-
Mike Harrison - Smokestack Lightning (1972) Full Album
01) Tears (0:00)
02) Paid My Dues (4:00)
03) What A Price (8:06)
04) Wanna Be Free (13:35)
05) Turning Over (17:40)
06) Smokestack Lightning (23:41)
2nd Solo Album by Mike Harrison (Singer from Psychedelic/Hard Rock band Spooky Tooth), released in 1972.
(Vinyl rip)
published: 05 Sep 2020
-
Michael Harrison – Revelation: Music in Pure Intonation (full album)
Revelation: Music in Pure Intonation (Cantaloupe Music, 2007)
Please subscribe!
Program Notes by Stuart Isacoff (excerpt):
There are moments in every age when a new artistic direction seems to sprout and flourish. We can trace the slow germination and multiple sources that gave rise to it, yet a specific work or artist often comes to symbolize the break with the old. Think of Wagner's Tristan chord, Debussy's “Prelude to the Afternoon of a Faun,” Schoenberg's Op. 23 “Piano Pieces,” or Cage's “Sonatas and Interludes for Prepared Piano.” Each created new possibilities for their day, transforming the musical soundscape far beyond its traditional boundaries. The same can be said of Michael Harrison's music.
This composer, who, like his early mentor, La Monte Young, is deeply influenced by t...
published: 04 Nov 2016
-
Mike Harrison - Rainbow Rider (1975) Full Album
01) Maverick Woman Blues (0:00)
02) You And Me (3:37)
03) I'll Keep It With Mine (6:17)
04) Like A Road (Leading Home) (10:37)
05) We Can Work It Out (15:15)
06) Okay Lay Lady Lay (18:38)
07) Easy (25:11)
08) Somewhere Over The Rainbow (29:37)
09) Friend (32:15)
3rd Solo Album by Mike Harrison (Singer of Psychedelic/Hard Rock band Spooky Tooth).
published: 05 Sep 2020
-
Mike Harrison - Late Starter (2006) Full Album
01) Out Of The Rain (0:00)
02) A Fool In Love (4:43)
03) Jealous Kind (7:49)
04) Come Back Baby (12:12)
05) I Can Give You Everything (16:34)
06) Don't Touch Me (19:47)
07) You Were Never Mine (23:24)
08) Night Time (27:44)
09) Your Good Thing Is About To End (31:42)
10) The Rock (36:47)
11) Sinner's Prayer (40:31)
12) Drown In My Own Tears (44:48)
13) Let's Go Get Stoned (48:08)
14) I've Got Dreams To Remember (51:14)
4th Solo Album by Mike Harrison (Singer of Rock band Spooky Tooth).
published: 05 Sep 2020
-
Mike Harrison Lead Singer Of Spooky Tooth Dead at 72 - Tribute
Mike Harrison Lead Singer Of Spooky Tooth Dead at 72
This was the band that also once featured Gary Wright of “Dream Weaver” fame, the man who now runs Foreigner Mick Jones, Greg Ridley of Humble Pie, Chris Stainton who played with Joe Cocker and Eric Clapton, Henry McCullough who also played with Cocker, Wings, Roy Harper, John Hawken of Strawbs and Renaissance. Spooky Tooth had some amazing musicians in that band and Harrison was a perfect example of that.
He was one of the founders of the band which sprouted out of the V.I.P.'s with Ridley and Luther Grosvenor (who would later Join Mott the Hoople), Mike Kellie. Keith Emerson was also in the band until he left to form The Nice. THE V.I.P.s turned into Art which turned into Spooky Tooth.
The band was never a commercial success even tho...
published: 31 Mar 2018
-
Mike Harrison (Spooky Tooth) in Bremerhaven 2012
Es ist bewundernswert, was dieser noch jung gebliebene ältere Herr (70) der Rockgeschichte noch auf der Bühne bringt. Erlebt am 19.10.12 in der Stadthalle Bremerhaven. Eine Veranstaltung von Beat-Club & Friends Uschi Nerke und Jörg Sonntag. Einfach Klasse! - Video von Klaus Lukas
published: 27 Oct 2012
-
On The Sunny Side of The Street - Jazz Piano Cover
Per request, my improvised take on the classic tune!
