Marion Mitchell Morrison (born Marion Robert Morrison; May 26, 1907– June 11, 1979), known by his stage name John Wayne and by his nickname "Duke", was an American film actor, director, and producer. An Academy Award-winner for True Grit (1969), Wayne was among the top box office draws for three decades. An enduring American icon, for several generations of Americans he epitomized rugged masculinity and is famous for his demeanor, including his distinctive calm voice, walk, and height.
Born in Iowa, Wayne grew up in Southern California. He found work at local film studios when he lost his football scholarship to USC as a result of a bodysurfing accident. Initially working for the Fox Film Corporation, he mostly appeared in small bit parts. His first leading role came in Raoul Walsh's lavish widescreen epic The Big Trail (1930), which led to leading roles in numerous B movies throughout the 1930s, many of them in the Western genre.
Wayne's career took off in 1939, with John Ford'sStagecoach making him an instant mainstream star. Wayne went on to star in 142 pictures. Biographer Ronald Davis says: "John Wayne personified for millions the nation's frontier heritage. Eighty-three of his movies were Westerns, and in them he played cowboys, cavalrymen, and unconquerable loners extracted from the Republic's central creation myth."
John Wayne Bobbitt, penis amputee by wife Lorena, pornographic film star, musician, bartender, limo driver, mover, pizza delivery driver, tow truck operator, and Universal Life Church minister
Taylor is highly regarded for his songwriting skills. These often include allusions to and reworkings of material ranging from Elizabethan poets to modern authors. Foremost among Taylor's influences is William Blake. The Daniel Amos album title Fearful Symmetry was drawn from Blake's poem "The Tyger," and numerous songs across The Alarma! Chronicles series of albums have Blake-inspired references. Some other poets who have influenced Taylor's work are T. S. Eliot and Christina Rossetti. Eliot's poetry inspired the song "Hollow Man" from the Doppelgänger album. "Where Dreams Come True" from Taylor's solo LP A Briefing for the Ascent draws heavily from Rosetti's poem "Echo."
.mr is the Internetcountry codetop-level domain (ccTLD) for Mauritania. A local contact is required to register a domain name under .mr. Registrations are taken directly at the second level, but a .gov.mr second level domain exists in which governmental sites can be found at the third level.
Mister, usually written in its abbreviated form Mr. (US) or Mr (US & UK), is a commonly-used English honorific for men under the rank of knighthood. The title derived from earlier forms of master, as the equivalent female titles Mrs, Miss, and Ms all derived from earlier forms of mistress. Master is sometimes still used as an honorific for boys and young men, but its use is increasingly uncommon.
The modern plural form is Misters, although its usual formal abbreviation Messrs(.) derives from use of the French title messieurs in the 18th century.Messieurs is the plural of monsieur (originally mon sieur, "my lord"), formed by declining both of its constituent parts separately.
Historic etiquette
Historically, mister—like Sir or my lord—was applied only to those above one's own status in the peerage. This understanding is now obsolete, as it was gradually expanded as a mark of respect to those of equal status and then to all gentlemen. It is now used indiscriminately.
In past centuries, Mr was used with a first name to distinguish among family members who might otherwise be confused in conversation: Mr Doe would be the eldest present; younger brothers or cousins were then referred to as Mr Richard Doe and Mr William Doe and so on. Such usage survived longer in family-owned business or when domestic servants were referring to adult male family members with the same surname: "Mr Robert and Mr Richard will be out this evening, but Mr Edward is dining in," but such usage today is rare in American culture but still quite common in others as a sign of respect when first names are being used, the last name is not known, or where English is not the mother tongue.
Mister also known as Mr. is a Hong Kong, Chineserock band composed of lead vocalist Alan Po, rhythm guitarist Ronny Lay, lead guitarist Quincy Tam, bassist and backing vocalist Desmond Tam, and drummer Tom To.
