-
LIONEL TRILLING'S A SENSE OF THE PAST for PG TRB, NTA NET SET
To help you pass NTA NET English, PG TRB, AP SET, K SET, WB SET, TN SET, HP SET, JK SET, GATE English literature and other exams in English literature
For details of online and offline classes and notes, contact 9387839871 or 8129148112 or 9745842322.
You may also join our Telegram group for daily notes and quizzes. https://t.me/vallathstesgroup
For our Literature Books, visit https://bodhitreepublications.org/
published: 01 Feb 2022
-
Books No Longer Express America's Soul | Louis Menand | Big Think
Books No Longer Express America's Soul
New videos DAILY: https://bigth.ink/youtube
Join Big Think Edge for exclusive videos: https://bigth.ink/Edge
----------------------------------------------------------------------------------
The kind of literary criticism that Lionel Trilling practiced, which assumed that national literatures reflected deep national values, is dead now.
----------------------------------------------------------------------------------
Louis Menand:
Louis Menand is the Anne T. and Robert M. Bass Professor of English at Harvard University. His areas of interest include 19th and 20th century cultural history. His books include the Pulitzer Prize-winning "The Metaphysical Club" (2001), "Pragmatism: A Reader" (1996), and "Discovering Modernism: T. S. Eliot and His Cont...
published: 24 Apr 2012
-
Lionel Trilling: “Freud and Literature” (ENG)
Subject:English
Paper: Literary Criticism and Theory
published: 05 Jun 2017
-
The Lionel Trilling Seminar: Political Fiction, Ancient & Modern
The Lionel Trilling Seminar: Political Fiction, Ancient and Modern: From David's Court to Fabrice's Charterhouse
3/7/16: Robert Alter presents the next installment of the Lionel Trilling Seminar. Herbert Marks and Michael Wood will serve as respondents.
The David story and Stendhal's Charterhouse of Parma, the first narrative very early and the other relatively late in the Western literary tradition, are deeply instructive instances of how the vehicle of fiction can provide insights into the realm of politics. Each in its own way shows the role individual character plays in the gaining and maintaining of power and how the exercise of power affects or distorts character. The biblical story is compellingly grave, Stendhal's novel satiric and sometimes comic, but both manifest an unblink...
published: 24 Nov 2020
-
The Lionel Trilling Seminar: Amanda Anderson
October 20, 2022
Lionel Trilling (1905-75), one of Columbia's most celebrated faculty members, was among the great humanist scholars and public intellectuals of the 20th century. In his memory, The Society of Fellows and Heyman Center for the Humanities sponsors a series of intellectual conversations known as the Lionel Trilling Seminars.
This fall, esteemed literary scholar and theorist Amanda Anderson will deliver a lecture entitled "Political Psychology, Literary Studies, and the Question of Method."
Despite extensive interest over the past few decades in the question of method, the literary field’s informing psychological frameworks are often not subject to much scrutiny, particularly its tendency to privilege psychoanalytic categories drawn from the tradition of Freud, Klein, and L...
published: 24 Oct 2022
-
ContraMinds ShortCuts | Joe Pine - Learnings from Lionel Trilling's Book Sincerity & Authenticity
B. Joseph Pine II is an internationally acclaimed author, speaker, and management advisor to Fortune 500 companies and entrepreneurial start-ups alike. He is the cofounder of Strategic Horizons LLP, a thinking studio dedicated to helping businesses conceive and design new ways of adding value to their economic offerings.
Pine consults with numerous companies around the world, helping them embrace the ideas and frameworks he writes about, develop concepts for creating more economic value, and see those concepts become reality.
His books (author / co-author) include Mass Customization, The Experience Economy, Infinite Possibility, Authenticity.
In this episode, Joe Pine talks to Swami & Vignesh about:
Shift from Goods &Services economy to an Experience Economy
What's an Experience Econo...
published: 16 Sep 2022
-
The Lionel Trilling Seminar: Political Fiction, Ancient and Modern (Panel Highlight)
Robert Alter presented the next installment of the Lionel Trilling Seminar on March 7, 2016. Herbert Marks and Michael Wood served as respondents.
