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Karlheinz Stockhausen - Pole (1/2)
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the composition...
published: 05 Nov 2011
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Karlheinz Stockhausen: Poles for 2 - Natascha Nikeprelevic, Michael Vetter
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Second Live-Performance at Tonhalle Zürich, October 2008. Excerpt from the Integral Version. Karlheinz Stockhausen: POLES for 2 (1970)
Voices and shortwave-receivers: Michael Vetter and Natascha Nikeprelevic .
CD: http://www.natascha-nikeprelevic.de/en/discography/
Watch also:
EXPO rehearsal: http://www.youtube.com/watch?v=IzNbYQ2eXow
EXPO for 3: http://www.youtube.com/watch?v=a-o6eM6J03w
DOWNLOAD MUSIC: http://nataschanike.bandcamp.com/
ARTIST-PAGE: http://www.natasch...
published: 19 Nov 2009
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Poles - Karlheinz Stockhausen
Karlheinz Stockhausen Poles
Performed at ZKM on 10/03/2018
Flute: Camilla Hoitenga (USA-Germany)
Synthesizer: Taavi Kerikmäe (Estonia)
Spatialization: Francisco Colasanto (Argentina - México)
https://zkm.de/en/event/2018/03/pole
published: 28 May 2018
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Karlheinz Stockhausen - Pole (2/2)
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the compos...
published: 05 Nov 2011
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Karlheinz Stockhausen - Spiral - Pole - Version Elektronium Und Elektrochord
Karlheinz Stockhausen
"Pole - Version Elektronium Und Elektrochord"
Spiral / Wach / Japan / Pole
1973
published: 05 Oct 2012
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Pole
Provided to YouTube by Warner Classics
Pole · Harald Bojé
Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan
℗ 1973 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2009 Warner Classics, Warner Music UK Ltd
Electronics: Harald Boje
Conductor: Peter Eötvös
Composer: Karlheinz Stockhausen
Auto-generated by YouTube.
published: 23 Jul 2017
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Karlheinz Stockhausen - Spiral - version Electrochord
Karlheinz Stockhausen
"Spiral - version Electronium"
Spiral / Wach / Japan / Pole
1973
published: 05 Oct 2012
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Karlheinz Stockhausen EXPO for 3 - Natascha Nikeprelevic, Michael Vetter, F.X.Randomiz
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Excerpt of the world premiere of the integral version performed in August 2013.
Composition for 3 Solists with shortwave-receivers. Musicians: Michael Vetter - Natascha Nikeprelevic - F.X.Randomiz.
CD available here: https://www.paypal.com/de/cgi-bin/webscr?cmd=_flow&SESSION=BK73Ti7-wCXzqPBZL32vUb8sLv8Zkr6Hw6MQzZf9U8gnuhN1Rd5DdWcVrge&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b61f737ba21b08198d8562aa8a3da7ac30bbfba73b3e80dcc
In this work, compos...
published: 11 Apr 2014
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Karlheinz Stockhausen EXPO for 3 (Final Rehearsal) Nikeprelevic/Vetter/F.X.Randomiz
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Excerpt of the final rehearsal of the integral version of EXPO for 3 (Karlheinz Stockhausen) performed in August 2013.
You are seeing/listening the section 7 - 8 , event numbers 46 to 56 of the score.
CD will be out within the next month.
Musicians: Michael Vetter - Natascha Nikeprelevic - F.X.Randomiz.
In this work, composition and improvisation are programmatically interwoven, and parts of live radio broadcasts have to be integrated and transformed.
It was important for u...
published: 17 Apr 2014
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Karlheinz Stockhausen - Pole live at Kakadubar@StaatstheaterMainz
published: 24 Feb 2024
11:03
Karlheinz Stockhausen - Pole (1/2)
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is t...
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same".
Pole was composed in Bali in February 1970, at that time under the working title of Duo. Between 14 March and 14 September 1970, Pole was played and sung over a thousand times at Expo '70 in Osaka, Japan, in daily performances by twenty different musicians including the composer. The score is dedicated to Harald Bojé and Péter Eötvös, who played in the majority of the early performances, as well as making a number of radio recordings and a commercially released recording.
Pole consists of a sequence of approximately 200 events, grouped into seven sections divided in the score by wavy barlines. Stockhausen explained that in pieces like this, "the first step is always that of imitating something and the next step is that of transforming what you're able to imitate".
Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or "parameters"): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters. Despite this indeterminacy, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect. To the signs previously used in Prozession, Kurzwellen, Spiral, and Expo Stockhausen adds some new ones and, for the first time, notated the sound-projectionist part which had been left to improvisation in the earlier pieces. At Expo '70, these movements were accomplished using a "rotation mill"—a small box with a crank on the top, like a small coffee grinder. The spherical auditorium of the German Pavilion literally had poles, one above and the other below the audience platform at the "equator". Boldface plus and minus signs represent the zenith and nadir. The sounds of the two soloists are initially placed at the opposite poles (which may be the front and back of the hall, in ordinary spaces, distributed ovet eight or more channels). At first these sounds occasionally dip toward each other, and then fan out over their respective axes, followed by stairstepping back and forth over independent paths in three dimensions in a breathtaking spatial experience. [wikipedia.org]
Art by Roy Lichtenstein
https://wn.com/Karlheinz_Stockhausen_Pole_(1_2)
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same".
Pole was composed in Bali in February 1970, at that time under the working title of Duo. Between 14 March and 14 September 1970, Pole was played and sung over a thousand times at Expo '70 in Osaka, Japan, in daily performances by twenty different musicians including the composer. The score is dedicated to Harald Bojé and Péter Eötvös, who played in the majority of the early performances, as well as making a number of radio recordings and a commercially released recording.
Pole consists of a sequence of approximately 200 events, grouped into seven sections divided in the score by wavy barlines. Stockhausen explained that in pieces like this, "the first step is always that of imitating something and the next step is that of transforming what you're able to imitate".
Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or "parameters"): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters. Despite this indeterminacy, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect. To the signs previously used in Prozession, Kurzwellen, Spiral, and Expo Stockhausen adds some new ones and, for the first time, notated the sound-projectionist part which had been left to improvisation in the earlier pieces. At Expo '70, these movements were accomplished using a "rotation mill"—a small box with a crank on the top, like a small coffee grinder. The spherical auditorium of the German Pavilion literally had poles, one above and the other below the audience platform at the "equator". Boldface plus and minus signs represent the zenith and nadir. The sounds of the two soloists are initially placed at the opposite poles (which may be the front and back of the hall, in ordinary spaces, distributed ovet eight or more channels). At first these sounds occasionally dip toward each other, and then fan out over their respective axes, followed by stairstepping back and forth over independent paths in three dimensions in a breathtaking spatial experience. [wikipedia.org]
Art by Roy Lichtenstein
- published: 05 Nov 2011
- views: 5454
3:56
Karlheinz Stockhausen: Poles for 2 - Natascha Nikeprelevic, Michael Vetter
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020...
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Second Live-Performance at Tonhalle Zürich, October 2008. Excerpt from the Integral Version. Karlheinz Stockhausen: POLES for 2 (1970)
Voices and shortwave-receivers: Michael Vetter and Natascha Nikeprelevic .
CD: http://www.natascha-nikeprelevic.de/en/discography/
Watch also:
EXPO rehearsal: http://www.youtube.com/watch?v=IzNbYQ2eXow
EXPO for 3: http://www.youtube.com/watch?v=a-o6eM6J03w
DOWNLOAD MUSIC: http://nataschanike.bandcamp.com/
ARTIST-PAGE: http://www.natascha-nikeprelevic.de/en/
FACEBOOK: http://www.facebook.com/Natascha.Nikeprelevic
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Semin…/Sounding_2020.html
Michael Vetter:" "POLES for 2" is something like a dialogue, which presumes that there are polar positions which should be experienced by transcending one's musical as well as one's existential limitations.
Because everything happens as musical structure, there does not exist "good" or "bad", but only "Plus" and "Minus". And in fact: the notation of the work consists mainly out of Plus- and Minus-signs, which have to be related in any vertical and horizontal combination to the main musical parameters.
"POLES for 2" as a musical a capella theatre done together with the avantgarde vocalist Natascha Nikeprelevic presents the piece as a great structural dialogue between male and female aspects of existence, reminding in a thoroughly poetic way on the philosophy of Jing and Yang."
Due to Karlheinz Stockhausens death December 2007 and his 80th birthday August 2008 I decided to prepare the first integral performance of his piece: "POLES FOR 2" (the world premiere happend at "Musique au Chateaux" - E&H Foundation in Autigny/Suisse at 26th of October 2008). Actually he composed this work already in the beginning of 1970 and travelled with it and me as its interpreter through many different countries; the performances realised always just ca. 20 minutes lasting parts of it. Never the less, only the entire 1,5hour lasting work of the integral version in its unity is able to show the dramatic complexity of being music and theatre at the same time.
