- published: 13 Mar 2012
- views: 2195
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Nikolaus Harnoncourt (Nikolaus Count de la Fontaine und d'Harnoncourt-Unverzagt, born 6 December 1929) is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in the 1950s, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt started to conduct opera and concert performances, soon leading renowned international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire has since widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt is also the author of several books, mostly on subjects of performance history and musical aesthetics.
Harnoncourt was born in Berlin, Germany. He was raised in Graz, Austria, and studied music in Vienna. His mother, Ladislaja Gräfin von Meran, Freiin von Brandhoven, was the granddaughter of the Habsburg Archduke Johann, the 13th child of the Emperor Leopold II. He is thus descended from various Holy Roman Emperors and other European royalty. His father, Eberhard de la Fontaine Graf d'Harnoncourt-Unverzagt, was an engineer working in Berlin who had two children from a previous marriage. Two years after Nikolaus's birth, his brother Philipp was born. The family eventually moved to Graz, where Eberhard had obtained a post in the state-government (Landesregierung) of Styria.
The Symphony No. 8 by Walter Piston is a symphony dating from 1965.
The Boston Symphony Orchestra commissioned the Eighth Symphony and gave its first performance on March 5, 1965, conducted by Erich Leinsdorf, to whom the score is dedicated (Archibald 1978, 267). Initially, Piston had preferred to write a flute concerto for the Boston Symphony's principal flautist, Doriot Anthony Dwyer, but Leinsdorf preferred a symphony. The concerto was eventually composed in 1971 (Pollack 1982, 156). According to another account, however, it was Piston himself who expressed a preference for a symphony (Pollack 1982, 141).
The work is in three movements:
The symphony is 20 minutes in duration (Archibald 1969, 597).
Although Piston had occasionally employed twelve-tone technique from early on, it is much more in evidence in the Eighth Symphony than ever before, and this brings with it a heightened level of impassioned, almost tragic expression. The first movement begins with a melody constructed from a twelve-tone series, C D♭ E F A♭ G F♯ E♭ D A B B♭, accompanied by two six-note chords consisting of the second and first hexachords of the same row. This series lends the music a dark solemnity because of its emphasis on minor seconds and minor thirds (Archibald 1978, 267). After such a slow, prelude-like opening movement, a slow second movement is somewhat surprising. It is in variation form. The theme is announced in the bassoon followed by the flute, with subsequent variations in the strings, a moderato mosso, and three further variations (Pollack 1982, 143). The concluding Allegro marcato is in a large binary form with a short coda. Like most Piston finales, it is rhythmically propulsive. Inversion of melodic lines is a significant feature of this movement, which concludes with a spirited timpani solo (Archibald 1969, 597).
The 8th Symphony "Antiphonies", Op. 54, by Miloslav Kabeláč was written in 1970 as a reflection of the composer's feelings from the invasion of Warsaw Pact troops into Czechoslovakia in 1968 and the onset of so-called "normalization" process in the society, which means renewal of strong dictate of the regime of pro-Soviet communist rulers, including heavy loss of basic freedoms for citizens of the country.
The composition consists of nine parts – five movements and four interludes, structure of which is controlled by a firm logical order, proportionally and symmetry. Its structural and expressive axis is the third – the longest movement. The intermedia linking the individual movements correspond both in time and music and differ only in an alternately opposite dynamic succession. The work is written for a percussion ensemble (6 musicians), the organ, a coloration soprano and two mixed choirs (large and small). The text of the vocal part is taken from the Old testament.
Michael Haydn's Symphony No. 8 in D major, Perger 38, Sherman 8, Sherman-adjusted 10, MH 64, is believed to have been written in Salzburg, some time after 1764.
Scored for flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings, in four movements:
Symphony No. 8, Op. 54 "Antiphonies"
Kabeláč: Symphonies 1-8. Various Soloists, Prague Radio Symphony Orchestra, Marko Ivanovic (cond.) Supraphon (4 CDs)
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - 1 · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - 3 · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - c · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - a · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - 2 · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - b · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - d · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Provided to YouTube by Supraphon Symphony for soprano, mixed chorus, percussion instruments and organ No. 8 Antiphonies, Op. 54 - 4 · Miloslav Kabeláč · Pražský filharmonický sbor/Lubomír Mátl · Jana Jonášová · Václav Rabas Kabeláč: Symphony No. 8, Metamorphoses II ℗ 1988 SUPRAPHON a.s. Released on: 1993-01-01 Auto-generated by YouTube.
Nikolaus Harnoncourt (Nikolaus Count de la Fontaine und d'Harnoncourt-Unverzagt, born 6 December 1929) is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble, Concentus Musicus Wien, in the 1950s, and became a pioneer of the Early Music movement. Around 1970, Harnoncourt started to conduct opera and concert performances, soon leading renowned international symphony orchestras, and appearing at leading concert halls, operatic venues and festivals. His repertoire has since widened to include composers of the 19th and 20th centuries. In 2001 and 2003, he conducted the Vienna New Year's Concert. Harnoncourt is also the author of several books, mostly on subjects of performance history and musical aesthetics.
Harnoncourt was born in Berlin, Germany. He was raised in Graz, Austria, and studied music in Vienna. His mother, Ladislaja Gräfin von Meran, Freiin von Brandhoven, was the granddaughter of the Habsburg Archduke Johann, the 13th child of the Emperor Leopold II. He is thus descended from various Holy Roman Emperors and other European royalty. His father, Eberhard de la Fontaine Graf d'Harnoncourt-Unverzagt, was an engineer working in Berlin who had two children from a previous marriage. Two years after Nikolaus's birth, his brother Philipp was born. The family eventually moved to Graz, where Eberhard had obtained a post in the state-government (Landesregierung) of Styria.
The No No Song
A lady that I know just came from Columbia,
She smiled because I did not understand.
Then She held out some marijuana oh ho.
She said it was in the finest in the land.
Chorus (smoke)
A woman that I know just came from Mayoca Spain,
She smiled because I did not understand.
Then she held out a 10 pound bag of cocaine,
She said it was the finest in the land.
Chorus (snort) / Bridge (ah ya) then lead
A man I know just came from Nashville, Tenn. Oh.
He smiled because I did not understand.
Then he held out some moonshine whiskey oh ho.
He said it was the best in all the land.
Chorus 2x (drink it/can't take it).