The David story and Stendhal's Charterhouse of Parma, the first narrative very early and the other relatively late in the Western literary tradition, are deeply instructive instances of how the vehicle of fiction can provide insights into the realm of politics. Each in its own way shows the role individual character plays in the gaining and maintaining of power and how the exercise of power affects or distorts character. The biblical story is compellingly grave, Stendhal's novel satiric and sometimes comic, but both manifest an unblinking vision of man as a political animal.
published: 24 May 2016
-
Spring 2013 Lionel Trilling Seminar, “What, Ultimately, for?”
Trilling, Leavis, and the Limits of Cultural Criticism
published: 20 Nov 2014
-
M-16. Lionel Trilling: “Freud and Literature”
published: 08 Apr 2021
-
Lionel Trilling : Freud & Literature | Dr. Vinay Bharat
The "Freud and Literature" is divided into four parts.
In part I, he examines the various influences which conditioned Freud's theory of psychology, and also the great and profound influence which Freud has experienced on subsequent writers.
Part II is devoted to a consideration of Freud's rationalism and thus to counter the view that Freud was concerned only with the irrational elements in the human consciousness.
Part III examines, the utility and relevance of his psychoanalytic technique for the study of art, particularly literature.
Part IV-the concluding part- makes an assessment of his contribution and greatness.
One is always aware in reading Freud how little cynicism there is in his thought. His desire for man is only that he should be human, and to this end his ...
published: 01 Jul 2020
15:19
LIONEL TRILLING'S A SENSE OF THE PAST for PG TRB, NTA NET SET
To help you pass NTA NET English, PG TRB, AP SET, K SET, WB SET, TN SET, HP SET, JK SET, GATE English literature and other exams in English literature
For deta...
To help you pass NTA NET English, PG TRB, AP SET, K SET, WB SET, TN SET, HP SET, JK SET, GATE English literature and other exams in English literature
For details of online and offline classes and notes, contact 9387839871 or 8129148112 or 9745842322.
You may also join our Telegram group for daily notes and quizzes. https://t.me/vallathstesgroup
For our Literature Books, visit https://bodhitreepublications.org/
https://wn.com/Lionel_Trilling'S_A_Sense_Of_The_Past_For_Pg_Trb,_Nta_Net_Set
To help you pass NTA NET English, PG TRB, AP SET, K SET, WB SET, TN SET, HP SET, JK SET, GATE English literature and other exams in English literature
For details of online and offline classes and notes, contact 9387839871 or 8129148112 or 9745842322.
You may also join our Telegram group for daily notes and quizzes. https://t.me/vallathstesgroup
For our Literature Books, visit https://bodhitreepublications.org/
- published: 01 Feb 2022
- views: 4813
4:36
Books No Longer Express America's Soul | Louis Menand | Big Think
Books No Longer Express America's Soul
New videos DAILY: https://bigth.ink/youtube
Join Big Think Edge for exclusive videos: https://bigth.ink/Edge
------------...
Books No Longer Express America's Soul
New videos DAILY: https://bigth.ink/youtube
Join Big Think Edge for exclusive videos: https://bigth.ink/Edge
----------------------------------------------------------------------------------
The kind of literary criticism that Lionel Trilling practiced, which assumed that national literatures reflected deep national values, is dead now.
----------------------------------------------------------------------------------
Louis Menand:
Louis Menand is the Anne T. and Robert M. Bass Professor of English at Harvard University. His areas of interest include 19th and 20th century cultural history. His books include the Pulitzer Prize-winning "The Metaphysical Club" (2001), "Pragmatism: A Reader" (1996), and "Discovering Modernism: T. S. Eliot and His Context" (1987). His most recent volume, "The Marketplace of Ideas," was published by W. W. Norton & Co. in 2010. He is a staff writer for The New Yorker and contributes frequently to The New York Review of Books and other publications.
