-
The Best of Classical Music that You Should Listen to Once In Your Life🎻Mozart, Beethoven, Vivaldi..
Welcome to the enchanting world of Piano Classical Music !
With the vibrant golden hues of autumn, this video takes you on an imaginative musical journey where you get lost in the deep emotions and dreamy ambiance of the season. Let classical music elevate your spirits and create a tranquil space within your heart.
Whether you seek tranquility, focus for work, or simply want to indulge in peaceful melodies, this video offers a beautiful and meaningful musical experience for the autumn season.
Classical Music for Autumn | Classical Music for Relaxation | Mozart, Beethoven, Bach, Chopin...
Track listing:
"00:00:00 | 1. Antonio-Vivaldi-La-Stravaganza-Concerto-No--2-in-E-minor-RV-279-Allegro_HGFA41205ADAB134490790CFB0F77114BEB8
00:02:15 | 2. Eine Kleine Nachtmusik (by Mozart) - Mozart (1)
00...
published: 28 May 2024
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Coldplay - Viva La Vida | Epic Orchestra (2019)
NEW VERSION HERE OF VIVA LA VIDA HERE!: https://youtu.be/AMBx-i0GGHs
Ever wondered what Coldplay Viva La Vida would sound like played by an orchestra?
Well the Epic Orchestra has arranged Viva La Vida by Coldplay into what hopefully can be described as Epic Music!
Any requests then please feel free to leave a comment stating what you'd like to hear, also let me know you're favourite artist and song that you're currently listen to!
____________________________________________________________
▶Twitter - https://twitter.com/ImLouieDewy @ImLouieDewy
▶Instagram - https://www.instagram.com/louie_dewy/?hl=en @Louie_Dewy
▶Spotify - https://open.spotify.com/artist/4Yt7AJ2MOkFiyUqRxje7gS
▶Apple Music - https://music.apple.com/us/artist/louie-ashley/1519708893
★SUBSCRIBE★
https://www.youtube.com...
published: 31 Aug 2019
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Muti Conducts Beethoven 9
On May 7, 1824, Beethoven shared his Ninth Symphony with the world even though he could never hear it. On May 7, 2015, celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”
For additional videos of Riccardo Muti, visit https://riccardomutimusic.com.
September 19, 2014
Orchestra Hall at Symphony Center
Chicago Symphony Orchestra
Riccardo Muti, conductor
Camilla Nylund, soprano
Ekaterina Gubanova, mezzo-soprano
Matthew Polenzani, tenor
Eric Owens, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
Tickets and more info: https://cs...
published: 08 May 2015
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Beethoven: Symphony No. 5, First movement (Benjamin Zander, Boston Philharmonic Orchestra)
Boston Philharmonic Orchestra
Benjamin Zander, conductor
Beethoven: Symphony No. 5
I. Allegro con brio
Recorded live in concert at New England Conservatory's Jordan Hall in February, 2019
published: 07 May 2021
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The Instruments of the Orchestra Song
A song to help kids learn about the many instruments of the orchestra, and the different sections of strings, woodwinds, brass, and percussion.
Subscribe! ➜ https://www.youtube.com/c/hopscotchsongs?sub_confirmation=1
Visit the Hopscotch Shop! ➜ https://www.hopscotchsongs.com/shop
Download the song ➜ COMING SOON!
Karaoke/backing track ➜ COMING SOON!
Stream on:
Spotify ➜ https://open.spotify.com/album/61LER98riNU9nVMDs1gY1t
Apple Music/iTunes ➜ https://music.apple.com/us/album/instruments-of-the-orchestra-single/1706573583
Deezer ➜ https://www.deezer.com/en/album/485773275
...or wherever you listen to music (check your favorite streaming site)!
Voices (by appearance)
Rian Gordon
Alexa Brian
Mark Gordon
Matt Pace
Joanna Pace
Michel Klein
Mimi
Chaim
Song by Michel Klein, Matt Pace, Joanna ...
published: 08 Sep 2023
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The Godfather – Orchestral Suite // The Danish National Symphony Orchestra (Live)
#TheMorriconeDuel #FilmMusicLive
The Godfather – Orchestral Suite
Composed by Nino Rota
Melodica: Jakob Weber
Mandolin: Mads Kjølby
Solo violin: Christina Åstrand
In January 2018, The Danish Broadcast Corporation (DR) aired a concert called “The Morricone Duel” performed by The Danish National Symphony Orchestra /DR SymfoniOrkestret, The Danish National Concert Choir with various soloists conducted by Sarah Hicks.
The score is available on all regular Streaming-Platforms.
The music performed was titles from a wide range of western movies and mafia movies reflecting different perspectives on an Italian-American movie and film music style.
Featured composers were Ennio Morricone, Bernard Herrmann, Nino Rota and Sonny Bono with music from films by Sergio Leone, Quentin Tarantino, Brian ...
published: 26 Jan 2018
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‘Pirates of the Caribbean’ - Liverpool Philharmonic at the Royal Albert Hall | Classic FM Live
Drink up, me hearties! The Royal Liverpool Philharmonic Orchestra and Jamie Phillips perform Klaus Badelt's thrilling music for 'Pirates of the Caribbean' at the Royal Albert Hall for Classic FM Live, with a fireworks finale.
Classic FM Live was a Hall of Fame special, filmed in October 2023. Watch the full spectacular show now on Sky Arts.
Subscribe: https://clssicfm.co/SubscribeToClassicFM
- Visit the Classic FM website https://classicfm.com
- Listen to Classic FM https://clssicfm.co/listenlive
Classic FM Playlists
-Classic FM | Discover Instruments: https://bit.ly/2Xy8fGN
-Classic FM | Sessions: https://bit.ly/2OtjvjV
-Classic FM | Explains: https://bit.ly/332UOzS
-Classic FM Hall Of Fame | Top 10: https://bit.ly/35no5af
Classic FM on socials
- Facebook http://facebook.com/classicf...
published: 18 Jan 2024
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"Laskar Pelangi" | TRUST (Trinity Youth Symphony Orchestra)
LASKAR PELANGI
TRUST (Trinity Youth Symphony Orchestra)
Conducted by Nathania Karina
Original Song by Nidji & Giring Ganesha
Arrangement by Peter Jonatan
Published by Massive Music Entertainment
Executive Producer Yonathan Nugroho for TRINITY OPTIMA PRODUCTION
©TRINITY OPTIMA PRODUCTION 2022
Music Director by Nathania Karina
Recording Director Christofer Tjandra
Recorded & Recording Setup Artsound Studio Jakarta
Edited by Christofer Tjandra & Danezh
Mixed by Eko Sulistiyo
Mastered by Dimas Pradipta
Music Video by Art Bridge Media
From "Hari Ini Indah" Live Concert - Jakarta, 4 June 2022
www.trustorchestra.com
@trustorchestra
published: 26 Jul 2022
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Principal cellist’s CRISP technique #music #christmas #christmasmusic #symphony
published: 04 Jan 2025
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Tchaikovsky: Symphony No. 6 Pathetique | Dresden Philharmonic & Marek Janowski
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was performed by the Dresden Philharmonic Orchestra conducted by Marek Janowski in this concert at the Kulturpalast Dresden 2019.
(00:00) I. Adagio - Allegro non troppo
(17:32) II. Allegro con grazia
(24:54) III. allegro molto vivace
(33:49) IV. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky (1840 - 1893) took just a few months to compose the Sixth Symphony and he conducted its premiere himself in St. Petersburg on October 28, 1893. Initially Tchaikovsky had called his Sixth 'A Programme Symphony', but after the premiere he unceremoniously gave it the epithet 'Pathetique' – and that is how it has gone down in history.
According to T...
published: 17 Oct 2021
3:33:50
The Best of Classical Music that You Should Listen to Once In Your Life🎻Mozart, Beethoven, Vivaldi..
Welcome to the enchanting world of Piano Classical Music !
With the vibrant golden hues of autumn, this video takes you on an imaginative musical journey where ...
Welcome to the enchanting world of Piano Classical Music !
With the vibrant golden hues of autumn, this video takes you on an imaginative musical journey where you get lost in the deep emotions and dreamy ambiance of the season. Let classical music elevate your spirits and create a tranquil space within your heart.
Whether you seek tranquility, focus for work, or simply want to indulge in peaceful melodies, this video offers a beautiful and meaningful musical experience for the autumn season.
Classical Music for Autumn | Classical Music for Relaxation | Mozart, Beethoven, Bach, Chopin...
Track listing:
"00:00:00 | 1. Antonio-Vivaldi-La-Stravaganza-Concerto-No--2-in-E-minor-RV-279-Allegro_HGFA41205ADAB134490790CFB0F77114BEB8
00:02:15 | 2. Eine Kleine Nachtmusik (by Mozart) - Mozart (1)
00:08:06 | 3. Hungarian Dances No. 5 - Classical Helios Station
https://open.spotify.com/track/3fTSWlaP0du3MpfB2PbVHB?si=52cfbb672b0d4db8
00:10:04 | 4. Midsummer Night's Dream (by Mendelssohn) - Mendelssohn
00:15:07 | 5. Morning Mood (by Grieg) - Grieg
00:18:49 | 6. Niccolo-Paganini-Caprice-24_HGFA1D3996353DDA440BACF9EF10B8643413
00:20:29 | 7. Piano Sonata No.11 in A Major, K.331 : III. Alla turca - Classical Helios Station
https://open.spotify.com/track/6GwBVgRbdlChDYpnjjTo1v?si=c6e9aa3f42844eca
00:23:43 | 8. Symphony No. 5 (by Beethoven) - Beethoven
00:30:40 | 9. The Four Seasons, Spring in E Major, RV.269: I.Allegro - Classical Helios Station
https://open.spotify.com/track/5t1UvUO79O1gVr001bPKMs?si=ae0845af482140ce
00:33:58 | 10. Vivaldi-Four-Seasons-Autumn_HGFA3E60C4A52E19411389FE3CA1F5CE5B80
00:37:44 | 11. Vivaldi-Four-Seasons-Winter_HGFA6E59E749C5094FE3B71D082AA39E24EA
00:41:15 | 12. Vivaldi-Spring_HGFAF86B892A636E4C9AB94ADBF0D6768BB0
00:43:13 | 13. Vivaldi-Summer_HGFA5EBB496A835349E69BC608BB8ED5ED31
00:45:43 | 14. 9th Symphony, Finale (by Beethoven) - Beethoven
01:09:25 | 15. Mariage D'Armour - Classical Helios Station
https://open.spotify.com/track/2CJITE21prlYHZvaRTf4Q0"
If you like it, we would be happy to do so.
