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Dvořák: Piano Quintet No. 2, Op. 81 - Janine Jansen - International Chamber Music Festival 2019
Violinists Janine Jansen and Boris Brovtsyn, pianist Lars Vogt, violist Amihai Grosz and cellist Jens Peter Maintz perform Dvořáks 'Piano Quintet No. 2 in A major' during the openings concert of the International Chamber Music Festival 2019 in Utrecht.
On the musical programme:
Antonín Dvořák - Piano Quintet No. 2 in A major, Op. 81, B. 155
- [00:00] Allegro, ma non tanto
- [13:55] Dumka: Andante con moto
- [27:31] Scherzo (Furiant): Molto vivace
- [31:40] Finale: Allegro
The musicians:
Lars Vogt [piano]
Janine Jansen, Boris Brovtsyn [violin]
Amihai Grosz [viola]
Jens Peter Maintz [cello]
Recording: Friday the 27th of December 2019, live in Tivolivredenburg in Utrecht, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://tw...
published: 28 Dec 2019
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Brahms - Piano Quintet in F minor - Lugansky . Repin . Boriso-Glebsky . Gridchuk . Ferrández
Johannes Brahms (1833-1897)
Piano Quintet in F minor, Op. 34 (1864)
Nikolay Lugansky, piano
Vadim Repin, violin
Nikita Boriso-Glebsky, violin
Andrey Gridchuk, viola
Pablo Ferrández, cello
2018, Moscow Philharmonic Society
I.
[0:00] Expos. - Theme 1 (Allegro non troppo)
[1:20] Expos. - Theme 2
[2:51] Expos. - Closing Theme
[3:40] Expos. - Repeat
[7:12] Dev.
[9:40] Recap. - Theme 1
[10:46] Recap. - Theme 2/Closing Theme
[13:07] Coda (Poco Sostenuto - Tempo I)
II.
[14:56] A (Andante, un poco adagio)
[17:03] B
[19:00] A
III.
[22:57] Scherzo (Allegro)
[26:00] Trio
[27:12] Scherzo Reprise
IV.
[30:36] Finale - Intro. (Poco sostenuto)
[32:25] A (Allegro non troppo)
[33:36] B (un pochettino più animato)
[34:46] A’ (Tempo I)
[36:49] B’ (un pochettino più animato)
[38:00] ...
published: 16 Jul 2021
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Martha Argerich plays Schumann Piano Quintet at the Israel Philharmonic - 11.10.18
Schumann Piano Quintet in E-flat Major, op. 44
Martha Argerich in a special chamber concert with members of the Israel Philharmonic Orchestra - 11.10.18
0:00 Allegro brillante
9:31 In modo d'una marcia. Un poco largamente
19:28 Scherzo: Molto vivace
24:13 Allegro ma non troppo
Martha Argerich, pianist
David Radzynski, Dumitru Pochitari, violinists
Miriam Hartman, violist
Linor Katz, cellist
Sound: Rafi Eshel
Video: Culiner Creative Circle
#MarthaArgerich #Schumann #PianoQuintet
published: 09 Jun 2019
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Robert Schumann - Piano Quintet in E flat major, Op. 44
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856)
- Performers: Martha Argerich (piano), Dora Schwarzberg (violin), Lucia Hall (violin), Nobuko Imai (viola), Mischa Maisky (cello)
- Year of recording: 1994
Piano Quintet in E flat major, Op. 44, written in 1842.
00:00 - I. Allegro brillante
09:07 - II. In Modo d'una Marcia. Un poco largamente
18:13 - III. Scherzo. Molto vivace - Trio 1 & 2
22:39 - IV. Allegro, ma non troppo
Robert Schumann's Quintet for piano and strings in E flat major has earned a place of distinction among piano quintets, one of only a handful, including Johannes Brahms' one entry in the genre and Dvorák's Op. 81 [both uploaded on this channel], that are known to more than just a few performers. Although Schumann's merits as a composer of "pure" instrumental m...
published: 10 Dec 2015
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Faure Piano Quintet No.1 in D minor - The Schubert Ensemble
Recorded live at the Tetbury Festival 29th September 2016.
published: 18 Oct 2016
-
Bruch Piano Quintet Complete | Novacek/Yoo/Haas/Banaszek/deMaine | Festival Mozaic 2018
Bruch - Piano Quintet in G minor
Allegro molto moderato
Adagio
Scherzo: Allegro molto
Finale: Allegro agitato
John Novacek, piano
Scott Yoo, violin
Rolf Haas, violin
Maurycy Banaszek, viola
Robert deMaine, cello
Festival Mozaic is an annual celebration of Music on California's Central Coast. Learn more at www.festivalmozaic.com.
