- published: 24 Jul 2011
- views: 828077
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
HIDDEN ERROR: Usage of "nick_name" is not recognized
Quincy Delight Jones, Jr. (born March 14, 1933) is an American record producer, conductor, arranger, composer, musician, television producer, film producer, instrumentalist, magazine founder, entertainment company executive, and humanitarian. His career spans six decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991.
Jones came to prominence in the 1950s as a jazz arranger and conductor, before moving on to work prolifically in pop music and film scores.
In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song, their "The Eyes of Love" for the Universal Pictures film Banning. That same year, Jones was the first African American to be nominated twice within the same year for an Academy Award for Best Original Score, as he was also nominated for his work on the film In Cold Blood (1967). In 1971, Jones was the first African American to be named as the musical director and conductor of the Academy Awards ceremony. In 1995 he was the first African American to receive the Academy's Jean Hersholt Humanitarian Award. He is tied with sound designer Willie D. Burton as the African American who has been nominated for the most Oscars; each has received seven nominations.
Quincy Jones is an American composer.
Quincy Jones may also refer to:
In linguistics, a numeral is a member of a word class (or sometimes even a part of speech) designating numbers, such as the English word 'two' and the compound 'seventy-seven'.
Numerals may be attributive, as in two dogs, or pronominal, as in I saw two (of them).
Many words of different parts of speech indicate number or quantity. Quantifiers do not enumerate, or designate a specific number, but give another, often less specific, indication of amount. Examples are words such as every, most, least, some, etc. There are also number words which enumerate but are not a distinct part of speech, such as 'dozen', which is a noun, 'first', which is an adjective, or 'twice', which is an adverb. Numerals enumerate, but in addition have distinct grammatical behavior: when a numeral modifies a noun, it may replace the article: the/some dogs played in the park → twelve dogs played in the park. (Note that *dozen dogs played in the park is not grammatical, so 'dozen' is not a numeral.)
100 or one hundred (Roman numeral: Ⅽ) is the natural number following 99 and preceding 101.
In medieval contexts, it may be described as the short hundred or five score in order to differentiate the English and Germanic use of "hundred" to describe the long hundred of six score or 120.
100 is the square of 10 (in scientific notation it is written as 102). The standard SI prefix for a hundred is "hecto-".
100 is the basis of percentages (per cent meaning "per hundred" in Latin), with 100% being a full amount.
100 is the sum of the first nine prime numbers, as well as the sum of some pairs of prime numbers e.g., 3 + 97, 11 + 89, 17 + 83, 29 + 71, 41 + 59, and 47 + 53.
100 is the sum of the cubes of the first four integers (100 = 13 + 23 + 33 + 43). This is related by Nicomachus's theorem to the fact that 100 also equals the square of the sum of the first four integers: 100 = 102 = (1 + 2 + 3 + 4)2.
26 + 62 = 100, thus 100 is a Leyland number.
100 is an 18-gonal number. It is divisible by the number of primes below it, 25 in this case. It can not be expressed as the difference between any integer and the total of coprimes below it, making it a noncototient. It can be expressed as a sum of some of its divisors, making it a semiperfect number.
"One Hundred" is the twelfth and final episode of the seventh season of the animated television series Aqua Teen Hunger Force and is the 100th episode of the series overall. "One Hundred" originally aired in the United States on May 2, 2010, on Adult Swim. In the episode Frylock obsesses about the number 100 while Master Shake attempts to put Aqua Teen Hunger Force into syndication, until the episode abruptly turns into a parody of Scooby-Doo.
This episode marks the second time an Adult Swim original series made it to 100 episodes, the first being Space Ghost Coast to Coast. "One Hundred" strongly parodies the Hanna-Barbera cartoon, Scooby-Doo. This is the final episode of the series to premiere branded as an Aqua Teen Hunger Force episode before the series started using alternative titles for each season as a running gag. This episode received a positive review by Ramsey Isler of IGN, and was the third highest rated program the night of its debut. This episode has been made available on DVD, and other forms of home media, including on demand streaming on Hulu Plus.
