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Mike Kelley with John Welchman
On the influence of Mike Kelley's work, art historian and critic John Welchman writes much contemporary art that trades in abjection and the pathetic, scatter art, neo-junk, bad-girl provocations, a thousand reformulations of the body, have all passed, here and there, through the viscerally abstruse filtration system of Kelley's imagination. For this conversation, the two discuss Kelley's remarkable career, focusing on his large-scale video work the Extracurricular Activity Projective Reconstruction series, started in 2000. An ambitious project, the series is a group of 365 videotapes and video installations related to his 1995 sculptural work, Educational Complex. Through restaged photographs of activities found in high school yearbooks and newspapers, the videos address issues of repress...
published: 07 Dec 2013
-
How Mike Kelley Transforms Low Culture into High Art
In this episode of Anatomy of an Artwork, learn how Mike Kelley re-contextualizes everyday, “low” culture items to develop the Conceptual art of his celebrated Memory Ware series. His work Memory Ware Flat #12, executed in 2001, is a striking example of how appropriated folk art can subvert the emotional value of cherished trinkets. From a distance, the all-over nature of the composition recalls pointillism, but a closer look reveals a dense topography of charged symbols that critique of the banality of culture. At varying shapes, scales, and concentrations, Kelley’s clusters avoid compositional focus and instead opt for a dynamic all-over abstracted surface that ultimately blurs the line between high and low art. Memory Ware Flat #12 will be offered as a highlight of Sotheby’s Contemporar...
published: 11 Apr 2019
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Mike Kelley in “Memory” - Season 3 | “Art in the Twenty-First Century"
Art21 proudly presents an artist segment, featuring Mike Kelley, from the "Memory" episode in Season 3 of the "Art in the Twenty-First Century" series.
"Memory" premiered in September 2005 on PBS.
In a body of work that includes sculptures, performance, and installations, Mike Kelley explored contemporary culture’s obsession with repressed trauma. Many of Kelley’s projects drew on his own memory.
Mike Kelley was born in Detroit, Michigan, in 1954. Learn more about the artists at: https://art21.org/artist/Mike-Kelley
CREDITS
Created by: Susan Sollins & Susan Dowling. Executive Producer & Curator: Susan Sollins. Series Producer: Eve-Laure Moros Ortega. Associate Producer: Migs Wright. Assistant Curator: Wesley Miller. Production Manager: Alice Bertoni. Production Coordinator: Kelly Shind...
published: 21 Jun 2024
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Mike Kelley: Bad Boy | Art21 "Extended Play"
Episode #117: Mike Kelley sets the record straight about being called a "bad boy" throughout his career, describing the shifting tastes of critics and artists towards abject art in recent years.
Mike Kelley's work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of 'normative' values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the conc...
published: 06 Aug 2010
-
Mike Kelley - What's In My Bag?
Artist & Musician Mike Kelley goes shopping at Amoeba Hollywood.
Check out his picks:
Ray Laurent/Ray Dennis Steckler - Satanis the Devil's Mass/Sinthia the Devil's Doll (DVD) http://bit.ly/2Bi9hPq
Wallace Fox - The Corpse Vanishes (DVD)
Joe Meek - Vampires Cowboys Spacemen & Spooks: The Very Best of Joe Meek's Instrumentals (CD) http://bit.ly/2CG1ibk
The Quick - Untold Rock Stories (CD)
Fast - The Best of the Fast: 1976-1984 (CD)
Anita O'Day - Indestructible! (CD) http://bit.ly/2Bi9AK4
Terry Riley - Shri Camel (CD) http://bit.ly/2yZhDFw
Marc Bolan - The Beginning of Doves (CD)
La Dusseldorf - Viva (CD) http://bit.ly/2BJLZ4C
Various Artists - Where The Action Is! Los Angeles Nuggets 1965-1968 (CD) http://bit.ly/2BO1lEW
Sun Ra - Nuclear War (CD) http://bit.ly/2yZxwf7
Follow us on Twi...
published: 22 Nov 2010
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"105 Minutes with Mike" : Mike Kelley Interview (Full) 2004
Artist Mike Kelley. 1954-2012. Art, politics, Dali, New York art scene, Koons, reading from print work and more. Interviewed by Gerry Fialka. Filmed by Eli Elliott. 2004. Uploaded Feb. 1. 2012.
published: 01 Feb 2013
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Mike Kelley: Artist, Iconoclast, Educator
During the fifteen years Mike Kelley taught in the Graduate Fine Art Department at Art Center, he mentored such art world luminaries as Diana Thater, Pae White and Jennifer Steinkamp. Here they reflect on Kelley's impact on their creative lives.
