Olivier Assayas (born 25 January 1955) is a French film director, screenwriter and film critic.
Life and career
Assayas was born in Paris, France, the son of French director/screenwriter Raymond Assayas, alias Jacques Rémy (1911–1981). His father was of Italian Jewish origin and his mother was of ProtestantHungarian origin. Assayas started his career in the industry by helping his father. He ghostwrote episodes for TV shows his father was working on when his health failed.
He made his debut in 1986, after directing some short films and writing for the influential film magazine Cahiers du cinéma.
While working at Cahiers du cinéma, Assayas wrote lovingly about European film directors he admires but also about Asian directors. One of his films, HHH: A Portrait of Hou Hsiao-Hsien, is a documentary about Taiwanese filmmaker Hou Hsiao-Hsien.
Ardent cinephile and acclaimed auteur Olivier Assayas discusses his favourite films and key influences, reflects on clips from his past work, analyses his principles and politics, and engages in an in-depth discussion of his latest film, Something in the Air.
MODERATOR:
Brad Deane (Manager of Film Programmes, TIFF Bell Lightbox)
GUEST:
Olivier Assayas
http://tiff.net/industry
published: 04 Oct 2012
La Masterclasse d'Olivier Assayas - France Culture
Grand parmi les grands metteurs en scène français, héritier de la Nouvelle Vague, cinéphile et spécialiste de cinéma asiatique, Olivier Assayas a conversé avec Bergman, fait l’éloge de Kenneth Anger, réalisateur américain classé underground, théorisé sur Guy Debord et son art de la guerre. Il se livre dans cette Masterclasse enregistrée à la Maison de la radio.
Pour en savoir plus : https://www.franceculture.fr/emissions/les-masterclasses/olivier-assayas-le-processus-decriture-se-prolonge-dans-la-pratique-du
Retrouvez toutes les émissions de France Culture avec Olivier Assayas : https://www.franceculture.fr/personne-olivier-assayas.html
Abonnez-vous pour retrouver toutes nos vidéos : https://www.youtube.com/channel/UCd5DKToXYTKAQ6khzewww2g
Et retrouvez-nous sur...
Facebook : https://fr...
published: 24 Jan 2019
SUPERCUT - L'interview cinq étoiles d'Olivier Assayas
Alors que Personal Shopper vient de débarquer dans les salles ce mercredi, on a eu l'occasion de rencontrer le cinéaste français Olivier Assayas. Après Sils Maria, c'est la deuxième fois qu'il travaille avec Kristen Stewart. Entre sa meilleure musique de film ou le film qui l'a amené vers le septième art, le réalisateur a répondu aux questions du Supercut de Konbini
Like et abonne-toi !
► https://www.youtube.com/user/konbini?sub_confirmation=1
Suis-nous pour ne rien manquer !
► Konbini : https://www.konbini.com
► Facebook : https://www.facebook.com/konbinifr
► Instagram : https://www.instagram.com/konbini
► Twitter : https://twitter.com/konbinifr
Konbini, all pop everything !
published: 29 Aug 2017
Olivier Assayas's COLD WATER
Theatrical trailer for Olivier Assayas's COLD WATER
published: 08 Nov 2018
Olivier Assayas par Thierry Jousse - Blow up - ARTE
La sortie du nouveau film d’Olivier Assayas "Doubles vies" nous permet de vous remontrer le sujet de Thierry Jousse consacré aux BO du cinéaste de "Désordre", "Irma Vep" ou "Sils Maria".
published: 23 May 2014
Violence and Panic | Olivier Assayas | TIFF 2017
Assayas' most explicitly (semi-)autobiographical film, Something in the Air is set in the Parisian suburbs in the early 1970s, where young idealists and activists — including Assayas' stand-in, aspiring artist Gilles (Clément Métayer) — drift into and out of the various left-wing groups that seek to continue the struggle of May '68. (The film's French title, which translates as After May, echoes that of Assayas' memoir A Post-May Adolescence.) Torn between two women — the ethereal Laure (Carole Combes) and the politically committed Christine (Lola Créton) — as well as between the spectre of revolution and the siren song of art, Gilles attempts to find his own voice amidst a landscape of heedless, hard-partying bourgeois, humourlessly hard-line ideologues, and the stodgily conservative old ...
Ardent cinephile and acclaimed auteur Olivier Assayas discusses his favourite films and key influences, reflects on clips from his past work, analyses his princ...
Ardent cinephile and acclaimed auteur Olivier Assayas discusses his favourite films and key influences, reflects on clips from his past work, analyses his principles and politics, and engages in an in-depth discussion of his latest film, Something in the Air.
