Rolling is a type of motion that combines rotation (commonly, of an axially symmetric object) and translation of that object with respect to a surface (either one or the other moves), such that, if ideal conditions exist, the two are in contact with each other without sliding.
Rolling where there is no sliding is referred to as pure rolling. By definition, there is no sliding when the instantaneous velocity of the rolling object in all the points in which it contacts the surface is the same as that of the surface; in particular, for a reference plane in which the rolling surface is at rest, the instantaneous velocity of the point of contact of the rolling object is zero.
In practice, due to small deformations near the contact area, some sliding and energy dissipation occurs. Nevertheless, the resulting rolling resistance is much lower than sliding friction, and thus, rolling objects, typically require much less energy to be moved than sliding ones. As a result, such objects will more easily move, if they experience a force with a component along the surface, for instance gravity on a tilted surface, wind, pushing, pulling, or torque from an engine. Unlike most axially symmetrical objects, the rolling motion of a cone is such that while rolling on a flat surface, its center of gravity performs a circular motion, rather than linear motion. Rolling objects are not necessarily axially-symmetrical. Two well known non-axially-symmetrical rollers are the Reuleaux triangle and the Meissner bodies. The oloid and the sphericon are members of a special family of developable rollers that develop their entire surface when rolling down a flat plane. Objects with corners, such as dice, roll by successive rotations about the edge or corner which is in contact with the surface.
Leukocyte extravasation, less commonly called diapedesis, is the movement of leukocytes out of the circulatory system and towards the site of tissue damage or infection. This process forms part of the innate immune response, involving the recruitment of non-specific leukocytes. Monocytes also use this process in the absence of infection or tissue damage during their development into macrophages.
Overview
Leukocyte extravasation occurs mainly in post-capillary venules, where haemodynamicshear forces are minimised. This process can be understood in several steps, outlined below as "chemoattraction", "rolling adhesion", "tight adhesion" and "(endothelial) transmigration". It has been demonstrated that leukocyte recruitment is halted whenever any of these steps is suppressed.
White blood cells (leukocytes) perform most of their functions in tissues. Functions include phagocytosis of foreign particles, production of antibodies, secretion of inflammatory response triggers (histamine and heparin), and neutralization of histamine. In general, leukocytes are involved in the defense of an organism and protect it from disease by promoting or inhibiting inflammatory responses.
Leukocytes use the blood as a transport medium to reach the tissues of the body. Here is a brief summary of each of the four steps currently thought to be involved in leukocyte extravasation:
In metalworking, rolling is a metal forming process in which metal stock is passed through one or more pairs of rolls to reduce the thickness and to make the thickness uniform. The concept is similar to the rolling of dough. Rolling is classified according to the temperature of the metal rolled. If the temperature of the metal is above its recrystallization temperature, then the process is known as hot rolling. If the temperature of the metal is below its recrystallization temperature, the process is known as cold rolling. In terms of usage, hot rolling processes more tonnage than any other manufacturing process, and cold rolling processes the most tonnage out of all cold working processes.Roll stands holding pairs of rolls are grouped together into rolling mills that can quickly process metal, typically steel, into products such as structural steel (I-beams, angle stock, channel stock, and so on), bar stock, and rails. Most steel mills have rolling mill divisions that convert the semi-finished casting products into finished products.
A title is a prefix or suffix added to someone's name in certain contexts. It may signify either veneration, an official position or a professional or academic qualification. In some languages, titles may be inserted before a last name (for example, Graf in German, Cardinal in Catholic usage or clerical titles such as Archbishop). Some titles are hereditary.
Types
Titles include:
Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as:
Mrs – Adult females (usually just for married females, widows, and divorcées)
Ms – Adult females (used by those who are not strongly identified with their marital status or don't wish their marital status to be known; the female equivalent of Mr)
Titles is the debut solo studio album by the English new wave artist Mick Karn, released in 1982. The album peaked at #74 on the UK Album Chart.
History
Titles was released in November 1982, shortly after Karn's band Japan had announced their intention to split up. Karn recorded the album in London during July and August 1982, and Japan drummer Steve Jansen and keyboard player Richard Barbieri both worked as session musicians on the album.
The track "Sensitive" is a reworking of the Roberto Carlos song "La Distancia" (both Carlos and Karn are credited as writers). It was originally produced by Karn with Ricky Wilde and released as a single in June 1982, though failed to chart. A new version of the track was recorded for the album, and it was re-released as a single in January 1983 when it peaked at #98.