Follow Art Center on social media!
Facebook:
http://on.fb.me/1xzUTpH
Twitter:
http://bit.ly/ZUsDCj
Instagram:
http://bit.ly/1rlVvtp
LinkedIn:
http://linkd.in/ZUt4N2
published: 16 Jul 2014
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Mike Kelley: Kandors 1999 – 2011, Hauser & Wirth Los Angeles
Mary Clare Stevens, Executive Director, Mike Kelley Foundation of the Arts, talks about the exhibition 'Mike Kelley: Kandors 1999 – 2011' at Hauser & Wirth Los Angeles, 21 October 2017 – 21 January 2018
published: 22 Dec 2017
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Mike Kelley: "Day Is Done" | Art21 "Extended Play"
Episode #104: Mike Kelley reveals how photographs from yearbooks and newspapers in Detroit served as the inspiration behind the performative project "Day Is Done," shown installed at Gagosian Gallery.
Mike Kelleys work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of normative values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the...
published: 30 Apr 2010
-
Where Art Meets Architecture 4 with Mike Kelley - Trailer
Visit the Sales Page Here:
https://fstoppers.com/product/where-art-meets-architecture-4-how-photograph-luxury-architecture-and-real?fsa=305
published: 30 Aug 2021
1:46:38
Mike Kelley with John Welchman
On the influence of Mike Kelley's work, art historian and critic John Welchman writes much contemporary art that trades in abjection and the pathetic, scatter a...
On the influence of Mike Kelley's work, art historian and critic John Welchman writes much contemporary art that trades in abjection and the pathetic, scatter art, neo-junk, bad-girl provocations, a thousand reformulations of the body, have all passed, here and there, through the viscerally abstruse filtration system of Kelley's imagination. For this conversation, the two discuss Kelley's remarkable career, focusing on his large-scale video work the Extracurricular Activity Projective Reconstruction series, started in 2000. An ambitious project, the series is a group of 365 videotapes and video installations related to his 1995 sculptural work, Educational Complex. Through restaged photographs of activities found in high school yearbooks and newspapers, the videos address issues of repressed memory, abuse, and the culture of victimization.
https://wn.com/Mike_Kelley_With_John_Welchman
On the influence of Mike Kelley's work, art historian and critic John Welchman writes much contemporary art that trades in abjection and the pathetic, scatter art, neo-junk, bad-girl provocations, a thousand reformulations of the body, have all passed, here and there, through the viscerally abstruse filtration system of Kelley's imagination. For this conversation, the two discuss Kelley's remarkable career, focusing on his large-scale video work the Extracurricular Activity Projective Reconstruction series, started in 2000. An ambitious project, the series is a group of 365 videotapes and video installations related to his 1995 sculptural work, Educational Complex. Through restaged photographs of activities found in high school yearbooks and newspapers, the videos address issues of repressed memory, abuse, and the culture of victimization.
- published: 07 Dec 2013
- views: 64427
2:23
How Mike Kelley Transforms Low Culture into High Art
In this episode of Anatomy of an Artwork, learn how Mike Kelley re-contextualizes everyday, “low” culture items to develop the Conceptual art of his celebrated ...
