Dominic Frontiere (born June 17, 1931) is an American composer, arranger, and jazzaccordionist. He is known for composing the theme and much of the music for the first season of the television series The Outer Limits.
Biography
Early years
Born in New Haven, Connecticut, the son of a musical family, at age seven Frontiere was already playing several instruments before deciding to concentrate on the accordion. At twelve, he played solo at Carnegie Hall.
Hollywood
After a stint with a big band in the late 1940s and early 50s, Frontiere moved to Los Angeles, where he enrolled at UCLA. He eventually became musical director at 20th Century Fox. He scored several films under the tutelage of Alfred and Lionel Newman, while also recording jazz music.
The main title is the music, often later recorded on soundtrack albums, that is heard in a film while the opening credits are rolling. It does not refer to music playing from on-screen sources such as radios, as in the original opening credits sequence in Touch of Evil.
A main title can consist of a tune sung by the leading character over the credits, such as Moon River, sung by Audrey Hepburn in Breakfast at Tiffany's, or the main orchestral theme as written by the composer, such as the famous The Pink Panther Theme. It can also be a medley of themes from the film, as in the 1959 Ben-Hur. In the film A Hard Day's Night, the title tune was heard over the opening credits showing the Beatles running from their fans. An overture may serve as a main title, as in The Sound of Music. However, there is a very strong difference in a roadshow theatrical release between an overture and a main title. The overture in such films is heard on pre-recorded tape or film, before the film even begins, while the house lights are still up and there is yet no picture on the screen. The main title begins when the film actually starts. In the case of The Sound of Music though (and also Fiddler on the Roof), no overture was heard before the lights in the theatre went down; therefore, in these cases, the main title did serve as an overture. Both films had pre-credits opening sequences; during these, the first song from the film was sung, and immediately afterwards, the main title music followed.
"Stereo" is a song by Americanhip hop recording artist MGK. The song was released on September 20, 2012 with an accompanying music video, and serves as the first promotional single from his debut studio albumLace Up. The single features vocals from Alex Fitts of The Kickdrums and was produced by Alex Kickdrum.
Background
"Stereo" is one of MGK's older songs, being previously featured on his 2010 mixtape: Lace Up!. It was released on September 20, 2012 with an accompanying music video, on his Vevo account. On his Twitter account, MGK stated that the music video was shot and finished over a year before it was officially released but wanted to wait for his upcoming album's release date to be closer. The track is featured on Lace Up - The Prelude, an EP released exclusively for Sony's Music Unlimited service. Lace Up - The Prelude was released on October 2, 2012.
Music video
The video was released through MGK's Vevo account to YouTube on September 20, 2012, and features a cameo appearance from Alex Fitts. The video, switches between MGK either riding in a custom painted tourbus also occupied by what appears to be prostitutes, or with a girlfriend whose father dislikes him, or rapping in an empty room. The second scenario portrays the songs lyrics; MGK is deeply in love with a girl but her father, a police officer, dislikes him and will go to great lengths to keep them apart. While the first scenario displays shots of MGK running from the police or him and Alex Fitts in the tourbus with all the other girls. The third scenario is shown after MGK is chased away by the police. The first and second scenarios eventually coincide with one another at the end of the video.
Stereo is the only studio album by Americanindie rock band Christie Front Drive. The album was released in 1996 by Caulfield Records and re-released as remastered edition with DVD by Magic Bullet Records. Bonus DVD contains the band's final performance in 1996.
Michael Wayne Atha (born December 30, 1979), better known as Yelawolf, is an American record producer, rapper and singer-songwriter from Gadsden, Alabama. He is currently signed to Eminem's Shady Records and Interscope Records. Yelawolf released his independent debut studio album titled Creekwater in 2005. From 2005 to 2010 he also released an extended play and four mixtapes. The last of the four, titled Trunk Muzik, amassed a strong following for the rapper, eventually landing him a deal with Interscope Records, which re-released the mixtape as Trunk Muzik 0-60 later that year.