Recorded live in concert on July 27, 2018 at the Cuesta College Cultural & Performing Arts Center as part of the 2018 Summer Festival.
San Luis Obispo, California.
All rights reserved.
published: 06 Oct 2018
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"The Trout Quintet: Piano Quintet in A major, D. 667" by Franz Schubert
published: 10 Mar 2021
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Ralph Vaughan Williams - Piano Quintet in C Minor
Ralph Vaughan Williams - Piano Quintet in C Minor (1903-1905)
Performed by the Munich Piano Trio and Friends
Movement One: Allegro con fuoco - 0:00
Movement Two: Andante - 9:06
Movement Three: Fantasia (quasi variazoni). Moderato - 18:27
Sources of Audio -
https://www.youtube.com/watch?v=7sN0qtrpPnE
https://www.youtube.com/watch?v=Pqe7ynWFO9s
https://www.youtube.com/watch?v=Tjo0uw1hLoY
published: 17 Oct 2020
-
Blast from the past: Christoph Irniger Pilgrim Live 2017
A little blast from the past. Christoph Irniger Pilgrim Live at Jazzfestival Schaffhausen 2017
See more: https://www.youtube.com/watch?v=yLcbneKsNNs
https://www.christophirniger.com
https://instagram.com/christophirnigermusic
htttps://www.facebook.com/christophirniger
published: 29 Oct 2024
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Janine Jansen and Friends - Shostakovich: Pianokwintet op.57 - Live Concert - HD
Blijf op de hoogte van al onze video's en meer en abonneer u op onze nieuwsbrief: http://www.avro.nl/user/newsletters.aspx
Sjostakovitjs: Pianokwintet in g, op.57
Janine Jansen, viool
Boris Brovtsyn, viool
Maxim Rysanov, altviool
Torleif Thedéen, cello
Eldar Nebolsin, piano
Opgenomen tijdens het Internationaal Kamermuziekfestival Utrecht 2012, op 30 december in Vredenburg Leidsche Rijn, Utrecht
www.kamermuziekfestival.nl
/
Shostakovich: Piano quintet in g, op.57
Janine Jansen, violin
Boris Brovtsyn, violin
Maxim Rysanov, viola
Torleif Thedéen, cello
Eldar Nebolsin, piano
Recorded during the International Chamber Music Festival Utrecht 2012, on december the 30th in Vredenburg Leidsche Rijn, Utrecht
www.kamermuziekfestival.nl
published: 28 Jan 2013
41:29
Dvořák: Piano Quintet No. 2, Op. 81 - Janine Jansen - International Chamber Music Festival 2019
Violinists Janine Jansen and Boris Brovtsyn, pianist Lars Vogt, violist Amihai Grosz and cellist Jens Peter Maintz perform Dvořáks 'Piano Quintet No. 2 in A maj...
Violinists Janine Jansen and Boris Brovtsyn, pianist Lars Vogt, violist Amihai Grosz and cellist Jens Peter Maintz perform Dvořáks 'Piano Quintet No. 2 in A major' during the openings concert of the International Chamber Music Festival 2019 in Utrecht.
On the musical programme:
Antonín Dvořák - Piano Quintet No. 2 in A major, Op. 81, B. 155
- [00:00] Allegro, ma non tanto
- [13:55] Dumka: Andante con moto
- [27:31] Scherzo (Furiant): Molto vivace
- [31:40] Finale: Allegro
The musicians:
Lars Vogt [piano]
Janine Jansen, Boris Brovtsyn [violin]
Amihai Grosz [viola]
Jens Peter Maintz [cello]
Recording: Friday the 27th of December 2019, live in Tivolivredenburg in Utrecht, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Dvořák_Piano_Quintet_No._2,_Op._81_Janine_Jansen_International_Chamber_Music_Festival_2019
Violinists Janine Jansen and Boris Brovtsyn, pianist Lars Vogt, violist Amihai Grosz and cellist Jens Peter Maintz perform Dvořáks 'Piano Quintet No. 2 in A major' during the openings concert of the International Chamber Music Festival 2019 in Utrecht.