In this episode of Anatomy of an Artwork, learn how Mike Kelley re-contextualizes everyday, “low” culture items to develop the Conceptual art of his celebrated Memory Ware series. His work Memory Ware Flat #12, executed in 2001, is a striking example of how appropriated folk art can subvert the emotional value of cherished trinkets. From a distance, the all-over nature of the composition recalls pointillism, but a closer look reveals a dense topography of charged symbols that critique of the banality of culture. At varying shapes, scales, and concentrations, Kelley’s clusters avoid compositional focus and instead opt for a dynamic all-over abstracted surface that ultimately blurs the line between high and low art. Memory Ware Flat #12 will be offered as a highlight of Sotheby’s Contemporary Art Day Auction. (15 May | New York)
SUBSCRIBE: https://www.youtube.com/sothebys/?sub...
FOR MORE NEWS FROM SOTHEBY’S
Instagram: https://www.instagram.com/sothebys/
Facebook: https://www.facebook.com/sothebys
Twitter: https://twitter.com/sothebys
https://wn.com/How_Mike_Kelley_Transforms_Low_Culture_Into_High_Art
In this episode of Anatomy of an Artwork, learn how Mike Kelley re-contextualizes everyday, “low” culture items to develop the Conceptual art of his celebrated Memory Ware series. His work Memory Ware Flat #12, executed in 2001, is a striking example of how appropriated folk art can subvert the emotional value of cherished trinkets. From a distance, the all-over nature of the composition recalls pointillism, but a closer look reveals a dense topography of charged symbols that critique of the banality of culture. At varying shapes, scales, and concentrations, Kelley’s clusters avoid compositional focus and instead opt for a dynamic all-over abstracted surface that ultimately blurs the line between high and low art. Memory Ware Flat #12 will be offered as a highlight of Sotheby’s Contemporary Art Day Auction. (15 May | New York)
SUBSCRIBE: https://www.youtube.com/sothebys/?sub...
FOR MORE NEWS FROM SOTHEBY’S
Instagram: https://www.instagram.com/sothebys/
Facebook: https://www.facebook.com/sothebys
Twitter: https://twitter.com/sothebys
- published: 11 Apr 2019
- views: 12185
13:59
Mike Kelley in “Memory” - Season 3 | “Art in the Twenty-First Century"
Art21 proudly presents an artist segment, featuring Mike Kelley, from the "Memory" episode in Season 3 of the "Art in the Twenty-First Century" series.
"Memory...
Art21 proudly presents an artist segment, featuring Mike Kelley, from the "Memory" episode in Season 3 of the "Art in the Twenty-First Century" series.
"Memory" premiered in September 2005 on PBS.
In a body of work that includes sculptures, performance, and installations, Mike Kelley explored contemporary culture’s obsession with repressed trauma. Many of Kelley’s projects drew on his own memory.
Mike Kelley was born in Detroit, Michigan, in 1954. Learn more about the artists at: https://art21.org/artist/Mike-Kelley
CREDITS
Created by: Susan Sollins & Susan Dowling. Executive Producer & Curator: Susan Sollins. Series Producer: Eve-Laure Moros Ortega. Associate Producer: Migs Wright. Assistant Curator: Wesley Miller. Production Manager: Alice Bertoni. Production Coordinator: Kelly Shindler. Producer: Charles Atlas. Editor: Lizzie Donahue. Host: Isabella Rossellini. Director of Photography: Takahisa Araki, Norbert Arnsteiner, Martial Barrault, Kurt Branstetter, Bob Elfstrom, Mead Hunt, Nancy Schreiber, Joel Shapiro, & Dyanna Taylor. Sound: Tom Bergin, Ray Day, Lori Dovi, Jim Gallup, Stacy Hruby, Gary Silver, Jean-Pierre Vial, Ullrich Vlasak, & Merce Williams. Gaffer: Todd Csernecky, Lamar Bloodworth, Ted Hayash, & Mike Lamb. Grip: Michele De Lorimier & Darryl Miller. Assistant Camera: Sean Brown, Marie Chao, Brian Hwang, Kipjaz Savoie, Dave Wightman, Lievan van Hulle, & Yahia Zadek. Production Assistant: Xavier Ballandras, Larry Fojtik, Michaela Hoeck, Kathy Kniss, Justin Leitstein, Mary Jo Mauro, Alexei Van Mourik, Scott Resnick, & Rob Zalkind. Assistant Avid Editor: Robert Achs, Jamie Courville, Sean Frechette, Mike Heffron, David Kreger, Cara Leroy O’Connell, Joaquin Perez, Aaron Sheddrick, & Lynn True. Still Photography: Alice Bertoni & Bob Elfstrom.