The practice room soundproofing has been removed because people are assholes, so sorry about the other pianos bleeding in.
published: 02 Sep 2016
-
The Beatles - Thank You Girl LESSON by Mike Pachelli
Here's a lesson on the guitar parts of John & George's from this B-side rocker. Chart & tabs at: www.MikePachelli.com
published: 29 Apr 2023
-
Grab A Stack of New Arrivals & RSD Vinyl - Mike, Harrison, Rob, & Kevin with John T. Snow and Jen!
Mike, Harrison, Rob & Kevin break down what they've gotten in the mail recently, and Mike show off some music books from his collection.
#RSD #recordstoreday #vanhalen #ericcarr #rockology #liverighthererightnow #vinyl #records #vinylcommunity #vinylrecords
published: 29 Apr 2023
-
Mike Harrison-Tears
Mike Harrison-Tears
published: 07 Sep 2020
35:56
Mike Harrison - Smokestack Lightning (1972) Full Album
01) Tears (0:00)
02) Paid My Dues (4:00)
03) What A Price (8:06)
04) Wanna Be Free (13:35)
05) Turning Over (17:40)
06) Smokestack Lightning (23:41)
2nd Solo A...
01) Tears (0:00)
02) Paid My Dues (4:00)
03) What A Price (8:06)
04) Wanna Be Free (13:35)
05) Turning Over (17:40)
06) Smokestack Lightning (23:41)
2nd Solo Album by Mike Harrison (Singer from Psychedelic/Hard Rock band Spooky Tooth), released in 1972.
(Vinyl rip)
https://wn.com/Mike_Harrison_Smokestack_Lightning_(1972)_Full_Album
01) Tears (0:00)
02) Paid My Dues (4:00)
03) What A Price (8:06)
04) Wanna Be Free (13:35)
05) Turning Over (17:40)
06) Smokestack Lightning (23:41)
2nd Solo Album by Mike Harrison (Singer from Psychedelic/Hard Rock band Spooky Tooth), released in 1972.
(Vinyl rip)
- published: 05 Sep 2020
- views: 3829
1:11:58
Michael Harrison – Revelation: Music in Pure Intonation (full album)
Revelation: Music in Pure Intonation (Cantaloupe Music, 2007)
Please subscribe!
Program Notes by Stuart Isacoff (excerpt):
There are moments in every age when...
Revelation: Music in Pure Intonation (Cantaloupe Music, 2007)
Please subscribe!
Program Notes by Stuart Isacoff (excerpt):
There are moments in every age when a new artistic direction seems to sprout and flourish. We can trace the slow germination and multiple sources that gave rise to it, yet a specific work or artist often comes to symbolize the break with the old. Think of Wagner's Tristan chord, Debussy's “Prelude to the Afternoon of a Faun,” Schoenberg's Op. 23 “Piano Pieces,” or Cage's “Sonatas and Interludes for Prepared Piano.” Each created new possibilities for their day, transforming the musical soundscape far beyond its traditional boundaries. The same can be said of Michael Harrison's music.
This composer, who, like his early mentor, La Monte Young, is deeply influenced by the East, has created an art form that allows the piano to probe territory normally outside of its range: his music exploits the "overtones" generated naturally by vibrating strings -- that is, the series of natural pitches that resonates softly above every "fundamental" tone. Out of acoustical necessity, these are purposely altered (some would say "violated") in the modern piano's tuning. The intricate textures and remarkable effects of Revelation are the result of Harrison's desire to resurrect the pure harmonies that have been lost.
The history of tuning began with Pythagoras and other ancient Greek philosophers, who discovered that the most consonant harmonies are created when two strings vibrate in simple whole number proportions: an octave is produced when the relationship is 2:1; a perfect fifth is the result of tones vibrating in the proportion of 3:2; a pure major third is produced by the proportion 5:4. These relationships are known as “just intonation” (hereafter referred to as “JI”). Michael Harrison returns to this approach, but extends it to numbers beyond those used by Pythagoras and in subsequent historical tunings.
