebook.com/YouTubeCrashCourse
Twitter - http://www.twitter.com/TheCrashCourse
Tumblr - http://thecrashcourse.tumblr.com
Support Crash Course on Patreon: http://patreon.com/crashcourse
- published: 14 Dec 2017
- views: 209444
8:48
What does a Producer ACTUALLY do?
Make your own film in 2024: https://featurefilmstudio.com
🅾 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙄𝙉𝙂 𝙏𝙊𝙊𝙇𝙎
Professional Cinema Training: https://canonmasterclass.com
R5 Cinema LUTs: https:...
Make your own film in 2024: https://featurefilmstudio.com
🅾 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙄𝙉𝙂 𝙏𝙊𝙊𝙇𝙎
Professional Cinema Training: https://canonmasterclass.com
R5 Cinema LUTs: https://gum.co/r5lut
C70 Cinema LUTs: https://gum.co/c70lut
C200 Cinema LUTs: https://gum.co/c200lut
Other LUTs & Looks: https://crimsonengine.com/tools
Sound Tracks: http://bit.ly/2lD3Sbu
Stock Footage: https://bit.ly/3jB5Zbv
════════════════════════
🅾 𝙍𝙐𝘽𝙄𝘿𝙄𝙐𝙈'𝙎 𝙎𝙀𝙏𝙐𝙋
Main Camera: https://geni.us/cHRlEAo
B-Cam: https://geni.us/fAgbee
A-Cam Lens: https://geni.us/w59h
Memory Cards: https://geni.us/K1TEKPz
Wireless Video: https://geni.us/Sutjt
Wireless Monitor: https://geni.us/DzHHm
Tripod: https://geni.us/t8mZ57Y
Key Light: https://geni.us/c22sBzn
Backlight: https://geni.us/KqEC7I
Computer: https://geni.us/ltveUkO
RAM: https://geni.us/AgyUkGe
RAID Storage: https://geni.us/hFXK
Adobe Premiere Pro: https://geni.us/Mde35u
DaVinci Resolve Studio: https://geni.us/TOKisPw
Everything Else: https://kit.co/CrimsonEngine
════════════════════════
🅾 𝘾𝙊𝙉𝙉𝙀𝘾𝙏 𝙒𝙄𝙏𝙃 𝙐𝙎
Subscribe: https://www.youtube.com/crimsonengine?sub_confirmation=1
Insta: https://www.instagram.com/crimson_engine
Book: https://www.facebook.com/crimsonengine
Tweet: https://twitter.com/CrimsonEngine
Web: https://crimsonengine.com
════════════════════════
🅾 𝘾𝙍𝙄𝙈𝙎𝙊𝙉 𝙀𝙉𝙂𝙄𝙉𝙀
Canon Masterclass
https://wn.com/What_Does_A_Producer_Actually_Do
Make your own film in 2024: https://featurefilmstudio.com
🅾 𝙁𝙄𝙇𝙈𝙈𝘼𝙆𝙄𝙉𝙂 𝙏𝙊𝙊𝙇𝙎
Professional Cinema Training: https://canonmasterclass.com
R5 Cinema LUTs: https://gum.co/r5lut
C70 Cinema LUTs: https://gum.co/c70lut
C200 Cinema LUTs: https://gum.co/c200lut
Other LUTs & Looks: https://crimsonengine.com/tools
Sound Tracks: http://bit.ly/2lD3Sbu
Stock Footage: https://bit.ly/3jB5Zbv
════════════════════════
🅾 𝙍𝙐𝘽𝙄𝘿𝙄𝙐𝙈'𝙎 𝙎𝙀𝙏𝙐𝙋
Main Camera: https://geni.us/cHRlEAo
B-Cam: https://geni.us/fAgbee
A-Cam Lens: https://geni.us/w59h
Memory Cards: https://geni.us/K1TEKPz
Wireless Video: https://geni.us/Sutjt
Wireless Monitor: https://geni.us/DzHHm
Tripod: https://geni.us/t8mZ57Y
Key Light: https://geni.us/c22sBzn
Backlight: https://geni.us/KqEC7I
Computer: https://geni.us/ltveUkO
RAM: https://geni.us/AgyUkGe
RAID Storage: https://geni.us/hFXK
Adobe Premiere Pro: https://geni.us/Mde35u
DaVinci Resolve Studio: https://geni.us/TOKisPw
Everything Else: https://kit.co/CrimsonEngine
════════════════════════
🅾 𝘾𝙊𝙉𝙉𝙀𝘾𝙏 𝙒𝙄𝙏𝙃 𝙐𝙎
Subscribe: https://www.youtube.com/crimsonengine?sub_confirmation=1
Insta: https://www.instagram.com/crimson_engine
Book: https://www.facebook.com/crimsonengine
Tweet: https://twitter.com/CrimsonEngine
Web: https://crimsonengine.com
════════════════════════
🅾 𝘾𝙍𝙄𝙈𝙎𝙊𝙉 𝙀𝙉𝙂𝙄𝙉𝙀
Canon Masterclass
- published: 13 Feb 2018
- views: 385402
3:36
The role of the Film Producer || Paula Wagner || Spotlight
This week we spoke to Paula Wagner about her role as a film producer. What is her role pre-production as well during the shooting process?
