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Richard Tuttle Interview: Artists Are Like Clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen."
Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy.
The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and ...
published: 31 Mar 2014
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Richard Tuttle: Staying Contemporary | Art21 "Extended Play"
Episode #237: Richard Tuttle reflects on a decades-long career, and the conceptual, thematic, and stylistic threads that can be consistently traced through his 26 New York gallery exhibitions. Tuttle was interviewed at Pace Gallery, where fittingly his installation "26" provided an archival record of these solo shows, collectively exposing a profound intimacy in postminimalism.
"I'm very committed to the idea of making an art that stays contemporary," says Tuttle. The artist goes on to describe his interest in creating works that fuse together “the kinds of things that only happen once and the kinds of things that happen always." Tuttle also shares advice for young artists and reflects on the value of art: "Art's importance comes when it’s a tool for life, when it makes life more availab...
published: 22 Jul 2016
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Why was Richard Tuttle’s 1975 exhibition so controversial
Richard Tuttle’s 1975 exhibition at the Whitney Museum of American Art was highly controversial. He and curator Marcia Tucker recount the art world’s vehement reaction.
published: 16 Jul 2018
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Calder/Tuttle: An Evening with Richard Tuttle and Alexander S. C. Rower | Pace Live
This Pace Live discussion between artist Richard Tuttle and Alexander S. C. Rower, President of the Calder Foundation, centers around Calder/Tuttle:Tentative, a presentation of works by Calder selected and installed by Tuttle at Pace’s Los Angeles gallery earlier this year. The conversation—which took place Wednesday, April 26, 2023 at the gallery's flagship New York gallery on the occasion of 18x24, an exhibition of new works by Tuttle—serves as a capstone to the artist and Rower’s ongoing, freewheeling conversations about Calder, which led to the LA show. This program was moderated by Oliver Shultz, Curatorial Director at Pace.
To learn more about “Calder/Tuttle:Tentative,” visit: https://www.pacegallery.com/exhibitions/calder-tuttle-tentative/
To learn more about Richard Tuttle, visit...
published: 19 Jul 2023
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Richard Tuttle: Art & Life | Art21 "Extended Play"
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle.
#Art21 #Art21ExtendedPlay
published: 02 Jul 2009
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Richard Tuttle: Reality & Illusion | Art21 "Extended Play"
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney...
published: 14 May 2009
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Artists' Talk with Richard Tuttle and Martha Tuttle
Artists' Talk with Richard Tuttle and Martha Tuttle
In coordination with the exhibitions “Helen Frankenthaler and Jo Sandman: Without Limits” and “At First Light: Two Centuries of Artists in Maine,” distinguished artists Richard Tuttle and Martha Tuttle (who participated virtually) discuss their pioneering work in printmaking and other media, entering into conversation with one another and with Anne Collins Goodyear, Co-Director of the Bowdoin College Museum of Art.
Presented by the Bowdoin College Museum of Art, Brunswick, Maine, on November 3, 2022.
published: 18 Nov 2022
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Exhibition Walkthrough: Richard Tuttle at Pace | ArtAsForm
LEARN MORE
ArtAsForm Website: https://linktr.ee/artasform
Gallery Website: https://www.pacegallery.com/exhibitions/richard-tuttle-new-york-2023/#section__installation-views
#contemporaryart #artexhibition #artgallery
published: 07 May 2023
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Richard Tuttle – I Don't Know | TateShots
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles.
Richard Tuttle: I Don’t Know . The Weave of Textile Language
Find out more about Richard Tuttle: htt...
published: 14 Oct 2014
-
Richard Tuttle: Pushing the limits of art
Curators Madeleine Grynsztejn and Connie Butler discuss how Richard Tuttle’s unconventional approach to placement and materials pushes the limits of art, almost to the point of invisibility.
published: 16 Jul 2018
13:29
Richard Tuttle Interview: Artists Are Like Clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out ...
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen."
Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy.