There is a reason that Western music abandoned JI’s pure, enticing sounds: when forced to coexist in a single instrument, they produce a phenomenon known as the “comma” – a dissonant clash. In any instrument with fixed pitches, the strings can be tuned so that they offer consistently pure fifths or consistently pure thirds -- but not both. Attempt to have it both ways, and the keyboard becomes a minefield of dissonances. Western musicians have been avoiding these harmonic collisions for centuries, referring to them as "wolves," because they reminded listeners of the howling of wild animals. Over the course of history, many different approaches to tuning were tried in order to eliminate these inevitable clashes. Our modern tuning, known as equal temperament, does away with them -- but at the cost of losing the purity and color of naturally-produced harmonies.
Instead of avoiding them, Michael Harrison incorporates into his musical texture the clashes that occur when JI intervals confront each other in a piano. However, instead of using commas built on major thirds, Harrison uses what he calls the "Celestial Comma" (a ratio of 64:63) that results from the differences between pure sevenths (7:4 ratio) and pure fifths. In some ways, his vision represents the flip side of Arnold Schoenberg's. Schoenberg broke down conventional harmonic models by "emancipating the dissonance," ordering music through artificially chosen rows of tones rather than through the gravitation of natural tonal movement. Schoenberg freed music horizontally, and Harrison frees it vertically. (Though Schoenberg rejected what had come before and Harrison embraces the distant past; in a way, he has one foot in the ancient world, and the other in the future, since he extends the possibilities of JI well beyond those of its originators.) His music uses harmonies built atop subtle harmonies, with overtones wrestling or reinforcing each other -- often producing a concoction of otherworldly resonances. In other words, Harrison rehabilitates the comma into a newly welcome constituent of the harmonic universe.
The results are often wondrous. In the midst of clouds of dense clusters rapidly drummed in the bass end of the instrument, an astute listener can perceive high ghost tones -- sometimes bell-like, at other times vaporous -- as if a choir of angels were singing along. From Michael Harrison's perspective, the acoustic piano, which had evolved continuously since 1700, has now remained virtually unchanged for 125 years. In each age, composers have transformed the piano according to their needs; and his is the next great step in that development.
Revelation: Music in Pure Intonation is an astounding and exquisite piece. And it may well be one of those seminal works that mark a new direction in musical history.
__________________________
Stuart Isacoff is a pianist, composer and writer. He is the author of Temperament (Knopf).
https://wn.com/Michael_Harrison_–_Revelation_Music_In_Pure_Intonation_(Full_Album)
Revelation: Music in Pure Intonation (Cantaloupe Music, 2007)
Please subscribe!
Program Notes by Stuart Isacoff (excerpt):
There are moments in every age when a new artistic direction seems to sprout and flourish. We can trace the slow germination and multiple sources that gave rise to it, yet a specific work or artist often comes to symbolize the break with the old. Think of Wagner's Tristan chord, Debussy's “Prelude to the Afternoon of a Faun,” Schoenberg's Op. 23 “Piano Pieces,” or Cage's “Sonatas and Interludes for Prepared Piano.” Each created new possibilities for their day, transforming the musical soundscape far beyond its traditional boundaries. The same can be said of Michael Harrison's music.
This composer, who, like his early mentor, La Monte Young, is deeply influenced by the East, has created an art form that allows the piano to probe territory normally outside of its range: his music exploits the "overtones" generated naturally by vibrating strings -- that is, the series of natural pitches that resonates softly above every "fundamental" tone. Out of acoustical necessity, these are purposely altered (some would say "violated") in the modern piano's tuning. The intricate textures and remarkable effects of Revelation are the result of Harrison's desire to resurrect the pure harmonies that have been lost.
The history of tuning began with Pythagoras and other ancient Greek philosophers, who discovered that the most consonant harmonies are created when two strings vibrate in simple whole number proportions: an octave is produced when the relationship is 2:1; a perfect fifth is the result of tones vibrating in the proportion of 3:2; a pure major third is produced by the proportion 5:4. These relationships are known as “just intonation” (hereafter referred to as “JI”). Michael Harrison returns to this approach, but extends it to numbers beyond those used by Pythagoras and in subsequent historical tunings.