----------------------------------------------------------------------------------
TRANSCRIPT:
Question: Is LionelrnTrilling still your model of a great critic, as he was when you started?
Louis Menand: Whenrn I was young, I went to college,rnhad a teacher who was, had been a student of Trilling’s at Columbia, rnthis wasrnin California. And he, I started readingrnhim around that time, and then I went to Columbia as well, Trilling was rnstillrnteaching there, I took a course with him. rnHe was not a great teacher, but he was, when I was younger, he rnwas arngood model for the kind of criticism I wanted to do, because he thought rnveryrndialectically. That is to say, herncould see in any particular cultural moment, things that were happening rnandrnthings that were going on that would undermine whatever was happening. He had a very good feel for howrncultural change takes place, and that’s a really complicated question rnthatrncriticism addresses, I think. Sornthat turn of mind that he had is something that really got me interestedrn inrnbeing able to write that way.
Now, I wouldn’t say he’s a model at all for me now,rn andrnprobably has not been somebody I’ve read for a very long time. But when I was young, that was kind ofrnwhat got me interested in doing this kind of writing.
Question: What is therncultural role of a literary critic now?
Louis Menand: Irn think in the, for most of the 20thrncentury, and certainly through the period when I was in school, print rnwas kingrnand literature was thought to be the essence of a society or a rncivilization’srnexpression of itself. You learnedrnFrench literature or you learned British literature or you learned rnAmericanrnliterature because that was a way of understanding that particularrnculture. And I think print is nornlonger king, no duh, and I also think that the idea that there’s such a rnthingrnas a national literature that’s somehow uniquely expressive of a rnnational soulrnor culture or mentality is probably also something that nobody really rnbelievesrnin anymore.
So the kind of criticism that a Trilling could rnpractice orrnan Edmund Wilson could practice in the 1940’s, 1950’s, is obsolete in rnthatrnsense.
Secondly, I think that when Trilling wrote the rnessays inrn“The Liberal Imagination,” which came out in 1950, he was writing for rneducatedrnpeople, most of them not academics, because the book was actually a rnbestsellerrnand bought by people far outside the academy. But it was a readership ofrn peoplernwho believed that your taste in literature or your taste in music or rnyour tasternin painting actually told people something about your values, in rnparticularlyrnyour political values. That’s whatrn“The Liberal Imagination,” that volume, is all about. Irn don’t think people believe that any more, I don’t thinkrnpeople think that it really matters whether you appreciate Henry James rnmorernthan Theodore Dreiser, to use an example that Trilling used, or whether rnyournprefer the Beatles to the Sex Pistols, or whatever the current version rnof thatrnargument is, I think people like to have the argument, but I don’t thinkrn theyrnthink a whole lot turns on which side you come out on.
So to that extent, the job of the critic, as it rnmight havernbeen conceived in the 1950’s or 1960’s, was some kind of role of moral rnarbiterrnfor people, not a huge number of people, but people who were, you know, rnfairlyrneducated, well-placed people. Irndon’t think anybody really thinks of critics as performing that functionrn anyrnmore.
Read the full transcript at https://bigthink.com/videos/books-no-longer-express-americas-soul/
https://wn.com/Books_No_Longer_Express_America's_Soul_|_Louis_Menand_|_Big_Think
Books No Longer Express America's Soul
New videos DAILY: https://bigth.ink/youtube
Join Big Think Edge for exclusive videos: https://bigth.ink/Edge
----------------------------------------------------------------------------------
The kind of literary criticism that Lionel Trilling practiced, which assumed that national literatures reflected deep national values, is dead now.
