- published: 24 Jul 2024
- views: 5454
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Keely Smith (born Dorothy Jacqueline Keely, March 9, 1932) is an American jazz and popular music singer who enjoyed popularity in the 1950s and 1960s. She collaborated with, among others, Louis Prima and Frank Sinatra.
Smith showed a natural aptitude for singing at a young age. At age 14, she started singing with a naval air station band led by Saxie Dowell. At 15, she got her first paying job with the Earl Bennett band.
Smith made her professional debut with Louis Prima in 1949 (the couple was married in 1953); Smith played the "straight guy" in the duo to Prima's wild antics and they recorded many duets. These include Johnny Mercer's and Harold Arlen's "That Ol' Black Magic", which was a Top 20 hit in the US in 1958. In 1959, Smith and Prima were awarded the first-ever Grammy Award for Best Performance by a Vocal Group or Chorus for "That Ol' Black Magic". Her "dead-pan" act was a hit with fans. The duo followed up with the minor successes "I've Got You Under My Skin" and "Bei Mir Bist Du Schoen", a revival of the 1937 Andrews Sisters hit. Smith and Prima's act was a mainstay of the Las Vegas lounge scene for much of the 1950s.
Night and Day may refer to:
Night and Day is a crime novel by Robert B. Parker, the eighth in his Jesse Stone series. It was the last in the series to be published before his death in 2010.
Night and Day begins with the investigation of a middle school principal accused of molestation. Several girls accuse Principal Betsy Ingersoll of making them pull their dresses up so she can see their panties. The principal claims that she did this to ensure they were wearing proper attire for the school dance. She also claims that her job is not only to ensure they get a proper education, but that they also grow into proper ladies and do not become sluts. She sends several girls home for wearing slutty panties. Although there is no crime to charge her with, Jesse determines to make trouble for her until he can find something to charge her with as he is convinced the girls’ civil rights were violated.
He begins interviewing the principal along with her high powered attorney husband, as well as the girls. Later one of the girls comes to see Jesse at his office. She tells him that her parents are swingers, and often host parties for that purpose at their home. She and her little brother hate it and she asks Jesse if he can help. With swinging not illegal, Jesse finds his hands tied, but decides to investigate anyway. He has Suit talk to two of the women, one of whom he knew in high school, to get more information on the swingers club. Suit discovers that the girl’s mother is not into it, but only does it because her husband wants to. Jesse has Spike threaten her husband about the swinging, and she later leaves him.
Night and Day (French: Nuit et Jour) is a 1991 French drama film directed by Chantal Akerman.
Listen to “Night and Day” by Shoti: http://shoti.tunelink.to/night-and-day Follow Shoti online! TikTok: https://shoti.Ink.to/TikTok Facebook: https://shoti.Ink.to/Facebook Instagram: https://shoti.Ink.to/Instagram X: https://shoti.lnk.to/Twitter Spotify: https://shoti.lnk.to/Spotify Written, Produced and Mastered by: Jared Almendras Music Video Credits Cutaway Productions Directed By: David Olson Executive Producer: Warren Carman Line Producer: Leo Migraso Cinematographer: David Olson Camera Operator: Jaennina Gangat Assistant Director: Josh Edrosa Account Manager: John Nepomuceno 2nd Assistan Director: Joraiah Capili Gaffer: Lanz Ezekiel Production Associates: Sam, Torres, Mariane Ylagan, James Orbe Utility: Joey Falcon Tech Rental: Gaffs And Grips Driver: Alberto Gidrama, Greg Vald...
Buy & stream Night & Day: https://atluk.lnk.to/nightandday Follow WSTRN Instagram: http://instagram.com/wstrnmusic/ Twitter: http://twitter.com/wstrnmusic http://www.wstrnmusic.com #WSTRN #NIGHTANDDAY
Follow Shoti online! TikTok: https://shoti.Ink.to/TikTok Facebook: https://shoti.Ink.to/ Facebook Instagram: https://shoti.Ink.to/ Instagram X: https://shoti.lnk.to/Twitter Spotify: https://shoti.lnk.to/Spotify Written, Produced and Mastered by: Jared Almendras Sony Music Philippines General Manager: Roslyn Pineda Deputy General Manager: Maan Atienza A&R and Artist Management Director: Raymond Fabul A&R Manager: Cholo Sediaren Artist Strategy Associate: Alyssa Pe Benito Local Content Producer: Janyn Berame Lyrics: Night and Day I’ll be okay Just as long as you call me babe Night and Day I’ll be okay Just as long as by the end of the day You’ll call me Baby Only call me Baby (Only call me Baby) And maybe I’ll finally get my answer It’s either love or disaster Night and day Human ato sa ...
A woman who magically switches between her 20s and 50s lands an internship at the Prosecution Service, caught between two generations and a tough boss. Miss Night and Day | June 15, only on Netflix Miss Night and Day on Netflix: https://www.netflix.com/title/81738995 Subscribe to Netflix K-Content: https://bit.ly/2IiIXqV Follow Netflix K-Content on Instagram, Twitter, and Tiktok: @netflixkcontent #MissNightandDay #Kdrama ABOUT NETFLIX K-CONTENT Netflix K-Content is the channel that takes you deeper into all types of Netflix Korean Content you LOVE. Whether you’re in the mood for some fun with the stars, want to relive your favorite moments, need help deciding what to watch next based on your personal taste, or commiserate with like-minded fans, you’re in the right place. All thin...