Track listing
All compositions by Mick Karn except where noted.
"Tribal Dawn" 4:10
"Lost Affections in a Room" 4:17
"Passion in Moisture" 4:12
"Weather the Windmill" 3:54
"Saviour, Are You With Me?" (trad., arr by Mick Karn) 4:05
RARE Godzilla vs. Destroyah Japanese Ending Credits w/ Alterante Ending Score
Music Download:
http://www.mediafire.com/?l9r7shivanvvave
READ:
Yes, the original Japanese credits with the alternate score made for the ending. Enjoy this very rare clip in America!
published: 07 Apr 2011
32. End Titles | Godzilla vs. Mothra - Soundtrack
Godzilla vs. Mothra (1992)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
published: 30 May 2023
Godzilla Vs Destroyah English End Credits w/ Original Montage
By request, Original montage end credits from G Vs. Destroyah in English. The Region 1 dvd did NOT include this, however I recorded it from the Encore WAM channel a few years back. It's a nice tribute to the Ol' G himself especially after the moving climax of the film, and a great way to end the Heisei-era.
published: 10 Aug 2010
《ピアノ》伊福部昭作曲:『ゴジラVSモスラ』より「超マニアック!藤戸編」
今回は映画『ゴジラVSモスラ』より「超マニアック!藤戸編」と題し、トレジャーハンターの藤戸にまつわる音楽と、後半はエンディングにまつわる音楽を集めました。
よろしければコメント欄にコメントもお待ちしております!
映画『ゴジラVSモスラ』(1992年公開)
「黄金の仏像」
「寺院崩壊」
「みどりの手紙」
「モスラ宇宙へ」
「ローリングタイトル~エンディング」
作曲:伊福部昭
Akira Ifukube
"Golden Buddha statue"
"Temple collapse"
"Midori no Letter"
"To the Mothra Universe"
"Rolling Title-Ending"
By 『Godzilla VS Mothra』(1992)
【チャプター詳細】
00:00 オープニング(Opening)
00:05 演奏「黄金の仏像」(Performance"Golden Buddha statue")
00:21 演奏「寺院崩壊」(Performance"Temple collapse")
01:24 演奏「みどりの手紙」(Performance"Midori no Letter")
02:14 演奏「モスラ宇宙へ」(Performance"To the Mothra Universe")
03:29 演奏「ローリングタイトル~エンディング」(Performance"Rolling Title-Ending")
05:36 解説編オープニング(Opening of the commentary)
05:58 解説「黄金の仏像」(Commentary"Golden Buddha statue")
06:14 解説「寺院崩壊」(Commentary"Temple collapse")
07:19 解説「みどりの手紙」(Commentary"...
published: 01 Jul 2022
エンディング (M22)
Provided to YouTube by NexTone Inc.
エンディング (M22) · 伊福部 昭
三大怪獣 地球最大の決戦 オリジナル・サウンドトラック
Released on: 2021-02-26
Auto-generated by YouTube.
published: 25 Feb 2021
21 Akira Ifukube Ending
published: 23 May 2013
Akira Ifukube - Godzilla vs Mothra Ending (1964)
Music: Godzilla vs Mothra Ending (1964) by Akira Ifukube.
All rights are reserved for their rightful owners.
published: 10 Dec 2019
Godzilla vs. King Ghidorah 59 - Ending II (M and -1)
Godzilla vs. King Ghidorah (1991)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
published: 18 Oct 2020
Mothra Against Godzilla-Ending (From "Godzilla vs. Mothra")
Provided to YouTube by TuneCore
Mothra Against Godzilla-Ending (From "Godzilla vs. Mothra") · Various Artists · Akira Ifukube
Classic Themes from Godzilla - Volume One
℗ 2014 Red Bitch Music
Released on: 2014-03-08
Auto-generated by YouTube.
published: 28 Jan 2015
エンディング (M29)
Provided to YouTube by NexTone Inc.
エンディング (M29) · 伊福部 昭
怪獣総進撃 オリジナル・サウンドトラック
Released on: 2021-03-26
Auto-generated by YouTube.
Music Download:
http://www.mediafire.com/?l9r7shivanvvave
READ:
Yes, the original Japanese credits with the alternate score made for the ending. Enjoy this...