On the musical programme:
Antonín Dvořák - Piano Quintet No. 2 in A major, Op. 81, B. 155
- [00:00] Allegro, ma non tanto
- [13:55] Dumka: Andante con moto
- [27:31] Scherzo (Furiant): Molto vivace
- [31:40] Finale: Allegro
The musicians:
Lars Vogt [piano]
Janine Jansen, Boris Brovtsyn [violin]
Amihai Grosz [viola]
Jens Peter Maintz [cello]
Recording: Friday the 27th of December 2019, live in Tivolivredenburg in Utrecht, The Netherlands.
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 28 Dec 2019
- views: 419145
41:09
Brahms - Piano Quintet in F minor - Lugansky . Repin . Boriso-Glebsky . Gridchuk . Ferrández
Johannes Brahms (1833-1897)
Piano Quintet in F minor, Op. 34 (1864)
Nikolay Lugansky, piano
Vadim Repin, violin
Nikita Boriso-Glebsky, violin
Andrey Gridchuk, ...
Johannes Brahms (1833-1897)
Piano Quintet in F minor, Op. 34 (1864)
Nikolay Lugansky, piano
Vadim Repin, violin
Nikita Boriso-Glebsky, violin
Andrey Gridchuk, viola
Pablo Ferrández, cello
2018, Moscow Philharmonic Society
I.
[0:00] Expos. - Theme 1 (Allegro non troppo)
[1:20] Expos. - Theme 2
[2:51] Expos. - Closing Theme
[3:40] Expos. - Repeat
[7:12] Dev.
[9:40] Recap. - Theme 1
[10:46] Recap. - Theme 2/Closing Theme
[13:07] Coda (Poco Sostenuto - Tempo I)
II.
[14:56] A (Andante, un poco adagio)
[17:03] B
[19:00] A
III.
[22:57] Scherzo (Allegro)
[26:00] Trio
[27:12] Scherzo Reprise
IV.
[30:36] Finale - Intro. (Poco sostenuto)
[32:25] A (Allegro non troppo)
[33:36] B (un pochettino più animato)
[34:46] A’ (Tempo I)
[36:49] B’ (un pochettino più animato)
[38:00] Coda (Tempo I, tranquillo - Presto, non troppo)
“… The combination of string quartet and piano makes the piano quintet a singularly powerful ensemble as it joins two self-sufficient forces in a grand partnership. Occurring far less frequently in the repertoire than string or piano quartets, the great works for this medium are equally singular and powerful coming from the likes of Schumann, Franck, Brahms, Dvořák, Fauré and Shostakovich as the most noteworthy examples. While Brahms's lone Piano Quintet in f minor, Op. 34 is on the short list of masterworks, it assumed its final form only after a great deal of tinkering. It began life in 1861 as a string quintet with two cellos. Brahms eventually destroyed this version and rescored it as a sonata for two pianos. With the feedback from several performances and the advice of his friends Clara Schumann and Joseph Joachim, Brahms finally settled on the present version for piano quintet that he published in 1865. Joachim would declare that it was the finest new chamber music work published since Schubert. A dark, mighty work of tremendous scope, it is generally considered to be Brahms's great chamber music epic completed when he was only thirty-one….”
- Kai Christiansen
https://wn.com/Brahms_Piano_Quintet_In_F_Minor_Lugansky_._Repin_._Boriso_Glebsky_._Gridchuk_._Ferrández
Johannes Brahms (1833-1897)
Piano Quintet in F minor, Op. 34 (1864)
Nikolay Lugansky, piano
Vadim Repin, violin
Nikita Boriso-Glebsky, violin
Andrey Gridchuk, viola
Pablo Ferrández, cello
2018, Moscow Philharmonic Society
I.
[0:00] Expos. - Theme 1 (Allegro non troppo)
[1:20] Expos. - Theme 2
[2:51] Expos. - Closing Theme
[3:40] Expos. - Repeat
[7:12] Dev.
[9:40] Recap. - Theme 1
[10:46] Recap. - Theme 2/Closing Theme
[13:07] Coda (Poco Sostenuto - Tempo I)
II.