Thank you for watching this video on Classical Symphony Music channel. We hope you enjoyed it. Don't forget to share it and subscribe to the channel.
► All copyrights of photos and videos belong to me.
✔ All videos are researched, edited and mixed to provide the best listening experience and bring listeners back to the world of classical music.
#mozart #beethoven #classicalmusic #classicalmusicforrelaxation
https://wn.com/The_Best_Of_Classical_Music_That_You_Should_Listen_To_Once_In_Your_Life🎻Mozart,_Beethoven,_Vivaldi..
Welcome to the enchanting world of Piano Classical Music !
With the vibrant golden hues of autumn, this video takes you on an imaginative musical journey where you get lost in the deep emotions and dreamy ambiance of the season. Let classical music elevate your spirits and create a tranquil space within your heart.
Whether you seek tranquility, focus for work, or simply want to indulge in peaceful melodies, this video offers a beautiful and meaningful musical experience for the autumn season.
Classical Music for Autumn | Classical Music for Relaxation | Mozart, Beethoven, Bach, Chopin...
Track listing:
"00:00:00 | 1. Antonio-Vivaldi-La-Stravaganza-Concerto-No--2-in-E-minor-RV-279-Allegro_HGFA41205ADAB134490790CFB0F77114BEB8
00:02:15 | 2. Eine Kleine Nachtmusik (by Mozart) - Mozart (1)
00:08:06 | 3. Hungarian Dances No. 5 - Classical Helios Station
https://open.spotify.com/track/3fTSWlaP0du3MpfB2PbVHB?si=52cfbb672b0d4db8
00:10:04 | 4. Midsummer Night's Dream (by Mendelssohn) - Mendelssohn
00:15:07 | 5. Morning Mood (by Grieg) - Grieg
00:18:49 | 6. Niccolo-Paganini-Caprice-24_HGFA1D3996353DDA440BACF9EF10B8643413
00:20:29 | 7. Piano Sonata No.11 in A Major, K.331 : III. Alla turca - Classical Helios Station
https://open.spotify.com/track/6GwBVgRbdlChDYpnjjTo1v?si=c6e9aa3f42844eca
00:23:43 | 8. Symphony No. 5 (by Beethoven) - Beethoven
00:30:40 | 9. The Four Seasons, Spring in E Major, RV.269: I.Allegro - Classical Helios Station
https://open.spotify.com/track/5t1UvUO79O1gVr001bPKMs?si=ae0845af482140ce
00:33:58 | 10. Vivaldi-Four-Seasons-Autumn_HGFA3E60C4A52E19411389FE3CA1F5CE5B80
00:37:44 | 11. Vivaldi-Four-Seasons-Winter_HGFA6E59E749C5094FE3B71D082AA39E24EA
00:41:15 | 12. Vivaldi-Spring_HGFAF86B892A636E4C9AB94ADBF0D6768BB0
00:43:13 | 13. Vivaldi-Summer_HGFA5EBB496A835349E69BC608BB8ED5ED31
00:45:43 | 14. 9th Symphony, Finale (by Beethoven) - Beethoven
01:09:25 | 15. Mariage D'Armour - Classical Helios Station
https://open.spotify.com/track/2CJITE21prlYHZvaRTf4Q0"
If you like it, we would be happy to do so.
Thank you for watching this video on Classical Symphony Music channel. We hope you enjoyed it. Don't forget to share it and subscribe to the channel.
► All copyrights of photos and videos belong to me.
✔ All videos are researched, edited and mixed to provide the best listening experience and bring listeners back to the world of classical music.
#mozart #beethoven #classicalmusic #classicalmusicforrelaxation
- published: 28 May 2024
- views: 2567832
5:21
Coldplay - Viva La Vida | Epic Orchestra (2019)
NEW VERSION HERE OF VIVA LA VIDA HERE!: https://youtu.be/AMBx-i0GGHs
Ever wondered what Coldplay Viva La Vida would sound like played by an orchestra?
Well the...
NEW VERSION HERE OF VIVA LA VIDA HERE!: https://youtu.be/AMBx-i0GGHs
Ever wondered what Coldplay Viva La Vida would sound like played by an orchestra?
Well the Epic Orchestra has arranged Viva La Vida by Coldplay into what hopefully can be described as Epic Music!
Any requests then please feel free to leave a comment stating what you'd like to hear, also let me know you're favourite artist and song that you're currently listen to!
____________________________________________________________
▶Twitter - https://twitter.com/ImLouieDewy @ImLouieDewy
▶Instagram - https://www.instagram.com/louie_dewy/?hl=en @Louie_Dewy
▶Spotify - https://open.spotify.com/artist/4Yt7AJ2MOkFiyUqRxje7gS
▶Apple Music - https://music.apple.com/us/artist/louie-ashley/1519708893
★SUBSCRIBE★
https://www.youtube.com/channel/UCPnwQLqtO7ESlLH_329WE-g?view_as=sub_confirmation=1
____________________________________________________________
▶This is a list of the software that I used to create Coldplay Viva La Vida as an Epic Orchestra cover:
East West Symphonic orchestra, Hollywood Strings, Woodwinds and Brass, Pianos and Violins, Gypsy, all inside the D.A.W Logic Pro X.
The video was edited using Premier Pro,
I use an iMac as my computer, processor is 4GHZ intel core i7, 24GB 1600Hz DDR3 Ram, 500GB SSD, Graphics AMD Radeon R9 4GB.
____________________________________________________________
▶Lyrics:
I used to rule the world
Seas would rise when I gave the word
Now in the morning, I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
Now the old king is dead! Long live the king!
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never, never a honest word
And that was when I ruled the world
It was a wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People couldn't believe what I'd become
Revolutionaries wait
For my head on a silver plate
Just a puppet on a lonely string
Oh, who would ever want to be king?
I hear Jerusalem bells are ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world
Oh, oh, oh, oh, oh
I hear Jerusalem bells are ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world
____________________________________________________________
#Coldplay #VivaLaVida #cover #EpicOrchestra #Orchestra #VivaLaVidaOrDeathAndAllHisFriends #Minecraft
https://wn.com/Coldplay_Viva_La_Vida_|_Epic_Orchestra_(2019)
NEW VERSION HERE OF VIVA LA VIDA HERE!: https://youtu.be/AMBx-i0GGHs
Ever wondered what Coldplay Viva La Vida would sound like played by an orchestra?
Well the Epic Orchestra has arranged Viva La Vida by Coldplay into what hopefully can be described as Epic Music!
Any requests then please feel free to leave a comment stating what you'd like to hear, also let me know you're favourite artist and song that you're currently listen to!
____________________________________________________________
▶Twitter - https://twitter.com/ImLouieDewy @ImLouieDewy
▶Instagram - https://www.instagram.com/louie_dewy/?hl=en @Louie_Dewy
▶Spotify - https://open.spotify.com/artist/4Yt7AJ2MOkFiyUqRxje7gS
▶Apple Music - https://music.apple.com/us/artist/louie-ashley/1519708893
★SUBSCRIBE★
https://www.youtube.com/channel/UCPnwQLqtO7ESlLH_329WE-g?view_as=sub_confirmation=1
____________________________________________________________
▶This is a list of the software that I used to create Coldplay Viva La Vida as an Epic Orchestra cover:
East West Symphonic orchestra, Hollywood Strings, Woodwinds and Brass, Pianos and Violins, Gypsy, all inside the D.A.W Logic Pro X.
The video was edited using Premier Pro,
I use an iMac as my computer, processor is 4GHZ intel core i7, 24GB 1600Hz DDR3 Ram, 500GB SSD, Graphics AMD Radeon R9 4GB.
____________________________________________________________
▶Lyrics:
I used to rule the world
Seas would rise when I gave the word
Now in the morning, I sleep alone
Sweep the streets I used to own
I used to roll the dice
Feel the fear in my enemy's eyes
Listen as the crowd would sing
Now the old king is dead! Long live the king!
One minute I held the key
Next the walls were closed on me
And I discovered that my castles stand
Upon pillars of salt and pillars of sand
I hear Jerusalem bells are ringing
Roman Cavalry choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
Once you go there was never, never a honest word
And that was when I ruled the world
It was a wicked and wild wind
Blew down the doors to let me in
Shattered windows and the sound of drums
People couldn't believe what I'd become
Revolutionaries wait
For my head on a silver plate
Just a puppet on a lonely string
Oh, who would ever want to be king?
I hear Jerusalem bells are ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world
Oh, oh, oh, oh, oh
I hear Jerusalem bells are ringing
Roman Calvary choirs are singing
Be my mirror, my sword and shield
My missionaries in a foreign field
For some reason I can't explain
I know Saint Peter won't call my name
Never an honest word
But that was when I ruled the world
____________________________________________________________
#Coldplay #VivaLaVida #cover #EpicOrchestra #Orchestra #VivaLaVidaOrDeathAndAllHisFriends #Minecraft
- published: 31 Aug 2019
- views: 5058413
1:21:23
Muti Conducts Beethoven 9
On May 7, 1824, Beethoven shared his Ninth Symphony with the world even though he could never hear it. On May 7, 2015, celebrate the anniversary of Beethoven’s ...
