- published: 30 Sep 2013
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Charles Édouard Dutoit, (French pronunciation: [ʃaʁl e.dwaːʁ dy.twa]) OC GOQ (born 7 October 1936) is a Swiss conductor, particularly noted for his interpretations of French and Russian 20th-century music. He has made influential modern recordings of Hector Berlioz's Roméo et Juliette and Maurice Ravel's ballets Daphnis et Chloé and Ma mère l'oye. He currently serves as the Principal Conductor and Artistic Director of London's Royal Philharmonic Orchestra.
Dutoit was born in Lausanne, Switzerland, studied there and graduated from the Conservatoire de musique de Genève, where he won first prize in conducting. Then he went to the Accademia Chigiana in Siena by the invitation of Alceo Galliera. In his younger days, he frequently attended Ernest Ansermet's rehearsals and had a personal acquaintance with him. He also worked with Herbert von Karajan at Lucerne as a member of the festival youth orchestra and studied with Charles Munch at Tanglewood. Dutoit began his professional music career in 1957 as a viola player with various orchestras across Europe and South America. In January 1959, he made his debut as a professional conductor with an orchestra of Radio Lausanne and Martha Argerich. From 1959 he was a guest conductor of the Orchestre de la Suisse Romande and the Lausanne Chamber Orchestra. After this, he was the conductor for Radio Zurich until 1967, when he took over the Bern Symphony Orchestra from Paul Kletzki, where he stayed for eleven years.
Pictures at an Exhibition (Russian: Картинки с выставки – Воспоминание о Викторе Гартмане, Kartínki s výstavki – Vospominániye o Víktore Gártmane, Pictures from an Exhibition – A Remembrance of Viktor Hartmann; French: Tableaux d'une exposition) is a suite in ten movements (plus a recurring, varied Promenade) composed for piano by Russian composer Modest Mussorgsky in 1874.
The suite is Mussorgsky's most famous piano composition and has become a showpiece for virtuoso pianists. It has become further known through various orchestrations and arrangements produced by other musicians and composers, with Maurice Ravel's arrangement being the most recorded and performed.
It was probably in 1870 that Mussorgsky met artist and architect Viktor Hartmann. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends. Their meeting was likely arranged by the influential critic Vladimir Stasov who followed both of their careers with interest.
Leopold Stokowski's orchestration of Pictures at an Exhibition by Modest Mussorgsky was completed in 1939 and premiered later that year, on 17 November, by the Philadelphia Orchestra.
Mussorgsky's original 1874 composition was a suite for piano, however, the piece has gained most of its fame through the many orchestrations of it that have been produced. The most popular of these arrangements was completed in 1922 by French composer Maurice Ravel. Stokowski introduced the Ravel orchestration of Pictures to Philadelphia audiences in 1929, but was not fully satisfied with the arrangement, feeling it needed a more Slavic sound. His version was finished 10 years later, without much of the French influence he saw in Ravel's. Stokowski omits two movements, "Tuileries" and "Limoges," because he felt they showed too much French influence and had a suspicion they might have been composed by Nikolai Rimsky-Korsakov, whose 1886 edition was the first published version of Mussorgsky's work.
Pictures at an Exhibition is a suite of ten piano pieces composed by Modest Mussorgsky.
Pictures at an Exhibition may also refer to:
With the original survived pictures of Hartmann. The newer pictures are from Ed Wennink, Netherlands. Karajan on top form .