In January 2011, Yelawolf signed with Eminem's record label, Shady Records, and released his album, Radioactive on November 21, 2011. The album debuted at number 27 on the Billboard 200. Yelawolf released a sequel to his breakthrough mixtape Trunk Muzik, titled Trunk Muzik Returns on March 14, 2013. His second album, Love Story, was released on April 21, 2015.
Early life
Atha was born in Gadsden, Alabama, and is of Cherokee and White American descent. His mother Sheila, whom he claims was a "rockstar" gave birth to him at 15. Throughout his childhood, Atha moved often. He spent much of his time in Antioch, Tennessee, and attended Carter Lawrence Elementary School in Nashville, which was located near housing projects and where he says "hip hop started making sense to me. That's where hip hop made sense culturally."
Dominic Frontiere - Main Title [Hang 'em High, Original Soundtrack]
ARTIST: Dominic Frontiere
TITLE: Main Title
FILM: Hang 'em High
YEAR: 1968
published: 24 May 2016
Dominic Frontiere - The Outer Limits " Nightmare " Main Title - Galaxies
The Outer Limits : Original Television Soundtrack By Dominic Frontiere (1963).
published: 20 Oct 2010
Brannigan super soundtrack suite - Dominic Frontiere
Highlights from the 1975 film score Brannigan by Dominic Frontiere. Enjoy this super soundtrack suite!
Please note all rights to the music belong to the licensed copyright owner(s).
0:00 Main Title
3:08 Ransom Pt 1
5:16 The Kidnap
6:44 Ransom Pt 3
7:37 Knock Knock
9:11 Stampede Along The Thames
11:14 Ransom Pt 4
13:48 End Titles
Want more John Wayne 70s cop music?
https://youtu.be/jmOT5FhevBc
Want more 1970s film scores?
https://youtube.com/playlist?list=PLi8A7JdC8OlswDOLkcx3z65uNsm5N7JtC
CC 9:11
#supersoundtracksuite #soundtrackofthemind #soundtrack #filmscore #dominicfrontiere #brannigan
published: 16 Sep 2018
Hero's Island Dominic Frontiere theme
sounds like an abridged Spartacus love theme
published: 19 Aug 2011
Hang 'Em High Theme (Dominic Frontiere)
The theme for Ted Post's "Hang 'Em High" (1968). The song is composed by Dominic Frontiere.
published: 29 Dec 2008
Dominic Frontiere - Moon Goddess
From the album "Pagan Festival - An Exotic Love Ritual for Orchestra" (1959). Composed, arranged & conducted by Dominic Frontiere.
published: 08 Nov 2011
Outer Limits: The Human Factor [Complete Soundtrack] (1963) - Dominic Frontiere
Original Score by Dominic Frontiere
Original Broadcast 11 Nov 1963
"A weapon? No, only an instrument: neither good nor evil, until men put it to use. And then, like so many of Man's inventions, it can be used either to save lives or destroy them, to make men sane or to drive them mad, to increase human understanding or to betray it. But, it will be men who make the choice. By itself, the instrument is nothing, until you add the human factor."
________________________________________________________________
SYNOPSIS
At an isolated military installation in Greenland, Major Brothers (Harry Guardino) has allowed one of his men to die after falling in a crevasse. Suffering from hallucinations, he goes to Dr. Hamilton (Gary Merrill). Hamilton has invented a device that allows him to read the...
published: 02 Aug 2017
Dominic Frontiere - The Invaders End Title
The Invaders : Original TV Soundtrack By Dominic Frontiere (1967).
Highlights from the 1975 film score Brannigan by Dominic Frontiere. Enjoy this super soundtrack suite!
Please note all rights to the music belong to the licen...
Highlights from the 1975 film score Brannigan by Dominic Frontiere. Enjoy this super soundtrack suite!
Please note all rights to the music belong to the licensed copyright owner(s).
0:00 Main Title
3:08 Ransom Pt 1
5:16 The Kidnap
6:44 Ransom Pt 3
7:37 Knock Knock
9:11 Stampede Along The Thames
11:14 Ransom Pt 4
13:48 End Titles
Want more John Wayne 70s cop music?
https://youtu.be/jmOT5FhevBc
Want more 1970s film scores?
https://youtube.com/playlist?list=PLi8A7JdC8OlswDOLkcx3z65uNsm5N7JtC
CC 9:11
#supersoundtracksuite #soundtrackofthemind #soundtrack #filmscore #dominicfrontiere #brannigan
Highlights from the 1975 film score Brannigan by Dominic Frontiere. Enjoy this super soundtrack suite!