[14:56] A (Andante, un poco adagio)
[17:03] B
[19:00] A
III.
[22:57] Scherzo (Allegro)
[26:00] Trio
[27:12] Scherzo Reprise
IV.
[30:36] Finale - Intro. (Poco sostenuto)
[32:25] A (Allegro non troppo)
[33:36] B (un pochettino più animato)
[34:46] A’ (Tempo I)
[36:49] B’ (un pochettino più animato)
[38:00] Coda (Tempo I, tranquillo - Presto, non troppo)
“… The combination of string quartet and piano makes the piano quintet a singularly powerful ensemble as it joins two self-sufficient forces in a grand partnership. Occurring far less frequently in the repertoire than string or piano quartets, the great works for this medium are equally singular and powerful coming from the likes of Schumann, Franck, Brahms, Dvořák, Fauré and Shostakovich as the most noteworthy examples. While Brahms's lone Piano Quintet in f minor, Op. 34 is on the short list of masterworks, it assumed its final form only after a great deal of tinkering. It began life in 1861 as a string quintet with two cellos. Brahms eventually destroyed this version and rescored it as a sonata for two pianos. With the feedback from several performances and the advice of his friends Clara Schumann and Joseph Joachim, Brahms finally settled on the present version for piano quintet that he published in 1865. Joachim would declare that it was the finest new chamber music work published since Schubert. A dark, mighty work of tremendous scope, it is generally considered to be Brahms's great chamber music epic completed when he was only thirty-one….”
- Kai Christiansen
- published: 16 Jul 2021
- views: 109789
34:05
Martha Argerich plays Schumann Piano Quintet at the Israel Philharmonic - 11.10.18
Schumann Piano Quintet in E-flat Major, op. 44
Martha Argerich in a special chamber concert with members of the Israel Philharmonic Orchestra - 11.10.18
0:00 A...
Schumann Piano Quintet in E-flat Major, op. 44
Martha Argerich in a special chamber concert with members of the Israel Philharmonic Orchestra - 11.10.18
0:00 Allegro brillante
9:31 In modo d'una marcia. Un poco largamente
19:28 Scherzo: Molto vivace
24:13 Allegro ma non troppo
Martha Argerich, pianist
David Radzynski, Dumitru Pochitari, violinists
Miriam Hartman, violist
Linor Katz, cellist
Sound: Rafi Eshel
Video: Culiner Creative Circle
#MarthaArgerich #Schumann #PianoQuintet
https://wn.com/Martha_Argerich_Plays_Schumann_Piano_Quintet_At_The_Israel_Philharmonic_11.10.18
Schumann Piano Quintet in E-flat Major, op. 44
Martha Argerich in a special chamber concert with members of the Israel Philharmonic Orchestra - 11.10.18
0:00 Allegro brillante
9:31 In modo d'una marcia. Un poco largamente
19:28 Scherzo: Molto vivace
24:13 Allegro ma non troppo
Martha Argerich, pianist
David Radzynski, Dumitru Pochitari, violinists
Miriam Hartman, violist
Linor Katz, cellist
Sound: Rafi Eshel
Video: Culiner Creative Circle
#MarthaArgerich #Schumann #PianoQuintet
- published: 09 Jun 2019
- views: 159489
29:41
Robert Schumann - Piano Quintet in E flat major, Op. 44
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856)
- Performers: Martha Argerich (piano), Dora Schwarzberg (violin), Lucia Hall (violin), Nobuko Imai (vi...
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856)
- Performers: Martha Argerich (piano), Dora Schwarzberg (violin), Lucia Hall (violin), Nobuko Imai (viola), Mischa Maisky (cello)
- Year of recording: 1994
Piano Quintet in E flat major, Op. 44, written in 1842.
00:00 - I. Allegro brillante
09:07 - II. In Modo d'una Marcia. Un poco largamente
18:13 - III. Scherzo. Molto vivace - Trio 1 & 2
22:39 - IV. Allegro, ma non troppo
Robert Schumann's Quintet for piano and strings in E flat major has earned a place of distinction among piano quintets, one of only a handful, including Johannes Brahms' one entry in the genre and Dvorák's Op. 81 [both uploaded on this channel], that are known to more than just a few performers. Although Schumann's merits as a composer of "pure" instrumental music have been debated, no astute listener can doubt that the E flat Quintet is the product of a most fertile musical imagination -- fresh, buoyant, and inventive. 1842 was Schumann's year of chamber music (as 1840 was that of song): after producing three string quartets, Schumann decided to make a happy synthesis of his recently acquired fluency with strings with the piano -- his native instrument.