MODERATOR:
Brad Deane (Manager of Film Programmes, TIFF Bell Lightbox)
GUEST:
Olivier Assayas
http://tiff.net/industry
Ardent cinephile and acclaimed auteur Olivier Assayas discusses his favourite films and key influences, reflects on clips from his past work, analyses his principles and politics, and engages in an in-depth discussion of his latest film, Something in the Air.
MODERATOR:
Brad Deane (Manager of Film Programmes, TIFF Bell Lightbox)
GUEST:
Olivier Assayas
http://tiff.net/industry
Grand parmi les grands metteurs en scène français, héritier de la Nouvelle Vague, cinéphile et spécialiste de cinéma asiatique, Olivier Assayas a conversé avec ...
Grand parmi les grands metteurs en scène français, héritier de la Nouvelle Vague, cinéphile et spécialiste de cinéma asiatique, Olivier Assayas a conversé avec Bergman, fait l’éloge de Kenneth Anger, réalisateur américain classé underground, théorisé sur Guy Debord et son art de la guerre. Il se livre dans cette Masterclasse enregistrée à la Maison de la radio.
Pour en savoir plus : https://www.franceculture.fr/emissions/les-masterclasses/olivier-assayas-le-processus-decriture-se-prolonge-dans-la-pratique-du
Retrouvez toutes les émissions de France Culture avec Olivier Assayas : https://www.franceculture.fr/personne-olivier-assayas.html
Abonnez-vous pour retrouver toutes nos vidéos : https://www.youtube.com/channel/UCd5DKToXYTKAQ6khzewww2g
Et retrouvez-nous sur...
Facebook : https://fr-fr.facebook.com/franceculture
Twitter : https://twitter.com/franceculture
Instagram : https://www.instagram.com/franceculture/
Grand parmi les grands metteurs en scène français, héritier de la Nouvelle Vague, cinéphile et spécialiste de cinéma asiatique, Olivier Assayas a conversé avec Bergman, fait l’éloge de Kenneth Anger, réalisateur américain classé underground, théorisé sur Guy Debord et son art de la guerre. Il se livre dans cette Masterclasse enregistrée à la Maison de la radio.
Pour en savoir plus : https://www.franceculture.fr/emissions/les-masterclasses/olivier-assayas-le-processus-decriture-se-prolonge-dans-la-pratique-du
Retrouvez toutes les émissions de France Culture avec Olivier Assayas : https://www.franceculture.fr/personne-olivier-assayas.html
Abonnez-vous pour retrouver toutes nos vidéos : https://www.youtube.com/channel/UCd5DKToXYTKAQ6khzewww2g
Et retrouvez-nous sur...
Facebook : https://fr-fr.facebook.com/franceculture
Twitter : https://twitter.com/franceculture
Instagram : https://www.instagram.com/franceculture/
Alors que Personal Shopper vient de débarquer dans les salles ce mercredi, on a eu l'occasion de rencontrer le cinéaste français Olivier Assayas. Après Sils Mar...
Alors que Personal Shopper vient de débarquer dans les salles ce mercredi, on a eu l'occasion de rencontrer le cinéaste français Olivier Assayas. Après Sils Maria, c'est la deuxième fois qu'il travaille avec Kristen Stewart. Entre sa meilleure musique de film ou le film qui l'a amené vers le septième art, le réalisateur a répondu aux questions du Supercut de Konbini
Like et abonne-toi !
► https://www.youtube.com/user/konbini?sub_confirmation=1
Suis-nous pour ne rien manquer !
► Konbini : https://www.konbini.com
► Facebook : https://www.facebook.com/konbinifr
► Instagram : https://www.instagram.com/konbini
► Twitter : https://twitter.com/konbinifr
Konbini, all pop everything !
Alors que Personal Shopper vient de débarquer dans les salles ce mercredi, on a eu l'occasion de rencontrer le cinéaste français Olivier Assayas. Après Sils Maria, c'est la deuxième fois qu'il travaille avec Kristen Stewart. Entre sa meilleure musique de film ou le film qui l'a amené vers le septième art, le réalisateur a répondu aux questions du Supercut de Konbini
Like et abonne-toi !
► https://www.youtube.com/user/konbini?sub_confirmation=1
Suis-nous pour ne rien manquer !
► Konbini : https://www.konbini.com
► Facebook : https://www.facebook.com/konbinifr
► Instagram : https://www.instagram.com/konbini
► Twitter : https://twitter.com/konbinifr
Konbini, all pop everything !
La sortie du nouveau film d’Olivier Assayas "Doubles vies" nous permet de vous remontrer le sujet de Thierry Jousse consacré aux BO du cinéaste de "Désordre", "...
