- published: 04 Sep 2008
- views: 16600
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter and musician with a career that began in the 1960s. Diamond has sold over 100 million records worldwide, making him one of the world's best-selling artists of all time. He is the third most successful adult contemporary artist on the Billboard charts behind Elton John and one-time duet partner Barbra Streisand. His songs have been covered internationally by many performers from various musical genres.
Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011. Additionally, he received the Sammy Cahn Lifetime Achievement Award in 2000 and in 2011 was an honoree at Kennedy Center. On the Hot 100 and Adult Contemporary charts, he has had eleven No. 1 singles: "Cracklin' Rosie", "Song Sung Blue", "Longfellow Serenade", "I've Been This Way Before", "If You Know What I Mean", "Desiree", "You Don't Bring Me Flowers", "America", "Yesterday's Songs", "Heartlight" and "I'm a Believer". "Sweet Caroline" is played frequently at sporting events, and has become an anthem for the Boston Red Sox.
Neil Diamond is a Cree filmmaker based in Montreal, Quebec, born and raised in Waskaganish, Quebec. Working with Rezolution Pictures, Diamond has directed the documentary films Reel Injun, The Last Explorer, One More River, Heavy Metal: A Mining Disaster in Northern Quebec and Cree Spoken Here, along with three seasons of DAB IYIYUU, a series for the Aboriginal Peoples Television Network about Cree elders.
In the 2008 docudrama The Last Explorer, Diamond explored the story of his great-uncle George Elson, a Cree guide who helped to map Labrador as part of an ill-fated 1903 expedition with Leonidas Hubbard and Dillon Wallace, and a return voyage in 1905 with Hubbard's widow Mina Hubbard.
As of April 2011, Diamond is developing a project with Inuit filmmaker Zacharias Kunuk about the 18th conflict between Cree and Inuit, which lasted almost a century.
Reel Injun was inspired by Diamond's own experiences as a child in Waskaganish, where he and other Native children would play cowboys and Indians after local screenings of Westerns in their remote community. Diamond remembers that although the children were in fact "Indians," they all wanted to be the cowboys. Afterwards, when he was old enough to move south to study, he would be questioned by non-Native people about whether his people lived in teepees and rode horses, causing Diamond to realize that their preconceptions about Native people were also derived from movies.
12 Songs is the twenty-sixth studio album by Neil Diamond, released in 2005. It was his first album of all-original, all-new material since 2001's Three Chord Opera. It was produced by Rick Rubin and is often erroneously cited as the first Diamond album since the Bang Records era to feature the artist playing acoustic guitar; in truth he played guitar on his Uni/MCA output and his Columbia output, possibly uncredited on most, if not all, albums.
The working title for the album was self-titled. The original pressing of the album was copy-protected using Sony's controversial XCP technology.
Initial work on the album began after Diamond had concluded his tour behind Three Chord Opera in 2002. Retreating to his Colorado cabin, Diamond found himself temporarily snowed in, and started to pass the time away by working on new material.
Not long afterward, Diamond met Rick Rubin. Rubin expressed interest in working with Diamond, and the two got together several times at each other's homes before ever going into the recording studio.
"Puttin' On the Ritz" is a song written by Irving Berlin. He wrote it in May 1927 and first published it in December 2, 1929. It was registered as an unpublished song August 24, 1927 and again on July 27, 1928. It was introduced by Harry Richman and chorus in the musical film Puttin' On the Ritz (1930). According to The Complete Lyrics of Irving Berlin, this was the first song in film to be sung by an interracial ensemble. The title derives from the slang expression "putting on the Ritz," meaning to dress very fashionably. The expression was inspired by the opulent Ritz Hotel.
The song is in AABA form, with a verse. According to John Mueller, the central device in the A section is the "use of delayed rhythmic resolution: a staggering, off-balance passage, emphasized by the unorthodox stresses in the lyric, suddenly resolves satisfyingly on a held note, followed by the forceful assertion of the title phrase." The marchlike B section, which is only barely syncopated, acts as a contrast to the previous rhythmic complexities. According to Alec Wilder, in his study of American popular song, the rhythmic pattern in "Puttin' On the Ritz" is "the most complex and provocative I have ever come upon."
Puttin' On the Ritz (1930) is a musical film, directed by Edward Sloman and starred Harry Richman, Joan Bennett, and James Gleason. The screenplay was written by James Gleason and William K. Wells, based on a story by John W. Considine, Jr.
This was the first of many movies to feature the popular song "Puttin' On the Ritz", written and published by Irving Berlin in 1929.
All current prints derive from a 1940s re-release print that was censored for Pre-Code content and cut down by about twenty minutes. The title cards at the start and end of the film have also been edited and altered. Puttin' On the Ritz was originally shot with two-color Technicolor sequences, but today those sequences partially survive only in black and white.
Neil Diamond
What Neil had to say about this song: This is a track by Neil & Jack. Jack Packer and I were seniors together at Lincoln High School. Jack was a trained singer and we hit it off - he could sing a harmony line above me on the songs I wrote. To me, that was as close to the Everly Brothers as you could possibly get, so we formed a duo that lasted for a year or two. We rehearsed in my basement and we got a recording contract with a label called Duel Records. Duel was a subsidiary of a company whose label read shell Records and Gulf Records. Our records are a gas. What Will I Do? is an attempt at an up-tempo Everly Brothers-type of song. Its not particularly original, but it does show one of the big influences that I was trying to follow. From Duel single Recorded 1960
Neil Leslie Diamond (born January 24, 1941) is an American singer-songwriter and musician with a career that began in the 1960s. Diamond has sold over 100 million records worldwide, making him one of the world's best-selling artists of all time. He is the third most successful adult contemporary artist on the Billboard charts behind Elton John and one-time duet partner Barbra Streisand. His songs have been covered internationally by many performers from various musical genres.
Diamond was inducted into the Songwriters Hall of Fame in 1984 and into the Rock and Roll Hall of Fame in 2011. Additionally, he received the Sammy Cahn Lifetime Achievement Award in 2000 and in 2011 was an honoree at Kennedy Center. On the Hot 100 and Adult Contemporary charts, he has had eleven No. 1 singles: "Cracklin' Rosie", "Song Sung Blue", "Longfellow Serenade", "I've Been This Way Before", "If You Know What I Mean", "Desiree", "You Don't Bring Me Flowers", "America", "Yesterday's Songs", "Heartlight" and "I'm a Believer". "Sweet Caroline" is played frequently at sporting events, and has become an anthem for the Boston Red Sox.
Where I am, what I am
You're the only reason
Held me up, filled my cup,
Had the faith in me and love....
Owe it all to you, knowin' we're in love
There's nothing I can't do
And I'm not afraid to lose my way
'Cause if I walk a crooked street
You're there to lead me home
I've been through bad times
And some times worse
And till I met you 'happy' was just a word
But that all changed the day you came
Now if I walk a crooked street
You're there to lead me home
[Guitar instrumental]
And I'm not afraid to lose my way
'Cause if I walk a crooked street
You're there to lead me home
If I walk a crooked street