The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and would die without art, Tuttle says. He was brought up by three women, his aunt and grandmother helped his mother, who wasn't able to take care of him on her own. His father didn't understand him. Most artists grown up without the understanding of their families, Tuttle says: "They try to make you like they are."
Tuttle also tells us how he learned never to trust teachers, and to always trust his own beliefs first of all. Most of us are conditioned by our surroundings as we grow up, the wisdom of society stamps out the inner life, as we learn how to operate in the world. But the artist's job is to explore the invisible world of nature and emotions.
Richard Dean Tuttle (b. 1941) is an American post minimalist artist who's works span a range of media, from sculpture, painting, drawing, printmaking, and artist's books to installation and furniture. Tuttle is often referred to as an "artist's artist" and, as such, his work has been influential to a generation of contemporary artists such as Kiki Smith, Jim Hodges, David Hammons, Michael Oman-Reagan, Tom Friedman, and Jessica Stockholder. He was a very close friend of minimalist painter Agnes Martin until her death in 2004.
Richard Tuttle was interviewed by Marc-Christoph Wagner at Galleri Nicolai Wallner, Copenhagen
Editing by Kamilla Bruus
Produced by Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014
Supported by Nordea-fonden
https://wn.com/Richard_Tuttle_Interview_Artists_Are_Like_Clouds
An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: "Artists they're from nature, they come out of nature, they're like the clouds that just happen."
Being an artist is not like a disease, and it's not something, which can be cured via psychoanalysis either. Artists are a part of nature, like clouds that just happen, Tuttle explains. For Richard Tuttle personally art has always been his life, something he could not live without. Tuttle also explains that art is a human invention, a system which produces freedom, and which is necessary for keeping society healthy.
The interview is as subtle and intimate as Tuttles work -- the artist invites us in for a glimpse of his childhood pain. Most artists have terrible childhoods, and would die without art, Tuttle says. He was brought up by three women, his aunt and grandmother helped his mother, who wasn't able to take care of him on her own. His father didn't understand him. Most artists grown up without the understanding of their families, Tuttle says: "They try to make you like they are."
Tuttle also tells us how he learned never to trust teachers, and to always trust his own beliefs first of all. Most of us are conditioned by our surroundings as we grow up, the wisdom of society stamps out the inner life, as we learn how to operate in the world. But the artist's job is to explore the invisible world of nature and emotions.
Richard Dean Tuttle (b. 1941) is an American post minimalist artist who's works span a range of media, from sculpture, painting, drawing, printmaking, and artist's books to installation and furniture. Tuttle is often referred to as an "artist's artist" and, as such, his work has been influential to a generation of contemporary artists such as Kiki Smith, Jim Hodges, David Hammons, Michael Oman-Reagan, Tom Friedman, and Jessica Stockholder. He was a very close friend of minimalist painter Agnes Martin until her death in 2004.
Richard Tuttle was interviewed by Marc-Christoph Wagner at Galleri Nicolai Wallner, Copenhagen
Editing by Kamilla Bruus
Produced by Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014
Supported by Nordea-fonden
- published: 31 Mar 2014
- views: 142072
3:57
Richard Tuttle: Staying Contemporary | Art21 "Extended Play"
Episode #237: Richard Tuttle reflects on a decades-long career, and the conceptual, thematic, and stylistic threads that can be consistently traced through his ...
Episode #237: Richard Tuttle reflects on a decades-long career, and the conceptual, thematic, and stylistic threads that can be consistently traced through his 26 New York gallery exhibitions. Tuttle was interviewed at Pace Gallery, where fittingly his installation "26" provided an archival record of these solo shows, collectively exposing a profound intimacy in postminimalism.
"I'm very committed to the idea of making an art that stays contemporary," says Tuttle. The artist goes on to describe his interest in creating works that fuse together “the kinds of things that only happen once and the kinds of things that happen always." Tuttle also shares advice for young artists and reflects on the value of art: "Art's importance comes when it’s a tool for life, when it makes life more available for us."