Natascha Nikeprelevic
artist-website: http://www.natascha-nikeprelevic.de/
facebook: http://www.facebook.com/Natascha.Nikeprelevic
download music: http://nataschanike.bandcamp.com/
youtube-channel: https://www.youtube.com/user/mrUruguru
https://wn.com/Karlheinz_Stockhausen_Poles_For_2_Natascha_Nikeprelevic,_Michael_Vetter
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Second Live-Performance at Tonhalle Zürich, October 2008. Excerpt from the Integral Version. Karlheinz Stockhausen: POLES for 2 (1970)
Voices and shortwave-receivers: Michael Vetter and Natascha Nikeprelevic .
CD: http://www.natascha-nikeprelevic.de/en/discography/
Watch also:
EXPO rehearsal: http://www.youtube.com/watch?v=IzNbYQ2eXow
EXPO for 3: http://www.youtube.com/watch?v=a-o6eM6J03w
DOWNLOAD MUSIC: http://nataschanike.bandcamp.com/
ARTIST-PAGE: http://www.natascha-nikeprelevic.de/en/
FACEBOOK: http://www.facebook.com/Natascha.Nikeprelevic
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Semin…/Sounding_2020.html
Michael Vetter:" "POLES for 2" is something like a dialogue, which presumes that there are polar positions which should be experienced by transcending one's musical as well as one's existential limitations.
Because everything happens as musical structure, there does not exist "good" or "bad", but only "Plus" and "Minus". And in fact: the notation of the work consists mainly out of Plus- and Minus-signs, which have to be related in any vertical and horizontal combination to the main musical parameters.
"POLES for 2" as a musical a capella theatre done together with the avantgarde vocalist Natascha Nikeprelevic presents the piece as a great structural dialogue between male and female aspects of existence, reminding in a thoroughly poetic way on the philosophy of Jing and Yang."
Due to Karlheinz Stockhausens death December 2007 and his 80th birthday August 2008 I decided to prepare the first integral performance of his piece: "POLES FOR 2" (the world premiere happend at "Musique au Chateaux" - E&H Foundation in Autigny/Suisse at 26th of October 2008). Actually he composed this work already in the beginning of 1970 and travelled with it and me as its interpreter through many different countries; the performances realised always just ca. 20 minutes lasting parts of it. Never the less, only the entire 1,5hour lasting work of the integral version in its unity is able to show the dramatic complexity of being music and theatre at the same time.
Natascha Nikeprelevic
artist-website: http://www.natascha-nikeprelevic.de/
facebook: http://www.facebook.com/Natascha.Nikeprelevic
download music: http://nataschanike.bandcamp.com/
youtube-channel: https://www.youtube.com/user/mrUruguru
- published: 19 Nov 2009
- views: 10764
38:26
Poles - Karlheinz Stockhausen
Karlheinz Stockhausen Poles
Performed at ZKM on 10/03/2018
Flute: Camilla Hoitenga (USA-Germany)
Synthesizer: Taavi Kerikmäe (Estonia)
Spatialization: Franc...
Karlheinz Stockhausen Poles
Performed at ZKM on 10/03/2018
Flute: Camilla Hoitenga (USA-Germany)
Synthesizer: Taavi Kerikmäe (Estonia)
Spatialization: Francisco Colasanto (Argentina - México)
https://zkm.de/en/event/2018/03/pole
https://wn.com/Poles_Karlheinz_Stockhausen
Karlheinz Stockhausen Poles
Performed at ZKM on 10/03/2018
Flute: Camilla Hoitenga (USA-Germany)
Synthesizer: Taavi Kerikmäe (Estonia)
Spatialization: Francisco Colasanto (Argentina - México)
https://zkm.de/en/event/2018/03/pole
- published: 28 May 2018
- views: 596
11:03
Karlheinz Stockhausen - Pole (2/2)
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole...
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same".
Pole was composed in Bali in February 1970, at that time under the working title of Duo. Between 14 March and 14 September 1970, Pole was played and sung over a thousand times at Expo '70 in Osaka, Japan, in daily performances by twenty different musicians including the composer. The score is dedicated to Harald Bojé and Péter Eötvös, who played in the majority of the early performances, as well as making a number of radio recordings and a commercially released recording.
