- published: 16 Apr 2017
- views: 157511
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Andreas Tomalla (born 13 March 1963), better known by his stage name Talla 2XLC, is an electronic music producer and DJ whose work has spanned from industrial music to trance music.
In 1980, Talla 2XLC began DJing with the sounds of Kraftwerk, YMO, and Depeche Mode.
In 1984, Talla 2XLC started a small nightclub event called Technoclub, the first such club in Frankfurt to focus on electronic dance music. Initially, Technoclub was a Friday-night event held in the smaller, 350-person capacity room of the Dorian Gray discothèque inside the Frankfurt International Airport. In 1986, Technoclub moved to the 600-capacity Roxannes, where it remained through 1988. In 1989, it briefly moved to the 800- or 900-capacity Omen venue, then in September 1989 to the Dorian Gray's 2000-capacity main room, where it remained until the Dorian Gray closed in 2000. Technoclub may have been the world’s first major "super-club".
In the mid-1980s, he was involved with a band called Moskwa TV. In 1987 he co-founded the group Robotiko Rejekto and was associated with the fledgling record label Techno Drome International, an imprint of ZYX Records. Robotiko Rejekto's track "Rejekto" was one of the label's first releases. In 1988, he started a new project called Bigod 20, which would go on to be one of Europe’s most successful EBM acts of the early 1990s.
► Trance Revival, Live DJ Set: TALLA 2XLC - http://www.talla2xlc.com https://www.facebook.com/talla2xlcfansite https://soundcloud.com/talla2xlc ► WEBSITE: https://www.clubsounds.de ► FACEBOOK: https://www.facebook.com/clubsounds ► TWITTER: https://twitter.com/club_sounds ► Alle News & Infos auch auf www.ELECTRONIC-DANCE.net : ► FACEBOOK: https://www.facebook.com/3lectronicDance.net ► BROADCAST LIVE TV: http://www.electronic-dance.tv ► RADIO: http://www.electronic-dance.fm ► Electronic-Dance App: - AppStore (iOS): http://appstore.electronic-dance.fm - Google Play: http://android.electronic-dance.fm ►►► Check auch unsere offizielle CLUB SOUNDS TV Gruppe auf FACEBOOK: Link || Quelle: https://www.facebook.com/groups/clubsoundstv ► EDELFETTWERK Hamburg: http://www.edelfettwerk.de/ ht...
Style: Trance DJ: Talla 2XLC Title: Tetsuo Sessions Date: 05-09-2012 Tracklist: 01. Push - Universal Nation 02. Nils van Gogh - Pulverturm 03. Electric Nature - Electric Nature 04. KayCee - Millenium Stringz 05. Taucher - Child of the Universe 06. Emmanuel Top - Acid Phase 07. Viper - Titty Twister 08. Talla 2XLC - 8/15 to Nowhere (Taucher rmx) 09. Ayla - Ayla (Taucher rmx) 10. Sosa - The Wave (Taucher rmx) 11. Little Jam - Black Hill 12. Taucher battles Talla - Nightshift 13. Paul van Dyk - For an Angel 14. Rank 1 - Airwave
RMB Feat. Talla 2XLC – Spring Label: Zeitgeist – 9808257 Country: Germany Released: 04 Aug 2003 Genre: Electronic Style: Hard Trance, Progressive House IF YOU ARE THE COPYRIGHT OWNER AND WANT ME TO REMOVE THE VIDEO, PLEASE CONTACT ME AND I WILL DELETE IT IN 24HRS
Check out A State Of Trance Radio on Spotify: http://bit.ly/ArminASOTRadio_SP Listen or download: https://WAO138101.lnk.to/HelixYA Subscribe to A State Of Trance: http://bit.ly/SubscribeASOT Dropped onto Who’s Afraid Of 138?! by none other than Talla2XLC and Allen Watts, ‘Helix’ gets straight down to business. Spiraling out of control as if it were a whirlwind, this cut is so monumentally uplifting and superbly melodious it’s going to do severe dance floor damage wherever it ventures. Connect with A State Of Trance ▶https://www.facebook.com/astateoftrance ▶https://twitter.com/asot ▶https://soundcloud.com/astateoftrance
Hallo Liebe Musicfreunde, nach etwas längerer Pause geht es nun endlich weiter, mit dem Musikunterricht mit Jens Lissat. Ich freue mich ganz besonders meinen Frankfurter Freund & Kollegen „ Talla 2XLC“ zu begrüssen. Talla der quasi das Wort „Techno“ für eine Musikrichtung erfunden hat, wird uns Einblicke in ein aufregendes DJ Leben präsentieren. Er steht seit nunmehr 40 Jahren an den Decks! Er ist Macher des „TECHNO CLUB“, Frankfurt, Trance Legende und Betreiber diverser ehemaliger Dance, Trance und Techno Labels! Wir nehmen euch mit auf eine Reise durch die elektronsiche Musik! Wir bedanken uns bei unseren Sponsoren, Pioneer DJ, Reloop - Solutions for DJs, NATIVE INSTRUMENTS und ganz besonders bei: DeinTVstudio für die Produktion! Die Sendungen werden in 5 Teilen präsentiert, und im ...
Talla 2XLC – What Time Is Love Label: Urban Country: UK & Europe Released: 19 May 1997 Genre: Electronic Style: Trance, Progressive Trance IF YOU ARE THE COPYRIGHT OWNER AND WANT ME TO REMOVE THE VIDEO, PLEASE CONTACT ME AND I WILL DELETE IT IN 24HRS
Andreas Tomalla (born 13 March 1963), better known by his stage name Talla 2XLC, is an electronic music producer and DJ whose work has spanned from industrial music to trance music.
In 1980, Talla 2XLC began DJing with the sounds of Kraftwerk, YMO, and Depeche Mode.
In 1984, Talla 2XLC started a small nightclub event called Technoclub, the first such club in Frankfurt to focus on electronic dance music. Initially, Technoclub was a Friday-night event held in the smaller, 350-person capacity room of the Dorian Gray discothèque inside the Frankfurt International Airport. In 1986, Technoclub moved to the 600-capacity Roxannes, where it remained through 1988. In 1989, it briefly moved to the 800- or 900-capacity Omen venue, then in September 1989 to the Dorian Gray's 2000-capacity main room, where it remained until the Dorian Gray closed in 2000. Technoclub may have been the world’s first major "super-club".
In the mid-1980s, he was involved with a band called Moskwa TV. In 1987 he co-founded the group Robotiko Rejekto and was associated with the fledgling record label Techno Drome International, an imprint of ZYX Records. Robotiko Rejekto's track "Rejekto" was one of the label's first releases. In 1988, he started a new project called Bigod 20, which would go on to be one of Europe’s most successful EBM acts of the early 1990s.