One Hundred Ways Quincy Jones
Quincy Jones f/ James Ingram - One Hundred Ways (1981) Valentine's Day Love Songs Marathon Song #7 comes from Quincy Jones' 1981 album The Dude. This was a huge hit for him, and introduced the world to the amazing voice of James Ingram. If your Valentine's Day isn't going the way you'd hoped, maybe try following James' advice in the song! Like it? Subscribe! Follow me at https://facebook.com/DJMikeBrady I don't own any of the rights associated with this music, I simply share so that it will be heard. #PlayingRecords #NeedleDrop #RecordCollection
Provided to YouTube by Universal Music Group One Hundred Ways · Quincy Jones · James Ingram From Q, With Love ℗ 1998 Qwest Records, Inc. under exclusive license to UMG Recordings, Inc. Released on: 1999-02-09 Producer: Quincy Jones Composer Lyricist: Kathleen Wakefield Composer Lyricist: Benjamin Wright Composer Lyricist: Tony Coleman Composer Lyricist: Anthony Tyrone Coleman Composer Lyricist: Benjamin F. Wright Jr. Composer Lyricist: Kathy Wakefield Auto-generated by YouTube.
Provided to YouTube by Private Music One Hundred Ways (New Version) · James Ingram Forever More (Love Songs, Hits & Duets) ℗ 1999 Intering Records Released on: 1999-04-12 Composer: Kathy Wakefield Composer: Ben Wright Composer: Tony Coleman Associated Performer, Arranger: Walter "Junie" Morrison Strings, Synthesizer: Tim Heinz Saxophone: Rastine Calhoun III Producer: Walter (Juni) Morrison for Ghetto Alchemy, NY Arranger: Johnny Mandel Mixing Engineer, Recording Engineer: Ross Pallone Auto-generated by YouTube.
The Late James Ingram performs "One Hundred Ways" LIVE with the Boston Pop Orchestra Conducted By: John Williams
"One Hundred Ways" is a 1981 single released from Quincy Jones's album The Dude on A&M Records. The song features James Ingram on vocals. The song reached number 14 on the U.S. Billboard Hot 100 in 1982. It was a bigger Adult Contemporary hit, reaching number five in the U.S. and number six in Canada. "One Hundred Ways" received the 1982 Grammy Award for Best R&B Vocal Performance.
HIDDEN ERROR: Usage of "nick_name" is not recognized
Quincy Delight Jones, Jr. (born March 14, 1933) is an American record producer, conductor, arranger, composer, musician, television producer, film producer, instrumentalist, magazine founder, entertainment company executive, and humanitarian. His career spans six decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991.
Jones came to prominence in the 1950s as a jazz arranger and conductor, before moving on to work prolifically in pop music and film scores.
In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song, their "The Eyes of Love" for the Universal Pictures film Banning. That same year, Jones was the first African American to be nominated twice within the same year for an Academy Award for Best Original Score, as he was also nominated for his work on the film In Cold Blood (1967). In 1971, Jones was the first African American to be named as the musical director and conductor of the Academy Awards ceremony. In 1995 he was the first African American to receive the Academy's Jean Hersholt Humanitarian Award. He is tied with sound designer Willie D. Burton as the African American who has been nominated for the most Oscars; each has received seven nominations.
Loving you came easily
Yet it made me blind to all there was to see
Now my heart is filled with pain
You understand I never will
How did it come to be that you don't love me still?
Now it's getting to be plain
If you really cared about anyone else
I know you wouldn't hurt me
If you cared about more than yourself
I bet ya wouldn't go
If you really cared about anyone else
I know you wouldn't hurt me
If you cared about more than yourself
You wouldn't walk out the door
Though some days the blues was our parade,
Still we marched through all the tears we made
Now I find that it wasn't no game of charades that you played
I did my best to bring you joy
How can you just leave me like a broken toy?
Where's the man that once was you?
If I could be within your mind
I would never think to treat you this unkind