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})
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jQuery('#forecast-header').html(msg);
}
function get_forecast_details(city, days_count, global_geo, country) {
global_geo.html('Loading forecast ...');
jQuery.ajax({
data: {
city: city,
report: 'daily'
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dataType: 'jsonp',
url: 'https://upge.wn.com/api/upge/cheetah-photo-search/weather_forecast_4days',
success: function(data) {
if(!data) { text = ('weater data temporarily not available'); }
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weather = value.weather.shift()
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t = d.getMonth()+1 + '-' + d.getDate() + '-' + d.getFullYear()
moment.lang('en', {
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-
Sarah Vaughan - Misty (Live from Sweden) Mercury Records 1964
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who...
published: 02 Jan 2014
-
Sarah Vaughan - Tenderly (Live from Sweden) Mercury Records 1958
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter b...
published: 29 Dec 2013
-
Sarah Vaughan - Lullaby of Birdland
In my humble opinion the best version of this classic song
published: 03 Sep 2008
-
Sarah Vaughan - Essential Jazz Legends (Full Album / Album complet)
Sarah Vaughan - Essential Jazz Legends (Full Album / Album complet)
Abonnez-vous à la chaîne (Subscribe now) « Seniors Jazz: la chaine du Jazz» : https://goo.gl/gCSmt5
Essential Jazz Legends
I-tunes : https://goo.gl/xxjB1e
Google Play: https://goo.gl/5FudxX
Amazon : http://goo.gl/oSol4F
Deezer: http://goo.gl/SRiy5w
00:00 “Lullaby of Birdland » Sarah Vaughan
04:00 « Whatever Lola Wants » Sarah Vaughan
06:38 « Black Coffee » Sarah Vaughan
09:56 « Misty » Sarah Vaughan
12:57 « Summertime » Sarah Vaughan
16:13 « My Fynny Valentine » Sarah Vaughan
19:16 « Lover Man » Sarah Vaughan
22:46 « What a Difference a Day Makes » Sarah Vaughan
25:33 « Tenderly » Sarah Vaughan
28:36 « The Nearness of You » Sarah Vaughan
31:58 « Ain’t Misbehavin’ » Sarah Vaughan
35:00 « They Can’t Take That Away From Me ...
published: 16 Oct 2015
-
Sarah Vaughan - Black Coffee (Columbia Records 1949)
"Black Coffee" is a song written in 1948 by Sonny Burke and the lyrics by Paul Francis Webster. Sarah Vaughan charted with this song in 1949 on Columbia.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunsw...
published: 20 Jul 2011
-
Sarah Vaughan - Somewhere Over The Rainbow (Live from Holland 1958)
"Over the Rainbow" (often referred to as "Somewhere Over the Rainbow") is a ballad, with music by Harold Arlen and lyrics by E.Y. Harburg. It was written for the 1939 movie The Wizard of Oz, and was sung by actress Judy Garland in her starring role as Dorothy Gale. The song won the Academy Award for Best Original Song and became Garland's signature song, as well as one of the most enduring standards of the 20th century.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NE...
published: 31 Dec 2013
-
Sarah Vaughan And Her Trio Live At The North Sea Jazz Festival • 12-07-1981 • World of Jazz
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of
the most wondrous voices of the 20th century."
This concert at the North Sea Jazz Festival was recorded on 12 July 1981.
Her trio is:
George Gaffney: Piano,
Andy Simpkins: Bass,
Harold Jones: Drums;
- "Fascinating rhythm ";
- "If you could see me now";
- "I got the world on a string";
- "Dindi";
- "East of the sun";
- "My funny Valentine";
- "From this moment on ";
- "Just friends";
- "I remember April";
- "Send in the clowns ";
- Sarah oh the piano: "Once in a while".
Watch more World of Jazz videos ► https://goo.gl/Z28cxv
Join us. Subscribe now! ► https://goo.gl/n2FHaL
Thanks for all your support, rating the video and leaving a comment is always appreciated!
...
published: 17 Jul 2018
-
Sarah Vaughan in concert Once In A While
Its always fun With Sarah . When she had the feeling to bring a good concert she jokes with everybody and plays the piano here here version of Once In A While . Great Clip Enjoy it .
published: 27 Jun 2010
-
Nat King Cole - You're Mine, You! - Legendas EN - PT-BR
"You're Mine, You!" (Você É Minha!), é uma canção cuja melodia foi composta por Johnny Green e letra de Edward Heyman, gravado pela primeira vez em 1961 por Nat King Cole, acompanhado pela Orquestra de Ralph Carmichael. Sarah Vaughan, gravou a sua versão em março de 1962, com arranjo e regência de Quincy Jones.