Major underwriting for Season 3 of Art in the Twenty-First Century is provided by National Endowment for the Arts, PBS, Agnes Gund and Daniel Shapiro, Nathan Cummings Foundation, Corporation for Public Broadcasting, Jon and Mary Shirley Foundation, Bagley Wright Fund Bloomberg, The Horace W. Goldsmith Foundation, JPMorgan Chase, Melva Bucksbaum and Raymond Learsy, The Paul G. Allen Family Foundation, and The Andy Warhol Foundation for the Visual Arts.
Full credits available at https://art21.org/watch/art-in-the-twenty-first-century/s3/memory
#MikeKelley #Memory #Art21
https://wn.com/Mike_Kelley_In_“Memory”_Season_3_|_“Art_In_The_Twenty_First_Century
Art21 proudly presents an artist segment, featuring Mike Kelley, from the "Memory" episode in Season 3 of the "Art in the Twenty-First Century" series.
"Memory" premiered in September 2005 on PBS.
In a body of work that includes sculptures, performance, and installations, Mike Kelley explored contemporary culture’s obsession with repressed trauma. Many of Kelley’s projects drew on his own memory.
Mike Kelley was born in Detroit, Michigan, in 1954. Learn more about the artists at: https://art21.org/artist/Mike-Kelley
CREDITS
Created by: Susan Sollins & Susan Dowling. Executive Producer & Curator: Susan Sollins. Series Producer: Eve-Laure Moros Ortega. Associate Producer: Migs Wright. Assistant Curator: Wesley Miller. Production Manager: Alice Bertoni. Production Coordinator: Kelly Shindler. Producer: Charles Atlas. Editor: Lizzie Donahue. Host: Isabella Rossellini. Director of Photography: Takahisa Araki, Norbert Arnsteiner, Martial Barrault, Kurt Branstetter, Bob Elfstrom, Mead Hunt, Nancy Schreiber, Joel Shapiro, & Dyanna Taylor. Sound: Tom Bergin, Ray Day, Lori Dovi, Jim Gallup, Stacy Hruby, Gary Silver, Jean-Pierre Vial, Ullrich Vlasak, & Merce Williams. Gaffer: Todd Csernecky, Lamar Bloodworth, Ted Hayash, & Mike Lamb. Grip: Michele De Lorimier & Darryl Miller. Assistant Camera: Sean Brown, Marie Chao, Brian Hwang, Kipjaz Savoie, Dave Wightman, Lievan van Hulle, & Yahia Zadek. Production Assistant: Xavier Ballandras, Larry Fojtik, Michaela Hoeck, Kathy Kniss, Justin Leitstein, Mary Jo Mauro, Alexei Van Mourik, Scott Resnick, & Rob Zalkind. Assistant Avid Editor: Robert Achs, Jamie Courville, Sean Frechette, Mike Heffron, David Kreger, Cara Leroy O’Connell, Joaquin Perez, Aaron Sheddrick, & Lynn True. Still Photography: Alice Bertoni & Bob Elfstrom.
Major underwriting for Season 3 of Art in the Twenty-First Century is provided by National Endowment for the Arts, PBS, Agnes Gund and Daniel Shapiro, Nathan Cummings Foundation, Corporation for Public Broadcasting, Jon and Mary Shirley Foundation, Bagley Wright Fund Bloomberg, The Horace W. Goldsmith Foundation, JPMorgan Chase, Melva Bucksbaum and Raymond Learsy, The Paul G. Allen Family Foundation, and The Andy Warhol Foundation for the Visual Arts.
Full credits available at https://art21.org/watch/art-in-the-twenty-first-century/s3/memory
#MikeKelley #Memory #Art21
- published: 21 Jun 2024
- views: 3761
2:59
Mike Kelley: Bad Boy | Art21 "Extended Play"
Episode #117: Mike Kelley sets the record straight about being called a "bad boy" throughout his career, describing the shifting tastes of critics and artists t...