Pole consists of a sequence of approximately 200 events, grouped into seven sections divided in the score by wavy barlines. Stockhausen explained that in pieces like this, "the first step is always that of imitating something and the next step is that of transforming what you're able to imitate".
Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or "parameters"): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters. Despite this indeterminacy, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect. To the signs previously used in Prozession, Kurzwellen, Spiral, and Expo Stockhausen adds some new ones and, for the first time, notated the sound-projectionist part which had been left to improvisation in the earlier pieces. At Expo '70, these movements were accomplished using a "rotation mill"—a small box with a crank on the top, like a small coffee grinder. The spherical auditorium of the German Pavilion literally had poles, one above and the other below the audience platform at the "equator". Boldface plus and minus signs represent the zenith and nadir. The sounds of the two soloists are initially placed at the opposite poles (which may be the front and back of the hall, in ordinary spaces, distributed ovet eight or more channels). At first these sounds occasionally dip toward each other, and then fan out over their respective axes, followed by stairstepping back and forth over independent paths in three dimensions in a breathtaking spatial experience. [wikipedia.org]
Art by Roy Lichtenstein
https://wn.com/Karlheinz_Stockhausen_Pole_(2_2)
Pole, for singers, players & shortwave receivers (1969-1970)
Harald Bojé, electronium & shortwave radio
Peter Eötvös, electrochord & shortwave radio
Pole is the last in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Pole and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Expo for three), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts. The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same".
Pole was composed in Bali in February 1970, at that time under the working title of Duo. Between 14 March and 14 September 1970, Pole was played and sung over a thousand times at Expo '70 in Osaka, Japan, in daily performances by twenty different musicians including the composer. The score is dedicated to Harald Bojé and Péter Eötvös, who played in the majority of the early performances, as well as making a number of radio recordings and a commercially released recording.
Pole consists of a sequence of approximately 200 events, grouped into seven sections divided in the score by wavy barlines. Stockhausen explained that in pieces like this, "the first step is always that of imitating something and the next step is that of transforming what you're able to imitate".
Each plus, minus, or equal sign indicates that, upon repetition of an event, the performer is to increase, decrease, or maintain the same level in one of four musical dimensions (or "parameters"): overall duration of the event, number of internal subdivisions, dynamic level, or pitch register/range. It is up to the performer to decide which of these dimensions is to be affected, except that vertically stacked signs must be applied to different parameters. Despite this indeterminacy, a large number of plus signs (for example) will result in successive events becoming longer, more finely subdivided, louder, and either higher or wider in range; a large number of minus signs will produce the reverse effect. To the signs previously used in Prozession, Kurzwellen, Spiral, and Expo Stockhausen adds some new ones and, for the first time, notated the sound-projectionist part which had been left to improvisation in the earlier pieces. At Expo '70, these movements were accomplished using a "rotation mill"—a small box with a crank on the top, like a small coffee grinder. The spherical auditorium of the German Pavilion literally had poles, one above and the other below the audience platform at the "equator". Boldface plus and minus signs represent the zenith and nadir. The sounds of the two soloists are initially placed at the opposite poles (which may be the front and back of the hall, in ordinary spaces, distributed ovet eight or more channels). At first these sounds occasionally dip toward each other, and then fan out over their respective axes, followed by stairstepping back and forth over independent paths in three dimensions in a breathtaking spatial experience. [wikipedia.org]
Art by Roy Lichtenstein
- published: 05 Nov 2011
- views: 1596
23:12
Karlheinz Stockhausen - Spiral - Pole - Version Elektronium Und Elektrochord
Karlheinz Stockhausen
"Pole - Version Elektronium Und Elektrochord"
Spiral / Wach / Japan / Pole
1973
Karlheinz Stockhausen
"Pole - Version Elektronium Und Elektrochord"
Spiral / Wach / Japan / Pole
1973
https://wn.com/Karlheinz_Stockhausen_Spiral_Pole_Version_Elektronium_Und_Elektrochord
Karlheinz Stockhausen
"Pole - Version Elektronium Und Elektrochord"
Spiral / Wach / Japan / Pole
1973
- published: 05 Oct 2012
- views: 1461
22:05
Pole
Provided to YouTube by Warner Classics
Pole · Harald Bojé
Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan
℗ 1973 Warner Classics, Warner Music UK L...