The quintet originated from the underground indie scene where they were known as White Noise. Their breakthrough performance was their gig at Alan Tam's birthday party. They were subsequently recommended to Universal Music by himself who was deeply impressed by their skill and talent.
Label: Jammys
Producer: Lloyd "King Jammy" James
Year: 1985
Riddim: Sleng Teng
published: 13 Feb 2008
Mister Robinson's Neighborhood: Puppet Show - SNL
Mister Robinson (Eddie Murphy) returns featuring a guest appearance from Mr. Landlord, a new word of the day, and a puppet show. [Season 7, 1981]
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published: 19 Aug 2013
Mister Robinson's Neighborhood: Nutrition - SNL
Mr. Robinson (Eddie Murphy) talks about how expensive groceries are for the woman he stole them from. Today's word, "Nutrition," leads to a discussion how to eat right on a budget. [Season 9, 1983]
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published: 16 Nov 2017
The Landlord (1970) - pt 4 - "This house is important to me"
Based on a wonderful novel by African-American writer Kristen Hunter and adapted by the estimable Bill Gunn ("Ganja and Hess"), another African-American,"The Landlord" looms as a template for responsible socio-comic filmmaking.
Beau Bridges - in perhaps his first and last screen role of any relevance - is hugely appealing as Elgar Enders, a clueless rich kid who decides to liberate himself from his repressive family by setting up housekeeping in the Park Slope neighborhood of New York - and this was years before the idea of inner-city gentrification became a reality.
The film consists of one memorable moment after another, fueled by a major (and award-worthy) performance by Diana Sands as one of Bridges's tenants and entertaining supporting turns by Lee Grant (Oscar-nominated), Louis...
published: 03 Jun 2009
Yonkers Ny John Wayne Pushes Bus With His Head (#SayNoToDrugs)
Hallucination Person Impaired By Drugs Appears to be pushing bus with his head in his mind
Mister Robinson (Eddie Murphy) returns featuring a guest appearance from Mr. Landlord, a new word of the day, and a puppet show. [Season 7, 1981]
Subscribe to ...
Mister Robinson (Eddie Murphy) returns featuring a guest appearance from Mr. Landlord, a new word of the day, and a puppet show. [Season 7, 1981]
Subscribe to SNL: https://goo.gl/tUsXwM
Stream Current Full Episodes: http://www.nbc.com/saturday-night-live
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Mister Robinson (Eddie Murphy) returns featuring a guest appearance from Mr. Landlord, a new word of the day, and a puppet show. [Season 7, 1981]
Subscribe to SNL: https://goo.gl/tUsXwM
Stream Current Full Episodes: http://www.nbc.com/saturday-night-live
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Mr. Robinson (Eddie Murphy) talks about how expensive groceries are for the woman he stole them from. Today's word, "Nutrition," leads to a discussion how to ea...
Mr. Robinson (Eddie Murphy) talks about how expensive groceries are for the woman he stole them from. Today's word, "Nutrition," leads to a discussion how to eat right on a budget. [Season 9, 1983]
Subscribe to SNL: https://goo.gl/tUsXwM
Stream Current Full Episodes: http://www.nbc.com/saturday-night-live
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Mr. Robinson (Eddie Murphy) talks about how expensive groceries are for the woman he stole them from. Today's word, "Nutrition," leads to a discussion how to eat right on a budget. [Season 9, 1983]
Subscribe to SNL: https://goo.gl/tUsXwM
Stream Current Full Episodes: http://www.nbc.com/saturday-night-live
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Based on a wonderful novel by African-American writer Kristen Hunter and adapted by the estimable Bill Gunn ("Ganja and Hess"), another African-American,"The La...
Based on a wonderful novel by African-American writer Kristen Hunter and adapted by the estimable Bill Gunn ("Ganja and Hess"), another African-American,"The Landlord" looms as a template for responsible socio-comic filmmaking.
Beau Bridges - in perhaps his first and last screen role of any relevance - is hugely appealing as Elgar Enders, a clueless rich kid who decides to liberate himself from his repressive family by setting up housekeeping in the Park Slope neighborhood of New York - and this was years before the idea of inner-city gentrification became a reality.