Please note all rights to the music belong to the licensed copyright owner(s).
0:00 Main Title
3:08 Ransom Pt 1
5:16 The Kidnap
6:44 Ransom Pt 3
7:37 Knock Knock
9:11 Stampede Along The Thames
11:14 Ransom Pt 4
13:48 End Titles
Want more John Wayne 70s cop music?
https://youtu.be/jmOT5FhevBc
Want more 1970s film scores?
https://youtube.com/playlist?list=PLi8A7JdC8OlswDOLkcx3z65uNsm5N7JtC
CC 9:11
#supersoundtracksuite #soundtrackofthemind #soundtrack #filmscore #dominicfrontiere #brannigan
Original Score by Dominic Frontiere
Original Broadcast 11 Nov 1963
"A weapon? No, only an instrument: neither good nor evil, until men put it to use. And then...
Original Score by Dominic Frontiere
Original Broadcast 11 Nov 1963
"A weapon? No, only an instrument: neither good nor evil, until men put it to use. And then, like so many of Man's inventions, it can be used either to save lives or destroy them, to make men sane or to drive them mad, to increase human understanding or to betray it. But, it will be men who make the choice. By itself, the instrument is nothing, until you add the human factor."
________________________________________________________________
SYNOPSIS
At an isolated military installation in Greenland, Major Brothers (Harry Guardino) has allowed one of his men to die after falling in a crevasse. Suffering from hallucinations, he goes to Dr. Hamilton (Gary Merrill). Hamilton has invented a device that allows him to read the thoughts of another person. Hamilton and Brothers connect via the device, but then a power surge causes the unthinkable: the minds of the two men switch bodies. The deranged Maj. Brothers is bent on destroying the whole base. Unfortunately, his mind is now in the psychiatrist's body, and the other base workers know nothing of the mind switch; until his secretary (Sally Kellerman) gets wind of it.
________________________________________________________________
THE SOUNDTRACK
“The Human Factor” features another lush orchestral soundtrack by Dominic Frontiere. Just like "Architects Of Fear" and "The Man Who Was Never Born", Frontiere has a knack for producing beautiful, romantic tracks such as "Love Revealed", "You Don't Need Me", "Look Into My Eyes" and "Love Theme (Reprise)". Some of its cues however, like “It’s Here” and “Monster Appears” were used very regularly throughout the show’s first season.
The title theme makes a couple of returns throughout this score, albeit slightly remoulded but still full of its initial stabbing vibrancy. Frontiere also crafts a romantic theme that drives rather than whispers through the rising tension and becomes quite forcefully lush, but it is probably his lilting and tinkling cue for the mental exchange that makes the most impressive mark here.
Somewhat reminiscent of Herrmann's genie-inspired cues for The 7th Voyage Of Sinbad, the piece floats and flutters with harp and violin. Little squirrelly fluctuations for woodwind spiral about, lacing the score with a texture that keeps you on your toes.
Threat comes in the form of deep, resonant chords that try to keep such lighter distractions dragged down, and the whole thing winds down with a passionate variation of the love theme that, very nicely, registers with a sweet poignancy that helps keep the score safely on the Outer Limits. (courtesy avforums.com).
For all of you Outer Limits fans, this is another of my re-created soundtracks. Source material is again from CDs, a DVDrip and a number of re-mixes to recreate the exact sound of the TV soundtrack, bar by bar.
On a whole though, I think you'll really enjoy this soundtrack.