- The first movement, marked Allegro brillante, commences with a joyous idea that rings in the ear long after the texture has taken on a gentler tone. Musings on this idea are set against characteristic pianistic figurations before the second theme, a dialogue between the cello and viola takes over. The development section begins in the key of A flat minor in the piano; fragments of melody are voiced by the other players as the music moves into distant harmonic regions. The incessant modulation and fragmentary thematic development are interrupted by a bold assertion of the previously heroic primary theme. Schumann makes little change to his exposition over the course of the recapitulation, only altering a few bars to make the necessary harmonic change, with the second theme, as expected, being re-cast in the tonic instead of dominant.
- In modo d'una Marcia, Un poco largamente is the marking of the following movement, throughout which a funereal atmosphere predominates. The stark, mysterious primary melody is introduced by the first violin against a background of simple quarter notes in the lower registers of the other four instruments. The appearance of the second theme is like a welcome ray of sunlight. Schumann's rhythmic palette produces a magical feeling of stasis, as if time were standing still for a short, delicious time. It was at Felix Mendelssohn's urging that Schumann decided to throw away the A flat major section that originally served as the middle portion of this strange movement and replace it with the furious onslaught in F minor (agitato) that posterity has come to know. Perhaps the most striking moment in the movement is the remarkable, purposefully crass statement by the viola (on its C string) of the primary theme in the middle of the violent triplet activity. The movement is rounded off by a return of the initial march theme, now with a thudding pizzicato background that dies away into a quiet, otherworldly chord.
- The Scherzo, molto vivace, makes a reprise of both the tonality and vivacious character of the first movement. Schumann chooses to use two separate trios in the movement, the first a lyrical canon, and the second a more robust section in A flat minor.
- Some of Schumann's instrumental works conclude with movements that are but pale shadows of their brothers and sisters; not so with the Piano Quintet. From the opening attack in C minor (the percussiveness of which has caught many unwary listeners quite off guard) to the final glorious, contrapuntal conclusion, the composer imbues this finale with so piquant a mixture of verve, anxiety, and delicate lyricism that it must surely be considered the crowning glory of the entire work. The double fugue that serves as a coda to the finale. Taking as its one subject the principal theme of the first movement and as its other subject the principal theme of the last movement, it forms a noble and fitting conclusion.
The piece is dedicated: "Clara Schumann geb. Wieck gewidmet".
https://wn.com/Robert_Schumann_Piano_Quintet_In_E_Flat_Major,_Op._44
- Composer: Robert Schumann (8 June 1810 -- 29 July 1856)
- Performers: Martha Argerich (piano), Dora Schwarzberg (violin), Lucia Hall (violin), Nobuko Imai (viola), Mischa Maisky (cello)
- Year of recording: 1994
Piano Quintet in E flat major, Op. 44, written in 1842.
00:00 - I. Allegro brillante
09:07 - II. In Modo d'una Marcia. Un poco largamente
18:13 - III. Scherzo. Molto vivace - Trio 1 & 2
22:39 - IV. Allegro, ma non troppo
Robert Schumann's Quintet for piano and strings in E flat major has earned a place of distinction among piano quintets, one of only a handful, including Johannes Brahms' one entry in the genre and Dvorák's Op. 81 [both uploaded on this channel], that are known to more than just a few performers. Although Schumann's merits as a composer of "pure" instrumental music have been debated, no astute listener can doubt that the E flat Quintet is the product of a most fertile musical imagination -- fresh, buoyant, and inventive. 1842 was Schumann's year of chamber music (as 1840 was that of song): after producing three string quartets, Schumann decided to make a happy synthesis of his recently acquired fluency with strings with the piano -- his native instrument.