---
Cooke Optics TV
...
This week we spoke to Paula Wagner about her role as a film producer. What is her role pre-production as well during the shooting process?
---
Cooke Optics TV
www.cookeoptics.tv
Website http://www.cookeoptics.com
Facebook http://www.facebook.com/cookeoptics
Twitter http://www.twitter.com/cooke_optics
Instagram http://www.instagram.com/cookeoptics
Linkedin: https://www.linkedin.com/company-beta/2831810/
Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email
[email protected] for enquires or leave a comment!
https://wn.com/The_Role_Of_The_Film_Producer_||_Paula_Wagner_||_Spotlight
This week we spoke to Paula Wagner about her role as a film producer. What is her role pre-production as well during the shooting process?
---
Cooke Optics TV
www.cookeoptics.tv
Website http://www.cookeoptics.com
Facebook http://www.facebook.com/cookeoptics
Twitter http://www.twitter.com/cooke_optics
Instagram http://www.instagram.com/cookeoptics
Linkedin: https://www.linkedin.com/company-beta/2831810/
Thank you to the British Society of Cinematographers (BSC). http://www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. http://www.imagenova.co.uk.
Email
[email protected] for enquires or leave a comment!
- published: 30 Aug 2018
- views: 90770
3:25
A Reality TV Producer's Secrets Will Shock You
For the last ten years, I've made a living in reality TV. Now I'm making a fictional movie about reality TV. As it turns out, they're not that different—many of...
For the last ten years, I've made a living in reality TV. Now I'm making a fictional movie about reality TV. As it turns out, they're not that different—many of the methods I used to get the subjects of my show to open up are equally effective on actors.
The film is called Inner Demons, and it explores the terrifying results of a reality production gone wrong. The film gave me the opportunity to explore some of the tensions I felt working in reality TV; specifically, I knew that even when the shows had real social value – and despite the reputation of reality TV, many of them do – in order to reach people, the show had to get ratings – i.e. had to be as entertaining as possible.
My job, as a field producer, was to befriend the cast, gain their trust, draw them out in interviews, and ultimately turn them into compelling television. (In reality TV, field producers are the equivalent on directors in movies and scripted TV, running the crew while directing the cast.)
Producing reality TV can be psychologically challenging, with long hours, grueling schedules, and, on serious shows, exposure to a range of traumas that we had to do our best to document objectively. As dramatized in Inner Demons, different members of the crew react to the stresses of the job in different ways – some distance themselves by vilifying the subjects, others with gallows humor, and others sympathize with them so much that they threaten the objectivity of the production.
Directing Inner Demons, I had the opportunity to pull back the curtain and explore some of the tricks that reality producers use to draw emotion out of their subjects. I found that a lot of the same methods work with actors who are stuck on a difficult scene. Here, then, are ten tricks that we reality producers use to generate onscreen emotion:
Remind them of their privilege as stars of reality TV
One way to get interview subjects to invest emotionally in their own stories is to remind them that in our society, the opportunity to appear on television is the greatest privilege bestowed upon its citizens. Once they understand what an honor it is to be able to communicate their personal experiences on TV, they're often willing to share more deeply than when they feel that the interview is a chore or a test. This is especially helpful after four straight hours of interviews, when the subject is exhausted and just wants to get home to shoot up.