________________________________________________________________
TRACKLIST
00:00 01 Teaser (00 : 24)
00:24 02 Main Title and Capper 4A (00 : 47)
01:12 03 Sine Wave Pattern (00 : 11)
01:24 04 In Northern Greenland (01 : 380)
03:03 05 Its Here (00 : 40)
03:43 06 Monster Appears (00 : 43)
04:27 07 Love Revealed (00 : 48)
05:15 08 You Dont Need Me (00 : 57)
06:13 09 Major Arrives (00 : 24)
06:38 10 Every Man Is Afraid Of His Brother (03 : 01)
09:40 11 The Brain Machine (00 : 47)
10:27 12 Short Circuit (00 : 07)
10:34 13 Crossed Minds (00 : 46)
11:21 14 I'm Here Dr. Hamilton (00 : 45)
12:06 15 And I'm Gonna Destroy Everyone On This Base (00 : 34)
12:41 16 I Know You (01 : 24)
14:05 17 I Slept On It (00 : 07)
14:13 18 Stop Accusing (00 : 34)
14:48 19 Get Me Major Giles (00 : 39)
15:28 20 What Is This Thing He Sees (01 : 24)
16:52 21 Phone Call (00 : 47)
17:40 22 Look Into My Eyes (00 : 53)
18:33 23 You Got To Get The Keys (00 : 05)
18:38 24 Would You Mind Calling His Office (00 : 36)
19:14 25 The Keys (00 : 11)
19:26 26 Locked In Closet (00 : 21)
19:47 27 He Just Ran Out (01 : 16)
21:04 28 Major Brothers Escapes (00 : 51)
21:55 29 Watch Out (01 : 11)
23:07 30 Raise The Amplification (01 : 08)
24:15 31 Love Theme Reprise (02 : 18)
26:34 32 Closing Music (01 : 00)
27:34 33 Control Voice Sign Off (00 : 13)
27:48 34 End Credits Version 2 (stereo) (00 : 56)
Original Score by Dominic Frontiere
Original Broadcast 11 Nov 1963
"A weapon? No, only an instrument: neither good nor evil, until men put it to use. And then, like so many of Man's inventions, it can be used either to save lives or destroy them, to make men sane or to drive them mad, to increase human understanding or to betray it. But, it will be men who make the choice. By itself, the instrument is nothing, until you add the human factor."
________________________________________________________________
SYNOPSIS
At an isolated military installation in Greenland, Major Brothers (Harry Guardino) has allowed one of his men to die after falling in a crevasse. Suffering from hallucinations, he goes to Dr. Hamilton (Gary Merrill). Hamilton has invented a device that allows him to read the thoughts of another person. Hamilton and Brothers connect via the device, but then a power surge causes the unthinkable: the minds of the two men switch bodies. The deranged Maj. Brothers is bent on destroying the whole base. Unfortunately, his mind is now in the psychiatrist's body, and the other base workers know nothing of the mind switch; until his secretary (Sally Kellerman) gets wind of it.
________________________________________________________________
THE SOUNDTRACK
“The Human Factor” features another lush orchestral soundtrack by Dominic Frontiere. Just like "Architects Of Fear" and "The Man Who Was Never Born", Frontiere has a knack for producing beautiful, romantic tracks such as "Love Revealed", "You Don't Need Me", "Look Into My Eyes" and "Love Theme (Reprise)". Some of its cues however, like “It’s Here” and “Monster Appears” were used very regularly throughout the show’s first season.
The title theme makes a couple of returns throughout this score, albeit slightly remoulded but still full of its initial stabbing vibrancy. Frontiere also crafts a romantic theme that drives rather than whispers through the rising tension and becomes quite forcefully lush, but it is probably his lilting and tinkling cue for the mental exchange that makes the most impressive mark here.
Somewhat reminiscent of Herrmann's genie-inspired cues for The 7th Voyage Of Sinbad, the piece floats and flutters with harp and violin. Little squirrelly fluctuations for woodwind spiral about, lacing the score with a texture that keeps you on your toes.
Threat comes in the form of deep, resonant chords that try to keep such lighter distractions dragged down, and the whole thing winds down with a passionate variation of the love theme that, very nicely, registers with a sweet poignancy that helps keep the score safely on the Outer Limits. (courtesy avforums.com).
For all of you Outer Limits fans, this is another of my re-created soundtracks. Source material is again from CDs, a DVDrip and a number of re-mixes to recreate the exact sound of the TV soundtrack, bar by bar.