On May 7, 1824, Beethoven shared his Ninth Symphony with the world even though he could never hear it. On May 7, 2015, celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”
For additional videos of Riccardo Muti, visit https://riccardomutimusic.com.
September 19, 2014
Orchestra Hall at Symphony Center
Chicago Symphony Orchestra
Riccardo Muti, conductor
Camilla Nylund, soprano
Ekaterina Gubanova, mezzo-soprano
Matthew Polenzani, tenor
Eric Owens, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
Tickets and more info: https://cso.org
Facebook: https://www.facebook.com/chicagosymphony
Instagram: https://instagram.com/chicagosymphony
Twitter: https://twitter.com/chicagosymphony
https://wn.com/Muti_Conducts_Beethoven_9
On May 7, 1824, Beethoven shared his Ninth Symphony with the world even though he could never hear it. On May 7, 2015, celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”
For additional videos of Riccardo Muti, visit https://riccardomutimusic.com.
September 19, 2014
Orchestra Hall at Symphony Center
Chicago Symphony Orchestra
Riccardo Muti, conductor
Camilla Nylund, soprano
Ekaterina Gubanova, mezzo-soprano
Matthew Polenzani, tenor
Eric Owens, bass-baritone
Chicago Symphony Chorus
Duain Wolfe, director
Tickets and more info: https://cso.org
Facebook: https://www.facebook.com/chicagosymphony
Instagram: https://instagram.com/chicagosymphony
Twitter: https://twitter.com/chicagosymphony
- published: 08 May 2015
- views: 52231724
6:44
Beethoven: Symphony No. 5, First movement (Benjamin Zander, Boston Philharmonic Orchestra)
Boston Philharmonic Orchestra
Benjamin Zander, conductor
Beethoven: Symphony No. 5
I. Allegro con brio
Recorded live in concert at New England Conservatory's ...
Boston Philharmonic Orchestra
Benjamin Zander, conductor
Beethoven: Symphony No. 5
I. Allegro con brio
Recorded live in concert at New England Conservatory's Jordan Hall in February, 2019
https://wn.com/Beethoven_Symphony_No._5,_First_Movement_(Benjamin_Zander,_Boston_Philharmonic_Orchestra)
Boston Philharmonic Orchestra
Benjamin Zander, conductor
Beethoven: Symphony No. 5
I. Allegro con brio
Recorded live in concert at New England Conservatory's Jordan Hall in February, 2019
- published: 07 May 2021
- views: 574626
4:47
The Instruments of the Orchestra Song
A song to help kids learn about the many instruments of the orchestra, and the different sections of strings, woodwinds, brass, and percussion.
Subscribe! ➜ htt...
A song to help kids learn about the many instruments of the orchestra, and the different sections of strings, woodwinds, brass, and percussion.
Subscribe! ➜ https://www.youtube.com/c/hopscotchsongs?sub_confirmation=1
Visit the Hopscotch Shop! ➜ https://www.hopscotchsongs.com/shop
Download the song ➜ COMING SOON!
Karaoke/backing track ➜ COMING SOON!
Stream on:
Spotify ➜ https://open.spotify.com/album/61LER98riNU9nVMDs1gY1t
Apple Music/iTunes ➜ https://music.apple.com/us/album/instruments-of-the-orchestra-single/1706573583
Deezer ➜ https://www.deezer.com/en/album/485773275
...or wherever you listen to music (check your favorite streaming site)!
Voices (by appearance)
Rian Gordon
Alexa Brian
Mark Gordon
Matt Pace
Joanna Pace
Michel Klein
Mimi
Chaim
Song by Michel Klein, Matt Pace, Joanna Pace, and Noa Klein
Song arranged by Michel Klein and Matt Pace
Artwork/animation by Ink An' Paper Studios
Music produced by Matt Pace
Music mixed/mastered by Dee Kei Mixes: https://www.deekeimixes.com/
Title animation by Brenden Nelson
Musicians:
Flute/Clarinet/Bassoon - Derek Crane
Oboe - Nicole Fullmer
Trumpets - Matt Pace
French Horn - Daniel Omer
Trombones - Brian Woodbury
Piano - Michel Klein
Guitar - Matt Pace
Violins - Sarah Ziroll
Violas - Joanna Pace
Cellos - Tamra Baca
Double Bass - Matthew Baird
Harp - Annie Astle
Special thanks to Clarissa Cashmore, Leticia Strong, Lydia Fabian, Macey Schlepp, and Rachel Kovacs for helping with educational accuracy and feedback!
What do you think about this song? Reach out! ↓
Instagram: https://www.instagram.com/hopscotchsongs
TikTok: https://www.tiktok.com/@hopscotch.songs
Twitter: https://twitter.com/hopscotchsongs
Facebook: https://www.facebook.com/hopscotchsongs
Website: https://www.hopscotchsongs.com
Lyrics:
Conductor: Have you seen a trumpet play?
Or a viola start to sway?
When some clarinets play sweet duets,
All your worries go away.
These are the instruments of the orchestra,
Their sounds all blend together when they play for ya.
They are the strings, winds, brass, and percussion too.
As I lead with my baton, they’ll play together for you.
STRINGS
Violin: We are the string family,
Bass: We are the largest section and have pegs to help us stay in key
Cello: Most of us have four strings
Viola: And when you pluck, strike, or bow them, they vibrate and sing!
Harp: Our hollow wooden bodies amplify the sound
Violin,
Viola,
Cello,
Bass
(and Harp)
All strings: are the main strings around
WOODWINDS
Bassoon: We are the woodwinds, we make sound using your breath,
Clarinet: Our bodies are long and we have keys that you can press,
Flute: Blow some air across a hole to make a high flute melody,
Oboe and Bassoon: Oboe and bassoon both have a double reeds,
Oboe: But the orchestra tunes themselves to me.
Clarinet: The clarinet has just one reed to blow,
All woodwinds: we blend well together and you can find us sitting in the second row.
BRASS
All brass: We’re the brass section and no other can compare,
If you're looking for a march, a big band, or a grand fanfare,
F horn: You blow and buzz your lips through a mouthpiece shaped just like a cup,
Tube: We have six to eighteen feet of tubes that are coiled up.
Trumpet,
Horn,
And Tuba
Trpt, Horn, Tuba: play their valves with pride,
Trombone: But the trombone makes its notes with a slide!
PERCUSSION
Marimba: There is no discussion, the percussion is the
All: loudest,
Vibraphone: We sit in the back, but you hear us where the
ALL: crowd is.
Glockenspiel: We have lots of instruments in our crew,
Timpanum: So we’ll split into two categories for you:
We are
All: Pitched percussion,
Chimes: We make different tones,
Timpani,
Marimba,
and Xylophones,
Vibraphone,
Glockenspiel,
Chimes,
and Celeste,
All: Good luck counting all of the bars that we rest.
Timpani: …115… 116… (Marimba yawning)
Snare: We’re unpitched percussion, some call auxiliary.
Drums: We don’t play melodies, but we’re still extraordinary.
Gong,
Shaker
Tambourine!
Cymbals,
and Drums,
Snare: The snare is the one that goes ru-te-tum –tum.
All: ru-te-tum –tum
Conductor: There are other instruments just as fun:
(Voices: AAH!)
Voice, guitar, and accordion,
Piano and organ, the list goes on and on! (All: On!)
Everybody!
We are the instruments of the orchestra,
Our sounds all blend together when we play for ya.
We are the strings, winds, brass, and percussion too.
Conductor: As I lead with my baton, they’ll play together for you.
Instruments: We follow our conductor as we play for you!
Copyright © 2023 Hopscotch, Michel Klein Music
https://wn.com/The_Instruments_Of_The_Orchestra_Song
A song to help kids learn about the many instruments of the orchestra, and the different sections of strings, woodwinds, brass, and percussion.
Subscribe! ➜ https://www.youtube.com/c/hopscotchsongs?sub_confirmation=1
Visit the Hopscotch Shop! ➜ https://www.hopscotchsongs.com/shop
Download the song ➜ COMING SOON!
Karaoke/backing track ➜ COMING SOON!
Stream on:
Spotify ➜ https://open.spotify.com/album/61LER98riNU9nVMDs1gY1t
Apple Music/iTunes ➜ https://music.apple.com/us/album/instruments-of-the-orchestra-single/1706573583
Deezer ➜ https://www.deezer.com/en/album/485773275
...or wherever you listen to music (check your favorite streaming site)!
Voices (by appearance)
Rian Gordon
Alexa Brian
Mark Gordon
Matt Pace
Joanna Pace
Michel Klein
Mimi
Chaim
Song by Michel Klein, Matt Pace, Joanna Pace, and Noa Klein
Song arranged by Michel Klein and Matt Pace
Artwork/animation by Ink An' Paper Studios
Music produced by Matt Pace
Music mixed/mastered by Dee Kei Mixes: https://www.deekeimixes.com/
Title animation by Brenden Nelson
Musicians:
Flute/Clarinet/Bassoon - Derek Crane
Oboe - Nicole Fullmer
Trumpets - Matt Pace
French Horn - Daniel Omer
Trombones - Brian Woodbury
Piano - Michel Klein
Guitar - Matt Pace
Violins - Sarah Ziroll
Violas - Joanna Pace
Cellos - Tamra Baca
Double Bass - Matthew Baird
Harp - Annie Astle
Special thanks to Clarissa Cashmore, Leticia Strong, Lydia Fabian, Macey Schlepp, and Rachel Kovacs for helping with educational accuracy and feedback!