Challenge them
With milquetoast interview subjects, you need to raise the blood pressure, and sometimes this means challenging their strongly held beliefs. For example, on a show I recently produced about a family from rural Georgia that relocates to Los Angeles, the cast takes it for granted that grits are delicious. When I challenge them, declaring that grits are disgusting and that Hollywood's famous "skinny omelet" is a much more satisfying breakfast, their blood boils and they give me the kind of angry, reckless soundbites that got them on TV in the first place.
Cry
When I first moved to Los Angeles in 2006, I took an acting class and quickly learned an idiosyncratic but foolproof way to induce tears. Sometimes, during interviews, I discovered that by letting my eyes get a little watery, I gave my subjects implicit permission to do so as well. I found that I could do the same on Inner Demons, when I was helping actors prepare for emotionally taxing scenes, and often this mirror-neuron bond was all that was necessary to release the waterworks.
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Story: http://defamer.gawker.com/one-reality-tv-producers-secrets-to-provoking-unforgett-1641270314/+laceydonohue
https://wn.com/A_Reality_Tv_Producer's_Secrets_Will_Shock_You
For the last ten years, I've made a living in reality TV. Now I'm making a fictional movie about reality TV. As it turns out, they're not that different—many of the methods I used to get the subjects of my show to open up are equally effective on actors.
The film is called Inner Demons, and it explores the terrifying results of a reality production gone wrong. The film gave me the opportunity to explore some of the tensions I felt working in reality TV; specifically, I knew that even when the shows had real social value – and despite the reputation of reality TV, many of them do – in order to reach people, the show had to get ratings – i.e. had to be as entertaining as possible.
My job, as a field producer, was to befriend the cast, gain their trust, draw them out in interviews, and ultimately turn them into compelling television. (In reality TV, field producers are the equivalent on directors in movies and scripted TV, running the crew while directing the cast.)
Producing reality TV can be psychologically challenging, with long hours, grueling schedules, and, on serious shows, exposure to a range of traumas that we had to do our best to document objectively. As dramatized in Inner Demons, different members of the crew react to the stresses of the job in different ways – some distance themselves by vilifying the subjects, others with gallows humor, and others sympathize with them so much that they threaten the objectivity of the production.
Directing Inner Demons, I had the opportunity to pull back the curtain and explore some of the tricks that reality producers use to draw emotion out of their subjects. I found that a lot of the same methods work with actors who are stuck on a difficult scene. Here, then, are ten tricks that we reality producers use to generate onscreen emotion:
Remind them of their privilege as stars of reality TV
One way to get interview subjects to invest emotionally in their own stories is to remind them that in our society, the opportunity to appear on television is the greatest privilege bestowed upon its citizens. Once they understand what an honor it is to be able to communicate their personal experiences on TV, they're often willing to share more deeply than when they feel that the interview is a chore or a test. This is especially helpful after four straight hours of interviews, when the subject is exhausted and just wants to get home to shoot up.
Challenge them
With milquetoast interview subjects, you need to raise the blood pressure, and sometimes this means challenging their strongly held beliefs. For example, on a show I recently produced about a family from rural Georgia that relocates to Los Angeles, the cast takes it for granted that grits are delicious. When I challenge them, declaring that grits are disgusting and that Hollywood's famous "skinny omelet" is a much more satisfying breakfast, their blood boils and they give me the kind of angry, reckless soundbites that got them on TV in the first place.
Cry
When I first moved to Los Angeles in 2006, I took an acting class and quickly learned an idiosyncratic but foolproof way to induce tears. Sometimes, during interviews, I discovered that by letting my eyes get a little watery, I gave my subjects implicit permission to do so as well. I found that I could do the same on Inner Demons, when I was helping actors prepare for emotionally taxing scenes, and often this mirror-neuron bond was all that was necessary to release the waterworks.