There is a reason that Western music abandoned JI’s pure, enticing sounds: when forced to coexist in a single instrument, they produce a phenomenon known as the “comma” – a dissonant clash. In any instrument with fixed pitches, the strings can be tuned so that they offer consistently pure fifths or consistently pure thirds -- but not both. Attempt to have it both ways, and the keyboard becomes a minefield of dissonances. Western musicians have been avoiding these harmonic collisions for centuries, referring to them as "wolves," because they reminded listeners of the howling of wild animals. Over the course of history, many different approaches to tuning were tried in order to eliminate these inevitable clashes. Our modern tuning, known as equal temperament, does away with them -- but at the cost of losing the purity and color of naturally-produced harmonies.
Instead of avoiding them, Michael Harrison incorporates into his musical texture the clashes that occur when JI intervals confront each other in a piano. However, instead of using commas built on major thirds, Harrison uses what he calls the "Celestial Comma" (a ratio of 64:63) that results from the differences between pure sevenths (7:4 ratio) and pure fifths. In some ways, his vision represents the flip side of Arnold Schoenberg's. Schoenberg broke down conventional harmonic models by "emancipating the dissonance," ordering music through artificially chosen rows of tones rather than through the gravitation of natural tonal movement. Schoenberg freed music horizontally, and Harrison frees it vertically. (Though Schoenberg rejected what had come before and Harrison embraces the distant past; in a way, he has one foot in the ancient world, and the other in the future, since he extends the possibilities of JI well beyond those of its originators.) His music uses harmonies built atop subtle harmonies, with overtones wrestling or reinforcing each other -- often producing a concoction of otherworldly resonances. In other words, Harrison rehabilitates the comma into a newly welcome constituent of the harmonic universe.
The results are often wondrous. In the midst of clouds of dense clusters rapidly drummed in the bass end of the instrument, an astute listener can perceive high ghost tones -- sometimes bell-like, at other times vaporous -- as if a choir of angels were singing along. From Michael Harrison's perspective, the acoustic piano, which had evolved continuously since 1700, has now remained virtually unchanged for 125 years. In each age, composers have transformed the piano according to their needs; and his is the next great step in that development.
Revelation: Music in Pure Intonation is an astounding and exquisite piece. And it may well be one of those seminal works that mark a new direction in musical history.
__________________________
Stuart Isacoff is a pianist, composer and writer. He is the author of Temperament (Knopf).
- published: 04 Nov 2016
- views: 64606
36:48
Mike Harrison - Rainbow Rider (1975) Full Album
01) Maverick Woman Blues (0:00)
02) You And Me (3:37)
03) I'll Keep It With Mine (6:17)
04) Like A Road (Leading Home) (10:37)
05) We Can Work It Out (15:15)
06...
01) Maverick Woman Blues (0:00)
02) You And Me (3:37)
03) I'll Keep It With Mine (6:17)
04) Like A Road (Leading Home) (10:37)
05) We Can Work It Out (15:15)
06) Okay Lay Lady Lay (18:38)
07) Easy (25:11)
08) Somewhere Over The Rainbow (29:37)
09) Friend (32:15)
3rd Solo Album by Mike Harrison (Singer of Psychedelic/Hard Rock band Spooky Tooth).
https://wn.com/Mike_Harrison_Rainbow_Rider_(1975)_Full_Album
01) Maverick Woman Blues (0:00)
02) You And Me (3:37)
03) I'll Keep It With Mine (6:17)
04) Like A Road (Leading Home) (10:37)
05) We Can Work It Out (15:15)
06) Okay Lay Lady Lay (18:38)
07) Easy (25:11)
08) Somewhere Over The Rainbow (29:37)
09) Friend (32:15)
3rd Solo Album by Mike Harrison (Singer of Psychedelic/Hard Rock band Spooky Tooth).
- published: 05 Sep 2020
- views: 3378
55:23
Mike Harrison - Late Starter (2006) Full Album
01) Out Of The Rain (0:00)
02) A Fool In Love (4:43)
03) Jealous Kind (7:49)
04) Come Back Baby (12:12)
05) I Can Give You Everything (16:34)
06) Don't Touch Me...