----------------------------------------------------------------------------------
Louis Menand:
Louis Menand is the Anne T. and Robert M. Bass Professor of English at Harvard University. His areas of interest include 19th and 20th century cultural history. His books include the Pulitzer Prize-winning "The Metaphysical Club" (2001), "Pragmatism: A Reader" (1996), and "Discovering Modernism: T. S. Eliot and His Context" (1987). His most recent volume, "The Marketplace of Ideas," was published by W. W. Norton & Co. in 2010. He is a staff writer for The New Yorker and contributes frequently to The New York Review of Books and other publications.
----------------------------------------------------------------------------------
TRANSCRIPT:
Question: Is LionelrnTrilling still your model of a great critic, as he was when you started?
Louis Menand: Whenrn I was young, I went to college,rnhad a teacher who was, had been a student of Trilling’s at Columbia, rnthis wasrnin California. And he, I started readingrnhim around that time, and then I went to Columbia as well, Trilling was rnstillrnteaching there, I took a course with him. rnHe was not a great teacher, but he was, when I was younger, he rnwas arngood model for the kind of criticism I wanted to do, because he thought rnveryrndialectically. That is to say, herncould see in any particular cultural moment, things that were happening rnandrnthings that were going on that would undermine whatever was happening. He had a very good feel for howrncultural change takes place, and that’s a really complicated question rnthatrncriticism addresses, I think. Sornthat turn of mind that he had is something that really got me interestedrn inrnbeing able to write that way.
Now, I wouldn’t say he’s a model at all for me now,rn andrnprobably has not been somebody I’ve read for a very long time. But when I was young, that was kind ofrnwhat got me interested in doing this kind of writing.
Question: What is therncultural role of a literary critic now?
Louis Menand: Irn think in the, for most of the 20thrncentury, and certainly through the period when I was in school, print rnwas kingrnand literature was thought to be the essence of a society or a rncivilization’srnexpression of itself. You learnedrnFrench literature or you learned British literature or you learned rnAmericanrnliterature because that was a way of understanding that particularrnculture. And I think print is nornlonger king, no duh, and I also think that the idea that there’s such a rnthingrnas a national literature that’s somehow uniquely expressive of a rnnational soulrnor culture or mentality is probably also something that nobody really rnbelievesrnin anymore.
So the kind of criticism that a Trilling could rnpractice orrnan Edmund Wilson could practice in the 1940’s, 1950’s, is obsolete in rnthatrnsense.
Secondly, I think that when Trilling wrote the rnessays inrn“The Liberal Imagination,” which came out in 1950, he was writing for rneducatedrnpeople, most of them not academics, because the book was actually a rnbestsellerrnand bought by people far outside the academy. But it was a readership ofrn peoplernwho believed that your taste in literature or your taste in music or rnyour tasternin painting actually told people something about your values, in rnparticularlyrnyour political values. That’s whatrn“The Liberal Imagination,” that volume, is all about. Irn don’t think people believe that any more, I don’t thinkrnpeople think that it really matters whether you appreciate Henry James rnmorernthan Theodore Dreiser, to use an example that Trilling used, or whether rnyournprefer the Beatles to the Sex Pistols, or whatever the current version rnof thatrnargument is, I think people like to have the argument, but I don’t thinkrn theyrnthink a whole lot turns on which side you come out on.
So to that extent, the job of the critic, as it rnmight havernbeen conceived in the 1950’s or 1960’s, was some kind of role of moral rnarbiterrnfor people, not a huge number of people, but people who were, you know, rnfairlyrneducated, well-placed people. Irndon’t think anybody really thinks of critics as performing that functionrn anyrnmore.
Read the full transcript at https://bigthink.com/videos/books-no-longer-express-americas-soul/
- published: 24 Apr 2012
- views: 2029
1:44:53
The Lionel Trilling Seminar: Political Fiction, Ancient & Modern
The Lionel Trilling Seminar: Political Fiction, Ancient and Modern: From David's Court to Fabrice's Charterhouse
3/7/16: Robert Alter presents the next install...