La sortie du nouveau film d’Olivier Assayas "Doubles vies" nous permet de vous remontrer le sujet de Thierry Jousse consacré aux BO du cinéaste de "Désordre", "Irma Vep" ou "Sils Maria".
La sortie du nouveau film d’Olivier Assayas "Doubles vies" nous permet de vous remontrer le sujet de Thierry Jousse consacré aux BO du cinéaste de "Désordre", "Irma Vep" ou "Sils Maria".
Assayas' most explicitly (semi-)autobiographical film, Something in the Air is set in the Parisian suburbs in the early 1970s, where young idealists and activis...
Assayas' most explicitly (semi-)autobiographical film, Something in the Air is set in the Parisian suburbs in the early 1970s, where young idealists and activists — including Assayas' stand-in, aspiring artist Gilles (Clément Métayer) — drift into and out of the various left-wing groups that seek to continue the struggle of May '68. (The film's French title, which translates as After May, echoes that of Assayas' memoir A Post-May Adolescence.) Torn between two women — the ethereal Laure (Carole Combes) and the politically committed Christine (Lola Créton) — as well as between the spectre of revolution and the siren song of art, Gilles attempts to find his own voice amidst a landscape of heedless, hard-partying bourgeois, humourlessly hard-line ideologues, and the stodgily conservative old guard which the winds of May failed to blow away. Crossing Cold Water with Carlos, Assayas brings a sympathetic yet unfailingly lucid eye to a complicated historical moment that is often overlooked in favour of the explosive events of the late '60s. "Made with the bittersweet clarity of hindsight and the assurance of a director in peak form" (Justin Chang, Variety).
http://tiff.net
Assayas' most explicitly (semi-)autobiographical film, Something in the Air is set in the Parisian suburbs in the early 1970s, where young idealists and activists — including Assayas' stand-in, aspiring artist Gilles (Clément Métayer) — drift into and out of the various left-wing groups that seek to continue the struggle of May '68. (The film's French title, which translates as After May, echoes that of Assayas' memoir A Post-May Adolescence.) Torn between two women — the ethereal Laure (Carole Combes) and the politically committed Christine (Lola Créton) — as well as between the spectre of revolution and the siren song of art, Gilles attempts to find his own voice amidst a landscape of heedless, hard-partying bourgeois, humourlessly hard-line ideologues, and the stodgily conservative old guard which the winds of May failed to blow away. Crossing Cold Water with Carlos, Assayas brings a sympathetic yet unfailingly lucid eye to a complicated historical moment that is often overlooked in favour of the explosive events of the late '60s. "Made with the bittersweet clarity of hindsight and the assurance of a director in peak form" (Justin Chang, Variety).
http://tiff.net
Ardent cinephile and acclaimed auteur Olivier Assayas discusses his favourite films and key influences, reflects on clips from his past work, analyses his principles and politics, and engages in an in-depth discussion of his latest film, Something in the Air.
MODERATOR:
Brad Deane (Manager of Film Programmes, TIFF Bell Lightbox)
GUEST:
Olivier Assayas
http://tiff.net/industry
Grand parmi les grands metteurs en scène français, héritier de la Nouvelle Vague, cinéphile et spécialiste de cinéma asiatique, Olivier Assayas a conversé avec Bergman, fait l’éloge de Kenneth Anger, réalisateur américain classé underground, théorisé sur Guy Debord et son art de la guerre. Il se livre dans cette Masterclasse enregistrée à la Maison de la radio.
Pour en savoir plus : https://www.franceculture.fr/emissions/les-masterclasses/olivier-assayas-le-processus-decriture-se-prolonge-dans-la-pratique-du
Retrouvez toutes les émissions de France Culture avec Olivier Assayas : https://www.franceculture.fr/personne-olivier-assayas.html
Abonnez-vous pour retrouver toutes nos vidéos : https://www.youtube.com/channel/UCd5DKToXYTKAQ6khzewww2g
Et retrouvez-nous sur...
Facebook : https://fr-fr.facebook.com/franceculture
Twitter : https://twitter.com/franceculture
Instagram : https://www.instagram.com/franceculture/
Alors que Personal Shopper vient de débarquer dans les salles ce mercredi, on a eu l'occasion de rencontrer le cinéaste français Olivier Assayas. Après Sils Maria, c'est la deuxième fois qu'il travaille avec Kristen Stewart. Entre sa meilleure musique de film ou le film qui l'a amené vers le septième art, le réalisateur a répondu aux questions du Supercut de Konbini
Like et abonne-toi !