01) Out Of The Rain (0:00)
02) A Fool In Love (4:43)
03) Jealous Kind (7:49)
04) Come Back Baby (12:12)
05) I Can Give You Everything (16:34)
06) Don't Touch Me (19:47)
07) You Were Never Mine (23:24)
08) Night Time (27:44)
09) Your Good Thing Is About To End (31:42)
10) The Rock (36:47)
11) Sinner's Prayer (40:31)
12) Drown In My Own Tears (44:48)
13) Let's Go Get Stoned (48:08)
14) I've Got Dreams To Remember (51:14)
4th Solo Album by Mike Harrison (Singer of Rock band Spooky Tooth).
https://wn.com/Mike_Harrison_Late_Starter_(2006)_Full_Album
01) Out Of The Rain (0:00)
02) A Fool In Love (4:43)
03) Jealous Kind (7:49)
04) Come Back Baby (12:12)
05) I Can Give You Everything (16:34)
06) Don't Touch Me (19:47)
07) You Were Never Mine (23:24)
08) Night Time (27:44)
09) Your Good Thing Is About To End (31:42)
10) The Rock (36:47)
11) Sinner's Prayer (40:31)
12) Drown In My Own Tears (44:48)
13) Let's Go Get Stoned (48:08)
14) I've Got Dreams To Remember (51:14)
4th Solo Album by Mike Harrison (Singer of Rock band Spooky Tooth).
- published: 05 Sep 2020
- views: 1069
3:37
Mike Harrison Lead Singer Of Spooky Tooth Dead at 72 - Tribute
Mike Harrison Lead Singer Of Spooky Tooth Dead at 72
This was the band that also once featured Gary Wright of “Dream Weaver” fame, the man who now runs Foreigne...
Mike Harrison Lead Singer Of Spooky Tooth Dead at 72
This was the band that also once featured Gary Wright of “Dream Weaver” fame, the man who now runs Foreigner Mick Jones, Greg Ridley of Humble Pie, Chris Stainton who played with Joe Cocker and Eric Clapton, Henry McCullough who also played with Cocker, Wings, Roy Harper, John Hawken of Strawbs and Renaissance. Spooky Tooth had some amazing musicians in that band and Harrison was a perfect example of that.
He was one of the founders of the band which sprouted out of the V.I.P.'s with Ridley and Luther Grosvenor (who would later Join Mott the Hoople), Mike Kellie. Keith Emerson was also in the band until he left to form The Nice. THE V.I.P.s turned into Art which turned into Spooky Tooth.
The band was never a commercial success even though they had this raw blues rock feel that was quite common especially in the early 70's. Gary Wright was their creative driving force writing most of their early material while he shared the vocals with Harrison. Probably their high point was “Spooky Two” the sophomore album. If you want an introduction this is the album to taste test this band on. Everything went to hell with the next project which would be a collaboration with french electronic musician Pierre Henry. It's been described as one of the biggest Rock and Roll screw ups of all time. This album still sounded like the old band but with strange noises throughout. It's a weird project. Gary Wright wanted Henry on the album and co-wrote every tune on the project with him but left the band after it came out. The band would break up in 1970, then they reunited in 1972 with Gary wright in tow. They bowed out in 1974 until a reunion in 1997.
Harrison recorded a handful of solo albums then actually left the music business until Spooky Tooth reunited in 1997 – this time without Gary Wright. He made a living driving delivery trucks. He also played with the Hamburg Blues Band.
There was another Spooky Tooth reunion in 2004 this time with Gary Wright which resulted in the concert DVD release called Nomad Poets. They also played together in 2008.
Mike Harrison died on March 25, 2018 at the age of 72. - by John Beaudin
John Beaudin has been in major market radio (Edmonton, Vancouver & Calgary) for 35 years and a music journalist since 1989. He graduated from Broadcasting school as a news man so he would have the skills to write about the artists that inspired him since he bought his first album, “Madman Across The Water” by Elton John as a teen. In the 80's Beaudin was the host of the syndicated radio show “The Cross Canada Report” which had two version (Rock and A/C). Beaudin was also asked to be a judge at the Juno Awards (Canada's answer to the Grammys) Twice. He has anchored every position in radio including morning and afternoon drive and was a Program and Music Director for The Breeze and California 103 in Calgary. He currently hosts the popular Lovesongs at QM-FM in Vancouver and on iHeartRadio.