Portanto, compartilho essa canção na voz de Nat King Cole, com legendas simultâneas sincronizadas em inglês e português brasileiro, e, na sequência, a versão instrumental, executada pela Orquestra de Marty Gold e o trompetista Doc Severinsen, gravado em 1962. Para o fundo optei pelas mídias gentilmente cedidas por ACpixl, Ambient Nature Atmosphere, Anderson Campos, David Fox, Dmitry Demidov, Ivan Khmelyuk e Tom Fisk, que ao serem mixadas e adicionadas de efeitos especiais, resul...
published: 17 Aug 2024
-
Sarah Vaughan ~ Misty
Sarah Vaughan with the young Quincy Jones and His Orchestra.
published: 28 Jan 2013
5:46
Sarah Vaughan - Misty (Live from Sweden) Mercury Records 1964
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tu...
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)
Look at me,
I'm as helpless as a kitten up a tree
Feel like I'm clinging to a cloud
I can't understand,
I get misty just holding your hand.
Walk my way,
And a thousand violins begin to play
Might be the sound of your hello
That music I hear,
I get misty the moment you're near
And you can see that you're leading me on
And it's just, and it's just what I want you to do
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone
Never knowing my right foot from my left,
My hat from my glove,
I'm too misty, and too much in love.
And you can see that you're leading me on
And it's just, and it's just what I want you to do
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone
Never knowing my right foot from my left,
My hat from my glove,
I'm too misty, and too much in love
I get too misty, and too much in love
https://wn.com/Sarah_Vaughan_Misty_(Live_From_Sweden)_Mercury_Records_1964
"Misty" is a jazz standard written in 1954 by the pianist Erroll Garner. Originally composed as an instrumental following the traditional 32-bar format, the tune later had lyrics by Johnny Burke and became the signature song of Johnny Mathis.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Kirk Stuart (piano), Charles "Buster" Williams (bass), and Georges Hughes (drums). Recorded in Sweden, 1964. (Mercury Records)
Look at me,
I'm as helpless as a kitten up a tree
Feel like I'm clinging to a cloud
I can't understand,
I get misty just holding your hand.
Walk my way,
And a thousand violins begin to play
Might be the sound of your hello
That music I hear,
I get misty the moment you're near
And you can see that you're leading me on
And it's just, and it's just what I want you to do
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone
Never knowing my right foot from my left,
My hat from my glove,
I'm too misty, and too much in love.
And you can see that you're leading me on
And it's just, and it's just what I want you to do
Don't you notice how hopelessly I'm lost
That's why I'm following you.
On my own,
Would I wander through this wonderland alone
Never knowing my right foot from my left,
My hat from my glove,
I'm too misty, and too much in love
I get too misty, and too much in love
- published: 02 Jan 2014
- views: 10504714
2:35
Sarah Vaughan - Tenderly (Live from Sweden) Mercury Records 1958
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, ...
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The evening breeze
Caressed the trees,Tenderly
The trembling trees
Embraced the breezeTenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
https://wn.com/Sarah_Vaughan_Tenderly_(Live_From_Sweden)_Mercury_Records_1958
"Tenderly" is a popular song published in 1946 with music by Walter Gross (1909-1967) and lyrics by Jack Lawrence. Copyright 1946 by Edwin H. Morris & Company, Inc. Originally written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has subsequently become a popular jazz standard.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Ronnell Bright (piano), Richard Davis (bass), and Art Morgan (drums). Recorded July 9, 1958. (Mercury Records)
The evening breeze
Caressed the trees,Tenderly
The trembling trees
Embraced the breezeTenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
Then you and I
Came wandering by
And lost in a sigh
Were we
The shore was kissed
By sea and mist
Tenderly
I can't forget
How two hearts met
Breathlessly
Your arms opened wide
And closed me inside
You took my lips
You took my love
So tenderly
- published: 29 Dec 2013
- views: 825394
4:24
Sarah Vaughan - Lullaby of Birdland
In my humble opinion the best version of this classic song
In my humble opinion the best version of this classic song
https://wn.com/Sarah_Vaughan_Lullaby_Of_Birdland
In my humble opinion the best version of this classic song
- published: 03 Sep 2008
- views: 4466767
1:13:46
Sarah Vaughan - Essential Jazz Legends (Full Album / Album complet)
Sarah Vaughan - Essential Jazz Legends (Full Album / Album complet)
Abonnez-vous à la chaîne (Subscribe now) « Seniors Jazz: la chaine du Jazz» : https://goo.gl...