Buy the new album ‘Turn Up The Quiet,’ out now! iTunes: http://smarturl.it/TurnUpTheQuiet_iTu Amazon: http://smarturl.it/TurnUpTheQuiet_Amz Barnes & Noble: http://smarturl.it/TurnUpTheQuiet_BN Stream the new album ‘Turn Up The Quiet,’ out now! Apple Music: http://smarturl.it/TurnUpTheQuiet_Ap Spotify: http://smarturl.it/TurnUpTheQuiet_Sp About Album: Diana Krall's latest album, Turn Up the Quiet, celebrates Jazz and the Great American Songbook, reuniting Diana with Grammy Award-winning producer, Tommy LiPuma. Diana Krall is the only jazz singer to have eight albums debut at the top of the Billboard Jazz Albums chart. To date, her albums have garnered five Grammy® Awards, eight Juno® Awards and have also earned nine gold, three platinum and seven multi-platinum albums. Krall's uniq...
Stream / Download: https://link.musiqu-e.com/nightday We know that the wait has been long, but here is the music video of ’Night and Day' ! We did our very best to meet your expectations and hope you are going to like it ! Singer - Baron , yanky , Boombang , Kendy , wenn vibes , lin flex Prod by FORLAN Mix & masterise by dj riick Recording by ~virus record~ Video clip by Evans ramasawmy Dance by Jordy , dance pro group Inspired by lom paille “night & day” __________________________________________ Powered by pepsi Special thanks to Executive wheels Ltd, Mention Ric ,Light & Lights Mauritius ,Domaine de Mahe, Excellence Mattress ,Al hamza biryani, Emamdee Yaasir, Alex veerapen, Noel Christopher Gregorie Perrine,Hans Dax , Trinity luxury clothing ————————————————————————— Contact numbe...
Stream/Download - https://youngnlipz.ffm.to/night-and-day Produced by - BeatsWithSheph Mixed and Mastered by - BeatsWithSheph Filmed and Edited by - Cerne Studios YL Instagram - https://www.instagram.com/youngnlipz/?hl=en TikTok - https://www.tiktok.com/@youngnlipz Biordi Music Instagram - https://www.instagram.com/biordimusic/?hl=en TikTok - https://www.tiktok.com/search?q=biordimusic&t=1700533007330 #YL #NIGHTANDDAY
Tom Cruise and Cameron Diaz star in the action-comedy KNIGHT AND DAY. During their glamorous and sometimes deadly adventure, nothing and no one even the now fugitive couple are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust. SUBSCRIBE: http://bit.ly/FOXSubscribe Connect with Knight and Day Online: Like Knight and Day on FACEBOOK: http://bit.ly/KnightandDayFB Follow Knight and Day on TWITTER: http://bit.ly/KnightandDayTwitter About 20th Century FOX: Official YouTube Channel for 20th Century Fox Movies. Home of Avatar, Aliens, X-Men, Die Hard, Deadpool, Ice Age, Alvin and the Chipmunks, Rio, Peanuts, Maze Runner, Planet of the Apes, Wolverine and many more. Connect wit...
The newest single by Tribal Seeds. Available on iTunes, Amazon, Google Play & Spotify iTunes: http://bit.ly/NightDayiTunes Google Play: http://bit.ly/Rqqszc Spotify: http://spoti.fi/QP3hdc Website: http://tribalseeds.net
Keely Smith (born Dorothy Jacqueline Keely, March 9, 1932) is an American jazz and popular music singer who enjoyed popularity in the 1950s and 1960s. She collaborated with, among others, Louis Prima and Frank Sinatra.
Smith showed a natural aptitude for singing at a young age. At age 14, she started singing with a naval air station band led by Saxie Dowell. At 15, she got her first paying job with the Earl Bennett band.
Smith made her professional debut with Louis Prima in 1949 (the couple was married in 1953); Smith played the "straight guy" in the duo to Prima's wild antics and they recorded many duets. These include Johnny Mercer's and Harold Arlen's "That Ol' Black Magic", which was a Top 20 hit in the US in 1958. In 1959, Smith and Prima were awarded the first-ever Grammy Award for Best Performance by a Vocal Group or Chorus for "That Ol' Black Magic". Her "dead-pan" act was a hit with fans. The duo followed up with the minor successes "I've Got You Under My Skin" and "Bei Mir Bist Du Schoen", a revival of the 1937 Andrews Sisters hit. Smith and Prima's act was a mainstay of the Las Vegas lounge scene for much of the 1950s.
In some secluded rendezvous,
That overlooks the avenue,
With someone sharing a delightful chat,
Of this and that,
And cocktails for two.
As we enjoy a cigarette,
To some exqiuisite chansonette,
Two hands are sure to slyly meet beneath a serviette,
With cocktails for two.
My head may go reeling,
But my heart will be o-be-di-ent,
With in-tox-i-cat-ing kisses,
For the principal in-gre-di-ent,
Most any afternoon at five,
We'll be so glad we're both alive,
Then maybe fortune will complete her plan,
That all began