-
Giacinto Scelsi - Quattro Pezzi (w/ score) (for orchestra) (1959)
"Su Una Nota Sola"
Vienna Radio Symphony Orchestra
Peter Rundel
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
published: 26 Jun 2015
-
Giacinto Scelsi: Hymnos (1963)
Giacinto Scelsi (1905-1988): Hymnos, per due orchestre (1963) --- Orchestra della Radio-Televisione polacca di Cracovia diretta da Jürg Wyttenbach
--- cover image by Nicolas Roehrich ----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
published: 24 Nov 2017
-
Giacinto Scelsi - Uaxuctum (w/ score) (for choir and orchestra) (1969)
probably includes some editing mistakes ... sorry for that
Just for promotion.
Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately.
published: 12 Feb 2018
-
Giacinto Scelsi: Un Adieu (1988)
Classical Music Discord: https://discord.gg/7KSXaYZtEA
Original BiliBili Upload:
【贾钦托·谢尔西 - 告别 (Un Adieu, 1978)】 https://www.bilibili.com/video/BV1Pe4y1V7D7/?share_source=copy_web&vd_source=baf6f865f5f96457e230224bd68d9879
Giacinto Scelsi ( 1905 - 1988 )
Giacinto Francesco Maria Scelsi (Italian pronunciation: [dʒaˈtʃinto franˈtʃesko maˈriːa ʃˈʃɛlsi]; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French.
He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his Quattro pezzi su una nota sola ("Four Pieces on a single note", 1959). This compositi...
published: 07 Jan 2023
-
Giacinto Scelsi - Musique Sacrée (1985) [FULL ALBUM]
Giacinto Scelsi – Musique Sacrée
Label: FY – FY 119
Format: Vinyl, LP
Country: France
Released: 1985
Genre: Classical
Style: Post-Modern
Recorded from the vinyl record with a JVC QL-F4 (equipped with an Ortofon Concorde) + Amplifier Hitachi HA-300 to a Tascam DR-40
https://www.discogs.com/Giacinto-Scelsi-Musique-Sacr%C3%A9e/release/938139
In Nomine Lucis I & V are subtitled "Alla Memoria Di Franco Evangelisti".
In Nomine Lucis I & V were recorded in St.Matthieu's church in Stockholm on December 9, 1981.
Three Latin Prayers were recorded in the Austrophon studio in Vienna in 1983.
The Groupe Vocal de France's recordings were made on April 26 and 27, 1983 in the St.Louis de la Salpêtrière chapel in Paris.
00:00 In Nomine Lucis I
05:37 Antifona
19:41 In Nomine Lucis V
25:21 Three Latin...
published: 19 Nov 2020
-
Giacinto Scelsi - String Quartet No. 4 (1964)
String Quartet No. 4 (1964)
Composer: Giacinto Scelsi (1905 - 1988)
Performers: Arditti String Quartet: Irvine Arditti, violin; David Alberman, violin; Levine Andrade, viola; Rohan de Saram, cello.
____________________________________________________
"Barely a year separates the Third Quartet from the Fourth, and yet the latter, composed in 1964, demonstrates a huge step forward. The score's material aspect alone reveals it: this single movement nine minutes long needs forty-four printed pages, whereas the Second Quartet's five movements only demand twenty-eight. Indeed, the endlessly increasing subtleness of the sounds' differentiation leads the composer to treat (and hence to notate) each string separately, on its own stave. The third part of the great Trilogy for Cello, "Ygghur" (19...
published: 04 Jul 2020
-
Giacinto SCELSI - UAXUCTUM
published: 29 May 2015
-
Great Composers: Giacinto Scelsi
A look at the final Count of Ayala Valva.
This was a viewer request from YouTuber BASSOONISTFROMHELL. Please note that requests for future videos are on hold for the time being, given the extraordinary number of requests I've already received. See the current request queue at http://lentovivace.com/requestqueue.html.
----------
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
----------
Music:
- Giacinto Scelsi: Four Pieces on a Single Note, performed by the Vienna Radio Symphony Orchestra conducted by Peter Rundel [original upload: MfTjz6emd7c]
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
...
published: 09 Nov 2017
-
Giacinto Scelsi - Aion (for orchestra) (1961)
unknown performer.
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
published: 27 Apr 2014
-
[SON BINAURAL] Scelsi : Uaxuctum, la légende de la Cité Maya détruite par eux-mêmes...
Uaxuctum, la légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses
A écouter au casque et en non amplifié.