What do you think about this song? Reach out! ↓
Instagram: https://www.instagram.com/hopscotchsongs
TikTok: https://www.tiktok.com/@hopscotch.songs
Twitter: https://twitter.com/hopscotchsongs
Facebook: https://www.facebook.com/hopscotchsongs
Website: https://www.hopscotchsongs.com
Lyrics:
Conductor: Have you seen a trumpet play?
Or a viola start to sway?
When some clarinets play sweet duets,
All your worries go away.
These are the instruments of the orchestra,
Their sounds all blend together when they play for ya.
They are the strings, winds, brass, and percussion too.
As I lead with my baton, they’ll play together for you.
STRINGS
Violin: We are the string family,
Bass: We are the largest section and have pegs to help us stay in key
Cello: Most of us have four strings
Viola: And when you pluck, strike, or bow them, they vibrate and sing!
Harp: Our hollow wooden bodies amplify the sound
Violin,
Viola,
Cello,
Bass
(and Harp)
All strings: are the main strings around
WOODWINDS
Bassoon: We are the woodwinds, we make sound using your breath,
Clarinet: Our bodies are long and we have keys that you can press,
Flute: Blow some air across a hole to make a high flute melody,
Oboe and Bassoon: Oboe and bassoon both have a double reeds,
Oboe: But the orchestra tunes themselves to me.
Clarinet: The clarinet has just one reed to blow,
All woodwinds: we blend well together and you can find us sitting in the second row.
BRASS
All brass: We’re the brass section and no other can compare,
If you're looking for a march, a big band, or a grand fanfare,
F horn: You blow and buzz your lips through a mouthpiece shaped just like a cup,
Tube: We have six to eighteen feet of tubes that are coiled up.
Trumpet,
Horn,
And Tuba
Trpt, Horn, Tuba: play their valves with pride,
Trombone: But the trombone makes its notes with a slide!
PERCUSSION
Marimba: There is no discussion, the percussion is the
All: loudest,
Vibraphone: We sit in the back, but you hear us where the
ALL: crowd is.
Glockenspiel: We have lots of instruments in our crew,
Timpanum: So we’ll split into two categories for you:
We are
All: Pitched percussion,
Chimes: We make different tones,
Timpani,
Marimba,
and Xylophones,
Vibraphone,
Glockenspiel,
Chimes,
and Celeste,
All: Good luck counting all of the bars that we rest.
Timpani: …115… 116… (Marimba yawning)
Snare: We’re unpitched percussion, some call auxiliary.
Drums: We don’t play melodies, but we’re still extraordinary.
Gong,
Shaker
Tambourine!
Cymbals,
and Drums,
Snare: The snare is the one that goes ru-te-tum –tum.
All: ru-te-tum –tum
Conductor: There are other instruments just as fun:
(Voices: AAH!)
Voice, guitar, and accordion,
Piano and organ, the list goes on and on! (All: On!)
Everybody!
We are the instruments of the orchestra,
Our sounds all blend together when we play for ya.
We are the strings, winds, brass, and percussion too.
Conductor: As I lead with my baton, they’ll play together for you.
Instruments: We follow our conductor as we play for you!
Copyright © 2023 Hopscotch, Michel Klein Music
- published: 08 Sep 2023
- views: 1807652
12:12
The Godfather – Orchestral Suite // The Danish National Symphony Orchestra (Live)
#TheMorriconeDuel #FilmMusicLive
The Godfather – Orchestral Suite
Composed by Nino Rota
Melodica: Jakob Weber
Mandolin: Mads Kjølby
Solo violin: Christina Åstr...
#TheMorriconeDuel #FilmMusicLive
The Godfather – Orchestral Suite
Composed by Nino Rota
Melodica: Jakob Weber
Mandolin: Mads Kjølby
Solo violin: Christina Åstrand
In January 2018, The Danish Broadcast Corporation (DR) aired a concert called “The Morricone Duel” performed by The Danish National Symphony Orchestra /DR SymfoniOrkestret, The Danish National Concert Choir with various soloists conducted by Sarah Hicks.
The score is available on all regular Streaming-Platforms.
The music performed was titles from a wide range of western movies and mafia movies reflecting different perspectives on an Italian-American movie and film music style.
Featured composers were Ennio Morricone, Bernard Herrmann, Nino Rota and Sonny Bono with music from films by Sergio Leone, Quentin Tarantino, Brian DePalma and Francis Ford Coppola.
Set design design: Nikolaj Trap
Light design: Mikael Sylvest
Arranged and orchestrated by Martin Nygaard & Nicolai Abrahamsen
Director of photography: Karsten Andersen
Executive Producer, idea and concept: Nicolai Abrahamsen
Performed and recorded in DR Koncerthuset 2018
https://wn.com/The_Godfather_–_Orchestral_Suite_The_Danish_National_Symphony_Orchestra_(Live)
#TheMorriconeDuel #FilmMusicLive
The Godfather – Orchestral Suite
Composed by Nino Rota
Melodica: Jakob Weber
Mandolin: Mads Kjølby
Solo violin: Christina Åstrand
In January 2018, The Danish Broadcast Corporation (DR) aired a concert called “The Morricone Duel” performed by The Danish National Symphony Orchestra /DR SymfoniOrkestret, The Danish National Concert Choir with various soloists conducted by Sarah Hicks.
The score is available on all regular Streaming-Platforms.
The music performed was titles from a wide range of western movies and mafia movies reflecting different perspectives on an Italian-American movie and film music style.
Featured composers were Ennio Morricone, Bernard Herrmann, Nino Rota and Sonny Bono with music from films by Sergio Leone, Quentin Tarantino, Brian DePalma and Francis Ford Coppola.
Set design design: Nikolaj Trap
Light design: Mikael Sylvest
Arranged and orchestrated by Martin Nygaard & Nicolai Abrahamsen
Director of photography: Karsten Andersen
Executive Producer, idea and concept: Nicolai Abrahamsen
Performed and recorded in DR Koncerthuset 2018
- published: 26 Jan 2018
- views: 68028114
5:56
‘Pirates of the Caribbean’ - Liverpool Philharmonic at the Royal Albert Hall | Classic FM Live
Drink up, me hearties! The Royal Liverpool Philharmonic Orchestra and Jamie Phillips perform Klaus Badelt's thrilling music for 'Pirates of the Caribbean' at th...
Drink up, me hearties! The Royal Liverpool Philharmonic Orchestra and Jamie Phillips perform Klaus Badelt's thrilling music for 'Pirates of the Caribbean' at the Royal Albert Hall for Classic FM Live, with a fireworks finale.
Classic FM Live was a Hall of Fame special, filmed in October 2023. Watch the full spectacular show now on Sky Arts.
Subscribe: https://clssicfm.co/SubscribeToClassicFM
- Visit the Classic FM website https://classicfm.com
- Listen to Classic FM https://clssicfm.co/listenlive
Classic FM Playlists
-Classic FM | Discover Instruments: https://bit.ly/2Xy8fGN
-Classic FM | Sessions: https://bit.ly/2OtjvjV
-Classic FM | Explains: https://bit.ly/332UOzS
-Classic FM Hall Of Fame | Top 10: https://bit.ly/35no5af
Classic FM on socials
- Facebook http://facebook.com/classicfm
- Twitter https://twitter.com/ClassicFM
- Instagram https://www.instagram.com/classicfm/
- TikTok https://www.tiktok.com/@classicfm
https://wn.com/‘Pirates_Of_The_Caribbean’_Liverpool_Philharmonic_At_The_Royal_Albert_Hall_|_Classic_Fm_Live
Drink up, me hearties! The Royal Liverpool Philharmonic Orchestra and Jamie Phillips perform Klaus Badelt's thrilling music for 'Pirates of the Caribbean' at the Royal Albert Hall for Classic FM Live, with a fireworks finale.
Classic FM Live was a Hall of Fame special, filmed in October 2023. Watch the full spectacular show now on Sky Arts.
Subscribe: https://clssicfm.co/SubscribeToClassicFM
- Visit the Classic FM website https://classicfm.com
- Listen to Classic FM https://clssicfm.co/listenlive
Classic FM Playlists
-Classic FM | Discover Instruments: https://bit.ly/2Xy8fGN
-Classic FM | Sessions: https://bit.ly/2OtjvjV
-Classic FM | Explains: https://bit.ly/332UOzS
-Classic FM Hall Of Fame | Top 10: https://bit.ly/35no5af
Classic FM on socials
- Facebook http://facebook.com/classicfm
- Twitter https://twitter.com/ClassicFM
- Instagram https://www.instagram.com/classicfm/
- TikTok https://www.tiktok.com/@classicfm
- published: 18 Jan 2024
- views: 2064561
4:53
"Laskar Pelangi" | TRUST (Trinity Youth Symphony Orchestra)
LASKAR PELANGI
TRUST (Trinity Youth Symphony Orchestra)
Conducted by Nathania Karina
Original Song by Nidji & Giring Ganesha
Arrangement by Peter Jonatan
Publ...