Episode #117: Mike Kelley sets the record straight about being called a "bad boy" throughout his career, describing the shifting tastes of critics and artists towards abject art in recent years.
Mike Kelley's work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of 'normative' values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelley's aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious "by all means necessary" attitude of punk music.
Learn more about Mike Kelley: http://www.art21.org/artists/mike-kelley
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Norbert Arnsteiner & Nancy Schreiber. Sound: Stacy Hruby & Ullrich Vlasak. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: MUMOK, Vienna.
Thanks to the following volunteers for providing subtitles:
ENGLISH
bwhiting27
http://www.amara.org/en/profiles/profile/76288/
Mary Keramida
http://www.amara.org/en/profiles/profile/42071/
FRENCH
Frenchie4ever
http://www.amara.org/en/profiles/profile/90392/
GREEK
Mary Keramida
http://www.amara.org/en/profiles/profile/42071/
HEBREW
Elinoar Almagor
http://www.amara.org/en/profiles/profile/90306/
INDONESIAN
Dwi Rianto
http://www.amara.org/en/profiles/profile/269/
ITALIAN
Giulia Di Pietro
http://www.amara.org/en/profiles/profile/89317/
KOREAN
Calleigh Lee
http://www.amara.org/en/profiles/profile/96833/
SPANISH
Lucía Gutiérrez Franco
http://www.amara.org/en/profiles/profile/90447/
TURKISH
adeptgunes
http://www.amara.org/en/profiles/profile/77137/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/
#Art21 #Art21ExtendedPlay
https://wn.com/Mike_Kelley_Bad_Boy_|_Art21_Extended_Play
Episode #117: Mike Kelley sets the record straight about being called a "bad boy" throughout his career, describing the shifting tastes of critics and artists towards abject art in recent years.
Mike Kelley's work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of 'normative' values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelley's aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious "by all means necessary" attitude of punk music.
Learn more about Mike Kelley: http://www.art21.org/artists/mike-kelley
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Norbert Arnsteiner & Nancy Schreiber. Sound: Stacy Hruby & Ullrich Vlasak. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: MUMOK, Vienna.
Thanks to the following volunteers for providing subtitles:
ENGLISH
bwhiting27
http://www.amara.org/en/profiles/profile/76288/
Mary Keramida
http://www.amara.org/en/profiles/profile/42071/
FRENCH
Frenchie4ever
http://www.amara.org/en/profiles/profile/90392/
GREEK
Mary Keramida
http://www.amara.org/en/profiles/profile/42071/
HEBREW
Elinoar Almagor
http://www.amara.org/en/profiles/profile/90306/
INDONESIAN
Dwi Rianto
http://www.amara.org/en/profiles/profile/269/
ITALIAN
Giulia Di Pietro
http://www.amara.org/en/profiles/profile/89317/
KOREAN
Calleigh Lee
http://www.amara.org/en/profiles/profile/96833/
SPANISH
Lucía Gutiérrez Franco
http://www.amara.org/en/profiles/profile/90447/
TURKISH
adeptgunes
http://www.amara.org/en/profiles/profile/77137/
Become a volunteer translator by joining the Art21 Translation Project team:
http://www.amara.org/en/teams/art21/
#Art21 #Art21ExtendedPlay
- published: 06 Aug 2010
- views: 65615
6:25
Mike Kelley - What's In My Bag?
Artist & Musician Mike Kelley goes shopping at Amoeba Hollywood.
Check out his picks:
Ray Laurent/Ray Dennis Steckler - Satanis the Devil's Mass/Sinthia the D...
Artist & Musician Mike Kelley goes shopping at Amoeba Hollywood.