Sebastiano d’Ayala Valva a filmé l'enregistrement du chef d'oeuvre de Giacinto Scelsi "Uaxuctum", « La légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses » interprété par l'Orchestre philharmonique et le Choeur de Radio France sous la direction d'Aldo Brizzi.
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
Cliquez ici pour vous abonner : http://bit.ly/2oeEr3e
published: 06 Dec 2018
16:57
Giacinto Scelsi - Quattro Pezzi (w/ score) (for orchestra) (1959)
"Su Una Nota Sola"
Vienna Radio Symphony Orchestra
Peter Rundel
Just for promotion.
Please write me a direct message if you have complains about this upload c...
"Su Una Nota Sola"
Vienna Radio Symphony Orchestra
Peter Rundel
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
https://wn.com/Giacinto_Scelsi_Quattro_Pezzi_(W_Score)_(For_Orchestra)_(1959)
"Su Una Nota Sola"
Vienna Radio Symphony Orchestra
Peter Rundel
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
- published: 26 Jun 2015
- views: 126911
11:45
Giacinto Scelsi: Hymnos (1963)
Giacinto Scelsi (1905-1988): Hymnos, per due orchestre (1963) --- Orchestra della Radio-Televisione polacca di Cracovia diretta da Jürg Wyttenbach
--- cover im...
Giacinto Scelsi (1905-1988): Hymnos, per due orchestre (1963) --- Orchestra della Radio-Televisione polacca di Cracovia diretta da Jürg Wyttenbach
--- cover image by Nicolas Roehrich ----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
https://wn.com/Giacinto_Scelsi_Hymnos_(1963)
Giacinto Scelsi (1905-1988): Hymnos, per due orchestre (1963) --- Orchestra della Radio-Televisione polacca di Cracovia diretta da Jürg Wyttenbach
--- cover image by Nicolas Roehrich ----
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
- published: 24 Nov 2017
- views: 28739
20:26
Giacinto Scelsi - Uaxuctum (w/ score) (for choir and orchestra) (1969)
probably includes some editing mistakes ... sorry for that
Just for promotion.
Please write me a direct message if you have complaints about this upload concer...
probably includes some editing mistakes ... sorry for that
Just for promotion.
Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately.
https://wn.com/Giacinto_Scelsi_Uaxuctum_(W_Score)_(For_Choir_And_Orchestra)_(1969)
probably includes some editing mistakes ... sorry for that
Just for promotion.
Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately.
- published: 12 Feb 2018
- views: 42124
12:16
Giacinto Scelsi: Un Adieu (1988)
Classical Music Discord: https://discord.gg/7KSXaYZtEA
Original BiliBili Upload:
【贾钦托·谢尔西 - 告别 (Un Adieu, 1978)】 https://www.bilibili.com/video/BV1Pe4y1V7D7/?...
Classical Music Discord: https://discord.gg/7KSXaYZtEA
Original BiliBili Upload:
【贾钦托·谢尔西 - 告别 (Un Adieu, 1978)】 https://www.bilibili.com/video/BV1Pe4y1V7D7/?share_source=copy_web&vd_source=baf6f865f5f96457e230224bd68d9879
Giacinto Scelsi ( 1905 - 1988 )
Giacinto Francesco Maria Scelsi (Italian pronunciation: [dʒaˈtʃinto franˈtʃesko maˈriːa ʃˈʃɛlsi]; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French.
He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his Quattro pezzi su una nota sola ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence.
Un Adieu ( 1988 )
Instrumentation
For Piano
Performer
Marianne Schroeder, 高橋アキ
The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to immediately remove the video accordingly.
Your collaboration will be appreciated.
https://wn.com/Giacinto_Scelsi_Un_Adieu_(1988)
Classical Music Discord: https://discord.gg/7KSXaYZtEA
Original BiliBili Upload:
【贾钦托·谢尔西 - 告别 (Un Adieu, 1978)】 https://www.bilibili.com/video/BV1Pe4y1V7D7/?share_source=copy_web&vd_source=baf6f865f5f96457e230224bd68d9879
Giacinto Scelsi ( 1905 - 1988 )
Giacinto Francesco Maria Scelsi (Italian pronunciation: [dʒaˈtʃinto franˈtʃesko maˈriːa ʃˈʃɛlsi]; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French.
He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his Quattro pezzi su una nota sola ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence.