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Story: http://defamer.gawker.com/one-reality-tv-producers-secrets-to-provoking-unforgett-1641270314/+laceydonohue
- published: 09 Oct 2014
- views: 13686
9:21
Producer Tutorial: The producer's role in television production
Louise Pencavel describes the role of a television show producer at the Midpeninsula Community Media Center in Palo Alto, California. This is a Digiquest studen...
Louise Pencavel describes the role of a television show producer at the Midpeninsula Community Media Center in Palo Alto, California. This is a Digiquest student production, produced and directed by Sally Rayn.
https://wn.com/Producer_Tutorial_The_Producer's_Role_In_Television_Production
Louise Pencavel describes the role of a television show producer at the Midpeninsula Community Media Center in Palo Alto, California. This is a Digiquest student production, produced and directed by Sally Rayn.
- published: 23 Aug 2012
- views: 8862
5:46
A Day In The Life of a TV Producer | Made In America - Ep. 1
Chris Adler is the TV Producer for the Rick & Bubba Show....
A Pencil Sharp Production
https://pencilsharpproductions.com/
Chris Adler is the TV Producer for the Rick & Bubba Show....
A Pencil Sharp Production
https://pencilsharpproductions.com/
https://wn.com/A_Day_In_The_Life_Of_A_Tv_Producer_|_Made_In_America_Ep._1
Chris Adler is the TV Producer for the Rick & Bubba Show....
A Pencil Sharp Production
https://pencilsharpproductions.com/
- published: 15 Mar 2020
- views: 9998
4:10
Career Advice on becoming a TV Series Producer by Tim B (Full Version)
Visit http://icould.com/videos/tim-b/ for more careers info.
Tim B is a TV series producer, currently working on Primeval. He studied maths and economics at ...
Visit http://icould.com/videos/tim-b/ for more careers info.
Tim B is a TV series producer, currently working on Primeval. He studied maths and economics at university, but his heart just wasn't into accountancy. He got a job as a trainee accountant at the BBC and spent all his spare time down in the studio and on film sets. Two years later he succeeded in getting a job as a runner at the BBC. This was his big chance to switch to production. Highlights at http://icould.com/videos/tim-b/?length=short
https://wn.com/Career_Advice_On_Becoming_A_Tv_Series_Producer_By_Tim_B_(Full_Version)
Visit http://icould.com/videos/tim-b/ for more careers info.
Tim B is a TV series producer, currently working on Primeval. He studied maths and economics at university, but his heart just wasn't into accountancy. He got a job as a trainee accountant at the BBC and spent all his spare time down in the studio and on film sets. Two years later he succeeded in getting a job as a runner at the BBC. This was his big chance to switch to production. Highlights at http://icould.com/videos/tim-b/?length=short
- published: 23 May 2011
- views: 12218
0:27
James May on Jeremy Clarkson punching a Top Gear producer | 5 News
► Subscribe to 5 News: http://bit.ly/5NewsSub
►Asked about the Jeremy Clarkson 'fracas' with a producer, James May admits he was "blind drunk" (warning: conta...
► Subscribe to 5 News: http://bit.ly/5NewsSub
►Asked about the Jeremy Clarkson 'fracas' with a producer, James May admits he was "blind drunk" (warning: contains strong language)
►Clarkson apologises to Top Gear producer: https://youtu.be/r77aWeS6PMk
► #5News #JamesMay #TopGear
► Follow 5 News:
Facebook: http://bit.ly/5NewsFB
Twitter: http://bit.ly/5NewsTwitter
► About 5 News: Channel 5 News covers the key events of the day with a boldness to often lead on different stories to other news programmes and put people at the heart of its news reports.
The flagship programme at 5pm is watched by up to a million viewers, with a later bulletin broadcast at 6.30pm and regular short news updates throughout the day.
The Channel 5 News operation is located in a bespoke state-of-the-art newsroom based at Channel 5, linked to ITN's central technical, editorial and corporate infrastructure.