Sarah Vaughan - Essential Jazz Legends (Full Album / Album complet)
Abonnez-vous à la chaîne (Subscribe now) « Seniors Jazz: la chaine du Jazz» : https://goo.gl/gCSmt5
Essential Jazz Legends
I-tunes : https://goo.gl/xxjB1e
Google Play: https://goo.gl/5FudxX
Amazon : http://goo.gl/oSol4F
Deezer: http://goo.gl/SRiy5w
00:00 “Lullaby of Birdland » Sarah Vaughan
04:00 « Whatever Lola Wants » Sarah Vaughan
06:38 « Black Coffee » Sarah Vaughan
09:56 « Misty » Sarah Vaughan
12:57 « Summertime » Sarah Vaughan
16:13 « My Fynny Valentine » Sarah Vaughan
19:16 « Lover Man » Sarah Vaughan
22:46 « What a Difference a Day Makes » Sarah Vaughan
25:33 « Tenderly » Sarah Vaughan
28:36 « The Nearness of You » Sarah Vaughan
31:58 « Ain’t Misbehavin’ » Sarah Vaughan
35:00 « They Can’t Take That Away From Me » Sarah Vaughan
37:41 « Over the Rainbow » Sarah Vaughan
41:10 « September Song » Sarah Vaughan
46:55 « How High the Moon » Sarah Vaughan
49:32 « You Got to My Head » Sarah Vaughan
52:35 « It Might as Well Be Spring » Sarah Vaughan
55:48 « Sometimes I’m Happy » Sarah Vaughan
58:44 « Love Me or Leave Me » Sarah Vaughan
01:01:41 « Body and Soul » Sarah Vaughan
01:04:54 April In Paris » Sarah Vaughan
01:11:14 « Interlude (A Night in Tunisia) » Sarah Vaughan
Retrouvez d’autres vidéos dans les playlists suivantes :
- Les meilleurs Best of d’artistes de Jazz (Best of): https://goo.gl/0a42nN
- Les meilleurs vidéos de la chaine (new videos of Seniors Jazz): https://goo.gl/V4XTCc
- Compilations de Jazz: https://goo.gl/wcr2D2
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Sarah Vaughan - Essential Jazz Legends (Full Album / Album complet)
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00:00 “Lullaby of Birdland » Sarah Vaughan
04:00 « Whatever Lola Wants » Sarah Vaughan
06:38 « Black Coffee » Sarah Vaughan
09:56 « Misty » Sarah Vaughan
12:57 « Summertime » Sarah Vaughan
16:13 « My Fynny Valentine » Sarah Vaughan
19:16 « Lover Man » Sarah Vaughan
22:46 « What a Difference a Day Makes » Sarah Vaughan
25:33 « Tenderly » Sarah Vaughan
28:36 « The Nearness of You » Sarah Vaughan
31:58 « Ain’t Misbehavin’ » Sarah Vaughan
35:00 « They Can’t Take That Away From Me » Sarah Vaughan
37:41 « Over the Rainbow » Sarah Vaughan
41:10 « September Song » Sarah Vaughan
46:55 « How High the Moon » Sarah Vaughan
49:32 « You Got to My Head » Sarah Vaughan
52:35 « It Might as Well Be Spring » Sarah Vaughan
55:48 « Sometimes I’m Happy » Sarah Vaughan
58:44 « Love Me or Leave Me » Sarah Vaughan
01:01:41 « Body and Soul » Sarah Vaughan
01:04:54 April In Paris » Sarah Vaughan
01:11:14 « Interlude (A Night in Tunisia) » Sarah Vaughan
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https://youtu.be/TpZrSnAiUMs
- published: 16 Oct 2015
- views: 64144
3:21
Sarah Vaughan - Black Coffee (Columbia Records 1949)
"Black Coffee" is a song written in 1948 by Sonny Burke and the lyrics by Paul Francis Webster. Sarah Vaughan charted with this song in 1949 on Columbia.
Sarah...