From the Gewandhaus in Leipzig, Germany Leipzig Gewandhaus Orchestra Kurt Masur - conductor Modest Mussorgsky - Pictures at an Exhibition Orchestration: Sergei Petrovitch Gorchakov Chapters: 0:00 Pictures at an Exhibition 1:33 Promenade 2:53 The Gnome 5:23 Promenade 6:14 The Old Castle 10:33 Promenade 11:00 Tuileries 12:00 Bydlo 14:59 Promenade 15:43 Ballet of the Unhatched Chickens 17:06 Samuel Goldenberg and Schmuyle 19:30 Promenade 20:44 Limoges: The Market Square 22:16 Catacombae (Sepulchrum romanum) 26:08 The Hut on Hen's Legs (Baba-Yaga) 30:00 The Great Gate of Kiev Watch also the piano version performed by Evgeny Kissin: https://youtu.be/rH_Rsl7fjok Subscribe: https://goo.gl/jrui3M
The Oslo Philharmonic with conductor Semyon Bychkov perform Pictures at an Exhibition by Modest Mussorgsky (orchestrated by Maurice Ravel) in Oslo Concert Hall. The recording was made on 27th January 2022. 0:07 Promenade I 1:58 Gnomus 5:00 Promenade II 5:59 The Old Castle 10:38 Promenade III 11:15 Tuileries Gardens 12:22 Bydlo 15:17 Promenade IV 16:06 Ballet of the Unhatched Chicks 17:30 Samuel Goldenberg and Schmuÿle 20:10 The Market of Limoges 21:38 Catacombs 23:53 Cum mortuis in lingua mortua 25:55 The Hut on Fowl's Legs 29:36 The Great Gate of Kiev Video production: Trippel-M Levende Bilder Multicamera director: Ole Sandholt Script: Steinar Yggeseth Music producer: Jørn Pedersen Sound technician: Åsgeir Grong Lighting design: Petter Dahl Nielsen Read about our music...
B&H Study Score Video Series: Listen and follow along with the publisher's score of Modest Mussorgsky’s "Pictures at an Exhibition," orchestrated by Maurice Ravel. *SPECIAL OFFER* Get this score (and any other merchandise) at The Shop at Boosey.com for 20% off when you use the code BHTUBE20 at checkout: http://bit.ly/MoussorgskyScore ------------------------------- Escucha y sigue con nuestro vídeo de la partitura de estudio de B&H, presentando la partitura oficial de la editora musical del "Pictures at an Exhibition" de Modest Mussorgsky, orquestado por Maurice Ravel. 00:04 Promenade 01:52 Gnomus 04:14 Promenade 05:18 Il vecchio castelo 10:00 Promenade 10:28 Tuileries 11:30 Bydlo 14:45 Promenade 15:24 Ballet des poussins dans leurs coques 16:42 Samuel Goldberg und Schmuÿle 19:16 Limog...
Tracklisting --------------------------------------------------------------------- 1. Promenade (1:57) 2. The Gnome (4:18) 3. Promenade (1:23) 4. The Sage (4:42) 5. The Old Castle (2:33) 6. Blues Variation (4:23) 7. Promenade (1:28) 8. The Hut Of Baba Yaga (1:12) 9. The Curse Of Baba Yaga (4:11) 10. The Hut Of Baba Yaga (1:06) 11. The Great Gates Of Kiev (6:37) 12. Nutrocker (4:29) Bonus Track 13. Rondo (Live At Lyceum 1970) (14:30) I don't own copyright : )
Mussorgsky (orch. Ravel) Pictures at an Exhibition with Viktor Hartmann's pictures Promenade 00:00 Gnomus 01:54 Promenade 04:51 Il vecchio castello 05:57 Promenade 10:16 Tuileries 10:52 Bydlo 12:00 Promenade 14:42 Ballet des poussins dans leurs coques 15:26 Samuel Goldberg und Schmuÿle 16:46 Limoges–le Marché 19:20 Catacombs 20:51 Cum mortuis in lingua mortua 22:53 La Cabane sur des pattes de poule (Baba-Yaga) 24:47 La grande porte de Kiev 28:46 Conductor : Gustav Kuhn Tyrolean festival Erl Orchestra From Tyrolean festival Erl 2019 special concert & Ton master : Reinhard Geller & #mussorgsky #tirolerfestspiele #gustavkuhn
Modest Mussorgsky (1839–1881): Pictures at an Exhibition (1874) Encore: Piotr Ilitch Tchaikovsky (1840–1893): Meditation op. 72/5 (1893) Live performed at St. Petersburg Academic Philharmonia D.D. Shostakovitch, 13 June 2019 Recording: A20 Company 0:49 Promenade 2:08 Gnomus 4:42 Promenade 5:31 Il Vecchio Castello 9:40 Promenade 10:04 Les Tuileries 11:05 Bydlo 14:30 Promenade 15:08 Dance of Chickens in their Shells 16:21 Samuel Goldenberg and Schmuyle 18:41 Promenade 19:55 The Market at Limoges 21:19 Catacombe 23:14 Cum Mortuis in Lingua Mortua 25:06 Baba-Yaga 28:26 The Great Gate of Kiev 35:49 Tchaikovsky: Meditation op. 72/5 (Encore)