ITN changed the TV news landscape when it launched 5 News in 1997, producing Five News for nine years before winning the contract to supply news to Channel 5 again from 2012.
https://wn.com/James_May_On_Jeremy_Clarkson_Punching_A_Top_Gear_Producer_|_5_News
► Subscribe to 5 News: http://bit.ly/5NewsSub
►Asked about the Jeremy Clarkson 'fracas' with a producer, James May admits he was "blind drunk" (warning: contains strong language)
►Clarkson apologises to Top Gear producer: https://youtu.be/r77aWeS6PMk
► #5News #JamesMay #TopGear
► Follow 5 News:
Facebook: http://bit.ly/5NewsFB
Twitter: http://bit.ly/5NewsTwitter
► About 5 News: Channel 5 News covers the key events of the day with a boldness to often lead on different stories to other news programmes and put people at the heart of its news reports.
The flagship programme at 5pm is watched by up to a million viewers, with a later bulletin broadcast at 6.30pm and regular short news updates throughout the day.
The Channel 5 News operation is located in a bespoke state-of-the-art newsroom based at Channel 5, linked to ITN's central technical, editorial and corporate infrastructure.
ITN changed the TV news landscape when it launched 5 News in 1997, producing Five News for nine years before winning the contract to supply news to Channel 5 again from 2012.
- published: 11 Mar 2015
- views: 3175803
5:01
How working in TV is different from film
Producing is not for the faint of heart. Producers have to be ready for those crossroads where the next move (whether for a project or a career) isn’t clear or...
Producing is not for the faint of heart. Producers have to be ready for those crossroads where the next move (whether for a project or a career) isn’t clear or obvious—that’s when your Producers Guild comes in handy. This conversational session is here to provide answers to your producing questions, regarding anything from industry trends to script development, talent attachments, financing, foreign sales, new platforms or soup-to-nuts production. While this is not a ‘Pitching Session,’ our savvy, streetwise and supportive panel of experienced producers is here to respond to your thoughtful questions about producing content.
Donna Gigliotti
Silver Linings Playbook, Revised Fundamentals of Caregiving
Meryl Poster
President and Founder, Superb Entertainment; Project Runway and extensions, Girlfriends’ Guide to Divorce
Michael J. Travers
Blue Sky Studios; The Peanuts Movie, Epic
Paula Weinstein
President, Spring Creek Productions; Grace and Frankie, In the Heart of the Sea
Moderator
Gary Lucchesi
President, Lakeshore Entertainment; The Age of Adaline, Million Dollar Baby; President, Producers Guild of America
----------------------------------
The Producers Guild of America protects and promotes the interests of all members of the producing team in film, television and new media.
The PGA has over 7,000 members who work together to protect and improve their careers, the industry and community by facilitating members health benefits, encouraging enforcement of workplace labor laws, the creation of fair and impartial standards for the awarding of producing credits, as well as other education and advocacy efforts.
http://www.producersguild.org
http://www.producersguildawards.com
http://www.producedbyconference.com
http://www.facebook.com/pga
http://twitter.com/producersguild
http://youtube.com/producersguild
The Producing Team consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs.
Executive Producers
Producers
Co-Executive Producers
Supervising Producers
Senior Producers
Line Producers
Co-Producers
Associate Producers
Segment Producers
Field Producers
Story Producers
Production Managers
Visual Effects Producers, Supervisors, & Coordinators
Post-Production Supervisors & Managers
Production & Post-Production Coordinators
https://wn.com/How_Working_In_Tv_Is_Different_From_Film
Producing is not for the faint of heart. Producers have to be ready for those crossroads where the next move (whether for a project or a career) isn’t clear or obvious—that’s when your Producers Guild comes in handy. This conversational session is here to provide answers to your producing questions, regarding anything from industry trends to script development, talent attachments, financing, foreign sales, new platforms or soup-to-nuts production. While this is not a ‘Pitching Session,’ our savvy, streetwise and supportive panel of experienced producers is here to respond to your thoughtful questions about producing content.
Donna Gigliotti
Silver Linings Playbook, Revised Fundamentals of Caregiving
Meryl Poster
President and Founder, Superb Entertainment; Project Runway and extensions, Girlfriends’ Guide to Divorce
Michael J. Travers
Blue Sky Studios; The Peanuts Movie, Epic
Paula Weinstein
President, Spring Creek Productions; Grace and Frankie, In the Heart of the Sea
Moderator
Gary Lucchesi
President, Lakeshore Entertainment; The Age of Adaline, Million Dollar Baby; President, Producers Guild of America
----------------------------------
The Producers Guild of America protects and promotes the interests of all members of the producing team in film, television and new media.