The Lionel Trilling Seminar: Political Fiction, Ancient and Modern: From David's Court to Fabrice's Charterhouse
3/7/16: Robert Alter presents the next installment of the Lionel Trilling Seminar. Herbert Marks and Michael Wood will serve as respondents.
The David story and Stendhal's Charterhouse of Parma, the first narrative very early and the other relatively late in the Western literary tradition, are deeply instructive instances of how the vehicle of fiction can provide insights into the realm of politics. Each in its own way shows the role individual character plays in the gaining and maintaining of power and how the exercise of power affects or distorts character. The biblical story is compellingly grave, Stendhal's novel satiric and sometimes comic, but both manifest an unblinking vision of man as a political animal.
https://wn.com/The_Lionel_Trilling_Seminar_Political_Fiction,_Ancient_Modern
The Lionel Trilling Seminar: Political Fiction, Ancient and Modern: From David's Court to Fabrice's Charterhouse
3/7/16: Robert Alter presents the next installment of the Lionel Trilling Seminar. Herbert Marks and Michael Wood will serve as respondents.
The David story and Stendhal's Charterhouse of Parma, the first narrative very early and the other relatively late in the Western literary tradition, are deeply instructive instances of how the vehicle of fiction can provide insights into the realm of politics. Each in its own way shows the role individual character plays in the gaining and maintaining of power and how the exercise of power affects or distorts character. The biblical story is compellingly grave, Stendhal's novel satiric and sometimes comic, but both manifest an unblinking vision of man as a political animal.
- published: 24 Nov 2020
- views: 662
1:38:21
The Lionel Trilling Seminar: Amanda Anderson
October 20, 2022
Lionel Trilling (1905-75), one of Columbia's most celebrated faculty members, was among the great humanist scholars and public intellectuals o...
October 20, 2022
Lionel Trilling (1905-75), one of Columbia's most celebrated faculty members, was among the great humanist scholars and public intellectuals of the 20th century. In his memory, The Society of Fellows and Heyman Center for the Humanities sponsors a series of intellectual conversations known as the Lionel Trilling Seminars.
This fall, esteemed literary scholar and theorist Amanda Anderson will deliver a lecture entitled "Political Psychology, Literary Studies, and the Question of Method."
Despite extensive interest over the past few decades in the question of method, the literary field’s informing psychological frameworks are often not subject to much scrutiny, particularly its tendency to privilege psychoanalytic categories drawn from the tradition of Freud, Klein, and Lacan. Taking John Guillory’s Cultural Capital: The Problem of Literary Canon Formation as a case in point, she will explore the ways in which the encounter with the psychological unconscious of the field remains largely deferred thirty years later after the publication of that important study. One consequence of this field condition is that the dominant psychological assumptions continue to have an ineluctable connection to, and constraint on, the field’s political imaginary. By shifting our attention to post-Kleinian object relations (Winnicott, in particular) and Axel Honneth’s work on recognition and respect, we might begin to develop a political psychology more attuned to current challenges and more in line with some of the impulses behind the method debates.
Amanda Anderson is the Andrew W. Mellon Professor of Humanities and English and Director of the Cogut Institute for the Humanities at Brown University. She is the author, most recently, of Character: Three Inquiries in Literary Study (University of Chicago Press, 2019; with Rita Felski and Toril Moi), Psyche and Ethos: Moral Life after Psychology (Oxford University Press, 2018), and Bleak Liberalism (University of Chicago, 2016).
Respondents:
Nicholas Dames is a specialist in the novel, with particular attention to the novel of the nineteenth century in Britain and on the European continent. His interests include novel theory, the history of reading, and the aesthetics of prose fiction from the seventeenth century to the present. He is the author of Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870 (Oxford University Press, 2001), which was awarded the Sonya Rudikoff Prize by the Northeast Victorian Studies Association; and The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction (Oxford University Press, 2007).
