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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); var par = el.closest('.playlist_scrollarea'); par.scrollTop(el.offset().top-par.height()/2); } var updateVolumeState = function(){ if(noSoundMode){ if(noSoundMode == 'turn-on'){ clog("Sound is on, vsid="+vp.vsid); vp.setVolumeUnMute(); noSoundMode = false; }else{ clog("Sound is off, vsid="+vp.vsid); vp.setVolumeMute(); noSoundMode = 'turn-on'; } } } var playQueueUpdate = function(){ var playPosition = playQueue[playQueuePosition]; vp.playFromPlaylist(playPosition.video); scrollToPlaylistPosition(vp); playShouldStart = playPosition.start; playShouldStop = playPosition.stop; }; var playQueueAdvancePosition = function(){ clog("Advancing play position..."); playQueuePosition ++; while(playQueuePosition < playQueue.length && !playQueue[playQueuePosition].video){ playQueuePosition ++; } if(playQueuePosition < playQueue.length){ playQueueUpdate(); }else if(vp.getReplayCurrent()){ playQueuePosition = 0; playQueueUpdate(); vp.seekTo(playShouldStart); vp.playVideo(); }else{ vp.pauseVideo(); playShouldStop = null; playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); 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}else{ start_import(); } return true; } if(tab == 'chat'){ update_chat_position($('.chat').eq(0)); window.activeArea = 'chat'; jQuery('.tabtrigger').offscreentabs('activateTab', 'chat'); return true; } if(tab in rev_names){ tab = rev_names[tab]; } if(tab.match(':')){ return false; } var sup = $('ul li a[id=#'+tab+']'); if(sup && sup.length>0){ window.activeArea = area; sup.first().click(); if(!window.activateTabArea(tab, area)){ window.activeArea = null; } window.activeArea = null; return true; }else{ var have_tabs = $('#playlist_menu li').length; if(tab.match(/^playlists?\d+$/)){ var to_add = +tab.substring(8).replace(/^s/,'')-have_tabs; if(to_add>0 && have_tabs){ add_more_videos(to_add); return true; } } } return false; }); window.currentPath = ensure(function(){ return window.lastHistory.replace(basepath, '').split('?')[0]; }); window.main_tab = window.main_tab || 'videos'; window.addHistory = ensure(function(path){ if(window.console && console.log) console.log("Adding to history: "+path); if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Oscar Emmanuel Peterson, CC, CQ, OOnt (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered to have been one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
Peterson was born to immigrants from the West Indies; his father worked as a porter for Canadian Pacific Railway. Peterson grew up in the neighbourhood of Little Burgundy in Montreal, Quebec. It was in this predominantly black neighbourhood that he found himself surrounded by the jazz culture that flourished in the early 20th century. At the age of five, Peterson began honing his skills with the trumpet and piano. However, a bout of tuberculosis when he was seven prevented him from playing the trumpet again, and so he directed all his attention to the piano. His father, Daniel Peterson, an amateur trumpeter and pianist, was one of his first music teachers, and his sister Daisy taught young Oscar classical piano. Young Oscar was persistent at practicing scales and classical études daily, and thanks to such arduous practice he developed his virtuosity.
Porgy and Bess is a 1976 (see 1976 in music) album by Oscar Peterson and Joe Pass featuring music from Gershwin's opera Porgy and Bess. This is the only album on which Peterson plays the clavichord. Pass plays acoustic guitar exclusively.
AllMusic critic Scott Yanow wrote in his review: "The results are novel at first but rather limited on the whole, making one wonder whose bright idea this was."
All compositions by George Gershwin, with all lyrics by Ira Gershwin and DuBose Heyward, except otherwise noted.
Porgy and Bess is an English-language opera composed in 1934 by George Gershwin, with a libretto written by DuBose Heyward and Ira Gershwin from Heyward's novel Porgy and later play of the same title. Porgy and Bess was first performed in New York City on September 30, 1935, and featured an entire cast of classically trained African-American singers—a daring artistic choice at the time. After suffering from an initially unpopular public reception due in part to its racially charged theme, the Houston Grand Opera production of the opera in 1976 gained it new popularity, eventually becoming one of the best-known and most frequently performed operas.
Gershwin read Porgy in 1926 and proposed that he should collaborate with Heyward on Porgy and Bess. In 1934, Gershwin and Heyward began work on the project by visiting the author's native Charleston. Gershwin explained why he called Porgy and Bess a folk opera in a 1935 New York Times article: "Porgy and Bess is a folk tale. Its people naturally would sing folk music. When I first began work in the music I decided against the use of original folk material because I wanted the music to be all of one piece. Therefore I wrote my own spirituals and folksongs. But they are still folk music – and therefore, being in operatic form, Porgy and Bess becomes a folk opera." The libretto of Porgy and Bess tells the story of Porgy, a disabled black beggar living in the slums of Charleston, South Carolina. It deals with his attempts to rescue Bess from the clutches of Crown, her violent and possessive lover, and Sportin' Life, the drug dealer. Where the earlier novel and stage-play differ, the opera generally follows the stage-play.
Porgy and Bess (2006), first studio cast recording directly based on the original 1935 production of George Gershwin's opera Porgy and Bess. This studio recording originated as several semi-staged performances which took place on February 24 and 25, 2006 at the Tennessee Performing Arts Center in Nashville, with Alvy Powell as Porgy, Marquita Lister as Bess, Nicole Cabell as Clara and Robert Mack as Sportin' Life. The Nashville Symphony Orchestra was conducted by John Mauceri. The recording incorporates changes Gershwin made to his original score after its first publication, which were not discovered until 1987.
This album is a 1950 recording of selections from George Gershwin's opera Porgy and Bess, sung by the noted opera stars Robert Merrill and Risë Stevens. The album featured no black singers at all, even though the opera was written for a mostly African-American cast (the whites in the opera speak, but do not sing). It was recorded by RCA Victor on September 12 and September 13, 1950. The album was originally released on one twelve-inch 331⁄3 rpm LP with the catalog number LM 1124.
Naxos Records re-released the album on CD along with the complete 1951 recording, though the Naxos CD omitted the chorus number "Gone, Gone Gone". (Naxos 8.110287-88)
Joe Pass (born Joseph Anthony Jacobi Passalacqua, January 13, 1929 – May 23, 1994) was an American virtuoso jazz guitarist of Sicilian descent. He is generally considered to be one of the greatest jazz guitarists of the 20th century. His extensive use of walking basslines, melodic counterpoint during improvisation, use of a chord-melody style of playing and outstanding knowledge of chord inversions and progressions opened up new possibilities for the jazz guitar and had a profound influence on later guitarists.
Born in New Brunswick, New Jersey, Joe Pass, the son of Mariano Passalacqua, a Sicilian-born steel mill worker, was raised in Johnstown, Pennsylvania. He received his first guitar, a Harmony model bought for $17, on his 9th birthday. Pass' father recognized early that his son had "a little something happening" and pushed him constantly to pick up tunes by ear, play pieces not written specifically for the instrument, practice scales and not to "leave any spaces" - that is, to fill in the sonic space between the notes of the melody.
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