The PGA has over 7,000 members who work together to protect and improve their careers, the industry and community by facilitating members health benefits, encouraging enforcement of workplace labor laws, the creation of fair and impartial standards for the awarding of producing credits, as well as other education and advocacy efforts.
http://www.producersguild.org
http://www.producersguildawards.com
http://www.producedbyconference.com
http://www.facebook.com/pga
http://twitter.com/producersguild
http://youtube.com/producersguild
The Producing Team consists of all those whose interdependency and support of each other are necessary for the creation of motion pictures and television programs.
Executive Producers
Producers
Co-Executive Producers
Supervising Producers
Senior Producers
Line Producers
Co-Producers
Associate Producers
Segment Producers
Field Producers
Story Producers
Production Managers
Visual Effects Producers, Supervisors, & Coordinators
Post-Production Supervisors & Managers
Production & Post-Production Coordinators
- published: 03 Feb 2016
- views: 3714
8:37
How I Became A TV Producer in Just One Day
It took me just one day to go from TV Production Assistant to Producer. Then all I learned came from the movies. You can do this too, we can show you how at VJ....
It took me just one day to go from TV Production Assistant to Producer. Then all I learned came from the movies. You can do this too, we can show you how at VJ.
Learn more about VJ and sign up for a free trial here: http://bit.ly/2vn8Ywh
https://wn.com/How_I_Became_A_Tv_Producer_In_Just_One_Day
It took me just one day to go from TV Production Assistant to Producer. Then all I learned came from the movies. You can do this too, we can show you how at VJ.
Learn more about VJ and sign up for a free trial here: http://bit.ly/2vn8Ywh
- published: 27 Nov 2017
- views: 1451
3:41
tv off
Provided to YouTube by Universal Music Group
tv off · Kendrick Lamar · Lefty Gunplay
GNX
℗ 2024 pgLang, under exclusive license to Interscope Records
Releas...
Provided to YouTube by Universal Music Group
tv off · Kendrick Lamar · Lefty Gunplay
GNX
℗ 2024 pgLang, under exclusive license to Interscope Records
Released on: 2024-11-21
Producer: Mustard
Producer: Sean Momberger
Producer: Sounwave
Producer, Studio Personnel, Recording Engineer: Jack Antonoff
Producer: Kamasi Washington
Associated Performer, Additional Vocals: Lefty Gunplay
Associated Performer, Violin: Paul Cartwright
Associated Performer, Violin: Yvette Devereaux
Associated Performer, Violin: Tylana Renga
Associated Performer, Violin: Reiko Nakano
Associated Performer, Violin: Marta Honer
Associated Performer, Violin: Chad Jackson
Associated Performer, Cello: Peter Jacobson
Associated Performer, Bass: Miles Mosley
Associated Performer, Horn: Serafin Aguilar
Associated Performer, Horn: Ryan Porter
Associated Performer, Horn: Malik Taylor
Associated Performer, Horn: Sean Sonderegger
Associated Performer, Horn: Rickey Washington
Associated Performer, Horn: Amber Wyman
Associated Performer, Tenor Saxophone, Studio Personnel, Recording Engineer: Zem Audu
Associated Performer, Tenor Saxophone, Baritone Saxophone, Studio Personnel, Recording Engineer: Evan Smith
Studio Personnel, Recording Engineer: Ray Charles Brown Jr.
Studio Personnel, Recording Engineer: Johnathan Turner
Studio Personnel, Recording Engineer: Tony Austin
Studio Personnel, Recording Engineer: Laura Sisk
Studio Personnel, Recording Engineer, Mixer: Oli Jacobs
Studio Personnel, Mastering Engineer: Ruairi O'Flaherty
Composer Lyricist: Kendrick Lamar
Auto-generated by YouTube.