"Black Coffee" is a song written in 1948 by Sonny Burke and the lyrics by Paul Francis Webster. Sarah Vaughan charted with this song in 1949 on Columbia.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Joe Lippman (Conductor/Arranger); Joe Lippman; Jimmy Maxwell (trumpet); Henry W. Rowland (piano); Bob Haggart (bass), Norris "Bunny" Shawker (drums) and CBS Studio Orchestra. Recorded New York City, January 10, 1949. (Columbia Records)
I'm feelin' mighty lonesome, haven't slept a wink
I walk the floor and watch the door and in between I drink
Black coffee love the hand-me-down brew
I'll never know a Sunday in this weekday room
I'm talkin to the shadows one o'clock till four
And Lord, how slow the moments go when all I do is pour
Black coffee since the blues caught my eye
I'm hangin' out on Monday my Sunday dreams to dry
Now man is born to go on lovin'
And a woman's born to weep and fret
And stay at home to tend her oven
And down her past regrets in coffee and cigarettes
I'm moanin' all the mornin', moanin' all the night
And in between it's nicotine and not much heart to fight
Coffee feelin' low as the ground
It's drivin' me crazy, this waitin' for my baby
To maybe come around
https://wn.com/Sarah_Vaughan_Black_Coffee_(Columbia_Records_1949)
"Black Coffee" is a song written in 1948 by Sonny Burke and the lyrics by Paul Francis Webster. Sarah Vaughan charted with this song in 1949 on Columbia.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Joe Lippman (Conductor/Arranger); Joe Lippman; Jimmy Maxwell (trumpet); Henry W. Rowland (piano); Bob Haggart (bass), Norris "Bunny" Shawker (drums) and CBS Studio Orchestra. Recorded New York City, January 10, 1949. (Columbia Records)
I'm feelin' mighty lonesome, haven't slept a wink
I walk the floor and watch the door and in between I drink
Black coffee love the hand-me-down brew
I'll never know a Sunday in this weekday room
I'm talkin to the shadows one o'clock till four
And Lord, how slow the moments go when all I do is pour
Black coffee since the blues caught my eye
I'm hangin' out on Monday my Sunday dreams to dry
Now man is born to go on lovin'
And a woman's born to weep and fret
And stay at home to tend her oven
And down her past regrets in coffee and cigarettes
I'm moanin' all the mornin', moanin' all the night
And in between it's nicotine and not much heart to fight
Coffee feelin' low as the ground
It's drivin' me crazy, this waitin' for my baby
To maybe come around
- published: 20 Jul 2011
- views: 940982
4:06
Sarah Vaughan - Somewhere Over The Rainbow (Live from Holland 1958)
"Over the Rainbow" (often referred to as "Somewhere Over the Rainbow") is a ballad, with music by Harold Arlen and lyrics by E.Y. Harburg. It was written for th...
"Over the Rainbow" (often referred to as "Somewhere Over the Rainbow") is a ballad, with music by Harold Arlen and lyrics by E.Y. Harburg. It was written for the 1939 movie The Wizard of Oz, and was sung by actress Judy Garland in her starring role as Dorothy Gale. The song won the Academy Award for Best Original Song and became Garland's signature song, as well as one of the most enduring standards of the 20th century.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Richard Davis (Bass); Ronnell Bright (Piano); and Art Morgan (Drums).
Somewhere over the rainbow
Way up high
There's a land that I heard of once in a lullaby
Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream really do come true
Someday I'll wish upon a star
And wake up where the clouds are far behind me
Where troubles melt like lemon drops
Away above the chimney tops
That's where you'll find me
Somewhere over the rainbow
Blue birds fly
Birds fly over the rainbow
Why then, oh, why can't I?
If happy little blue birds fly beyond the rainbow
Why, oh, why can't I?
https://wn.com/Sarah_Vaughan_Somewhere_Over_The_Rainbow_(Live_From_Holland_1958)
"Over the Rainbow" (often referred to as "Somewhere Over the Rainbow") is a ballad, with music by Harold Arlen and lyrics by E.Y. Harburg. It was written for the 1939 movie The Wizard of Oz, and was sung by actress Judy Garland in her starring role as Dorothy Gale. The song won the Academy Award for Best Original Song and became Garland's signature song, as well as one of the most enduring standards of the 20th century.
Sarah Lois Vaughan (March 27, 1924 -- April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century." Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.
Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. Sarah and her family were all registered Democrats.
She developed an early love for popular music. In the 1930s, she frequently saw local and touring bands at the Montgomery Street Skating Rink. By her mid-teens, she ventured illegally into Newark's night clubs and performed as a pianist and singer at the Piccadilly Club and at Newark Airport.