The film consists of one memorable moment after another, fueled by a major (and award-worthy) performance by Diana Sands as one of Bridges's tenants and entertaining supporting turns by Lee Grant (Oscar-nominated), Louis Gossett, Jr., Pearl Bailey, Walter Brooke, Robert Klein, Susan Anspach, Marki Bey, Mel Stewart, Douglas Grant, Will MacKenzie (now a TV director) and in a brief, hilarious bit, dancer Grover Dale.
On the technical side, there's Al Kooper's spot-on song score and the always-reliatable Gordon Willis' shimmering cinematography - so good that it makes even a ghetto setting seem inviting and comparionable.
Beau Bridges... Elgar Winthrop Julius Enders
Lee Grant... Joyce Enders
Diana Sands... Francine MarieJohnson
Pearl Bailey... Marge, Tenant
Walter Brooke... William Enders Sr.
Louis Gossett Jr.... Copee Johnson (as Lou Gossett)
Marki Bey... Lanie
Mel Stewart... Professor Duboise (as Melvin Stewart)
Susan Anspach... Susan Enders
Robert Klein... Peter Coots (as Bob Klein)
Will Mackenzie... William Enders Jr.
Gretchen Walther... Mrs. Doris Enders
Douglas Grant... Walter Gee Copee
Stanley Greene... Heywood the Butler
Oliver Clark... Mr. Farcus
Based on a wonderful novel by African-American writer Kristen Hunter and adapted by the estimable Bill Gunn ("Ganja and Hess"), another African-American,"The Landlord" looms as a template for responsible socio-comic filmmaking.
Beau Bridges - in perhaps his first and last screen role of any relevance - is hugely appealing as Elgar Enders, a clueless rich kid who decides to liberate himself from his repressive family by setting up housekeeping in the Park Slope neighborhood of New York - and this was years before the idea of inner-city gentrification became a reality.
The film consists of one memorable moment after another, fueled by a major (and award-worthy) performance by Diana Sands as one of Bridges's tenants and entertaining supporting turns by Lee Grant (Oscar-nominated), Louis Gossett, Jr., Pearl Bailey, Walter Brooke, Robert Klein, Susan Anspach, Marki Bey, Mel Stewart, Douglas Grant, Will MacKenzie (now a TV director) and in a brief, hilarious bit, dancer Grover Dale.
On the technical side, there's Al Kooper's spot-on song score and the always-reliatable Gordon Willis' shimmering cinematography - so good that it makes even a ghetto setting seem inviting and comparionable.
Beau Bridges... Elgar Winthrop Julius Enders
Lee Grant... Joyce Enders
Diana Sands... Francine MarieJohnson
Pearl Bailey... Marge, Tenant
Walter Brooke... William Enders Sr.
Louis Gossett Jr.... Copee Johnson (as Lou Gossett)
Marki Bey... Lanie
Mel Stewart... Professor Duboise (as Melvin Stewart)
Susan Anspach... Susan Enders
Robert Klein... Peter Coots (as Bob Klein)
Will Mackenzie... William Enders Jr.
Gretchen Walther... Mrs. Doris Enders
Douglas Grant... Walter Gee Copee
Stanley Greene... Heywood the Butler
Oliver Clark... Mr. Farcus
Mister Robinson (Eddie Murphy) returns featuring a guest appearance from Mr. Landlord, a new word of the day, and a puppet show. [Season 7, 1981]
Subscribe to SNL: https://goo.gl/tUsXwM
Stream Current Full Episodes: http://www.nbc.com/saturday-night-live
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Mr. Robinson (Eddie Murphy) talks about how expensive groceries are for the woman he stole them from. Today's word, "Nutrition," leads to a discussion how to eat right on a budget. [Season 9, 1983]
Subscribe to SNL: https://goo.gl/tUsXwM
Stream Current Full Episodes: http://www.nbc.com/saturday-night-live
WATCH PAST SNL SEASONS
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Based on a wonderful novel by African-American writer Kristen Hunter and adapted by the estimable Bill Gunn ("Ganja and Hess"), another African-American,"The Landlord" looms as a template for responsible socio-comic filmmaking.