Music Download:
http://www.mediafire.com/?l9r7shivanvvave
READ:
Yes, the original Japanese credits with the alternate score made for the ending. Enjoy this very rare clip in America!
Music Download:
http://www.mediafire.com/?l9r7shivanvvave
READ:
Yes, the original Japanese credits with the alternate score made for the ending. Enjoy this very rare clip in America!
Godzilla vs. Mothra (1992)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purpos...
Godzilla vs. Mothra (1992)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
Godzilla vs. Mothra (1992)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
By request, Original montage end credits from G Vs. Destroyah in English. The Region 1 dvd did NOT include this, however I recorded it from the Encore WAM chan...
By request, Original montage end credits from G Vs. Destroyah in English. The Region 1 dvd did NOT include this, however I recorded it from the Encore WAM channel a few years back. It's a nice tribute to the Ol' G himself especially after the moving climax of the film, and a great way to end the Heisei-era.
By request, Original montage end credits from G Vs. Destroyah in English. The Region 1 dvd did NOT include this, however I recorded it from the Encore WAM channel a few years back. It's a nice tribute to the Ol' G himself especially after the moving climax of the film, and a great way to end the Heisei-era.
Godzilla vs. King Ghidorah (1991)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for...
Godzilla vs. King Ghidorah (1991)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
Godzilla vs. King Ghidorah (1991)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
Provided to YouTube by TuneCore
Mothra Against Godzilla-Ending (From "Godzilla vs. Mothra") · Various Artists · Akira Ifukube
Classic Themes from Godzilla - V...
Provided to YouTube by TuneCore
Mothra Against Godzilla-Ending (From "Godzilla vs. Mothra") · Various Artists · Akira Ifukube
Classic Themes from Godzilla - Volume One
℗ 2014 Red Bitch Music
Released on: 2014-03-08
Auto-generated by YouTube.
Provided to YouTube by TuneCore
Mothra Against Godzilla-Ending (From "Godzilla vs. Mothra") · Various Artists · Akira Ifukube
Classic Themes from Godzilla - Volume One
℗ 2014 Red Bitch Music
Released on: 2014-03-08
Auto-generated by YouTube.
Music Download:
http://www.mediafire.com/?l9r7shivanvvave
READ:
Yes, the original Japanese credits with the alternate score made for the ending. Enjoy this very rare clip in America!
Godzilla vs. Mothra (1992)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
By request, Original montage end credits from G Vs. Destroyah in English. The Region 1 dvd did NOT include this, however I recorded it from the Encore WAM channel a few years back. It's a nice tribute to the Ol' G himself especially after the moving climax of the film, and a great way to end the Heisei-era.
Godzilla vs. King Ghidorah (1991)
Music by Akira Ifukube
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair.
Provided to YouTube by TuneCore
Mothra Against Godzilla-Ending (From "Godzilla vs. Mothra") · Various Artists · Akira Ifukube
Classic Themes from Godzilla - Volume One
℗ 2014 Red Bitch Music
Released on: 2014-03-08
Auto-generated by YouTube.
Rolling is a type of motion that combines rotation (commonly, of an axially symmetric object) and translation of that object with respect to a surface (either one or the other moves), such that, if ideal conditions exist, the two are in contact with each other without sliding.
Rolling where there is no sliding is referred to as pure rolling. By definition, there is no sliding when the instantaneous velocity of the rolling object in all the points in which it contacts the surface is the same as that of the surface; in particular, for a reference plane in which the rolling surface is at rest, the instantaneous velocity of the point of contact of the rolling object is zero.
In practice, due to small deformations near the contact area, some sliding and energy dissipation occurs. Nevertheless, the resulting rolling resistance is much lower than sliding friction, and thus, rolling objects, typically require much less energy to be moved than sliding ones. As a result, such objects will more easily move, if they experience a force with a component along the surface, for instance gravity on a tilted surface, wind, pushing, pulling, or torque from an engine. Unlike most axially symmetrical objects, the rolling motion of a cone is such that while rolling on a flat surface, its center of gravity performs a circular motion, rather than linear motion. Rolling objects are not necessarily axially-symmetrical. Two well known non-axially-symmetrical rollers are the Reuleaux triangle and the Meissner bodies. The oloid and the sphericon are members of a special family of developable rollers that develop their entire surface when rolling down a flat plane. Objects with corners, such as dice, roll by successive rotations about the edge or corner which is in contact with the surface.