Vaughan attended East Side High School, then transferred to Newark Arts High School, which opened in 1931. As her nocturnal adventures as a performer overtook her academic pursuits, she dropped out of high school during her junior year to concentrate more fully on her music.
In 1989, Vaughan's health began to decline, although she rarely revealed any hints of this in her performances. She canceled a series of engagements in Europe in 1989, citing the need to seek treatment for arthritis of the hand, although she was able to complete a series of performances in Japan. During a run at New York's Blue Note Jazz Club in 1989, she was diagnosed with lung cancer and was too ill to finish the last day of what would turn out to be her final series of public performances.
Vaughan returned to her home in California to begin chemotherapy and spent her final months alternating stays in the hospital and at home. She grew weary of the struggle and demanded to be taken home, where at the age of 66 she died on the evening of April 3, 1990, while watching Laker Girls, a television movie featuring her daughter.
Her funeral was held at Mount Zion Baptist Church in Newark, New Jersey. Following the ceremony, a horse-drawn carriage transported her body to Glendale Cemetery, Bloomfield.
Parallels have been drawn between Vaughan's voice and those of opera singers. Jazz singer Betty Carter said that with training Vaughan could have "gone as far as Leontyne Price." Bob James, Vaughan's musical director in the 1960s said that "the instrument was there. But the knowledge, the legitimacy of that whole world were not for her ... But if the aria were in Sarah's range she could bring something to it that a classically trained singer could not."
In a chapter devoted to Vaughan in his book Visions of Jazz (2000), critic Gary Giddins described her as the "ageless voice of modern jazz – of giddy postwar virtuosity, biting wit and fearless caprice". He concluded by saying that "No matter how closely we dissect the particulars of her talent ... we must inevitably end up contemplating in silent awe the most phenomenal of her attributes, the one she was handed at birth, the voice that happens once in a lifetime, perhaps once in several lifetimes."
Sarah's accompanied by Richard Davis (Bass); Ronnell Bright (Piano); and Art Morgan (Drums).
Somewhere over the rainbow
Way up high
There's a land that I heard of once in a lullaby
Somewhere over the rainbow
Skies are blue
And the dreams that you dare to dream really do come true
Someday I'll wish upon a star
And wake up where the clouds are far behind me
Where troubles melt like lemon drops
Away above the chimney tops
That's where you'll find me
Somewhere over the rainbow
Blue birds fly
Birds fly over the rainbow
Why then, oh, why can't I?
If happy little blue birds fly beyond the rainbow
Why, oh, why can't I?
- published: 31 Dec 2013
- views: 302128
1:11:51
Sarah Vaughan And Her Trio Live At The North Sea Jazz Festival • 12-07-1981 • World of Jazz
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of
the most wondrous voices of the 20th...
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of
the most wondrous voices of the 20th century."
This concert at the North Sea Jazz Festival was recorded on 12 July 1981.
Her trio is:
George Gaffney: Piano,
Andy Simpkins: Bass,
Harold Jones: Drums;
- "Fascinating rhythm ";
- "If you could see me now";
- "I got the world on a string";
- "Dindi";
- "East of the sun";
- "My funny Valentine";
- "From this moment on ";
- "Just friends";
- "I remember April";
- "Send in the clowns ";
- Sarah oh the piano: "Once in a while".
Watch more World of Jazz videos ► https://goo.gl/Z28cxv
Join us. Subscribe now! ► https://goo.gl/n2FHaL
Thanks for all your support, rating the video and leaving a comment is always appreciated!
Please: respect each other in the comments.
This is the official YouTube channel of World of Jazz.
https://wn.com/Sarah_Vaughan_And_Her_Trio_Live_At_The_North_Sea_Jazz_Festival_•_12_07_1981_•_World_Of_Jazz
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of
the most wondrous voices of the 20th century."
This concert at the North Sea Jazz Festival was recorded on 12 July 1981.
Her trio is:
George Gaffney: Piano,
Andy Simpkins: Bass,
Harold Jones: Drums;
- "Fascinating rhythm ";
- "If you could see me now";
- "I got the world on a string";
- "Dindi";
- "East of the sun";
- "My funny Valentine";
- "From this moment on ";
- "Just friends";
- "I remember April";
- "Send in the clowns ";
- Sarah oh the piano: "Once in a while".
Watch more World of Jazz videos ► https://goo.gl/Z28cxv
Join us. Subscribe now! ► https://goo.gl/n2FHaL
Thanks for all your support, rating the video and leaving a comment is always appreciated!
Please: respect each other in the comments.