Check out his picks:
Ray Laurent/Ray Dennis Steckler - Satanis the Devil's Mass/Sinthia the Devil's Doll (DVD) http://bit.ly/2Bi9hPq
Wallace Fox - The Corpse Vanishes (DVD)
Joe Meek - Vampires Cowboys Spacemen & Spooks: The Very Best of Joe Meek's Instrumentals (CD) http://bit.ly/2CG1ibk
The Quick - Untold Rock Stories (CD)
Fast - The Best of the Fast: 1976-1984 (CD)
Anita O'Day - Indestructible! (CD) http://bit.ly/2Bi9AK4
Terry Riley - Shri Camel (CD) http://bit.ly/2yZhDFw
Marc Bolan - The Beginning of Doves (CD)
La Dusseldorf - Viva (CD) http://bit.ly/2BJLZ4C
Various Artists - Where The Action Is! Los Angeles Nuggets 1965-1968 (CD) http://bit.ly/2BO1lEW
Sun Ra - Nuclear War (CD) http://bit.ly/2yZxwf7
Follow us on Twitter: https://twitter.com/amoebamusic
Like us on Facebook: https://www.facebook.com/amoeba
https://wn.com/Mike_Kelley_What's_In_My_Bag
Artist & Musician Mike Kelley goes shopping at Amoeba Hollywood.
Check out his picks:
Ray Laurent/Ray Dennis Steckler - Satanis the Devil's Mass/Sinthia the Devil's Doll (DVD) http://bit.ly/2Bi9hPq
Wallace Fox - The Corpse Vanishes (DVD)
Joe Meek - Vampires Cowboys Spacemen & Spooks: The Very Best of Joe Meek's Instrumentals (CD) http://bit.ly/2CG1ibk
The Quick - Untold Rock Stories (CD)
Fast - The Best of the Fast: 1976-1984 (CD)
Anita O'Day - Indestructible! (CD) http://bit.ly/2Bi9AK4
Terry Riley - Shri Camel (CD) http://bit.ly/2yZhDFw
Marc Bolan - The Beginning of Doves (CD)
La Dusseldorf - Viva (CD) http://bit.ly/2BJLZ4C
Various Artists - Where The Action Is! Los Angeles Nuggets 1965-1968 (CD) http://bit.ly/2BO1lEW
Sun Ra - Nuclear War (CD) http://bit.ly/2yZxwf7
Follow us on Twitter: https://twitter.com/amoebamusic
Like us on Facebook: https://www.facebook.com/amoeba
- published: 22 Nov 2010
- views: 45366
1:45:15
"105 Minutes with Mike" : Mike Kelley Interview (Full) 2004
Artist Mike Kelley. 1954-2012. Art, politics, Dali, New York art scene, Koons, reading from print work and more. Interviewed by Gerry Fialka. Filmed by Eli Elli...
Artist Mike Kelley. 1954-2012. Art, politics, Dali, New York art scene, Koons, reading from print work and more. Interviewed by Gerry Fialka. Filmed by Eli Elliott. 2004. Uploaded Feb. 1. 2012.
https://wn.com/105_Minutes_With_Mike_Mike_Kelley_Interview_(Full)_2004
Artist Mike Kelley. 1954-2012. Art, politics, Dali, New York art scene, Koons, reading from print work and more. Interviewed by Gerry Fialka. Filmed by Eli Elliott. 2004. Uploaded Feb. 1. 2012.
- published: 01 Feb 2013
- views: 43763
3:05
Mike Kelley: Artist, Iconoclast, Educator
During the fifteen years Mike Kelley taught in the Graduate Fine Art Department at Art Center, he mentored such art world luminaries as Diana Thater, Pae White ...
During the fifteen years Mike Kelley taught in the Graduate Fine Art Department at Art Center, he mentored such art world luminaries as Diana Thater, Pae White and Jennifer Steinkamp. Here they reflect on Kelley's impact on their creative lives.
Follow Art Center on social media!
Facebook:
http://on.fb.me/1xzUTpH
Twitter:
http://bit.ly/ZUsDCj
Instagram:
http://bit.ly/1rlVvtp
LinkedIn:
http://linkd.in/ZUt4N2
https://wn.com/Mike_Kelley_Artist,_Iconoclast,_Educator
During the fifteen years Mike Kelley taught in the Graduate Fine Art Department at Art Center, he mentored such art world luminaries as Diana Thater, Pae White and Jennifer Steinkamp. Here they reflect on Kelley's impact on their creative lives.