To Follow John Beaudin's posts on all subjects https://www.facebook.com/JohnBeaudinBroadcaster/?ref=br_rs
To Follow John's “Rock News” only posts FACEBOOK https://www.facebook.com/rockhistorybook
John Beaudin Official Website http://www.johnbeaudin.com
TWITTER for Rock History Music https://twitter.com/rockhistorybook
TWITTER for John https://twitter.com/johnbeaudin
Subscribe to this Channel https://www.youtube.com/channel/UChUv5CZuAuh08DfHA8klNSA?view_as=subscriber
SUBSCRIBE TO OUR SISTER ROCK CHANNEL https://www.youtube.com/channel/UCDKUUfqq_iuwk63pZEUOTIQ
Heading West by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Artist: http://audionautix.com/
https://wn.com/Mike_Harrison_Lead_Singer_Of_Spooky_Tooth_Dead_At_72_Tribute
Mike Harrison Lead Singer Of Spooky Tooth Dead at 72
This was the band that also once featured Gary Wright of “Dream Weaver” fame, the man who now runs Foreigner Mick Jones, Greg Ridley of Humble Pie, Chris Stainton who played with Joe Cocker and Eric Clapton, Henry McCullough who also played with Cocker, Wings, Roy Harper, John Hawken of Strawbs and Renaissance. Spooky Tooth had some amazing musicians in that band and Harrison was a perfect example of that.
He was one of the founders of the band which sprouted out of the V.I.P.'s with Ridley and Luther Grosvenor (who would later Join Mott the Hoople), Mike Kellie. Keith Emerson was also in the band until he left to form The Nice. THE V.I.P.s turned into Art which turned into Spooky Tooth.
The band was never a commercial success even though they had this raw blues rock feel that was quite common especially in the early 70's. Gary Wright was their creative driving force writing most of their early material while he shared the vocals with Harrison. Probably their high point was “Spooky Two” the sophomore album. If you want an introduction this is the album to taste test this band on. Everything went to hell with the next project which would be a collaboration with french electronic musician Pierre Henry. It's been described as one of the biggest Rock and Roll screw ups of all time. This album still sounded like the old band but with strange noises throughout. It's a weird project. Gary Wright wanted Henry on the album and co-wrote every tune on the project with him but left the band after it came out. The band would break up in 1970, then they reunited in 1972 with Gary wright in tow. They bowed out in 1974 until a reunion in 1997.
Harrison recorded a handful of solo albums then actually left the music business until Spooky Tooth reunited in 1997 – this time without Gary Wright. He made a living driving delivery trucks. He also played with the Hamburg Blues Band.
There was another Spooky Tooth reunion in 2004 this time with Gary Wright which resulted in the concert DVD release called Nomad Poets. They also played together in 2008.
Mike Harrison died on March 25, 2018 at the age of 72. - by John Beaudin
John Beaudin has been in major market radio (Edmonton, Vancouver & Calgary) for 35 years and a music journalist since 1989. He graduated from Broadcasting school as a news man so he would have the skills to write about the artists that inspired him since he bought his first album, “Madman Across The Water” by Elton John as a teen. In the 80's Beaudin was the host of the syndicated radio show “The Cross Canada Report” which had two version (Rock and A/C). Beaudin was also asked to be a judge at the Juno Awards (Canada's answer to the Grammys) Twice. He has anchored every position in radio including morning and afternoon drive and was a Program and Music Director for The Breeze and California 103 in Calgary. He currently hosts the popular Lovesongs at QM-FM in Vancouver and on iHeartRadio.