Nancy Yousef specializes in literature and philosophy of the Romantic era. Her research and teaching are centered in British and European Romanticism, but also extend to eighteenth-century sources and forward into the later nineteenth-century. She is especially interested in the intersections between philosophical writing and literary form and in the relations among aesthetics, ethics, and representation of the emotions. She is the author of three books: Isolated Cases (Cornell University Press, 2004), Romantic Intimacy (Stanford University Press, 2013; winner of the Barricelli Prize), and The Aesthetic Commonplace (Oxford University Press, 2022).
Introduction by Eileen Gillooly, Executive Director of the Society of Fellows and Heyman Center for the Humanities.
https://wn.com/The_Lionel_Trilling_Seminar_Amanda_Anderson
October 20, 2022
Lionel Trilling (1905-75), one of Columbia's most celebrated faculty members, was among the great humanist scholars and public intellectuals of the 20th century. In his memory, The Society of Fellows and Heyman Center for the Humanities sponsors a series of intellectual conversations known as the Lionel Trilling Seminars.
This fall, esteemed literary scholar and theorist Amanda Anderson will deliver a lecture entitled "Political Psychology, Literary Studies, and the Question of Method."
Despite extensive interest over the past few decades in the question of method, the literary field’s informing psychological frameworks are often not subject to much scrutiny, particularly its tendency to privilege psychoanalytic categories drawn from the tradition of Freud, Klein, and Lacan. Taking John Guillory’s Cultural Capital: The Problem of Literary Canon Formation as a case in point, she will explore the ways in which the encounter with the psychological unconscious of the field remains largely deferred thirty years later after the publication of that important study. One consequence of this field condition is that the dominant psychological assumptions continue to have an ineluctable connection to, and constraint on, the field’s political imaginary. By shifting our attention to post-Kleinian object relations (Winnicott, in particular) and Axel Honneth’s work on recognition and respect, we might begin to develop a political psychology more attuned to current challenges and more in line with some of the impulses behind the method debates.
Amanda Anderson is the Andrew W. Mellon Professor of Humanities and English and Director of the Cogut Institute for the Humanities at Brown University. She is the author, most recently, of Character: Three Inquiries in Literary Study (University of Chicago Press, 2019; with Rita Felski and Toril Moi), Psyche and Ethos: Moral Life after Psychology (Oxford University Press, 2018), and Bleak Liberalism (University of Chicago, 2016).
Respondents:
Nicholas Dames is a specialist in the novel, with particular attention to the novel of the nineteenth century in Britain and on the European continent. His interests include novel theory, the history of reading, and the aesthetics of prose fiction from the seventeenth century to the present. He is the author of Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870 (Oxford University Press, 2001), which was awarded the Sonya Rudikoff Prize by the Northeast Victorian Studies Association; and The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction (Oxford University Press, 2007).
Nancy Yousef specializes in literature and philosophy of the Romantic era. Her research and teaching are centered in British and European Romanticism, but also extend to eighteenth-century sources and forward into the later nineteenth-century. She is especially interested in the intersections between philosophical writing and literary form and in the relations among aesthetics, ethics, and representation of the emotions. She is the author of three books: Isolated Cases (Cornell University Press, 2004), Romantic Intimacy (Stanford University Press, 2013; winner of the Barricelli Prize), and The Aesthetic Commonplace (Oxford University Press, 2022).
Introduction by Eileen Gillooly, Executive Director of the Society of Fellows and Heyman Center for the Humanities.
- published: 24 Oct 2022
- views: 382
4:55
ContraMinds ShortCuts | Joe Pine - Learnings from Lionel Trilling's Book Sincerity & Authenticity
B. Joseph Pine II is an internationally acclaimed author, speaker, and management advisor to Fortune 500 companies and entrepreneurial start-ups alike. He is th...
B. Joseph Pine II is an internationally acclaimed author, speaker, and management advisor to Fortune 500 companies and entrepreneurial start-ups alike. He is the cofounder of Strategic Horizons LLP, a thinking studio dedicated to helping businesses conceive and design new ways of adding value to their economic offerings.