Provided to YouTube by Warner Classics
Pole · Harald Bojé
Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan
℗ 1973 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2009 Warner Classics, Warner Music UK Ltd
Electronics: Harald Boje
Conductor: Peter Eötvös
Composer: Karlheinz Stockhausen
Auto-generated by YouTube.
https://wn.com/Pole
Provided to YouTube by Warner Classics
Pole · Harald Bojé
Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan
℗ 1973 Warner Classics, Warner Music UK Ltd Digital remastering (p) 2009 Warner Classics, Warner Music UK Ltd
Electronics: Harald Boje
Conductor: Peter Eötvös
Composer: Karlheinz Stockhausen
Auto-generated by YouTube.
- published: 23 Jul 2017
- views: 665
17:35
Karlheinz Stockhausen - Spiral - version Electrochord
Karlheinz Stockhausen
"Spiral - version Electronium"
Spiral / Wach / Japan / Pole
1973
Karlheinz Stockhausen
"Spiral - version Electronium"
Spiral / Wach / Japan / Pole
1973
https://wn.com/Karlheinz_Stockhausen_Spiral_Version_Electrochord
Karlheinz Stockhausen
"Spiral - version Electronium"
Spiral / Wach / Japan / Pole
1973
- published: 05 Oct 2012
- views: 2035
3:43
Karlheinz Stockhausen EXPO for 3 - Natascha Nikeprelevic, Michael Vetter, F.X.Randomiz
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020...
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Excerpt of the world premiere of the integral version performed in August 2013.
Composition for 3 Solists with shortwave-receivers. Musicians: Michael Vetter - Natascha Nikeprelevic - F.X.Randomiz.
CD available here: https://www.paypal.com/de/cgi-bin/webscr?cmd=_flow&SESSION=BK73Ti7-wCXzqPBZL32vUb8sLv8Zkr6Hw6MQzZf9U8gnuhN1Rd5DdWcVrge&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b61f737ba21b08198d8562aa8a3da7ac30bbfba73b3e80dcc
In this work, composition and improvisation are programmatically interwoven, and parts of live radio broadcasts have to be integrated and transformed.
It was important for us not to sample the two voices (Vetter/Nikeprelevic) and not to modify them with live electronics in any way.
Voices and electronics stood face to face in their pure forms and even more: Our artistic approach was to make the voices sound electronic and to have
the electronic sounds take on the more acoustic characteristics of the human voice.
This way, a sound-mixture evolved that made it difficult to differentiate between the vocal and the electronic sounds.
Our world première EXPO for 3 took place on August 4th 2013 in Kürten during the Stockhausen Concerts and Courses Kürten.
Watch also:
EXPO rehearsal: http://www.youtube.com/watch?v=IzNbYQ2eXow
POLES for 2: http://www.youtube.com/watch?v=6J97DeF1cPc
Music-copyright: Stockhausen-Stiftung, 51515 Kürten (www.karlheinzstockhausen.org)
Natascha Nikeprelevic
artist-website: http://www.natascha-nikeprelevic.de/
facebook: http://www.facebook.com/Natascha.Nikeprelevic
download music: http://nataschanike.bandcamp.com/
youtube-channel: https://www.youtube.com/user/mrUruguru
https://wn.com/Karlheinz_Stockhausen_Expo_For_3_Natascha_Nikeprelevic,_Michael_Vetter,_F.X.Randomiz
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Excerpt of the world premiere of the integral version performed in August 2013.
Composition for 3 Solists with shortwave-receivers. Musicians: Michael Vetter - Natascha Nikeprelevic - F.X.Randomiz.
CD available here: https://www.paypal.com/de/cgi-bin/webscr?cmd=_flow&SESSION=BK73Ti7-wCXzqPBZL32vUb8sLv8Zkr6Hw6MQzZf9U8gnuhN1Rd5DdWcVrge&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b61f737ba21b08198d8562aa8a3da7ac30bbfba73b3e80dcc
In this work, composition and improvisation are programmatically interwoven, and parts of live radio broadcasts have to be integrated and transformed.
It was important for us not to sample the two voices (Vetter/Nikeprelevic) and not to modify them with live electronics in any way.
Voices and electronics stood face to face in their pure forms and even more: Our artistic approach was to make the voices sound electronic and to have
the electronic sounds take on the more acoustic characteristics of the human voice.
This way, a sound-mixture evolved that made it difficult to differentiate between the vocal and the electronic sounds.
Our world première EXPO for 3 took place on August 4th 2013 in Kürten during the Stockhausen Concerts and Courses Kürten.