Even when considering his three-dimensional works, Richard Tuttle commonly refers to his art as drawing rather than sculpture—the distinction emphasizing the diminutive scale and idea-based nature of his work. Influenced by calligraphy, architecture, and poetry, he subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in humble, fragile materials.
Learn more about the artist at:
http://www.art21.org/artists/richard-tuttle
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Ian Forster. Editor: Jarred Alterman. Camera: Jarred Alterman. Sound: Ian Forster. Production Assistant: Melanie McLean. Artwork Courtesy: Richard Tuttle & Pace Gallery. Archival Photography Courtesy: Duane Michals. Courtesy of DC Moore Gallery, New York & Whitney Museum of American Art, New York.
ART21 "Extended Play" is supported, in part, by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors.
#RichardTuttle #Art21 #Art21ExtendedPlay
https://wn.com/Richard_Tuttle_Staying_Contemporary_|_Art21_Extended_Play
Episode #237: Richard Tuttle reflects on a decades-long career, and the conceptual, thematic, and stylistic threads that can be consistently traced through his 26 New York gallery exhibitions. Tuttle was interviewed at Pace Gallery, where fittingly his installation "26" provided an archival record of these solo shows, collectively exposing a profound intimacy in postminimalism.
"I'm very committed to the idea of making an art that stays contemporary," says Tuttle. The artist goes on to describe his interest in creating works that fuse together “the kinds of things that only happen once and the kinds of things that happen always." Tuttle also shares advice for young artists and reflects on the value of art: "Art's importance comes when it’s a tool for life, when it makes life more available for us."
Even when considering his three-dimensional works, Richard Tuttle commonly refers to his art as drawing rather than sculpture—the distinction emphasizing the diminutive scale and idea-based nature of his work. Influenced by calligraphy, architecture, and poetry, he subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in humble, fragile materials.
Learn more about the artist at:
http://www.art21.org/artists/richard-tuttle
CREDITS: Producer: Ian Forster. Consulting Producer: Wesley Miller & Nick Ravich. Interview: Ian Forster. Editor: Jarred Alterman. Camera: Jarred Alterman. Sound: Ian Forster. Production Assistant: Melanie McLean. Artwork Courtesy: Richard Tuttle & Pace Gallery. Archival Photography Courtesy: Duane Michals. Courtesy of DC Moore Gallery, New York & Whitney Museum of American Art, New York.
ART21 "Extended Play" is supported, in part, by the New York City Department of Cultural Affairs in partnership with the City Council; 21c Museum Hotel, and by individual contributors.
#RichardTuttle #Art21 #Art21ExtendedPlay
- published: 22 Jul 2016
- views: 58270
2:11
Why was Richard Tuttle’s 1975 exhibition so controversial
Richard Tuttle’s 1975 exhibition at the Whitney Museum of American Art was highly controversial. He and curator Marcia Tucker recount the art world’s vehement r...
Richard Tuttle’s 1975 exhibition at the Whitney Museum of American Art was highly controversial. He and curator Marcia Tucker recount the art world’s vehement reaction.
https://wn.com/Why_Was_Richard_Tuttle’S_1975_Exhibition_So_Controversial
Richard Tuttle’s 1975 exhibition at the Whitney Museum of American Art was highly controversial. He and curator Marcia Tucker recount the art world’s vehement reaction.
- published: 16 Jul 2018
- views: 3081
1:01:50
Calder/Tuttle: An Evening with Richard Tuttle and Alexander S. C. Rower | Pace Live
This Pace Live discussion between artist Richard Tuttle and Alexander S. C. Rower, President of the Calder Foundation, centers around Calder/Tuttle:Tentative, a...
This Pace Live discussion between artist Richard Tuttle and Alexander S. C. Rower, President of the Calder Foundation, centers around Calder/Tuttle:Tentative, a presentation of works by Calder selected and installed by Tuttle at Pace’s Los Angeles gallery earlier this year. The conversation—which took place Wednesday, April 26, 2023 at the gallery's flagship New York gallery on the occasion of 18x24, an exhibition of new works by Tuttle—serves as a capstone to the artist and Rower’s ongoing, freewheeling conversations about Calder, which led to the LA show. This program was moderated by Oliver Shultz, Curatorial Director at Pace.