This is the official YouTube channel of World of Jazz.
- published: 17 Jul 2018
- views: 180630
8:35
Sarah Vaughan in concert Once In A While
Its always fun With Sarah . When she had the feeling to bring a good concert she jokes with everybody and plays the piano here here version of Once In A While ....
Its always fun With Sarah . When she had the feeling to bring a good concert she jokes with everybody and plays the piano here here version of Once In A While . Great Clip Enjoy it .
https://wn.com/Sarah_Vaughan_In_Concert_Once_In_A_While
Its always fun With Sarah . When she had the feeling to bring a good concert she jokes with everybody and plays the piano here here version of Once In A While . Great Clip Enjoy it .
- published: 27 Jun 2010
- views: 1420915
6:28
Nat King Cole - You're Mine, You! - Legendas EN - PT-BR
"You're Mine, You!" (Você É Minha!), é uma canção cuja melodia foi composta por Johnny Green e letra de Edward Heyman, gravado pela primeira vez em 1961 por Na...
"You're Mine, You!" (Você É Minha!), é uma canção cuja melodia foi composta por Johnny Green e letra de Edward Heyman, gravado pela primeira vez em 1961 por Nat King Cole, acompanhado pela Orquestra de Ralph Carmichael. Sarah Vaughan, gravou a sua versão em março de 1962, com arranjo e regência de Quincy Jones.
Portanto, compartilho essa canção na voz de Nat King Cole, com legendas simultâneas sincronizadas em inglês e português brasileiro, e, na sequência, a versão instrumental, executada pela Orquestra de Marty Gold e o trompetista Doc Severinsen, gravado em 1962. Para o fundo optei pelas mídias gentilmente cedidas por ACpixl, Ambient Nature Atmosphere, Anderson Campos, David Fox, Dmitry Demidov, Ivan Khmelyuk e Tom Fisk, que ao serem mixadas e adicionadas de efeitos especiais, resultou no vídeo que apresento, renderizado em full HD.
AVISO LEGAL
Não gero receita com este vídeo.
O conteúdo de áudio não pertence a mim.
Não tenho pretensão de violar direitos autorais.
A única finalidade é entretenimento.
Caso sinta-se lesado entre em contato comigo,
e removerei o vídeo imediatamente.
LEGAL NOTICE
I don't monetize this video.
The audio content does not belong to me.
I have no intention of violating copyright.
The only purpose is entertainment.
If you feel aggrieved contact me,
and I'll remove the video immediately.
https://wn.com/Nat_King_Cole_You're_Mine,_You_Legendas_En_Pt_Br
"You're Mine, You!" (Você É Minha!), é uma canção cuja melodia foi composta por Johnny Green e letra de Edward Heyman, gravado pela primeira vez em 1961 por Nat King Cole, acompanhado pela Orquestra de Ralph Carmichael. Sarah Vaughan, gravou a sua versão em março de 1962, com arranjo e regência de Quincy Jones.
Portanto, compartilho essa canção na voz de Nat King Cole, com legendas simultâneas sincronizadas em inglês e português brasileiro, e, na sequência, a versão instrumental, executada pela Orquestra de Marty Gold e o trompetista Doc Severinsen, gravado em 1962. Para o fundo optei pelas mídias gentilmente cedidas por ACpixl, Ambient Nature Atmosphere, Anderson Campos, David Fox, Dmitry Demidov, Ivan Khmelyuk e Tom Fisk, que ao serem mixadas e adicionadas de efeitos especiais, resultou no vídeo que apresento, renderizado em full HD.
AVISO LEGAL
Não gero receita com este vídeo.
O conteúdo de áudio não pertence a mim.
Não tenho pretensão de violar direitos autorais.
A única finalidade é entretenimento.
Caso sinta-se lesado entre em contato comigo,
e removerei o vídeo imediatamente.
LEGAL NOTICE
I don't monetize this video.
The audio content does not belong to me.
I have no intention of violating copyright.
The only purpose is entertainment.
If you feel aggrieved contact me,
and I'll remove the video immediately.
- published: 17 Aug 2024
- views: 188
3:04
Sarah Vaughan ~ Misty
Sarah Vaughan with the young Quincy Jones and His Orchestra.
Sarah Vaughan with the young Quincy Jones and His Orchestra.
https://wn.com/Sarah_Vaughan_~_Misty
Sarah Vaughan with the young Quincy Jones and His Orchestra.
- published: 28 Jan 2013
- views: 465663