Follow Art Center on social media!
Facebook:
http://on.fb.me/1xzUTpH
Twitter:
http://bit.ly/ZUsDCj
Instagram:
http://bit.ly/1rlVvtp
LinkedIn:
http://linkd.in/ZUt4N2
- published: 16 Jul 2014
- views: 3780
8:27
Mike Kelley: Kandors 1999 – 2011, Hauser & Wirth Los Angeles
Mary Clare Stevens, Executive Director, Mike Kelley Foundation of the Arts, talks about the exhibition 'Mike Kelley: Kandors 1999 – 2011' at Hauser & Wirth Los ...
Mary Clare Stevens, Executive Director, Mike Kelley Foundation of the Arts, talks about the exhibition 'Mike Kelley: Kandors 1999 – 2011' at Hauser & Wirth Los Angeles, 21 October 2017 – 21 January 2018
https://wn.com/Mike_Kelley_Kandors_1999_–_2011,_Hauser_Wirth_Los_Angeles
Mary Clare Stevens, Executive Director, Mike Kelley Foundation of the Arts, talks about the exhibition 'Mike Kelley: Kandors 1999 – 2011' at Hauser & Wirth Los Angeles, 21 October 2017 – 21 January 2018
- published: 22 Dec 2017
- views: 6616
4:41
Mike Kelley: "Day Is Done" | Art21 "Extended Play"
Episode #104: Mike Kelley reveals how photographs from yearbooks and newspapers in Detroit served as the inspiration behind the performative project "Day Is Don...
Episode #104: Mike Kelley reveals how photographs from yearbooks and newspapers in Detroit served as the inspiration behind the performative project "Day Is Done," shown installed at Gagosian Gallery.
Mike Kelleys work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of normative values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelleys aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious by all means necessary attitude of punk music.
Learn more about Mike Kelley: http://www.art21.org/artists/mike-kelley
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Nancy Schreiber & Joel Shapiro. Sound: Tom Bergin & Stacy Hruby. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: Gagosian Gallery, New York.
#Art21 #Art21ExtendedPlay
https://wn.com/Mike_Kelley_Day_Is_Done_|_Art21_Extended_Play
Episode #104: Mike Kelley reveals how photographs from yearbooks and newspapers in Detroit served as the inspiration behind the performative project "Day Is Done," shown installed at Gagosian Gallery.
Mike Kelleys work ranges from highly symbolic and ritualistic performance pieces, to arrangements of stuffed-animal sculptures, to wall-sized drawings, to multi-room installations that restage institutional environments (schools, offices, zoos), to extended collaborations with artists such as Paul McCarthy, Tony Oursler, and the band Sonic Youth. His work questions the legitimacy of normative values and systems of authority, and attacks the sanctity of cultural attitudes toward family, religion, sexuality, art history, and education. He also comments on and undermines the legitimacy of the concept of victim or trauma culture, which posits that almost all behavior results from some form of repressed abuse. Kelleys aesthetic mines the rich and often overlooked history of vernacular art in America, and his practice borrows heavily from the confrontational, politically conscious by all means necessary attitude of punk music.
Learn more about Mike Kelley: http://www.art21.org/artists/mike-kelley
VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Nancy Schreiber & Joel Shapiro. Sound: Tom Bergin & Stacy Hruby. Editor: Paulo Padilha. Artwork Courtesy: Mike Kelley. Special Thanks: Gagosian Gallery, New York.
#Art21 #Art21ExtendedPlay
- published: 30 Apr 2010
- views: 67975
10:17
Where Art Meets Architecture 4 with Mike Kelley - Trailer
Visit the Sales Page Here:
https://fstoppers.com/product/where-art-meets-architecture-4-how-photograph-luxury-architecture-and-real?fsa=305
Visit the Sales Page Here:
https://fstoppers.com/product/where-art-meets-architecture-4-how-photograph-luxury-architecture-and-real?fsa=305
https://wn.com/Where_Art_Meets_Architecture_4_With_Mike_Kelley_Trailer
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- published: 30 Aug 2021
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