https://wn.com/Tv_Off
Provided to YouTube by Universal Music Group
tv off · Kendrick Lamar · Lefty Gunplay
GNX
℗ 2024 pgLang, under exclusive license to Interscope Records
Released on: 2024-11-21
Producer: Mustard
Producer: Sean Momberger
Producer: Sounwave
Producer, Studio Personnel, Recording Engineer: Jack Antonoff
Producer: Kamasi Washington
Associated Performer, Additional Vocals: Lefty Gunplay
Associated Performer, Violin: Paul Cartwright
Associated Performer, Violin: Yvette Devereaux
Associated Performer, Violin: Tylana Renga
Associated Performer, Violin: Reiko Nakano
Associated Performer, Violin: Marta Honer
Associated Performer, Violin: Chad Jackson
Associated Performer, Cello: Peter Jacobson
Associated Performer, Bass: Miles Mosley
Associated Performer, Horn: Serafin Aguilar
Associated Performer, Horn: Ryan Porter
Associated Performer, Horn: Malik Taylor
Associated Performer, Horn: Sean Sonderegger
Associated Performer, Horn: Rickey Washington
Associated Performer, Horn: Amber Wyman
Associated Performer, Tenor Saxophone, Studio Personnel, Recording Engineer: Zem Audu
Associated Performer, Tenor Saxophone, Baritone Saxophone, Studio Personnel, Recording Engineer: Evan Smith
Studio Personnel, Recording Engineer: Ray Charles Brown Jr.
Studio Personnel, Recording Engineer: Johnathan Turner
Studio Personnel, Recording Engineer: Tony Austin
Studio Personnel, Recording Engineer: Laura Sisk
Studio Personnel, Recording Engineer, Mixer: Oli Jacobs
Studio Personnel, Mastering Engineer: Ruairi O'Flaherty
Composer Lyricist: Kendrick Lamar
Auto-generated by YouTube.
- published: 22 Nov 2024
- views: 333000
6:35
I was a producer on Keeping Up With The Kardashians... | TAPED
We spoke to Delphine Lorin, a Producer on 'Keeping Up With The Kardashians' who shares what it's like to work in TV, how much of KUWTK is scripted and also how ...
We spoke to Delphine Lorin, a Producer on 'Keeping Up With The Kardashians' who shares what it's like to work in TV, how much of KUWTK is scripted and also how hard it was for the production crew to "keep up" with the Kardashians, in real-time.
Watch more from this series:
I played Laa-Laa on the Teletubbies!
https://youtu.be/Vda7e-c43Sc
The sweet truth about Oxford Street
https://youtu.be/C5-j4B7_1Co
I invented the PRIME tracker app
https://youtu.be/oorY1tUV8wg
Click here to subscribe to DOCO: http://tiny.cc/SUBSCRIBE-TO-DOCO
About DOCO:
We believe that all stories deserve to be told, but it's how you choose to tell them that makes a difference. Browse our content and discover stories that you have never heard before.
Connect with us:
Follow us on Twitter: http://twitter.com/docostories
Follow us on Instagram: http://instagram.com/docostories
Follow us on TikTok: https://www.tiktok.com/@docostories
Check out our videos: http://tiny.cc/DOCO-CONTENT
https://wn.com/I_Was_A_Producer_On_Keeping_Up_With_The_Kardashians..._|_Taped
We spoke to Delphine Lorin, a Producer on 'Keeping Up With The Kardashians' who shares what it's like to work in TV, how much of KUWTK is scripted and also how hard it was for the production crew to "keep up" with the Kardashians, in real-time.
Watch more from this series:
I played Laa-Laa on the Teletubbies!
https://youtu.be/Vda7e-c43Sc
The sweet truth about Oxford Street
https://youtu.be/C5-j4B7_1Co
I invented the PRIME tracker app
https://youtu.be/oorY1tUV8wg
Click here to subscribe to DOCO: http://tiny.cc/SUBSCRIBE-TO-DOCO
About DOCO:
We believe that all stories deserve to be told, but it's how you choose to tell them that makes a difference. Browse our content and discover stories that you have never heard before.
Connect with us:
Follow us on Twitter: http://twitter.com/docostories
Follow us on Instagram: http://instagram.com/docostories
Follow us on TikTok: https://www.tiktok.com/@docostories
Check out our videos: http://tiny.cc/DOCO-CONTENT
- published: 01 Dec 2022
- views: 399757