LASKAR PELANGI
TRUST (Trinity Youth Symphony Orchestra)
Conducted by Nathania Karina
Original Song by Nidji & Giring Ganesha
Arrangement by Peter Jonatan
Published by Massive Music Entertainment
Executive Producer Yonathan Nugroho for TRINITY OPTIMA PRODUCTION
©TRINITY OPTIMA PRODUCTION 2022
Music Director by Nathania Karina
Recording Director Christofer Tjandra
Recorded & Recording Setup Artsound Studio Jakarta
Edited by Christofer Tjandra & Danezh
Mixed by Eko Sulistiyo
Mastered by Dimas Pradipta
Music Video by Art Bridge Media
From "Hari Ini Indah" Live Concert - Jakarta, 4 June 2022
www.trustorchestra.com
@trustorchestra
https://wn.com/Laskar_Pelangi_|_Trust_(Trinity_Youth_Symphony_Orchestra)
LASKAR PELANGI
TRUST (Trinity Youth Symphony Orchestra)
Conducted by Nathania Karina
Original Song by Nidji & Giring Ganesha
Arrangement by Peter Jonatan
Published by Massive Music Entertainment
Executive Producer Yonathan Nugroho for TRINITY OPTIMA PRODUCTION
©TRINITY OPTIMA PRODUCTION 2022
Music Director by Nathania Karina
Recording Director Christofer Tjandra
Recorded & Recording Setup Artsound Studio Jakarta
Edited by Christofer Tjandra & Danezh
Mixed by Eko Sulistiyo
Mastered by Dimas Pradipta
Music Video by Art Bridge Media
From "Hari Ini Indah" Live Concert - Jakarta, 4 June 2022
www.trustorchestra.com
@trustorchestra
- published: 26 Jul 2022
- views: 2923835
43:25
Tchaikovsky: Symphony No. 6 Pathetique | Dresden Philharmonic & Marek Janowski
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was pe...
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was performed by the Dresden Philharmonic Orchestra conducted by Marek Janowski in this concert at the Kulturpalast Dresden 2019.
(00:00) I. Adagio - Allegro non troppo
(17:32) II. Allegro con grazia
(24:54) III. allegro molto vivace
(33:49) IV. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky (1840 - 1893) took just a few months to compose the Sixth Symphony and he conducted its premiere himself in St. Petersburg on October 28, 1893. Initially Tchaikovsky had called his Sixth 'A Programme Symphony', but after the premiere he unceremoniously gave it the epithet 'Pathetique' – and that is how it has gone down in history.
According to Tchaikovsky, the actual program is full of subjective emotions and is meant to remain a mystery. The 6th Symphony is characterized by a mixture of conventional symphonic structure and certain tragic features. Tragic, for example, is the key of B minor, which is considered somber, and the motif of the falling second, which runs through the entire work like a lament. The sweeping third movement, which seems like a triumphant finale, is surpassed by the fourth movement, which has always been interpreted as a requiem that Tchaikovsky wrote to himself in advance since the Russian composer died only a few days after the premiere of his Symphony No. 6, which received a restrained response.
The second performance of the Pathétique, on the other hand, was a great success, and to this day this frequently performed work is an audience favorite. Tchaikovsky's Pathétique Symphony owes its fame not least to the yearning, melancholy second theme from the first movement (04:32).
© EuroArts Music International
Watch more concerts in your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic
#tchaikovsky #pathetique #symphony
https://wn.com/Tchaikovsky_Symphony_No._6_Pathetique_|_Dresden_Philharmonic_Marek_Janowski
Tchaikovsky's Symphony No. 6 in B minor, Op. 74, also known as 'Pathétique', is one of the very great symphonies in the history of music. The famous work was performed by the Dresden Philharmonic Orchestra conducted by Marek Janowski in this concert at the Kulturpalast Dresden 2019.
(00:00) I. Adagio - Allegro non troppo
(17:32) II. Allegro con grazia
(24:54) III. allegro molto vivace
(33:49) IV. Finale: Adagio lamentoso
Pyotr Ilyich Tchaikovsky (1840 - 1893) took just a few months to compose the Sixth Symphony and he conducted its premiere himself in St. Petersburg on October 28, 1893. Initially Tchaikovsky had called his Sixth 'A Programme Symphony', but after the premiere he unceremoniously gave it the epithet 'Pathetique' – and that is how it has gone down in history.
According to Tchaikovsky, the actual program is full of subjective emotions and is meant to remain a mystery. The 6th Symphony is characterized by a mixture of conventional symphonic structure and certain tragic features. Tragic, for example, is the key of B minor, which is considered somber, and the motif of the falling second, which runs through the entire work like a lament. The sweeping third movement, which seems like a triumphant finale, is surpassed by the fourth movement, which has always been interpreted as a requiem that Tchaikovsky wrote to himself in advance since the Russian composer died only a few days after the premiere of his Symphony No. 6, which received a restrained response.
The second performance of the Pathétique, on the other hand, was a great success, and to this day this frequently performed work is an audience favorite. Tchaikovsky's Pathétique Symphony owes its fame not least to the yearning, melancholy second theme from the first movement (04:32).
© EuroArts Music International
Watch more concerts in your personal concert hall: https://www.youtube.com/playlist?list=PL_SdnzPd3eBV5A14dyRWy1KSkwcG8LEey
Subscribe to DW Classical Music: https://www.youtube.com/dwclassicalmusic
#tchaikovsky #pathetique #symphony
- published: 17 Oct 2021
- views: 1846767
-
Brett Dean - Piano Concerto (Gneixendorf Music - A Winter's Journey) (2019)
Brett Dean (*1961)
Piano Concerto (Gneixendorf Music - A Winter's Journey) (2019)
Jonathan Biss, piano
Swedish Radio Symphony Orchestra
David Afkham, conductor
Composer information:
https://www.boosey.com/composer/Brett+Dean
Publisher information:
https://tinyurl.com/um7sosj
This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at fukbot75(at)hotmail(dot)com before submitting a report to Youtube. Then I will delete the video as soon as possible.
published: 19 Mar 2020
-
Brett Dean - Viola Concerto (Official Score Video)
Listen and follow along with our B&H Study Score Video featuring the official publisher's score of Brett Dean's Viola Concerto, set to a recording by Sydney Symphony, conductor Simone Young, and the composer himself as soloist.
------------
Escucha y sigue con nuestro vídeo de la partitura de estudio de B&H, presentando la partitura oficial de la editora musical del Concierto para Viola de Brett Dean, con una grabación por la Sinfónica de Sydney, la conductora Simone Young, y el propio compositor como solista.
More info on Dean's Viola Concerto: https://bit.ly/DeanViolaConcertoInfo
Watch our other Study Score videos: https://www.youtube.com/playlist?list=PLUr1r_wAANZGIh64QnTvQUtx84SAOvaE0
Music:
Viola Concerto
Composed by Brett Dean
Performed by Brett Dean, viola, Sydney Symphony, and Si...
published: 03 Sep 2021
-
Score Reading 101 with Brett Dean
Composer, conductor, and violist Brett Dean gives us advice on how to read orchestral scores. Check out his tips for zooming out to see the shape of the musical lines and how different instruments interact, then watch the B&H score video for Brett Dean's Viola Concerto here: https://youtu.be/_FHV1-J8Bl8
Music:
Viola Concerto
Composed by Brett Dean
Performed by Brett Dean, viola, Sydney Symphony, and Simone Young
Courtesy of BIS Records
The recording of Brett Dean’s Viola Concerto is available from BIS (BIS-1696 SACD). Purchase the album here: https://www.eclassical.com/dean-brett/brett-dean-composer-and-performer.html
published: 08 Sep 2021
-
Brett Dean: Viola Concerto [Lawrence Power]
Brett Dean (b. 1961): Viola Concerto (2004)
00:25 - I. Fragment
03:15 - II. Pursuit
14:36 - III. Veiled and Mysterious
(28:00 Brett Dean on stage)
Performers:
-Lawrence Power, viola (Antonio Brensi, Bologna, c.1590)
-Nicholas Collon, conductor
-Radio sinfoniaorkesteri
//
“I've often mused upon the fact that so much music written for the viola is characterised by a particular sense of melancholy, invariably coupled with a busy, dogged brand of defiance or even gruffness. While we violists may look with a certain envy upon the joyous abandon of the finale of Tchaikovsky's Violin concerto, the high drama of the entry of the violin in the Brahms Concerto or the sheer, wide-screen magnificence of the Dvorak or Elgar Cello Concertos, we have a particular voice that is uniquely ours, and...
published: 21 Oct 2022
-
Hamlet by Brett Dean - Act II - Ophelia
Full opera here: bit.ly/HamletBrettDean
Subscribe to our channel for more videos http://ow.ly/ugONZ
Hamlet - Brett Dean
Barbara Hannigan: Ophelia
Sarah Connolly: Gertrude
Neil Armfield: Stage director
Ralph Myers: Set designer
Alice Babidge: Costume designer
London Philharmonic Orchestra
The Glyndebourne Chorus
Vladimir Jurowski: Conductor
Opera recorded at Glyndebourne (Lewes, Great Britain), on July 6, 2017 19:00
© François Roussillon et Associés / Glyndebourne – avec la participation de France Télévisions
Follow medici.tv on:
| Facebook : https://www.facebook.com/medicitv
| Twitter : https://twitter.com/medicitv
| Instagram : https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an un...
published: 13 Jul 2017
-
Brett Dean - Electric Preludes, for electric violin and strings (2012)
00:00 I. Abandoned Playground: Wide, reverberant arpeggios open onto furtive dense textures in the strings, slowly growing more frenzied (1:43) before returning to a solemn, open sound (2:21)
04:00 II. Topography - Papunya: The electric violin sneaks out of an eerie "spectral drone". The solo and orchestra gradually assert themselves more on a harsh downward motif, before the solo flies off into the extreme upper registers (6:41)
06:59 III. Peripeteia: A rapid frenzy of irregular rhythms in the solo electric violin, opposes an unrelenting beating drive in the orchestra
08:21 IV. The beyonds of mirrors: The electric violin, with an otherworldly theremin-like sound, sings over a kaleidoscope of descending lines.