Beau Bridges - in perhaps his first and last screen role of any relevance - is hugely appealing as Elgar Enders, a clueless rich kid who decides to liberate himself from his repressive family by setting up housekeeping in the Park Slope neighborhood of New York - and this was years before the idea of inner-city gentrification became a reality.
The film consists of one memorable moment after another, fueled by a major (and award-worthy) performance by Diana Sands as one of Bridges's tenants and entertaining supporting turns by Lee Grant (Oscar-nominated), Louis Gossett, Jr., Pearl Bailey, Walter Brooke, Robert Klein, Susan Anspach, Marki Bey, Mel Stewart, Douglas Grant, Will MacKenzie (now a TV director) and in a brief, hilarious bit, dancer Grover Dale.
On the technical side, there's Al Kooper's spot-on song score and the always-reliatable Gordon Willis' shimmering cinematography - so good that it makes even a ghetto setting seem inviting and comparionable.
Beau Bridges... Elgar Winthrop Julius Enders
Lee Grant... Joyce Enders
Diana Sands... Francine MarieJohnson
Pearl Bailey... Marge, Tenant
Walter Brooke... William Enders Sr.
Louis Gossett Jr.... Copee Johnson (as Lou Gossett)
Marki Bey... Lanie
Mel Stewart... Professor Duboise (as Melvin Stewart)
Susan Anspach... Susan Enders
Robert Klein... Peter Coots (as Bob Klein)
Will Mackenzie... William Enders Jr.
Gretchen Walther... Mrs. Doris Enders
Douglas Grant... Walter Gee Copee
Stanley Greene... Heywood the Butler
Oliver Clark... Mr. Farcus
Marion Mitchell Morrison (born Marion Robert Morrison; May 26, 1907– June 11, 1979), known by his stage name John Wayne and by his nickname "Duke", was an American film actor, director, and producer. An Academy Award-winner for True Grit (1969), Wayne was among the top box office draws for three decades. An enduring American icon, for several generations of Americans he epitomized rugged masculinity and is famous for his demeanor, including his distinctive calm voice, walk, and height.
Born in Iowa, Wayne grew up in Southern California. He found work at local film studios when he lost his football scholarship to USC as a result of a bodysurfing accident. Initially working for the Fox Film Corporation, he mostly appeared in small bit parts. His first leading role came in Raoul Walsh's lavish widescreen epic The Big Trail (1930), which led to leading roles in numerous B movies throughout the 1930s, many of them in the Western genre.
Wayne's career took off in 1939, with John Ford'sStagecoach making him an instant mainstream star. Wayne went on to star in 142 pictures. Biographer Ronald Davis says: "John Wayne personified for millions the nation's frontier heritage. Eighty-three of his movies were Westerns, and in them he played cowboys, cavalrymen, and unconquerable loners extracted from the Republic's central creation myth."
did you think i'd change my mind i know you think i watch you sleep but my heart will never keep could you ever act your age i'd act jealous, but i'd hate to make your week so no more you will with me i find it hard to sleep, cause i know what you need i know you need your faith, so i'm killing you with lies fooled you, fooled myself without even trying that's over now fooled you, and never even got to say i'm sorry you were sorry first well it's worth about as much as mine, dear it's only rivaled by the burning summertime and the winter of blue cold feet i find it hard to sleep, cause i know what you need i know you need your faith, so i'm killing you with eyes fooled you, fooled myself without even trying that's over now fooled you, and never even got to say i'm sorry you were sorry first you know what sorry's really worth i won't hurt you, i won't even pray at all better yet if i'm all alone shredding prayers is like shredding paper most, i'm not falling for you, i'm not falling for you