Un Adieu ( 1988 )
Instrumentation
For Piano
Performer
Marianne Schroeder, 高橋アキ
The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to immediately remove the video accordingly.
Your collaboration will be appreciated.
- published: 07 Jan 2023
- views: 2802
50:08
Giacinto Scelsi - Musique Sacrée (1985) [FULL ALBUM]
Giacinto Scelsi – Musique Sacrée
Label: FY – FY 119
Format: Vinyl, LP
Country: France
Released: 1985
Genre: Classical
Style: Post-Modern
Recorded from the vi...
Giacinto Scelsi – Musique Sacrée
Label: FY – FY 119
Format: Vinyl, LP
Country: France
Released: 1985
Genre: Classical
Style: Post-Modern
Recorded from the vinyl record with a JVC QL-F4 (equipped with an Ortofon Concorde) + Amplifier Hitachi HA-300 to a Tascam DR-40
https://www.discogs.com/Giacinto-Scelsi-Musique-Sacr%C3%A9e/release/938139
In Nomine Lucis I & V are subtitled "Alla Memoria Di Franco Evangelisti".
In Nomine Lucis I & V were recorded in St.Matthieu's church in Stockholm on December 9, 1981.
Three Latin Prayers were recorded in the Austrophon studio in Vienna in 1983.
The Groupe Vocal de France's recordings were made on April 26 and 27, 1983 in the St.Louis de la Salpêtrière chapel in Paris.
00:00 In Nomine Lucis I
05:37 Antifona
19:41 In Nomine Lucis V
25:21 Three Latin Prayers
34:25 Tre Canti Sacri
https://wn.com/Giacinto_Scelsi_Musique_Sacrée_(1985)_Full_Album
Giacinto Scelsi – Musique Sacrée
Label: FY – FY 119
Format: Vinyl, LP
Country: France
Released: 1985
Genre: Classical
Style: Post-Modern
Recorded from the vinyl record with a JVC QL-F4 (equipped with an Ortofon Concorde) + Amplifier Hitachi HA-300 to a Tascam DR-40
https://www.discogs.com/Giacinto-Scelsi-Musique-Sacr%C3%A9e/release/938139
In Nomine Lucis I & V are subtitled "Alla Memoria Di Franco Evangelisti".
In Nomine Lucis I & V were recorded in St.Matthieu's church in Stockholm on December 9, 1981.
Three Latin Prayers were recorded in the Austrophon studio in Vienna in 1983.
The Groupe Vocal de France's recordings were made on April 26 and 27, 1983 in the St.Louis de la Salpêtrière chapel in Paris.
00:00 In Nomine Lucis I
05:37 Antifona
19:41 In Nomine Lucis V
25:21 Three Latin Prayers
34:25 Tre Canti Sacri
- published: 19 Nov 2020
- views: 4930
10:07
Giacinto Scelsi - String Quartet No. 4 (1964)
String Quartet No. 4 (1964)
Composer: Giacinto Scelsi (1905 - 1988)
Performers: Arditti String Quartet: Irvine Arditti, violin; David Alberman, violin; Levine ...
String Quartet No. 4 (1964)
Composer: Giacinto Scelsi (1905 - 1988)
Performers: Arditti String Quartet: Irvine Arditti, violin; David Alberman, violin; Levine Andrade, viola; Rohan de Saram, cello.
____________________________________________________
"Barely a year separates the Third Quartet from the Fourth, and yet the latter, composed in 1964, demonstrates a huge step forward. The score's material aspect alone reveals it: this single movement nine minutes long needs forty-four printed pages, whereas the Second Quartet's five movements only demand twenty-eight. Indeed, the endlessly increasing subtleness of the sounds' differentiation leads the composer to treat (and hence to notate) each string separately, on its own stave. The third part of the great Trilogy for Cello, "Ygghur" (1965), Xnoybis for Violin (1964) or Elegia per Ty for Viola and Cello (1966) are other examples of this creative phase, of which, however, the Fourth Quartet remains the most extraordinary witness: not at all a quartet in fact, but an "orchestral" composition for sixteen strings (sometimes notated on thirteen or fourteen staves) where each string is treated as an instrument with its own colour. Therefore it is not surprising that Scelsi produced in 1967 a slightly amplified variant for eleven stringed instruments, Natura Renovatur, which, no doubt, slightly eases the performers' task, but which does not really surpass the quartet version in brillance or richness of tone. For indeed, it seems as if we were listening to a whole orchestra! The great form unfolds like a fan, the sounds broadening up until the greatest possible vertical total before tightening up again. The Golden Section is found at the first fortissimo (bar 143), sustained from then on until just before the end. Here too, low notes are extremely rare, and the cello's fourth string is only heard once, at bars 107 to 109 (low E). Here too, the music in some places recalls a kind of tonality (c-sharp minor from bar 40, d-minor at bar 140's (Golden Section) great climax, and rather f-minor towards the end). The work begins "on C" and then follows a great, slowly ascending curve, reaching A at bar 139, without managing to maintain it for more than an instant. At bar 158, we are back to F. A second rise again reaches A, first in an unsteady state (219), and quite at the end, in a steady one at last, fading away into silence. Scelsi was particularly proud of his Fourth Quartet, and it is indeed a crowning achievement in his work, as well as in all quartet literature.