10:43 (Really this part is just awesome!) The movement ends violently with heavi...
published: 29 Oct 2023
-
Highlights of Brett Dean's Stringquintet "Epitaphs" at a concert in Berlin
German cellist Alban Gerhardt will be interviewing wonderful Australian composer Brett Dean tomorrow, March 6, at 18:00 CET (Berlin/Madrid) exlusively for his patrons in a livestream on his Patreon channel - here some "highlights" from the performance of his stellar string quintet "Epitaphs" which he performed last year at Berlin's Radialsystem - with Gergana Gergova, Baiba Skride, Micha Afkham and Brett Dean playing the second viola himself.
This will be after talks with Jean-Guihen Queyras, Johannes Moser and Julian Anderson his fourth "AlbanTalk" which are all available here: http://www.patreon.com/albangerhardt - please feel free to join in case you might be interested in the other content like all his Daily routines, How to vibrate, How to ricochet, How to memorize, How to fix proble...
published: 05 Mar 2021
-
Brett Dean - Equality
Brett Dean - Equality (2004)
Live from the Sydney International Piano Competition, July 2016.
published: 07 Feb 2017
-
Richard Tognetti & Brett Dean talk violins - Australian Chamber Orchestra
Australian Chamber Orchestra Artistic Director and Lead Violin Richard Tognetti and composer Brett Dean discuss electric and acoustic violins. Richard demonstrates the sound of each.
http://www.aco.com.au
published: 22 Feb 2013
-
Brett Dean – How do you start writing a new piece?
Episode 4 from The Studio: New LPO Composer in Residence Brett Dean discusses how he begins to compose a new work. When generating new ideas, quantity over quality is the key! #GetInspired #Creativity #MakingMusic #YoungMusician #YoungComposer
This video is part of The Studio, an online platform for the LPO Soundworks community, sharing insights from industry professionals across the arts, and creative resources for young musicians. LPO Soundworks is a programme for young people aged 14-19, uniting musicians with talented experts from other art forms, to collaborate and create performance pieces at various points across the year.
published: 21 Jul 2020
24:42
Brett Dean - Piano Concerto (Gneixendorf Music - A Winter's Journey) (2019)
Brett Dean (*1961)
Piano Concerto (Gneixendorf Music - A Winter's Journey) (2019)
Jonathan Biss, piano
Swedish Radio Symphony Orchestra
David Afkham, conductor...
Brett Dean (*1961)
Piano Concerto (Gneixendorf Music - A Winter's Journey) (2019)
Jonathan Biss, piano
Swedish Radio Symphony Orchestra
David Afkham, conductor
Composer information:
https://www.boosey.com/composer/Brett+Dean
Publisher information:
https://tinyurl.com/um7sosj
This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at fukbot75(at)hotmail(dot)com before submitting a report to Youtube. Then I will delete the video as soon as possible.
https://wn.com/Brett_Dean_Piano_Concerto_(Gneixendorf_Music_A_Winter's_Journey)_(2019)
Brett Dean (*1961)
Piano Concerto (Gneixendorf Music - A Winter's Journey) (2019)
Jonathan Biss, piano
Swedish Radio Symphony Orchestra
David Afkham, conductor
Composer information:
https://www.boosey.com/composer/Brett+Dean
Publisher information:
https://tinyurl.com/um7sosj
This video has a purpose of promotion, not for profit.
If you have any complaints about copyright issues, please write me a direct message at fukbot75(at)hotmail(dot)com before submitting a report to Youtube. Then I will delete the video as soon as possible.
- published: 19 Mar 2020
- views: 4172
25:38
Brett Dean - Viola Concerto (Official Score Video)
Listen and follow along with our B&H Study Score Video featuring the official publisher's score of Brett Dean's Viola Concerto, set to a recording by Sydney Sym...
Listen and follow along with our B&H Study Score Video featuring the official publisher's score of Brett Dean's Viola Concerto, set to a recording by Sydney Symphony, conductor Simone Young, and the composer himself as soloist.
------------
Escucha y sigue con nuestro vídeo de la partitura de estudio de B&H, presentando la partitura oficial de la editora musical del Concierto para Viola de Brett Dean, con una grabación por la Sinfónica de Sydney, la conductora Simone Young, y el propio compositor como solista.
More info on Dean's Viola Concerto: https://bit.ly/DeanViolaConcertoInfo
Watch our other Study Score videos: https://www.youtube.com/playlist?list=PLUr1r_wAANZGIh64QnTvQUtx84SAOvaE0
Music:
Viola Concerto
Composed by Brett Dean
Performed by Brett Dean, viola, Sydney Symphony, and Simone Young
Courtesy of BIS Records
#BHStudyScores
https://wn.com/Brett_Dean_Viola_Concerto_(Official_Score_Video)
Listen and follow along with our B&H Study Score Video featuring the official publisher's score of Brett Dean's Viola Concerto, set to a recording by Sydney Symphony, conductor Simone Young, and the composer himself as soloist.
------------
Escucha y sigue con nuestro vídeo de la partitura de estudio de B&H, presentando la partitura oficial de la editora musical del Concierto para Viola de Brett Dean, con una grabación por la Sinfónica de Sydney, la conductora Simone Young, y el propio compositor como solista.
More info on Dean's Viola Concerto: https://bit.ly/DeanViolaConcertoInfo
Watch our other Study Score videos: https://www.youtube.com/playlist?list=PLUr1r_wAANZGIh64QnTvQUtx84SAOvaE0
Music:
Viola Concerto
Composed by Brett Dean
Performed by Brett Dean, viola, Sydney Symphony, and Simone Young
Courtesy of BIS Records
#BHStudyScores
- published: 03 Sep 2021
- views: 30938
3:17
Score Reading 101 with Brett Dean
Composer, conductor, and violist Brett Dean gives us advice on how to read orchestral scores. Check out his tips for zooming out to see the shape of the musical...
Composer, conductor, and violist Brett Dean gives us advice on how to read orchestral scores. Check out his tips for zooming out to see the shape of the musical lines and how different instruments interact, then watch the B&H score video for Brett Dean's Viola Concerto here: https://youtu.be/_FHV1-J8Bl8
Music:
Viola Concerto
Composed by Brett Dean
Performed by Brett Dean, viola, Sydney Symphony, and Simone Young
Courtesy of BIS Records
The recording of Brett Dean’s Viola Concerto is available from BIS (BIS-1696 SACD). Purchase the album here: https://www.eclassical.com/dean-brett/brett-dean-composer-and-performer.html
https://wn.com/Score_Reading_101_With_Brett_Dean
Composer, conductor, and violist Brett Dean gives us advice on how to read orchestral scores. Check out his tips for zooming out to see the shape of the musical lines and how different instruments interact, then watch the B&H score video for Brett Dean's Viola Concerto here: https://youtu.be/_FHV1-J8Bl8
Music:
Viola Concerto
Composed by Brett Dean
Performed by Brett Dean, viola, Sydney Symphony, and Simone Young
Courtesy of BIS Records
The recording of Brett Dean’s Viola Concerto is available from BIS (BIS-1696 SACD). Purchase the album here: https://www.eclassical.com/dean-brett/brett-dean-composer-and-performer.html
- published: 08 Sep 2021
- views: 5939
29:36
Brett Dean: Viola Concerto [Lawrence Power]
Brett Dean (b. 1961): Viola Concerto (2004)
00:25 - I. Fragment
03:15 - II. Pursuit
14:36 - III. Veiled and Mysterious
(28:00 Brett Dean on stage)
Performe...
Brett Dean (b. 1961): Viola Concerto (2004)
00:25 - I. Fragment
03:15 - II. Pursuit
14:36 - III. Veiled and Mysterious
(28:00 Brett Dean on stage)
Performers:
-Lawrence Power, viola (Antonio Brensi, Bologna, c.1590)
-Nicholas Collon, conductor
-Radio sinfoniaorkesteri
//
“I've often mused upon the fact that so much music written for the viola is characterised by a particular sense of melancholy, invariably coupled with a busy, dogged brand of defiance or even gruffness. While we violists may look with a certain envy upon the joyous abandon of the finale of Tchaikovsky's Violin concerto, the high drama of the entry of the violin in the Brahms Concerto or the sheer, wide-screen magnificence of the Dvorak or Elgar Cello Concertos, we have a particular voice that is uniquely ours, and a very telling and touching one it is too.
Largely deprived of such masterworks of the classical and romantic periods, viola players generally tend to embrace the music of the 20th and 21st centuries with greater passion than our violin and cello playing colleagues.
Here, the solo viola repertoire undoubtedly also has its moments of joy and vigorously positive energy. The last movements of the Bartok concerto and of Hindemith's "Schwanendreher", for example, both lend the viola a folk-inspired voice of singular freshness and exuberance. But when it comes to finding the true essence of the viola's character, these are perhaps exceptions rather than the rule.
So it is then a unique privilege and challenge to have the opportunity to now approach the form of the viola concerto as both composer and performer. Above all, it filled me with thoughts about my own relationship with this curiously beautiful, somewhat enigmatic instrument of my choosing. Due to the unusually hands-on directness of writing a concerto for oneself, it also inspired thoughts upon the workings of music itself, removed from any sense of external programmatic influences or stories which inform so many of my other pieces.
Hence this work is simply entitled Viola Concerto.
More by coincidence than design, the piece follows the traditional concerto shape of three movements. Having completed the substantial second and third movements, I felt the piece required a "scene setting" of some kind. Thus, the work begins with "Fragment", a brief visit to a delicate sound world in which some of the work's main motives and instrumental colours are introduced in the orchestra, eventually enticing a high, floating cantilena response from the soloist.
"Fragment" however serves merely as a short satellite of serenity before the orchestra tumbles into the longer second movement, "Pursuit". As its name implies, this is a restless ride for all concerned, presenting the solo viola as a harried, lonely figure fighting against the latent threat of the orchestra, which seems only too keen to burst in and have its say whenever it gets the opportunity. A solo cadenza of bird-call inspired flageolets and high C-string yearnings forms a fleeting central reprieve before the chase resumes.