To learn more about “Calder/Tuttle:Tentative,” visit: https://www.pacegallery.com/exhibitions/calder-tuttle-tentative/
To learn more about Richard Tuttle, visit: https://www.pacegallery.com/artists/richard-tuttle/
To learn more about Pace Live, visit: https://www.pacegallery.com/pacelive/
https://wn.com/Calder_Tuttle_An_Evening_With_Richard_Tuttle_And_Alexander_S._C._Rower_|_Pace_Live
This Pace Live discussion between artist Richard Tuttle and Alexander S. C. Rower, President of the Calder Foundation, centers around Calder/Tuttle:Tentative, a presentation of works by Calder selected and installed by Tuttle at Pace’s Los Angeles gallery earlier this year. The conversation—which took place Wednesday, April 26, 2023 at the gallery's flagship New York gallery on the occasion of 18x24, an exhibition of new works by Tuttle—serves as a capstone to the artist and Rower’s ongoing, freewheeling conversations about Calder, which led to the LA show. This program was moderated by Oliver Shultz, Curatorial Director at Pace.
To learn more about “Calder/Tuttle:Tentative,” visit: https://www.pacegallery.com/exhibitions/calder-tuttle-tentative/
To learn more about Richard Tuttle, visit: https://www.pacegallery.com/artists/richard-tuttle/
To learn more about Pace Live, visit: https://www.pacegallery.com/pacelive/
- published: 19 Jul 2023
- views: 765
2:35
Richard Tuttle: Art & Life | Art21 "Extended Play"
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as ...
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle.
#Art21 #Art21ExtendedPlay
https://wn.com/Richard_Tuttle_Art_Life_|_Art21_Extended_Play
Episode #063: Richard Tuttle discusses his philosophical relationship to art and life in his New Mexico studio.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Bob Elfstrom and Ray Day. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle.
#Art21 #Art21ExtendedPlay
- published: 02 Jul 2009
- views: 26306
4:13
Richard Tuttle: Reality & Illusion | Art21 "Extended Play"
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard...
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney Museum of American Art, New York.
#Art21 #Art21ExtendedPlay
https://wn.com/Richard_Tuttle_Reality_Illusion_|_Art21_Extended_Play
Episode #056: Artist Richard Tuttle installs the work "Ten Kinds of Memory and Memory Itself" (1973) at the Whitney Museum of American Art, New York.
Richard Tuttle commonly refers to his art as drawing rather than sculpture, emphasizing the diminutive scale and idea-based nature of his work. He subverts the conventions of modernist sculptural practice by creating small, eccentrically playful objects in decidedly humble materials. Influences on his work include calligraphy, architecture, and poetry.
Learn more about Richard Tuttle: http://www.art21.org/artists/richard-tuttle
VIDEO | Producer: Wesley Miller and Nick Ravich. Interview: Susan Sollins. Camera & Sound: Sam Henriques and Merce Williams. Editor: Jenny Chiurco. Artwork Courtesy: Richard Tuttle. Special Thanks: The Whitney Museum of American Art, New York.
#Art21 #Art21ExtendedPlay
- published: 14 May 2009
- views: 36751
1:12:36
Artists' Talk with Richard Tuttle and Martha Tuttle
Artists' Talk with Richard Tuttle and Martha Tuttle
In coordination with the exhibitions “Helen Frankenthaler and Jo Sandman: Without Limits” and “At First Lig...
Artists' Talk with Richard Tuttle and Martha Tuttle
In coordination with the exhibitions “Helen Frankenthaler and Jo Sandman: Without Limits” and “At First Light: Two Centuries of Artists in Maine,” distinguished artists Richard Tuttle and Martha Tuttle (who participated virtually) discuss their pioneering work in printmaking and other media, entering into conversation with one another and with Anne Collins Goodyear, Co-Director of the Bowdoin College Museum of Art.