On a whole though, I think you'll really enjoy this soundtrack.
________________________________________________________________
TRACKLIST
00:00 01 Teaser (00 : 24)
00:24 02 Main Title and Capper 4A (00 : 47)
01:12 03 Sine Wave Pattern (00 : 11)
01:24 04 In Northern Greenland (01 : 380)
03:03 05 Its Here (00 : 40)
03:43 06 Monster Appears (00 : 43)
04:27 07 Love Revealed (00 : 48)
05:15 08 You Dont Need Me (00 : 57)
06:13 09 Major Arrives (00 : 24)
06:38 10 Every Man Is Afraid Of His Brother (03 : 01)
09:40 11 The Brain Machine (00 : 47)
10:27 12 Short Circuit (00 : 07)
10:34 13 Crossed Minds (00 : 46)
11:21 14 I'm Here Dr. Hamilton (00 : 45)
12:06 15 And I'm Gonna Destroy Everyone On This Base (00 : 34)
12:41 16 I Know You (01 : 24)
14:05 17 I Slept On It (00 : 07)
14:13 18 Stop Accusing (00 : 34)
14:48 19 Get Me Major Giles (00 : 39)
15:28 20 What Is This Thing He Sees (01 : 24)
16:52 21 Phone Call (00 : 47)
17:40 22 Look Into My Eyes (00 : 53)
18:33 23 You Got To Get The Keys (00 : 05)
18:38 24 Would You Mind Calling His Office (00 : 36)
19:14 25 The Keys (00 : 11)
19:26 26 Locked In Closet (00 : 21)
19:47 27 He Just Ran Out (01 : 16)
21:04 28 Major Brothers Escapes (00 : 51)
21:55 29 Watch Out (01 : 11)
23:07 30 Raise The Amplification (01 : 08)
24:15 31 Love Theme Reprise (02 : 18)
26:34 32 Closing Music (01 : 00)
27:34 33 Control Voice Sign Off (00 : 13)
27:48 34 End Credits Version 2 (stereo) (00 : 56)
Highlights from the 1975 film score Brannigan by Dominic Frontiere. Enjoy this super soundtrack suite!
Please note all rights to the music belong to the licensed copyright owner(s).
0:00 Main Title
3:08 Ransom Pt 1
5:16 The Kidnap
6:44 Ransom Pt 3
7:37 Knock Knock
9:11 Stampede Along The Thames
11:14 Ransom Pt 4
13:48 End Titles
Want more John Wayne 70s cop music?
https://youtu.be/jmOT5FhevBc
Want more 1970s film scores?
https://youtube.com/playlist?list=PLi8A7JdC8OlswDOLkcx3z65uNsm5N7JtC
CC 9:11
#supersoundtracksuite #soundtrackofthemind #soundtrack #filmscore #dominicfrontiere #brannigan
Original Score by Dominic Frontiere
Original Broadcast 11 Nov 1963
"A weapon? No, only an instrument: neither good nor evil, until men put it to use. And then, like so many of Man's inventions, it can be used either to save lives or destroy them, to make men sane or to drive them mad, to increase human understanding or to betray it. But, it will be men who make the choice. By itself, the instrument is nothing, until you add the human factor."
________________________________________________________________
SYNOPSIS
At an isolated military installation in Greenland, Major Brothers (Harry Guardino) has allowed one of his men to die after falling in a crevasse. Suffering from hallucinations, he goes to Dr. Hamilton (Gary Merrill). Hamilton has invented a device that allows him to read the thoughts of another person. Hamilton and Brothers connect via the device, but then a power surge causes the unthinkable: the minds of the two men switch bodies. The deranged Maj. Brothers is bent on destroying the whole base. Unfortunately, his mind is now in the psychiatrist's body, and the other base workers know nothing of the mind switch; until his secretary (Sally Kellerman) gets wind of it.
________________________________________________________________
THE SOUNDTRACK
“The Human Factor” features another lush orchestral soundtrack by Dominic Frontiere. Just like "Architects Of Fear" and "The Man Who Was Never Born", Frontiere has a knack for producing beautiful, romantic tracks such as "Love Revealed", "You Don't Need Me", "Look Into My Eyes" and "Love Theme (Reprise)". Some of its cues however, like “It’s Here” and “Monster Appears” were used very regularly throughout the show’s first season.