This is music of jagged virtuosity and rhythmic edginess, the kind of hybrid that might have arisen if Paul Hindemith had played in a band with Tom Waits...
The piece closes with "Veiled and Mysterious", an extended elegy in which the viola sings an unfolding "Klagelied" over icy sonorities of solo celli and bowed percussion. After a passage of sudden stillness and delicate question marks in the solo voice, the viola's line develops again in intensity, eventually awakening the orchestra into action, taking over from the viola to emerge in a large scale tutti section in which statements from throughout the piece are thrown into a melting pot, by turns stark and lyric. Out of the remnants of this material, the solitary figure of the viola solo resurfaces in an atmosphere of conciliation and dreaminess. Accompanied by the weaving lines of oboe and cor anglais, the viola, no longer hassled and pursued, guides us to a peaceful, if somewhat ambivalent conclusion with a revisiting of the bird- like harmonics from the middle movement.”
~Brett Dean, 2005
https://wn.com/Brett_Dean_Viola_Concerto_Lawrence_Power
Brett Dean (b. 1961): Viola Concerto (2004)
00:25 - I. Fragment
03:15 - II. Pursuit
14:36 - III. Veiled and Mysterious
(28:00 Brett Dean on stage)
Performers:
-Lawrence Power, viola (Antonio Brensi, Bologna, c.1590)
-Nicholas Collon, conductor
-Radio sinfoniaorkesteri
//
“I've often mused upon the fact that so much music written for the viola is characterised by a particular sense of melancholy, invariably coupled with a busy, dogged brand of defiance or even gruffness. While we violists may look with a certain envy upon the joyous abandon of the finale of Tchaikovsky's Violin concerto, the high drama of the entry of the violin in the Brahms Concerto or the sheer, wide-screen magnificence of the Dvorak or Elgar Cello Concertos, we have a particular voice that is uniquely ours, and a very telling and touching one it is too.
Largely deprived of such masterworks of the classical and romantic periods, viola players generally tend to embrace the music of the 20th and 21st centuries with greater passion than our violin and cello playing colleagues.
Here, the solo viola repertoire undoubtedly also has its moments of joy and vigorously positive energy. The last movements of the Bartok concerto and of Hindemith's "Schwanendreher", for example, both lend the viola a folk-inspired voice of singular freshness and exuberance. But when it comes to finding the true essence of the viola's character, these are perhaps exceptions rather than the rule.
So it is then a unique privilege and challenge to have the opportunity to now approach the form of the viola concerto as both composer and performer. Above all, it filled me with thoughts about my own relationship with this curiously beautiful, somewhat enigmatic instrument of my choosing. Due to the unusually hands-on directness of writing a concerto for oneself, it also inspired thoughts upon the workings of music itself, removed from any sense of external programmatic influences or stories which inform so many of my other pieces.
Hence this work is simply entitled Viola Concerto.
More by coincidence than design, the piece follows the traditional concerto shape of three movements. Having completed the substantial second and third movements, I felt the piece required a "scene setting" of some kind. Thus, the work begins with "Fragment", a brief visit to a delicate sound world in which some of the work's main motives and instrumental colours are introduced in the orchestra, eventually enticing a high, floating cantilena response from the soloist.
"Fragment" however serves merely as a short satellite of serenity before the orchestra tumbles into the longer second movement, "Pursuit". As its name implies, this is a restless ride for all concerned, presenting the solo viola as a harried, lonely figure fighting against the latent threat of the orchestra, which seems only too keen to burst in and have its say whenever it gets the opportunity. A solo cadenza of bird-call inspired flageolets and high C-string yearnings forms a fleeting central reprieve before the chase resumes.
This is music of jagged virtuosity and rhythmic edginess, the kind of hybrid that might have arisen if Paul Hindemith had played in a band with Tom Waits...
The piece closes with "Veiled and Mysterious", an extended elegy in which the viola sings an unfolding "Klagelied" over icy sonorities of solo celli and bowed percussion. After a passage of sudden stillness and delicate question marks in the solo voice, the viola's line develops again in intensity, eventually awakening the orchestra into action, taking over from the viola to emerge in a large scale tutti section in which statements from throughout the piece are thrown into a melting pot, by turns stark and lyric. Out of the remnants of this material, the solitary figure of the viola solo resurfaces in an atmosphere of conciliation and dreaminess. Accompanied by the weaving lines of oboe and cor anglais, the viola, no longer hassled and pursued, guides us to a peaceful, if somewhat ambivalent conclusion with a revisiting of the bird- like harmonics from the middle movement.”
~Brett Dean, 2005
- published: 21 Oct 2022
- views: 2740
3:12
Hamlet by Brett Dean - Act II - Ophelia
Full opera here: bit.ly/HamletBrettDean
Subscribe to our channel for more videos http://ow.ly/ugONZ
Hamlet - Brett Dean
Barbara Hannigan: Ophelia
Sarah Conn...
Full opera here: bit.ly/HamletBrettDean
Subscribe to our channel for more videos http://ow.ly/ugONZ
Hamlet - Brett Dean
Barbara Hannigan: Ophelia
Sarah Connolly: Gertrude
Neil Armfield: Stage director
Ralph Myers: Set designer
Alice Babidge: Costume designer
London Philharmonic Orchestra
The Glyndebourne Chorus
Vladimir Jurowski: Conductor
Opera recorded at Glyndebourne (Lewes, Great Britain), on July 6, 2017 19:00
© François Roussillon et Associés / Glyndebourne – avec la participation de France Télévisions
Follow medici.tv on:
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Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 150+ live webcasts each year and 2600+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
https://wn.com/Hamlet_By_Brett_Dean_Act_Ii_Ophelia
Full opera here: bit.ly/HamletBrettDean
Subscribe to our channel for more videos http://ow.ly/ugONZ
Hamlet - Brett Dean
Barbara Hannigan: Ophelia
Sarah Connolly: Gertrude
Neil Armfield: Stage director
Ralph Myers: Set designer
Alice Babidge: Costume designer
London Philharmonic Orchestra
The Glyndebourne Chorus
Vladimir Jurowski: Conductor
Opera recorded at Glyndebourne (Lewes, Great Britain), on July 6, 2017 19:00
© François Roussillon et Associés / Glyndebourne – avec la participation de France Télévisions
Follow medici.tv on:
| Facebook : https://www.facebook.com/medicitv
| Twitter : https://twitter.com/medicitv
| Instagram : https://www.instagram.com/medici.tv/
Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 150+ live webcasts each year and 2600+ videos.
A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
- published: 13 Jul 2017
- views: 13646
21:57
Brett Dean - Electric Preludes, for electric violin and strings (2012)
00:00 I. Abandoned Playground: Wide, reverberant arpeggios open onto furtive dense textures in the strings, slowly growing more frenzied (1:43) before returning...
00:00 I. Abandoned Playground: Wide, reverberant arpeggios open onto furtive dense textures in the strings, slowly growing more frenzied (1:43) before returning to a solemn, open sound (2:21)
04:00 II. Topography - Papunya: The electric violin sneaks out of an eerie "spectral drone". The solo and orchestra gradually assert themselves more on a harsh downward motif, before the solo flies off into the extreme upper registers (6:41)
06:59 III. Peripeteia: A rapid frenzy of irregular rhythms in the solo electric violin, opposes an unrelenting beating drive in the orchestra
08:21 IV. The beyonds of mirrors: The electric violin, with an otherworldly theremin-like sound, sings over a kaleidoscope of descending lines.
10:43 (Really this part is just awesome!) The movement ends violently with heavily distorted, overdriven electric violin ("sound hack").
11:20 V. Perpetuum mobile: A hard-edged unrelentless drive
13:20 Cadenza: An open space is left as the "Perpetuum mobile" cuts out, allowing the solo to fill it with reverb and various electronic effects
17:08 VI. Berceuse: Contrapuntal lines rise out of the very depths of the orchestra, leading to a stratospheric lullaby over hauntingly beautiful string chords (18:43, 19:50). The electric violin slowly descends to its very lowest note (21:09) in a gorgeously bittersweet ending.
It seems fitting that my new work for Richard Tognetti and the ACO, “Electric Preludes”, has been commissioned by Melbourne art curator and gallerist Jan Minchin. My work has always had a strong visual aspect to it, owing much to the long-standing partnership with my wife, Heather Betts, herself a painter. Several of my works, such as “Beggars and Angels” and “Night Window” pay direct homage to the influence of Heather’s remarkable paintings on my own creative life.
These new preludes follow this line of creativity, owing much of their inspiration and development to visual stimuli. Whilst conceived as pieces of pure music, the lines, gestures and energies contained within nevertheless owe much of their ultimate shape to imagery.
Some of these came to my attention by traditional means; seeing the National Gallery of Victoria’s extraordinary exhibition “Tjukurrtjanu: Origins of Western Desert Art” last year, for example, proved to be an especially inspiring encounter. The magical cartographic works of Clifford Possum Tjapaltjarri in particular, displaying such an encyclopaedic knowledge of his country, led directly to the second movement, “Topography-Papunya”, in which the music unfolds as if seen from above, taking in more and more detail as it scans and focuses, joining the dots as it were.
Another prelude was inspired simply by browsing through images on the web. The initial idea for the very opening of the piece, an ascending arpeggio over all six strings of Richard’s Violectra – and its subsequent descending counterpart heard somewhat later, reminded me of a rusty, squeaky swing in an abandoned playground. Just entering those two words in a google image search provided a beautifully wistful gallery of possible narratives and imagined sounds. Try it.