In the beginning of the seventies, Scelsi's music reaches an ultimate state of spirituality, with extremely concise pages in which any outer gesture has become well nigh imperceptible. Now everything happens in materially the most restricted space, the range being sometimes reduced to a mere interval of a second, but that which emerges is of extraordinarily concentrated energy. These late works, in fact, witness the ultimate goal of a creative itinerary pursued without the slightest concession: it is only in a state of apparent immobility that the energy within the sound rises through implosion to incandescence! Such "borderline" music, the old master's most radical advance into the next century, demands a new way of listening, for which an accomplished training in "contemporary music" is utterly useless, but which lies open to the well-disposed and open-minded amateur, also receptive in mind and spirit. This is why the musical pundits fear and hate Scelsi and his music: has he, have they, not broken a secular curse?"
~Harry Halbreich
Source: CD booklet
_________________________________________________________________
For education, promotion and entertainment purposes only. If you have any copyrights issue, please write to unpetitabreuvoir(at)gmail.com and I will delete this video.
https://wn.com/Giacinto_Scelsi_String_Quartet_No._4_(1964)
String Quartet No. 4 (1964)
Composer: Giacinto Scelsi (1905 - 1988)
Performers: Arditti String Quartet: Irvine Arditti, violin; David Alberman, violin; Levine Andrade, viola; Rohan de Saram, cello.
____________________________________________________
"Barely a year separates the Third Quartet from the Fourth, and yet the latter, composed in 1964, demonstrates a huge step forward. The score's material aspect alone reveals it: this single movement nine minutes long needs forty-four printed pages, whereas the Second Quartet's five movements only demand twenty-eight. Indeed, the endlessly increasing subtleness of the sounds' differentiation leads the composer to treat (and hence to notate) each string separately, on its own stave. The third part of the great Trilogy for Cello, "Ygghur" (1965), Xnoybis for Violin (1964) or Elegia per Ty for Viola and Cello (1966) are other examples of this creative phase, of which, however, the Fourth Quartet remains the most extraordinary witness: not at all a quartet in fact, but an "orchestral" composition for sixteen strings (sometimes notated on thirteen or fourteen staves) where each string is treated as an instrument with its own colour. Therefore it is not surprising that Scelsi produced in 1967 a slightly amplified variant for eleven stringed instruments, Natura Renovatur, which, no doubt, slightly eases the performers' task, but which does not really surpass the quartet version in brillance or richness of tone. For indeed, it seems as if we were listening to a whole orchestra! The great form unfolds like a fan, the sounds broadening up until the greatest possible vertical total before tightening up again. The Golden Section is found at the first fortissimo (bar 143), sustained from then on until just before the end. Here too, low notes are extremely rare, and the cello's fourth string is only heard once, at bars 107 to 109 (low E). Here too, the music in some places recalls a kind of tonality (c-sharp minor from bar 40, d-minor at bar 140's (Golden Section) great climax, and rather f-minor towards the end). The work begins "on C" and then follows a great, slowly ascending curve, reaching A at bar 139, without managing to maintain it for more than an instant. At bar 158, we are back to F. A second rise again reaches A, first in an unsteady state (219), and quite at the end, in a steady one at last, fading away into silence. Scelsi was particularly proud of his Fourth Quartet, and it is indeed a crowning achievement in his work, as well as in all quartet literature.