Pine consults with numerous companies around the world, helping them embrace the ideas and frameworks he writes about, develop concepts for creating more economic value, and see those concepts become reality.
His books (author / co-author) include Mass Customization, The Experience Economy, Infinite Possibility, Authenticity.
In this episode, Joe Pine talks to Swami & Vignesh about:
Shift from Goods &Services economy to an Experience Economy
What's an Experience Economy & measuring its value
How to transform a company into an experience organisation
Las Vegas as the 'Experience Capital of the World'
Correlation between Authenticity and Experience
-------------------
You can listen to the full episode on:
Apple Podcasts: https://lnkd.in/dDiPxX7d
Spotify: https://lnkd.in/dYxPMeK5
Website: https://lnkd.in/dRHpV3qw
-------------------
Connect with Joe Pine: https://www.linkedin.com/in/joepine/
Connect with Swami: https://www.linkedin.com/in/sivaraman...
Connect with Vignesh: https://www.linkedin.com/in/hrorq/
-------------------
Subscribe to ContraMinds
Spotify: https://buff.ly/3RKnjMD
Apple Podcasts: https://buff.ly/3pNkvCr
YouTube: https://buff.ly/3S93Vtt
Website: https://contraminds.com
--------------------
Follow Us
Twitter: https://twitter.com/contraminds
Instagram: https://www.instagram.com/contraminds/
LinkedIn: https://www.linkedin.com/company/cont...
Facebook: https://www.facebook.com/contraminds
#business #work #experience #management #economy #school #stage #university #school Customer Experience Professionals Association (CXPA) Columbia University School of Professional Studies #customerexperience #customerexperiencemanagement #customers #technology #uidesign #userexperience #userexperiencedesign #uxdesign #ux #startup #books
https://wn.com/Contraminds_Shortcuts_|_Joe_Pine_Learnings_From_Lionel_Trilling's_Book_Sincerity_Authenticity
B. Joseph Pine II is an internationally acclaimed author, speaker, and management advisor to Fortune 500 companies and entrepreneurial start-ups alike. He is the cofounder of Strategic Horizons LLP, a thinking studio dedicated to helping businesses conceive and design new ways of adding value to their economic offerings.
Pine consults with numerous companies around the world, helping them embrace the ideas and frameworks he writes about, develop concepts for creating more economic value, and see those concepts become reality.
His books (author / co-author) include Mass Customization, The Experience Economy, Infinite Possibility, Authenticity.
In this episode, Joe Pine talks to Swami & Vignesh about:
Shift from Goods &Services economy to an Experience Economy
What's an Experience Economy & measuring its value
How to transform a company into an experience organisation
Las Vegas as the 'Experience Capital of the World'
Correlation between Authenticity and Experience
-------------------
You can listen to the full episode on:
Apple Podcasts: https://lnkd.in/dDiPxX7d
Spotify: https://lnkd.in/dYxPMeK5
Website: https://lnkd.in/dRHpV3qw
-------------------
Connect with Joe Pine: https://www.linkedin.com/in/joepine/
Connect with Swami: https://www.linkedin.com/in/sivaraman...
Connect with Vignesh: https://www.linkedin.com/in/hrorq/
-------------------
Subscribe to ContraMinds
Spotify: https://buff.ly/3RKnjMD
Apple Podcasts: https://buff.ly/3pNkvCr
YouTube: https://buff.ly/3S93Vtt
Website: https://contraminds.com
--------------------
Follow Us
Twitter: https://twitter.com/contraminds
Instagram: https://www.instagram.com/contraminds/
LinkedIn: https://www.linkedin.com/company/cont...