The title theme makes a couple of returns throughout this score, albeit slightly remoulded but still full of its initial stabbing vibrancy. Frontiere also crafts a romantic theme that drives rather than whispers through the rising tension and becomes quite forcefully lush, but it is probably his lilting and tinkling cue for the mental exchange that makes the most impressive mark here.
Somewhat reminiscent of Herrmann's genie-inspired cues for The 7th Voyage Of Sinbad, the piece floats and flutters with harp and violin. Little squirrelly fluctuations for woodwind spiral about, lacing the score with a texture that keeps you on your toes.
Threat comes in the form of deep, resonant chords that try to keep such lighter distractions dragged down, and the whole thing winds down with a passionate variation of the love theme that, very nicely, registers with a sweet poignancy that helps keep the score safely on the Outer Limits. (courtesy avforums.com).
For all of you Outer Limits fans, this is another of my re-created soundtracks. Source material is again from CDs, a DVDrip and a number of re-mixes to recreate the exact sound of the TV soundtrack, bar by bar.
On a whole though, I think you'll really enjoy this soundtrack.
________________________________________________________________
TRACKLIST
00:00 01 Teaser (00 : 24)
00:24 02 Main Title and Capper 4A (00 : 47)
01:12 03 Sine Wave Pattern (00 : 11)
01:24 04 In Northern Greenland (01 : 380)
03:03 05 Its Here (00 : 40)
03:43 06 Monster Appears (00 : 43)
04:27 07 Love Revealed (00 : 48)
05:15 08 You Dont Need Me (00 : 57)
06:13 09 Major Arrives (00 : 24)
06:38 10 Every Man Is Afraid Of His Brother (03 : 01)
09:40 11 The Brain Machine (00 : 47)
10:27 12 Short Circuit (00 : 07)
10:34 13 Crossed Minds (00 : 46)
11:21 14 I'm Here Dr. Hamilton (00 : 45)
12:06 15 And I'm Gonna Destroy Everyone On This Base (00 : 34)
12:41 16 I Know You (01 : 24)
14:05 17 I Slept On It (00 : 07)
14:13 18 Stop Accusing (00 : 34)
14:48 19 Get Me Major Giles (00 : 39)
15:28 20 What Is This Thing He Sees (01 : 24)
16:52 21 Phone Call (00 : 47)
17:40 22 Look Into My Eyes (00 : 53)
18:33 23 You Got To Get The Keys (00 : 05)
18:38 24 Would You Mind Calling His Office (00 : 36)
19:14 25 The Keys (00 : 11)
19:26 26 Locked In Closet (00 : 21)
19:47 27 He Just Ran Out (01 : 16)
21:04 28 Major Brothers Escapes (00 : 51)
21:55 29 Watch Out (01 : 11)
23:07 30 Raise The Amplification (01 : 08)
24:15 31 Love Theme Reprise (02 : 18)
26:34 32 Closing Music (01 : 00)
27:34 33 Control Voice Sign Off (00 : 13)
27:48 34 End Credits Version 2 (stereo) (00 : 56)
Dominic Frontiere (born June 17, 1931) is an American composer, arranger, and jazzaccordionist. He is known for composing the theme and much of the music for the first season of the television series The Outer Limits.
Biography
Early years
Born in New Haven, Connecticut, the son of a musical family, at age seven Frontiere was already playing several instruments before deciding to concentrate on the accordion. At twelve, he played solo at Carnegie Hall.
Hollywood
After a stint with a big band in the late 1940s and early 50s, Frontiere moved to Los Angeles, where he enrolled at UCLA. He eventually became musical director at 20th Century Fox. He scored several films under the tutelage of Alfred and Lionel Newman, while also recording jazz music.
Oh God! Thou art the Giver of Life, Remover of pain and sorrow, The Bestower of happiness, Oh! Creator of the Universe, May we receive thy supreme sin-destroying light,