Live recording from the Chorégies d'Orange - Frankreich, 2002 Evgeny Kissin - piano Modest Mussorgsky - Pictures at an Exhibition: A Remembrance of Viktor Hartmann 0:35 Promenade I 1:47 The Gnome 4:12 Promenade II 5:08 The Old Castle 10:15 Promenade III 10:41 The Tuileries: Children's dispute after play 11:40 Bydlo 14:40 Promenade IV 15:17 Ballet of the unhatched chicks 16:27 Two Polish Jews: Rich and poor 18:39 Promenade V 19:48 The market at Limoges 21:03 Roman Catacombs - With the dead in a dead language 25:37 Baba Yaga: The Witch 28:56 The Heroes Gate at Kiev Subscribe to the channel for more content: https://goo.gl/GLSuto Watch also the orchestral version performed by the Leipzig Gewandhaus Orchestra: https://youtu.be/Sq7Qd9PSmR0
Emerson, Lake & Palmer // Mussorgsky - Pictures At An Exhibition ELP: Keith Emerson, Greg Lake & Karl Palmer.
Charles Édouard Dutoit, (French pronunciation: [ʃaʁl e.dwaːʁ dy.twa]) OC GOQ (born 7 October 1936) is a Swiss conductor, particularly noted for his interpretations of French and Russian 20th-century music. He has made influential modern recordings of Hector Berlioz's Roméo et Juliette and Maurice Ravel's ballets Daphnis et Chloé and Ma mère l'oye. He currently serves as the Principal Conductor and Artistic Director of London's Royal Philharmonic Orchestra.
Dutoit was born in Lausanne, Switzerland, studied there and graduated from the Conservatoire de musique de Genève, where he won first prize in conducting. Then he went to the Accademia Chigiana in Siena by the invitation of Alceo Galliera. In his younger days, he frequently attended Ernest Ansermet's rehearsals and had a personal acquaintance with him. He also worked with Herbert von Karajan at Lucerne as a member of the festival youth orchestra and studied with Charles Munch at Tanglewood. Dutoit began his professional music career in 1957 as a viola player with various orchestras across Europe and South America. In January 1959, he made his debut as a professional conductor with an orchestra of Radio Lausanne and Martha Argerich. From 1959 he was a guest conductor of the Orchestre de la Suisse Romande and the Lausanne Chamber Orchestra. After this, he was the conductor for Radio Zurich until 1967, when he took over the Bern Symphony Orchestra from Paul Kletzki, where he stayed for eleven years.
Promenade
---------
Lead me from tortured dreams
Childhood themes of nights alone,
Wipe away endless years,
childhood tears as dry as stone.
From seeds of confusion,
illusions darks blossoms have grown.
Even now in furrows of sorrow
the dance still is sung.
My life's course is guided
decided by limits drawn
on charts of my past days
and pathways since I was born.
The Sage
--------
I carry the dust of a journey
that cannot be shaken away
It lives deep within me
For I breathe it every day.
You and I are yesterday's answers;
The earth of the past came to flesh,
Eroded by Time's rivers
To the shapes we now possess.
Come share of my breath and my substance,
and mingle our stream and our times.
In bright, infinite moments,
Our reasons are lost in our rhymes.
The Curse of Bab Yaga
---------------------
Doubles faces dark defense
Talk too loud but talk no sense
Yeah I see those smiling eyes
Butter us up with smiling lies
Talk to creatures raise the dead
Fate you know sure got fed
Trained apart from houses of stone
Hour of horses pick the bone
The Great Gates of Kiev
-----------------------
Come forth, from love spire
Born in life's fire,
born in life's fire.
Come forth, from love's spire
In the burning, all are (of our) yearning,
for life to be.
And the pain will (must) be gain,
new life!
Stirring in, salty streams
and dark hidden seams
where the fossil sun gleams.
They were, sent from (to) the gates
Ride the tides of fate,
ride the tides of fate.
They were, sent from (to) the gates
In the burning all are (of our) yearning,
For life to be.
There's no end to my life,
no beginning to my death