► https://www.youtube.com/user/konbini?sub_confirmation=1
Suis-nous pour ne rien manquer !
► Konbini : https://www.konbini.com
► Facebook : https://www.facebook.com/konbinifr
► Instagram : https://www.instagram.com/konbini
► Twitter : https://twitter.com/konbinifr
Konbini, all pop everything !
La sortie du nouveau film d’Olivier Assayas "Doubles vies" nous permet de vous remontrer le sujet de Thierry Jousse consacré aux BO du cinéaste de "Désordre", "Irma Vep" ou "Sils Maria".
Assayas' most explicitly (semi-)autobiographical film, Something in the Air is set in the Parisian suburbs in the early 1970s, where young idealists and activists — including Assayas' stand-in, aspiring artist Gilles (Clément Métayer) — drift into and out of the various left-wing groups that seek to continue the struggle of May '68. (The film's French title, which translates as After May, echoes that of Assayas' memoir A Post-May Adolescence.) Torn between two women — the ethereal Laure (Carole Combes) and the politically committed Christine (Lola Créton) — as well as between the spectre of revolution and the siren song of art, Gilles attempts to find his own voice amidst a landscape of heedless, hard-partying bourgeois, humourlessly hard-line ideologues, and the stodgily conservative old guard which the winds of May failed to blow away. Crossing Cold Water with Carlos, Assayas brings a sympathetic yet unfailingly lucid eye to a complicated historical moment that is often overlooked in favour of the explosive events of the late '60s. "Made with the bittersweet clarity of hindsight and the assurance of a director in peak form" (Justin Chang, Variety).
http://tiff.net
Olivier Assayas (born 25 January 1955) is a French film director, screenwriter and film critic.
Life and career
Assayas was born in Paris, France, the son of French director/screenwriter Raymond Assayas, alias Jacques Rémy (1911–1981). His father was of Italian Jewish origin and his mother was of ProtestantHungarian origin. Assayas started his career in the industry by helping his father. He ghostwrote episodes for TV shows his father was working on when his health failed.
He made his debut in 1986, after directing some short films and writing for the influential film magazine Cahiers du cinéma.
While working at Cahiers du cinéma, Assayas wrote lovingly about European film directors he admires but also about Asian directors. One of his films, HHH: A Portrait of Hou Hsiao-Hsien, is a documentary about Taiwanese filmmaker Hou Hsiao-Hsien.
Alain Guiraudie’s fabulous Misericordia, ‘a mix of tragedy and comedy with religion in the middle’; Olivier Assayas’ SuspendedTime, a spirited auto-fiction chronicling Covid confinement; the late ...
Argentinian actor Sbaraglia – whose recent European collaborations include Olivier Assayas’s and Almodóvar’s – appears with bleached hair as de Zer who, when the story begins in ...
Along with cinematographer Maximilian Pittner, the creative team on the film includes “UncutGems” costume designer MiyakoBellizzi and production designer François-Renaud Labarthe, who regularly works with director Olivier Assayas ... I didn't go home ... .
It’s not unheard of for a director to remake one of their most significant works ... Olivier Assayas recently remade his 1996 masterpiece Irma Vep into an intriguing but largely less successful HBO show ... Omar Sy (Lupin) is the detective, Sey ... ....
The stylish cream top boasted structured shoulder pads, flared cuffs, and a slightly cropped design ... On May 17, Variety reported that Alicia will reunite with Jude Law, 51, for Olivier Assayas' Russian-set political thriller The Wizard of the Kremlin.
... which story do I want to tell.” Bowers, who has worked with directors Steven Soderbergh and Olivier Assayas and creatives like Lena Waithe and Donald Glover, says his transition wasn’t always easy.
This week, two of the biggest releases of the year make their debuts for rent ... Also of note ... Incoming ... If Olivier Assayas can successfully remake Irma Vep nearly 26 years after the fact, why shouldn’t Woo be capable of doing the same with his own work?.
In 2022, she took on the titular, catsuit-wearing role in Olivier Assayas’s meta HBO series Irma Vep – based on his own film from 1996 starring Maggie Cheung, in turn inspired by Louis Feuillade’s ...
Earlier this year Olivier Assayas’s autofiction Hors du Temps , or SuspendedTime, premiered in Berlin – a dreamy Covid-era indulgence that he just about got away with. Now we have a chance to see Bertrand Bonello’s musing sketch Coma... ....
“Purple is actually quite a royal color, and I like it because it’s neither green nor black, and it’s not attaching itself to any side ...HBO ... Martin’s source material ... I recently rewatched the Kristen Stewart movie Personal Shopper by Olivier Assayas.