Watch also:
EXPO rehearsal: http://www.youtube.com/watch?v=IzNbYQ2eXow
POLES for 2: http://www.youtube.com/watch?v=6J97DeF1cPc
Music-copyright: Stockhausen-Stiftung, 51515 Kürten (www.karlheinzstockhausen.org)
Natascha Nikeprelevic
artist-website: http://www.natascha-nikeprelevic.de/
facebook: http://www.facebook.com/Natascha.Nikeprelevic
download music: http://nataschanike.bandcamp.com/
youtube-channel: https://www.youtube.com/user/mrUruguru
- published: 11 Apr 2014
- views: 9164
1:20
Karlheinz Stockhausen EXPO for 3 (Final Rehearsal) Nikeprelevic/Vetter/F.X.Randomiz
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020...
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Excerpt of the final rehearsal of the integral version of EXPO for 3 (Karlheinz Stockhausen) performed in August 2013.
You are seeing/listening the section 7 - 8 , event numbers 46 to 56 of the score.
CD will be out within the next month.
Musicians: Michael Vetter - Natascha Nikeprelevic - F.X.Randomiz.
In this work, composition and improvisation are programmatically interwoven, and parts of live radio broadcasts have to be integrated and transformed.
It was important for us not to sample the two voices (Vetter/Nikeprelevic) and not to modify them with live electronics in any way.
Voices and electronics stood face to face in their pure forms and even more: Our artistic approach was to make the voices sound electronic and to have
the electronic sounds take on the more acoustic characteristics of the human voice.
This way, a sound-mixture evolved that made it difficult to differentiate between the vocal and the electronic sounds.
Our world première EXPO for 3 took place on August 4th 2013 in Kürten during the Stockhausen Concerts and Courses Kürten.
Watch also:
EXPO concert: http://www.youtube.com/watch?v=a-o6eM6J03w
POLES for 2: http://www.youtube.com/watch?v=6J97DeF1cPc
Music-copyright: Stockhausen-Stiftung, 51515 Kürten (www.karlheinzstockhausen.org)
Natascha Nikeprelevic
artist-website: http://www.natascha-nikeprelevic.de/
facebook: http://www.facebook.com/Natascha.Nikeprelevic
download music: http://nataschanike.bandcamp.com/
youtube-channel: https://www.youtube.com/user/mrUruguru
https://wn.com/Karlheinz_Stockhausen_Expo_For_3_(Final_Rehearsal)_Nikeprelevic_Vetter_F.X.Randomiz
* Next Seminars by & with Natascha Nikeprelevic:
• Voice & Instrument: August 4th - August 10th 2020.
• Crystal-Clear Overtones: August 12th - August 18th 2020.
Monastery of Music: Info: http://monastery-of-music.acune.de/Seminars/Sounding_2020.html?fbclid=IwAR3fXr0CCGsgJORs37JLx7X96yJB4-4g5nd6wIP8g-_zlzigW-bUGuTmBB0
Excerpt of the final rehearsal of the integral version of EXPO for 3 (Karlheinz Stockhausen) performed in August 2013.
You are seeing/listening the section 7 - 8 , event numbers 46 to 56 of the score.
CD will be out within the next month.
Musicians: Michael Vetter - Natascha Nikeprelevic - F.X.Randomiz.
In this work, composition and improvisation are programmatically interwoven, and parts of live radio broadcasts have to be integrated and transformed.
It was important for us not to sample the two voices (Vetter/Nikeprelevic) and not to modify them with live electronics in any way.
Voices and electronics stood face to face in their pure forms and even more: Our artistic approach was to make the voices sound electronic and to have
the electronic sounds take on the more acoustic characteristics of the human voice.
This way, a sound-mixture evolved that made it difficult to differentiate between the vocal and the electronic sounds.
Our world première EXPO for 3 took place on August 4th 2013 in Kürten during the Stockhausen Concerts and Courses Kürten.
Watch also:
EXPO concert: http://www.youtube.com/watch?v=a-o6eM6J03w
POLES for 2: http://www.youtube.com/watch?v=6J97DeF1cPc
Music-copyright: Stockhausen-Stiftung, 51515 Kürten (www.karlheinzstockhausen.org)
Natascha Nikeprelevic
artist-website: http://www.natascha-nikeprelevic.de/
facebook: http://www.facebook.com/Natascha.Nikeprelevic
download music: http://nataschanike.bandcamp.com/
youtube-channel: https://www.youtube.com/user/mrUruguru
- published: 17 Apr 2014
- views: 2354