To Follow John Beaudin's posts on all subjects https://www.facebook.com/JohnBeaudinBroadcaster/?ref=br_rs
To Follow John's “Rock News” only posts FACEBOOK https://www.facebook.com/rockhistorybook
John Beaudin Official Website http://www.johnbeaudin.com
TWITTER for Rock History Music https://twitter.com/rockhistorybook
TWITTER for John https://twitter.com/johnbeaudin
Subscribe to this Channel https://www.youtube.com/channel/UChUv5CZuAuh08DfHA8klNSA?view_as=subscriber
SUBSCRIBE TO OUR SISTER ROCK CHANNEL https://www.youtube.com/channel/UCDKUUfqq_iuwk63pZEUOTIQ
Heading West by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
Artist: http://audionautix.com/
- published: 31 Mar 2018
- views: 13464
5:58
Mike Harrison (Spooky Tooth) in Bremerhaven 2012
Es ist bewundernswert, was dieser noch jung gebliebene ältere Herr (70) der Rockgeschichte noch auf der Bühne bringt. Erlebt am 19.10.12 in der Stadthalle Breme...
Es ist bewundernswert, was dieser noch jung gebliebene ältere Herr (70) der Rockgeschichte noch auf der Bühne bringt. Erlebt am 19.10.12 in der Stadthalle Bremerhaven. Eine Veranstaltung von Beat-Club & Friends Uschi Nerke und Jörg Sonntag. Einfach Klasse! - Video von Klaus Lukas
https://wn.com/Mike_Harrison_(Spooky_Tooth)_In_Bremerhaven_2012
Es ist bewundernswert, was dieser noch jung gebliebene ältere Herr (70) der Rockgeschichte noch auf der Bühne bringt. Erlebt am 19.10.12 in der Stadthalle Bremerhaven. Eine Veranstaltung von Beat-Club & Friends Uschi Nerke und Jörg Sonntag. Einfach Klasse! - Video von Klaus Lukas
- published: 27 Oct 2012
- views: 37724
5:06
On The Sunny Side of The Street - Jazz Piano Cover
Per request, my improvised take on the classic tune!
The practice room soundproofing has been removed because people are assholes, so sorry about the other pia...
Per request, my improvised take on the classic tune!
The practice room soundproofing has been removed because people are assholes, so sorry about the other pianos bleeding in.
https://wn.com/On_The_Sunny_Side_Of_The_Street_Jazz_Piano_Cover
Per request, my improvised take on the classic tune!
The practice room soundproofing has been removed because people are assholes, so sorry about the other pianos bleeding in.
- published: 02 Sep 2016
- views: 20414
21:04
The Beatles - Thank You Girl LESSON by Mike Pachelli
Here's a lesson on the guitar parts of John & George's from this B-side rocker. Chart & tabs at: www.MikePachelli.com
Here's a lesson on the guitar parts of John & George's from this B-side rocker. Chart & tabs at: www.MikePachelli.com
https://wn.com/The_Beatles_Thank_You_Girl_Lesson_By_Mike_Pachelli
Here's a lesson on the guitar parts of John & George's from this B-side rocker. Chart & tabs at: www.MikePachelli.com
- published: 29 Apr 2023
- views: 10732
1:49:54
Grab A Stack of New Arrivals & RSD Vinyl - Mike, Harrison, Rob, & Kevin with John T. Snow and Jen!
Mike, Harrison, Rob & Kevin break down what they've gotten in the mail recently, and Mike show off some music books from his collection.
#RSD #recordstoreday #v...
Mike, Harrison, Rob & Kevin break down what they've gotten in the mail recently, and Mike show off some music books from his collection.
#RSD #recordstoreday #vanhalen #ericcarr #rockology #liverighthererightnow #vinyl #records #vinylcommunity #vinylrecords
https://wn.com/Grab_A_Stack_Of_New_Arrivals_Rsd_Vinyl_Mike,_Harrison,_Rob,_Kevin_With_John_T._Snow_And_Jen
Mike, Harrison, Rob & Kevin break down what they've gotten in the mail recently, and Mike show off some music books from his collection.
#RSD #recordstoreday #vanhalen #ericcarr #rockology #liverighthererightnow #vinyl #records #vinylcommunity #vinylrecords
- published: 29 Apr 2023
- views: 46