Presented by the Bowdoin College Museum of Art, Brunswick, Maine, on November 3, 2022.
https://wn.com/Artists'_Talk_With_Richard_Tuttle_And_Martha_Tuttle
Artists' Talk with Richard Tuttle and Martha Tuttle
In coordination with the exhibitions “Helen Frankenthaler and Jo Sandman: Without Limits” and “At First Light: Two Centuries of Artists in Maine,” distinguished artists Richard Tuttle and Martha Tuttle (who participated virtually) discuss their pioneering work in printmaking and other media, entering into conversation with one another and with Anne Collins Goodyear, Co-Director of the Bowdoin College Museum of Art.
Presented by the Bowdoin College Museum of Art, Brunswick, Maine, on November 3, 2022.
- published: 18 Nov 2022
- views: 1795
2:09
Exhibition Walkthrough: Richard Tuttle at Pace | ArtAsForm
LEARN MORE
ArtAsForm Website: https://linktr.ee/artasform
Gallery Website: https://www.pacegallery.com/exhibitions/richard-tuttle-new-york-2023/#section__instal...
LEARN MORE
ArtAsForm Website: https://linktr.ee/artasform
Gallery Website: https://www.pacegallery.com/exhibitions/richard-tuttle-new-york-2023/#section__installation-views
#contemporaryart #artexhibition #artgallery
https://wn.com/Exhibition_Walkthrough_Richard_Tuttle_At_Pace_|_Artasform
LEARN MORE
ArtAsForm Website: https://linktr.ee/artasform
Gallery Website: https://www.pacegallery.com/exhibitions/richard-tuttle-new-york-2023/#section__installation-views
#contemporaryart #artexhibition #artgallery
- published: 07 May 2023
- views: 538
2:30
Richard Tuttle – I Don't Know | TateShots
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever cr...
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles.
Richard Tuttle: I Don’t Know . The Weave of Textile Language
Find out more about Richard Tuttle: https://goo.gl/35tcAx
Tate Modern
14 October 2014 – 6 April 2015
http://www.tate.org.uk/whats-on/tate-modern/exhibition/richard-tuttle-i-dont-know-weave-textile-language
https://wn.com/Richard_Tuttle_–_I_Don't_Know_|_Tateshots
Richard Tuttle unveils his largest ever work in the Turbine Hall at Tate Modern.
The vast space of Tate Modern’s Turbine Hall welcomes the largest work ever created by American sculptor Richard Tuttle. Entitled I Don’t Know. The Weave of Textile Language, this newly commissioned sculpture combines vast sways of fabrics designed by the artist from both man-made and natural fibres in bold and brilliant colours. The commission is part of a wider survey of the artist taking place in London this autumn, comprising an exhibition at the Whitechapel Gallery surveying five decades of Tuttle’s career and a new publication rooted in the artist’s own collection of historic and contemporary textiles.
Richard Tuttle: I Don’t Know . The Weave of Textile Language
Find out more about Richard Tuttle: https://goo.gl/35tcAx
Tate Modern
14 October 2014 – 6 April 2015
http://www.tate.org.uk/whats-on/tate-modern/exhibition/richard-tuttle-i-dont-know-weave-textile-language
- published: 14 Oct 2014
- views: 15626
1:35
Richard Tuttle: Pushing the limits of art
Curators Madeleine Grynsztejn and Connie Butler discuss how Richard Tuttle’s unconventional approach to placement and materials pushes the limits of art, almost...
Curators Madeleine Grynsztejn and Connie Butler discuss how Richard Tuttle’s unconventional approach to placement and materials pushes the limits of art, almost to the point of invisibility.
https://wn.com/Richard_Tuttle_Pushing_The_Limits_Of_Art
Curators Madeleine Grynsztejn and Connie Butler discuss how Richard Tuttle’s unconventional approach to placement and materials pushes the limits of art, almost to the point of invisibility.
- published: 16 Jul 2018
- views: 2051