But the most striking image that fired my fantasy throughout the entire compositional process was that of Richard standing with the ACO, his exotic electric fiddle under his chin, taking mere breaths of sound and embryonic motivic shapes and transforming them, with the help of this impressive piece of electronics and sound designer Bob Scott at the mixing desk, filling the hall and enticing the orchestra’s manifold responses.
My heartfelt thanks to Richard and Bob for their invaluable contributions to this joyfully collaborative commission, and to Jan Minchin for her belief in the project and the financial support to allow us to realize it.
—Brett Dean
Composer: Brett Dean (October 23, 1961–)
Electric Violin: Richard Tognetti
Orchestra: Australian Chamber Orchestra
Score available from Boosey and Hawkes: https://www.boosey.com/cr/music/Brett-Dean-Electric-Preludes/57840
How I make my videos: https://github.com/CMajSeven/WorkflowTemplate
Program I develop for this channel: https://github.com/edwardx999/ScoreProcessor
https://wn.com/Brett_Dean_Electric_Preludes,_For_Electric_Violin_And_Strings_(2012)
00:00 I. Abandoned Playground: Wide, reverberant arpeggios open onto furtive dense textures in the strings, slowly growing more frenzied (1:43) before returning to a solemn, open sound (2:21)
04:00 II. Topography - Papunya: The electric violin sneaks out of an eerie "spectral drone". The solo and orchestra gradually assert themselves more on a harsh downward motif, before the solo flies off into the extreme upper registers (6:41)
06:59 III. Peripeteia: A rapid frenzy of irregular rhythms in the solo electric violin, opposes an unrelenting beating drive in the orchestra
08:21 IV. The beyonds of mirrors: The electric violin, with an otherworldly theremin-like sound, sings over a kaleidoscope of descending lines.
10:43 (Really this part is just awesome!) The movement ends violently with heavily distorted, overdriven electric violin ("sound hack").
11:20 V. Perpetuum mobile: A hard-edged unrelentless drive
13:20 Cadenza: An open space is left as the "Perpetuum mobile" cuts out, allowing the solo to fill it with reverb and various electronic effects
17:08 VI. Berceuse: Contrapuntal lines rise out of the very depths of the orchestra, leading to a stratospheric lullaby over hauntingly beautiful string chords (18:43, 19:50). The electric violin slowly descends to its very lowest note (21:09) in a gorgeously bittersweet ending.
It seems fitting that my new work for Richard Tognetti and the ACO, “Electric Preludes”, has been commissioned by Melbourne art curator and gallerist Jan Minchin. My work has always had a strong visual aspect to it, owing much to the long-standing partnership with my wife, Heather Betts, herself a painter. Several of my works, such as “Beggars and Angels” and “Night Window” pay direct homage to the influence of Heather’s remarkable paintings on my own creative life.
These new preludes follow this line of creativity, owing much of their inspiration and development to visual stimuli. Whilst conceived as pieces of pure music, the lines, gestures and energies contained within nevertheless owe much of their ultimate shape to imagery.
Some of these came to my attention by traditional means; seeing the National Gallery of Victoria’s extraordinary exhibition “Tjukurrtjanu: Origins of Western Desert Art” last year, for example, proved to be an especially inspiring encounter. The magical cartographic works of Clifford Possum Tjapaltjarri in particular, displaying such an encyclopaedic knowledge of his country, led directly to the second movement, “Topography-Papunya”, in which the music unfolds as if seen from above, taking in more and more detail as it scans and focuses, joining the dots as it were.
Another prelude was inspired simply by browsing through images on the web. The initial idea for the very opening of the piece, an ascending arpeggio over all six strings of Richard’s Violectra – and its subsequent descending counterpart heard somewhat later, reminded me of a rusty, squeaky swing in an abandoned playground. Just entering those two words in a google image search provided a beautifully wistful gallery of possible narratives and imagined sounds. Try it.
But the most striking image that fired my fantasy throughout the entire compositional process was that of Richard standing with the ACO, his exotic electric fiddle under his chin, taking mere breaths of sound and embryonic motivic shapes and transforming them, with the help of this impressive piece of electronics and sound designer Bob Scott at the mixing desk, filling the hall and enticing the orchestra’s manifold responses.
My heartfelt thanks to Richard and Bob for their invaluable contributions to this joyfully collaborative commission, and to Jan Minchin for her belief in the project and the financial support to allow us to realize it.
—Brett Dean
Composer: Brett Dean (October 23, 1961–)
Electric Violin: Richard Tognetti
Orchestra: Australian Chamber Orchestra
Score available from Boosey and Hawkes: https://www.boosey.com/cr/music/Brett-Dean-Electric-Preludes/57840
How I make my videos: https://github.com/CMajSeven/WorkflowTemplate
Program I develop for this channel: https://github.com/edwardx999/ScoreProcessor
- published: 29 Oct 2023
- views: 4855
4:08
Highlights of Brett Dean's Stringquintet "Epitaphs" at a concert in Berlin
German cellist Alban Gerhardt will be interviewing wonderful Australian composer Brett Dean tomorrow, March 6, at 18:00 CET (Berlin/Madrid) exlusively for his p...
German cellist Alban Gerhardt will be interviewing wonderful Australian composer Brett Dean tomorrow, March 6, at 18:00 CET (Berlin/Madrid) exlusively for his patrons in a livestream on his Patreon channel - here some "highlights" from the performance of his stellar string quintet "Epitaphs" which he performed last year at Berlin's Radialsystem - with Gergana Gergova, Baiba Skride, Micha Afkham and Brett Dean playing the second viola himself.
This will be after talks with Jean-Guihen Queyras, Johannes Moser and Julian Anderson his fourth "AlbanTalk" which are all available here: http://www.patreon.com/albangerhardt - please feel free to join in case you might be interested in the other content like all his Daily routines, How to vibrate, How to ricochet, How to memorize, How to fix problems with the bowarm, How to play Bach, 16 40-min videos of me learning two different pieces from scratch, four PlayTalks in which he slowly works through so far the first movements of the Dvorak, Schumann and Haydn D Major Concerto and explain his take on them - and much more! On top of it it's easy to cancel with no strings attached 😉
https://wn.com/Highlights_Of_Brett_Dean's_Stringquintet_Epitaphs_At_A_Concert_In_Berlin
German cellist Alban Gerhardt will be interviewing wonderful Australian composer Brett Dean tomorrow, March 6, at 18:00 CET (Berlin/Madrid) exlusively for his patrons in a livestream on his Patreon channel - here some "highlights" from the performance of his stellar string quintet "Epitaphs" which he performed last year at Berlin's Radialsystem - with Gergana Gergova, Baiba Skride, Micha Afkham and Brett Dean playing the second viola himself.
This will be after talks with Jean-Guihen Queyras, Johannes Moser and Julian Anderson his fourth "AlbanTalk" which are all available here: http://www.patreon.com/albangerhardt - please feel free to join in case you might be interested in the other content like all his Daily routines, How to vibrate, How to ricochet, How to memorize, How to fix problems with the bowarm, How to play Bach, 16 40-min videos of me learning two different pieces from scratch, four PlayTalks in which he slowly works through so far the first movements of the Dvorak, Schumann and Haydn D Major Concerto and explain his take on them - and much more! On top of it it's easy to cancel with no strings attached 😉
- published: 05 Mar 2021
- views: 897
4:06
Brett Dean - Equality
Brett Dean - Equality (2004)
Live from the Sydney International Piano Competition, July 2016.
Brett Dean - Equality (2004)
Live from the Sydney International Piano Competition, July 2016.
https://wn.com/Brett_Dean_Equality
Brett Dean - Equality (2004)
Live from the Sydney International Piano Competition, July 2016.
- published: 07 Feb 2017
- views: 3355
2:02
Richard Tognetti & Brett Dean talk violins - Australian Chamber Orchestra
Australian Chamber Orchestra Artistic Director and Lead Violin Richard Tognetti and composer Brett Dean discuss electric and acoustic violins. Richard demonstra...
Australian Chamber Orchestra Artistic Director and Lead Violin Richard Tognetti and composer Brett Dean discuss electric and acoustic violins. Richard demonstrates the sound of each.
http://www.aco.com.au
https://wn.com/Richard_Tognetti_Brett_Dean_Talk_Violins_Australian_Chamber_Orchestra
Australian Chamber Orchestra Artistic Director and Lead Violin Richard Tognetti and composer Brett Dean discuss electric and acoustic violins. Richard demonstrates the sound of each.
http://www.aco.com.au
- published: 22 Feb 2013
- views: 4552
2:03
Brett Dean – How do you start writing a new piece?
Episode 4 from The Studio: New LPO Composer in Residence Brett Dean discusses how he begins to compose a new work. When generating new ideas, quantity over qual...
Episode 4 from The Studio: New LPO Composer in Residence Brett Dean discusses how he begins to compose a new work. When generating new ideas, quantity over quality is the key! #GetInspired #Creativity #MakingMusic #YoungMusician #YoungComposer
This video is part of The Studio, an online platform for the LPO Soundworks community, sharing insights from industry professionals across the arts, and creative resources for young musicians. LPO Soundworks is a programme for young people aged 14-19, uniting musicians with talented experts from other art forms, to collaborate and create performance pieces at various points across the year.
https://wn.com/Brett_Dean_–_How_Do_You_Start_Writing_A_New_Piece
Episode 4 from The Studio: New LPO Composer in Residence Brett Dean discusses how he begins to compose a new work. When generating new ideas, quantity over quality is the key! #GetInspired #Creativity #MakingMusic #YoungMusician #YoungComposer
This video is part of The Studio, an online platform for the LPO Soundworks community, sharing insights from industry professionals across the arts, and creative resources for young musicians. LPO Soundworks is a programme for young people aged 14-19, uniting musicians with talented experts from other art forms, to collaborate and create performance pieces at various points across the year.
- published: 21 Jul 2020
- views: 386