- The first movement, marked Allegro brillante, commences with a joyous idea that rings in the ear long after the texture has taken on a gentler tone. Musings on this idea are set against characteristic pianistic figurations before the second theme, a dialogue between the cello and viola takes over. The development section begins in the key of A flat minor in the piano; fragments of melody are voiced by the other players as the music moves into distant harmonic regions. The incessant modulation and fragmentary thematic development are interrupted by a bold assertion of the previously heroic primary theme. Schumann makes little change to his exposition over the course of the recapitulation, only altering a few bars to make the necessary harmonic change, with the second theme, as expected, being re-cast in the tonic instead of dominant.
- In modo d'una Marcia, Un poco largamente is the marking of the following movement, throughout which a funereal atmosphere predominates. The stark, mysterious primary melody is introduced by the first violin against a background of simple quarter notes in the lower registers of the other four instruments. The appearance of the second theme is like a welcome ray of sunlight. Schumann's rhythmic palette produces a magical feeling of stasis, as if time were standing still for a short, delicious time. It was at Felix Mendelssohn's urging that Schumann decided to throw away the A flat major section that originally served as the middle portion of this strange movement and replace it with the furious onslaught in F minor (agitato) that posterity has come to know. Perhaps the most striking moment in the movement is the remarkable, purposefully crass statement by the viola (on its C string) of the primary theme in the middle of the violent triplet activity. The movement is rounded off by a return of the initial march theme, now with a thudding pizzicato background that dies away into a quiet, otherworldly chord.
- The Scherzo, molto vivace, makes a reprise of both the tonality and vivacious character of the first movement. Schumann chooses to use two separate trios in the movement, the first a lyrical canon, and the second a more robust section in A flat minor.
- Some of Schumann's instrumental works conclude with movements that are but pale shadows of their brothers and sisters; not so with the Piano Quintet. From the opening attack in C minor (the percussiveness of which has caught many unwary listeners quite off guard) to the final glorious, contrapuntal conclusion, the composer imbues this finale with so piquant a mixture of verve, anxiety, and delicate lyricism that it must surely be considered the crowning glory of the entire work. The double fugue that serves as a coda to the finale. Taking as its one subject the principal theme of the first movement and as its other subject the principal theme of the last movement, it forms a noble and fitting conclusion.
The piece is dedicated: "Clara Schumann geb. Wieck gewidmet".
- published: 10 Dec 2015
- views: 841090
24:40
Bruch Piano Quintet Complete | Novacek/Yoo/Haas/Banaszek/deMaine | Festival Mozaic 2018
Bruch - Piano Quintet in G minor
Allegro molto moderato
Adagio
Scherzo: Allegro molto
Finale: Allegro agitato
John Novacek, piano
Scott Yoo, violin
Rolf Haas,...
Bruch - Piano Quintet in G minor
Allegro molto moderato
Adagio
Scherzo: Allegro molto
Finale: Allegro agitato
John Novacek, piano
Scott Yoo, violin
Rolf Haas, violin
Maurycy Banaszek, viola
Robert deMaine, cello
Festival Mozaic is an annual celebration of Music on California's Central Coast. Learn more at www.festivalmozaic.com.
Recorded live in concert on July 27, 2018 at the Cuesta College Cultural & Performing Arts Center as part of the 2018 Summer Festival.
San Luis Obispo, California.
All rights reserved.
https://wn.com/Bruch_Piano_Quintet_Complete_|_Novacek_Yoo_Haas_Banaszek_Demaine_|_Festival_Mozaic_2018
Bruch - Piano Quintet in G minor
Allegro molto moderato
Adagio
Scherzo: Allegro molto
Finale: Allegro agitato
John Novacek, piano
Scott Yoo, violin
Rolf Haas, violin
Maurycy Banaszek, viola
Robert deMaine, cello
Festival Mozaic is an annual celebration of Music on California's Central Coast. Learn more at www.festivalmozaic.com.
Recorded live in concert on July 27, 2018 at the Cuesta College Cultural & Performing Arts Center as part of the 2018 Summer Festival.
San Luis Obispo, California.
All rights reserved.
- published: 06 Oct 2018
- views: 34141
28:05
Ralph Vaughan Williams - Piano Quintet in C Minor
Ralph Vaughan Williams - Piano Quintet in C Minor (1903-1905)
Performed by the Munich Piano Trio and Friends
Movement One: Allegro con fuoco - 0:00
Movement Tw...