In the beginning of the seventies, Scelsi's music reaches an ultimate state of spirituality, with extremely concise pages in which any outer gesture has become well nigh imperceptible. Now everything happens in materially the most restricted space, the range being sometimes reduced to a mere interval of a second, but that which emerges is of extraordinarily concentrated energy. These late works, in fact, witness the ultimate goal of a creative itinerary pursued without the slightest concession: it is only in a state of apparent immobility that the energy within the sound rises through implosion to incandescence! Such "borderline" music, the old master's most radical advance into the next century, demands a new way of listening, for which an accomplished training in "contemporary music" is utterly useless, but which lies open to the well-disposed and open-minded amateur, also receptive in mind and spirit. This is why the musical pundits fear and hate Scelsi and his music: has he, have they, not broken a secular curse?"
~Harry Halbreich
Source: CD booklet
_________________________________________________________________
For education, promotion and entertainment purposes only. If you have any copyrights issue, please write to unpetitabreuvoir(at)gmail.com and I will delete this video.
- published: 04 Jul 2020
- views: 16620
14:51
Great Composers: Giacinto Scelsi
A look at the final Count of Ayala Valva.
This was a viewer request from YouTuber BASSOONISTFROMHELL. Please note that requests for future videos are on hold ...
A look at the final Count of Ayala Valva.
This was a viewer request from YouTuber BASSOONISTFROMHELL. Please note that requests for future videos are on hold for the time being, given the extraordinary number of requests I've already received. See the current request queue at http://lentovivace.com/requestqueue.html.
----------
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
----------
Music:
- Giacinto Scelsi: Four Pieces on a Single Note, performed by the Vienna Radio Symphony Orchestra conducted by Peter Rundel [original upload: MfTjz6emd7c]
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
----------
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
----------
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.
https://wn.com/Great_Composers_Giacinto_Scelsi
A look at the final Count of Ayala Valva.
This was a viewer request from YouTuber BASSOONISTFROMHELL. Please note that requests for future videos are on hold for the time being, given the extraordinary number of requests I've already received. See the current request queue at http://lentovivace.com/requestqueue.html.
----------
Classical Nerd is a weekly video series covering music history, theoretical concepts, and techniques, hosted by composer, pianist, and music history aficionado Thomas Little.
----------
Music:
- Giacinto Scelsi: Four Pieces on a Single Note, performed by the Vienna Radio Symphony Orchestra conducted by Peter Rundel [original upload: MfTjz6emd7c]
- Thomas Little: Dance! #2 in E minor, Op. 1 No. 2, performed by Rachel Fellows, Michael King, and Bruce Tippette
----------
Contact Information:
Questions and comments can be directed to:
nerdofclassical [at] gmail.com
Tumblr:
classical-nerd.tumblr.com
----------
All images and audio in this video are for educational purposes only and are not intended as copyright infringement. If you have a copyright concern, please contact me using the above information.
- published: 09 Nov 2017
- views: 8845
21:23
Giacinto Scelsi - Aion (for orchestra) (1961)
unknown performer.
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I wi...
unknown performer.
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
https://wn.com/Giacinto_Scelsi_Aion_(For_Orchestra)_(1961)
unknown performer.
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
- published: 27 Apr 2014
- views: 30353
25:10
[SON BINAURAL] Scelsi : Uaxuctum, la légende de la Cité Maya détruite par eux-mêmes...
Uaxuctum, la légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses
A écouter au casque et en non amplifié.
Sebastiano d’Ayala Valva a fi...
Uaxuctum, la légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses
A écouter au casque et en non amplifié.
Sebastiano d’Ayala Valva a filmé l'enregistrement du chef d'oeuvre de Giacinto Scelsi "Uaxuctum", « La légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses » interprété par l'Orchestre philharmonique et le Choeur de Radio France sous la direction d'Aldo Brizzi.
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
Cliquez ici pour vous abonner : http://bit.ly/2oeEr3e
https://wn.com/Son_Binaural_Scelsi_Uaxuctum,_La_Légende_De_La_Cité_Maya_Détruite_Par_Eux_Mêmes...
Uaxuctum, la légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses
A écouter au casque et en non amplifié.
Sebastiano d’Ayala Valva a filmé l'enregistrement du chef d'oeuvre de Giacinto Scelsi "Uaxuctum", « La légende de la Cité Maya détruite par eux-mêmes pour des raisons religieuses » interprété par l'Orchestre philharmonique et le Choeur de Radio France sous la direction d'Aldo Brizzi.
Pour plus de contenu France Musique rendez-vous sur le site https://www.francemusique.fr/
Cliquez ici pour vous abonner : http://bit.ly/2oeEr3e
- published: 06 Dec 2018
- views: 17907