Facebook: https://www.facebook.com/contraminds
#business #work #experience #management #economy #school #stage #university #school Customer Experience Professionals Association (CXPA) Columbia University School of Professional Studies #customerexperience #customerexperiencemanagement #customers #technology #uidesign #userexperience #userexperiencedesign #uxdesign #ux #startup #books
- published: 16 Sep 2022
- views: 113
10:46
The Lionel Trilling Seminar: Political Fiction, Ancient and Modern (Panel Highlight)
Robert Alter presented the next installment of the Lionel Trilling Seminar on March 7, 2016. Herbert Marks and Michael Wood served as respondents.
The David s...
Robert Alter presented the next installment of the Lionel Trilling Seminar on March 7, 2016. Herbert Marks and Michael Wood served as respondents.
The David story and Stendhal's Charterhouse of Parma, the first narrative very early and the other relatively late in the Western literary tradition, are deeply instructive instances of how the vehicle of fiction can provide insights into the realm of politics. Each in its own way shows the role individual character plays in the gaining and maintaining of power and how the exercise of power affects or distorts character. The biblical story is compellingly grave, Stendhal's novel satiric and sometimes comic, but both manifest an unblinking vision of man as a political animal.
https://wn.com/The_Lionel_Trilling_Seminar_Political_Fiction,_Ancient_And_Modern_(Panel_Highlight)
Robert Alter presented the next installment of the Lionel Trilling Seminar on March 7, 2016. Herbert Marks and Michael Wood served as respondents.
The David story and Stendhal's Charterhouse of Parma, the first narrative very early and the other relatively late in the Western literary tradition, are deeply instructive instances of how the vehicle of fiction can provide insights into the realm of politics. Each in its own way shows the role individual character plays in the gaining and maintaining of power and how the exercise of power affects or distorts character. The biblical story is compellingly grave, Stendhal's novel satiric and sometimes comic, but both manifest an unblinking vision of man as a political animal.
- published: 24 May 2016
- views: 1326
1:55:09
Spring 2013 Lionel Trilling Seminar, “What, Ultimately, for?”
Trilling, Leavis, and the Limits of Cultural Criticism
Trilling, Leavis, and the Limits of Cultural Criticism
https://wn.com/Spring_2013_Lionel_Trilling_Seminar,_“What,_Ultimately,_For_”
Trilling, Leavis, and the Limits of Cultural Criticism
- published: 20 Nov 2014
- views: 1520
41:58
Lionel Trilling : Freud & Literature | Dr. Vinay Bharat
The "Freud and Literature" is divided into four parts.
In part I, he examines the various influences which conditioned Freud's theory of psychology, and also...
The "Freud and Literature" is divided into four parts.
In part I, he examines the various influences which conditioned Freud's theory of psychology, and also the great and profound influence which Freud has experienced on subsequent writers.
Part II is devoted to a consideration of Freud's rationalism and thus to counter the view that Freud was concerned only with the irrational elements in the human consciousness.
Part III examines, the utility and relevance of his psychoanalytic technique for the study of art, particularly literature.
Part IV-the concluding part- makes an assessment of his contribution and greatness.
One is always aware in reading Freud how little cynicism there is in his thought. His desire for man is only that he should be human, and to this end his science is devoted.
Freudian outlook does not narrow and simplify the human world for the artist but on contrary opens and complicates it.
https://wn.com/Lionel_Trilling_Freud_Literature_|_Dr._Vinay_Bharat
The "Freud and Literature" is divided into four parts.
In part I, he examines the various influences which conditioned Freud's theory of psychology, and also the great and profound influence which Freud has experienced on subsequent writers.
Part II is devoted to a consideration of Freud's rationalism and thus to counter the view that Freud was concerned only with the irrational elements in the human consciousness.
Part III examines, the utility and relevance of his psychoanalytic technique for the study of art, particularly literature.
Part IV-the concluding part- makes an assessment of his contribution and greatness.
One is always aware in reading Freud how little cynicism there is in his thought. His desire for man is only that he should be human, and to this end his science is devoted.
Freudian outlook does not narrow and simplify the human world for the artist but on contrary opens and complicates it.
- published: 01 Jul 2020
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