Ralph Vaughan Williams - Piano Quintet in C Minor (1903-1905)
Performed by the Munich Piano Trio and Friends
Movement One: Allegro con fuoco - 0:00
Movement Two: Andante - 9:06
Movement Three: Fantasia (quasi variazoni). Moderato - 18:27
Sources of Audio -
https://www.youtube.com/watch?v=7sN0qtrpPnE
https://www.youtube.com/watch?v=Pqe7ynWFO9s
https://www.youtube.com/watch?v=Tjo0uw1hLoY
https://wn.com/Ralph_Vaughan_Williams_Piano_Quintet_In_C_Minor
Ralph Vaughan Williams - Piano Quintet in C Minor (1903-1905)
Performed by the Munich Piano Trio and Friends
Movement One: Allegro con fuoco - 0:00
Movement Two: Andante - 9:06
Movement Three: Fantasia (quasi variazoni). Moderato - 18:27
Sources of Audio -
https://www.youtube.com/watch?v=7sN0qtrpPnE
https://www.youtube.com/watch?v=Pqe7ynWFO9s
https://www.youtube.com/watch?v=Tjo0uw1hLoY
- published: 17 Oct 2020
- views: 48054
0:56
Blast from the past: Christoph Irniger Pilgrim Live 2017
A little blast from the past. Christoph Irniger Pilgrim Live at Jazzfestival Schaffhausen 2017
See more: https://www.youtube.com/watch?v=yLcbneKsNNs
https://w...
A little blast from the past. Christoph Irniger Pilgrim Live at Jazzfestival Schaffhausen 2017
See more: https://www.youtube.com/watch?v=yLcbneKsNNs
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https://wn.com/Blast_From_The_Past_Christoph_Irniger_Pilgrim_Live_2017
A little blast from the past. Christoph Irniger Pilgrim Live at Jazzfestival Schaffhausen 2017
See more: https://www.youtube.com/watch?v=yLcbneKsNNs
https://www.christophirniger.com
https://instagram.com/christophirnigermusic
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- published: 29 Oct 2024
- views: 121
37:32
Janine Jansen and Friends - Shostakovich: Pianokwintet op.57 - Live Concert - HD
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Sjostakovitjs: Pianokwintet in g, op...
Blijf op de hoogte van al onze video's en meer en abonneer u op onze nieuwsbrief: http://www.avro.nl/user/newsletters.aspx
Sjostakovitjs: Pianokwintet in g, op.57
Janine Jansen, viool
Boris Brovtsyn, viool
Maxim Rysanov, altviool
Torleif Thedéen, cello
Eldar Nebolsin, piano
Opgenomen tijdens het Internationaal Kamermuziekfestival Utrecht 2012, op 30 december in Vredenburg Leidsche Rijn, Utrecht
www.kamermuziekfestival.nl
/
Shostakovich: Piano quintet in g, op.57
Janine Jansen, violin
Boris Brovtsyn, violin
Maxim Rysanov, viola
Torleif Thedéen, cello
Eldar Nebolsin, piano
Recorded during the International Chamber Music Festival Utrecht 2012, on december the 30th in Vredenburg Leidsche Rijn, Utrecht
www.kamermuziekfestival.nl
https://wn.com/Janine_Jansen_And_Friends_Shostakovich_Pianokwintet_Op.57_Live_Concert_Hd
Blijf op de hoogte van al onze video's en meer en abonneer u op onze nieuwsbrief: http://www.avro.nl/user/newsletters.aspx
Sjostakovitjs: Pianokwintet in g, op.57
Janine Jansen, viool
Boris Brovtsyn, viool
Maxim Rysanov, altviool
Torleif Thedéen, cello
Eldar Nebolsin, piano
Opgenomen tijdens het Internationaal Kamermuziekfestival Utrecht 2012, op 30 december in Vredenburg Leidsche Rijn, Utrecht
www.kamermuziekfestival.nl
/
Shostakovich: Piano quintet in g, op.57
Janine Jansen, violin
Boris Brovtsyn, violin
Maxim Rysanov, viola
Torleif Thedéen, cello
Eldar Nebolsin, piano
Recorded during the International Chamber Music Festival Utrecht 2012, on december the 30th in Vredenburg Leidsche Rijn, Utrecht
www.kamermuziekfestival.nl
- published: 28 Jan 2013
- views: 316984